Cavatina is: examples of famous cavatina from operas. The meaning of the word cavatina in the dictionary of musical terms
Cavatina is a short aria in an opera performance or a piece for an instrument.
What is Cavatina
In instrumental music, a cavatina is a short piece. Usually such works do not have much fast pace. They are performed very melodiously, as if it were a song, only for musical instrument. For example, Ludwig van Beethoven Adagio molto espressivo from the B major string quartet. But in instrumental music this term is still rarely used.
The word cavatina has Italian roots. It is a diminutive form of cavata(kavata), which comes from cavare(kaware), meaning "to extract" .
This term is mainly used in opera music. Cavatina is an aria, small in size (usually one verse, preceded by a short instrumental introduction), light, and lyrical in nature. It is usually performed in a contemplative and thoughtful manner. It differs from an ordinary aria in that it is simpler, much more modest in scale, and it rarely uses text repetitions and coloratura. Cavatina's tempo is usually slow.
At the end of the 18th century, it often became the exit aria of the main character opera performance. Since the 19th century, cavatinas have become widespread, virtuoso in execution, as well as moderately slow in tempo. In addition, those whose melodies are more like a song. A striking example The last type are two cavatinas by J. Haydn from the oratorio “The Seasons”, one of them belongs to the heroine Agatha, and the other to Antonida. of this genre, created in the 19th century, are more free in their construction and much larger in scale than those that were adopted in the 18th century. There are also cavatinas, which are arias in form.
"The Marriage of Figaro"
Cavatina Figaro from the opera by Wolfgang Amadeus Mozart is one of the most famous works of this genre. She is the exit aria of this character. It reveals the character of Figaro. Musical portrait The main character speaks of him as a temperamental, courageous and proud person. Cavatina size - 2/4.
"The Barber of Seville"
Another famous character, through whose lips the cavatina is performed, is Rosina from the opera by Gioachino Rossini. This aria is written in the form of a short song of 1 verse. Her character is virtuoso. Rosina's Cavatina is one of those rare works of its genre in which coloratura is present. The heroine here talks about herself, about how she is obedient and gives in to everyone, but if necessary, she will always be able to insist on her own.
View value Cavatina in other dictionaries
Cavatina- and. Italian a short aria or tune (one-voice), which interrupts the recitative, talk, in an opera.
Dictionary Dahl
Cavatina- Cavatina, w. (Italian cavatina) (music). A small lyrical aria, a melodic solo number in the opera. for tenor.
Ushakov's Explanatory Dictionary
Cavatina J.— 1. A short aria of a lyrical-narrative nature in an opera or oratorio. 2. Small instrumental piece(or part of it) of a melodious nature.
Explanatory Dictionary by Efremova
Cavatina- -s; and. [ital. cavatina] One of the varieties of operatic aria, usually freely constructed, characterized by melodiousness and lyricism.
Kuznetsov's Explanatory Dictionary
Cavatina- (Italian cavatina) - a small solo vocal piece of a lyrical nature in opera and oratorio.
Large encyclopedic dictionary
Cavatina- (Italian cavatina, reduce. from cavata - cavat, from cavare - to extract). 1) In the 18th century. - short solo lyric. a piece in an opera or oratorio, usually contemplative and pensive in character. Arose........
Music Encyclopedia
Meaning of the word CAVATINA in the Dictionary musical terms
CAVATINA
(Italian cavatina, from cavare, lit. - to extract) - a small operatic aria, usually of a lyrical-narrative nature, distinguished by the relative simplicity of its form and song structure. A cavatina is sometimes also called a short instrumental piece with a melodious melody.
Dictionary of musical terms. 2012
See also interpretations, synonyms, meanings of the word and what CAVATINA is in Russian in dictionaries, encyclopedias and reference books:
- CAVATINA in the Big Encyclopedic Dictionary:
(Italian cavatina) a small solo vocal piece of a lyrical nature in opera and ... - CAVATINA
(Italian cavatina, from cavare, literally - to extract), a solo lyrical piece in opera and oratorio. In the 18th century usually wore a contemplative and thoughtful... - CAVATINA
(cavatina or cavata) - a short aria, simple in form and texture, with one theme of a gentle nature, moderate movement. A little recitative... - CAVATINA
[Italian cavatina] a small lyrical aria (in ... - CAVATINA in the Encyclopedic Dictionary:
y, w. A short operatic aria or instrumental piece of melodious, lyrical... - CAVATINA V Encyclopedic Dictionary:
, -y, w. A short operatic aria, usually of a lyrical nature, as well as a melodious instrumental... - CAVATINA in the Big Russian Encyclopedic Dictionary:
CAVATINA (Italian cavatina), small lyrical. aria in opera and... - CAVATINA in the Brockhaus and Efron Encyclopedia:
(cavatina or cavata) ? a short, uncomplicated aria in form and texture, with one theme of a gentle nature and moderate movement. A little recitative... - CAVATINA in the Complete Accented Paradigm according to Zaliznyak:
kawati"na, kawati"ny, kawati"ny, kawati"n, kawati"no, kawati"us, kawati"well, kawati"ny, kawati"noy, kawati"noyu, kawachi"nami,kawati"no, ... - CAVATINA in the New Dictionary of Foreign Words:
it. cavatina) a small operatic aria, usually of a lyrical-narrative nature; sometimes a small instrumental piece of melodious... - CAVATINA in the Dictionary of Foreign Expressions:
[it. cavatina] a small operatic aria, usually of a lyrical-narrative nature; sometimes a small instrumental piece of melodious... - CAVATINA in Abramov's Dictionary of Synonyms:
cm. … - CAVATINA in the Russian Synonyms dictionary:
aria... - CAVATINA in the New Explanatory Dictionary of the Russian Language by Efremova:
and. 1) A short aria of a lyrical-narrative nature in an opera or oratorio. 2) A small instrumental piece (or part of it) of melodious melodic... - CAVATINA in Lopatin's Dictionary of the Russian Language:
kawatina, ... - CAVATINA in the Complete Spelling Dictionary of the Russian Language:
Cavatina, ... - CAVATINA in the Spelling Dictionary:
kawatina, ... - CAVATINA in Dahl's Dictionary:
wives , Italian a short aria or tune (one-voice), which interrupts the recitative, talk, in ... - CAVATINA in the Modern Explanatory Dictionary, TSB:
(Italian cavatina), a small solo vocal piece of a lyrical nature in opera and ... - CAVATINA in Ushakov’s Explanatory Dictionary of the Russian Language:
Cavatina, w. (Italian cavatina) (music). A small lyrical aria, a melodic solo number in the opera. Cavatina for... - CAVATINA in Ephraim's Explanatory Dictionary:
Cavatina w. 1) A short aria of a lyrical-narrative nature in an opera or oratorio. 2) A small instrumental piece (or part of it) of melodious melodic... - CAVATINA in the New Dictionary of the Russian Language by Efremova:
and. 1. A short aria of a lyrical-narrative nature in an opera or oratorio. 2. A small instrumental piece (or part of it) of melodious melodic... - CAVATINA in the Large Modern Explanatory Dictionary of the Russian Language:
and. 1. A short aria of a lyrical-narrative nature in an opera or oratorio. 2. A small instrumental piece or part of a melodious melodic... - ARIA in the Dictionary of Musical Terms:
Italian aria, basic meaning - air, a complete episode (number) in an opera, oratorio or cantata, performed by one singer... - BERNARD (NAME OF RUSSIAN MUSICAL FIGURES) in the Brief Biographical Encyclopedia:
Bernard is the name of several Russian musical figures: 1) Matvey Ivanovich (1794 - 1871). Studied piano under Field's guidance; ... - OPERA in Bolshoi Soviet encyclopedia, TSB:
(Italian opera, literally - composition, from Latin opera - work, product, work), a genre of musical and dramatic art. Literary basis O. (libretto... - ARIA in the Great Soviet Encyclopedia, TSB:
(Italian aria), a completed episode in an opera, oratorio or cantata, performed by a singer with an orchestra. In the dramatic development of the opera A. ... - FORM IN MUSIC in the Encyclopedic Dictionary of Brockhaus and Euphron:
structure musical composition, which is based on the proportionality of parts and symmetry. In musical architectonics the following phrases have been established: sentence (see), period (see), ... - BORODIN ALEXANDER PORFIRIEVICH in the Encyclopedic Dictionary of Brockhaus and Euphron:
professor of chemistry and academician of the Military Medical Academy, doctor of medicine and composer; genus. Oct 31 1834 in St. Petersburg, died in February... - BORODIN in the Encyclopedic Dictionary of Brockhaus and Euphron:
Borodin A.P. as a composer. Musical ability Borodin was discovered very early; As a nine-year-old child, he played all sorts of pieces on the piano by ear, heard... - BALAKIREV in the Encyclopedic Dictionary of Brockhaus and Euphron:
(Miliy Alekseevich) - famous Russian composer and musical and public figure; genus. 21 Dec 1836 in Nizhny Novgorod. He was brought up in Kazan...
Number opera has long dominated the world musical art. It is called numbered because it can easily be divided into numbers - arias of opera heroes. These are (in which the number of arias could exceed all reasonable limits), operas of the Romantic era (Bellini, for example), classical operas (Mozart, of course), Verdi's operas (except for the later ones) and many others. With the advent of Wagner, a certain revolution took place, after which continuous opera, from which it is difficult or impossible to isolate individual numbers, began to be highly valued.
When the opera was a numbered opera, arias could be written for each character. For the main ones characters composers composed several solo numbers. Naturally, such diversity could not be called in one word “aria”. In fact, there is a classification opera arias, and it would be nice for the singer to understand it.
So, there is the main type of solo number - aria. This is a completely finished, independent episode in an opera (or oratorio), which can easily be taken from it for a separate performance. The aria most fully characterizes the hero. The duration of the aria may vary. For example, an aria da capo, common in ancient opera-seria, consists of a first part, a middle part and a repetition of the first part, but with variations; an example of a da capo aria is Handel’s “Lascia ch’io pianga”. In the Baroque era there were so many variations that one could calmly drink tea while the singer performed coloraturas. A large aria implies a slow and fast part (such arias are sung in the last rounds of vocal competitions). An aria may be preceded by a scene, that is. Examples from operas: Cavaradossi's aria "E lucevan le stelle" by Puccini, Jose's aria with a flower from "Carmen", two Zerlina arias from Mozart's "Don Giovanni", Don Basilio's aria about slander from " Barber of Seville"etc.
Often the main character is given two arias, the second of which may be less developed. In this case, the number is called “arioso”. It is more intense than the recitative and can also be easily removed from the opera for performance at a concert. Most often, arioso describes the hero's reaction to current events. Arioso is also found in large duet scenes (the scene of Violetta and Germont from La Traviata). Examples from Tchaikovsky: Herman’s arioso “Forgive me, heavenly creature”, Lensky’s arioso “I love you”, Onegin’s arioso “Is it really the same Tatyana”, etc.
Arietta is close in meaning to arioso. It has a simpler melody of a song nature. Arietta is common in French comic opera. For example, Loretta Gretry’s arietta, Snegurochka’s arietta “I Heard”, etc.
Cavatina occupies a special place. Previously, this was the hero’s very first aria, “the day off,” that is, it was sung immediately upon entering the stage. Later, cavatina began to be called arias with free construction. Examples: Valentina's cavatina from Gounod's Faust, Rosina's cavatina and Figaro's cavatina (both very popular) from Rossini's The Barber of Seville.
There are also romances in operas. In general, romance is the main genre chamber music, but let us remember Dubrovsky’s romance from Napravnik’s opera, Santuzza’s romance from “ Country honor", Nemorino's romance from "Elisir of Love". Most often, the theme of a romance is the experience of love.
Barcarolle (from Italian word“barka” - boat) is a song of the Venetian gondoliers, its melody seems to “rock” the listener on the waves. Most famous example— duet-barcarolle “Belle nuit” from the opera “The Tales of Hoffmann” by Offenbach.
The composer resorts to a serenade when the hero of the opera sings under his beloved’s window. Examples: Smith's Serenade from Bizet's "Belle of Perth", Gounod's Mephistopheles Serenade (this serenade is satirical).
A ballad is a song story with dramatic and fantastic content. For example, the ballad of Mephistopheles or the ballad of Margarita about the King of Fula from the opera “Faust”. 
Canzona in Italian opera called lyrical song. The most famous song is “The Heart of a Beauty” from Verdi’s opera “Rigoletto”, other examples: Almaviva’s canzone from “The Barber of Seville”, Cherubino’s canzone “Voi che sapete”. A canzonetta is a small canzone, such as the canzonetta des Grieux from Puccini's Manon Lescaut.
To show the heroic, fighting, strong-willed character of the hero, cabaletta is used. It is small in size, fast and rhythmic. Such is Manrico’s cabaletta “Di quella pira” from “Il Trovatore,” Bellini’s cavatina and cabaletta of Norma or Elvira. True, Manrico’s cabaletta is also called stretta, which means an acceleration of the tempo of music and action at the end of the work.
Here are the main types of opera arias, knowing which you will correctly announce your performance at a concert or in front of a jury.
CAVATINA
CAVATINA
(it.). A short aria interrupted by a recitative.
Dictionary of foreign words included in the Russian language. - Chudinov A.N., 1910 .
CAVATINA
it. cavatina, from cavata, a kind of song. A short aria interrupted by a recitative.
Explanation of 25,000 foreign words that have come into use in the Russian language, with the meaning of their roots. - Mikhelson A.D., 1865 .
CAVATINA
a small aria (song), simple in music, with gentle content, interspersed with recitative (talk).
Complete dictionary foreign words that have come into use in the Russian language. - Popov M., 1907 .
CAVATINA
a small aria expressing tender feelings and interspersed with recitative.
Dictionary of foreign words included in the Russian language. - Pavlenkov F., 1907 .
Cavatina
it. cavatina) a small operatic aria, usually of a lyrical-narrative nature; sometimes a small instrumental piece of a melodious nature.
New dictionary foreign words.- by EdwART,, 2009 .
Cavatina
Cavatina, w. [it. cavatina] (music). A small lyrical aria, a melodic solo number in an opera, sometimes a light play. Cavatina for tenor.
Big dictionary foreign words.- Publishing house "IDDK", 2007 .
Cavatina s, and. (it. cavatina cavare extract (sounds)).
A short operatic aria or instrumental piece of a melodious, lyrical nature.
Explanatory dictionary of foreign words by L. P. Krysin. - M: Russian language, 1998 .
Synonyms:
See what "CAVATINA" is in other dictionaries:
Cm … Dictionary of synonyms
CAVATINA, cavatina, female. (Italian cavatina) (music). A small lyrical aria, a melodic solo number in the opera. Cavatina for tenor. Ushakov's explanatory dictionary. D.N. Ushakov. 1935 1940 ... Ushakov's Explanatory Dictionary
- (Italian cavatina) a small solo vocal piece of a lyrical nature in opera and oratorio... Big Encyclopedic Dictionary
CAVATINA, s, female. A short operatic aria, usually of a lyrical nature, as well as a melodious instrumental piece. Ozhegov's explanatory dictionary. S.I. Ozhegov, N.Yu. Shvedova. 1949 1992 … Ozhegov's Explanatory Dictionary
Female, Italian a short aria or tune (one-voice), which interrupts the recitative, talk, in an opera. Dahl's Explanatory Dictionary. V.I. Dahl. 1863 1866 … Dahl's Explanatory Dictionary
- (cavatina or cavata) a short aria, uncomplicated in form and texture, with one theme of a gentle nature, moderate movement. A small recitative precedes K.N.S ... Encyclopedia of Brockhaus and Efron
- (Italian cavatina, diminutive of Italian cavata) a small lyrical opera aria. Derived from kavata. WITH late XVIII centuries, often an exit aria in opera (Figaro’s cavatina in the opera “The Marriage of Figaro”, the Prince’s cavatina, Aleko). Brief, ... ... Wikipedia
- (Italian cavatina, reduce. from cavata cavata, from cavare to extract). 1) In the 18th century. short solo lyric. a piece of opera or oratorio, usually contemplative and reflective in character. It arose from the kavata associated with the recitative of the early 18th century... ... Music Encyclopedia
- (Italian cavatina, from cavare, literally to extract) a solo lyrical piece in opera and oratorio. In the 18th century usually had a contemplative, thoughtful character and differed from the aria in its greater simplicity, songlike melody and modest scale. At 1... Great Soviet Encyclopedia
Y; and. [ital. cavatina] One of the varieties of operatic aria, usually freely constructed, characterized by melodiousness and lyricism. * * * cavatina (Italian cavatina), a small lyrical aria in opera and oratorio. * * * CAVATINA CAVATINA (Italian... ... Encyclopedic Dictionary
Books
- Cavatina, Op. 144, Saint-Saens Camille. Reprint sheet music edition of Saint-Sa?ns, Camille`Cavatine, Op. 144`. Genres: Cavatinas; For trombone, piano; Scores featuring the trombone; Scores featuring the piano; For 2 players. We have created...
