What is the double meaning of the title of the drama thunderstorm. Essay: The meaning of the title of the drama by A.N.

Ostrovsky's plays reflected, as if in a mirror, the whole life of the Russian merchants. The drama “The Thunderstorm” shows the reader a reliable picture of the tragedy, which can be considered a completely common occurrence for the merchant environment. The life and customs of the Russian merchants were capable of bringing a person to moral and physical death, and Ostrovsky in his works shows all the circumstances, terrible in their everydayness and typicality, accompanying such a tragedy. One of the city residents, Kuligin, says: “Cruel morals, sir, in our city, cruel!” Cruelty is so closely woven into the life of the city and its inhabitants that it does not even occur to anyone to resist or be indignant about it. Everyone around them is forced to put up with existing orders and morals. The only thing that is bright, clean and beautiful in the city is the amazingly beautiful nature. It is no coincidence that at the very beginning of the work, tribute is paid to this eternal beauty, which does not depend on the anger and cruelty of people. Kuligin speaks about the beauty of his native nature: “Here, my brother, for fifty years I have been looking at the Volga every day and I can’t get enough of it.”

The Volga symbolizes freedom, and any person in the city of Kalinov depends on those around him, on cruel morals and other people’s opinions, often unfair. That is why there is clearly some stuffiness in the air. In nature, this occurs before the start of a thunderstorm.

The “Dark Kingdom” tries to enslave everyone who has even the slightest prerequisites for thinking or acting independently. Everyone obeys, so such representatives of the “dark kingdom” as Kabanova and Dikoy can freely establish their own rules.

Kabanikha is an extremely disgusting character, she is cruel, power-hungry, but at the same time stupid and limited. She is hypocritical, in her soul there is neither pity nor compassion for others. They say about her that she is a hypocrite, “she favors the poor, but completely eats up her family.” Kabanikha constantly reproaches everyone around her for not showing her due deference and respect. However, there is absolutely nothing to respect her for. Kabanova pesters her household so much that they quietly hate her. There is simply no other way to treat her.

Kabanova demands that everyone obey her. Deep down, she feels how fragile her power over those around her is. And this makes her even more angry and hate everyone around her. She is also an unfortunate victim of the “dark kingdom”. Perhaps she was different in her youth, but the existing order led her to turn into an evil and cruel creature.

Kabanikha cannot even understand the members of her own family, among whom different relationships are gradually being established than those to which she is accustomed. It is difficult for Marfa Ignatievna to understand that each person is a whole world, a whole Universe. And therefore, each person has the right to his own life, which is built according to principles other than those that she preaches.

Kabanova is considered a respected and influential woman in the city. She and the merchant Dikoy constitute the “color” of the city nobility. It is no wonder that such a suffocating atmosphere reigns in the city, because all the rules are established by such narrow-minded and evil people. Just look at how the merchant Dikoy treats those around him: he embezzled the money of his nephew, who was left an orphan. And he blackmails his nephew in every possible way, threatening that he will not receive his money if he is not respectful enough to him and obedient to his will. Dikoy does not pay money to the peasants, he humiliates people, trampling on their human dignity. Wild and Kabanikha are birds of a feather. They are extremely selfish people who value only themselves, and try not to take others into account.

Katerina initially appears to have completely opposite qualities than those characteristic of representatives of the merchant environment. Katerina is dreamy and imprudent. Despite the fact that she grew up in the same merchant family, her parents treated her completely differently. Katerina herself remembers with sadness about her girlhood: “I lived, didn’t worry about anything, like a bird in the wild. Mama doted on me, dressed me up like a doll, and didn’t force me to work...” Katerina is given in marriage by force, as, indeed, was customary in the merchant society of that time. She does not have any feelings for her husband, so life itself in the Kabanov house depresses her. Katerina dreams of freedom, of joy, of a real life full of events. And she has to vegetate in an atmosphere of all-consuming stupidity, hypocrisy and falsehood.

The mother-in-law is trying to humiliate Katerina, but she can only endure it. Katerina is tender and dreamy, she suffers from a lack of love and care. She is bored, sad and sad. She is absolutely unhappy. Katerina's husband is a weak-willed and weak person, Katerina does not love him, and he does not even try to protect his wife from her evil and unfair mother-in-law.

Love for Boris is for Katerina a escape from the dullness and monotony of everyday joyless life. Katerina cannot refuse her feelings. After all, love is the only thing she has that is pure, bright and beautiful. Katerina is an open and straightforward person, so she cannot hide her feelings, adapting to the prevailing orders in society. Katerina can no longer stay in this city, again endure the humiliation of her mother-in-law. And she decides to leave with her loved one. But he refuses: “I can’t, Katya. It’s not of my own free will that my uncle sends me.” Katerina realizes with horror that she will again have to live with her husband and endure Kabanikha’s orders. Katerina's soul can't stand it. She decides to throw herself into the Volga and find freedom in death.

Katerina gives up her life at the moment when a thunderstorm breaks out over the city. A thunderstorm in nature radically changes the atmosphere, the hot and suffocating haze disappears. Katerina’s death was the same thunderstorm for society that forced people to look at their own lives differently. Now even Katerina’s husband understands who is to blame for the woman’s death. He blames his own mother for the tragedy: “Mama, you ruined her! You, you, you...”

Katerina’s death was the sign that made those around her wake up and open their eyes, which had long been closed by a veil of lies, hypocrisy and hypocrisy. Tyranny, indifference and human indifference to the fate of others destroy people not only physically, but also spiritually. The drama is called “The Thunderstorm” because in this work the thunderstorm is not only a natural, but also a social phenomenon. An explosive situation was brewing in the city, and finally it happened - under the influence of the environment and the people around her, the unfortunate woman voluntarily gave up her life.

The meaning of the name of the drama by A.N. Ostrovsky “Thunderstorm”

A.N. Ostrovsky is the largest playwright of the second half of the 19th century. His plays reflect almost all aspects of Russian life. He was one of the first to give a broad description of the merchants in Russia. Alexander Nikolaevich wrote his drama “The Thunderstorm” under the impression of a trip along the Volga. This play can safely be called a pearl of Russian literature. In it, the main place is occupied by the description of the life and customs of the merchants, but the role of the landscape is also important.

The drama itself begins with Kuligin’s story about the beauty of nature in the city of Kalinov: “... Here you are, my brother, for fifty years I have been looking across the Volga every day and I still can’t see enough.” But this splendor is disrupted by cruel morals and some kind of stuffiness before the onset of a thunderstorm. Kuligin says: “Cruel morals, sir, in our city, cruel!” The order in Kalinov is established by two main and rich people, according to Dobrolyubov, representatives of the “dark kingdom”: Kabanov and Dikiy. Kabanova is “a hypocrite, she favors the poor, but completely eats up her family,” says Kuligin in a conversation with Boris. Indeed, at the first appearance of Marfa Ignatievna on stage, we hear the imperious intonations of the mistress of the house, accustomed to unquestioning obedience. She pesters her loved ones not so much with abuse, but with eternal reproaches for disrespect and disobedience. Kabanova is angry because her heart senses some trouble around her, some trends that are deeply hostile to her. Even in her family, where they meekly obey her, she sees the awakening of new feelings, new relationships, despite the fact that her son Tikhon says: “Yes, I’m a mother and I don’t want to live by my own will.”

Kabanova is the most influential woman in the city; Dikoy himself, the noble merchant Kalinova, even reports to her. They are both evil, cruel people, but the Wild One is distinguished by boundless greed. He has taken over his own nephew's money and tells him to be more subservient to him if he wants to get it back. Savel Prokofievich does not pay any money to the peasants. Kuligin talks about the men who came to the mayor to complain “that Dikoy would not disrespect any of them.” Just like Kabanikha, he takes pleasure in humiliating people, subordinating them to his will. It should be noted that Dikoy is afraid of Marfa Ignatievna, Savel Prokofievich allows himself to raise his voice at Kabanikha and in response hears: “Well, don’t let your throat loose! Find me cheaper! And I’m dear to you!”

In the drama, Katerina, Kabanova’s daughter-in-law, a girl from a merchant family who was forcibly married, takes the path of fighting tyranny. She recalls with tenderness and sadness her days spent in her parents’ house, the carefree time that passed: “I lived, didn’t worry about anything, like a bird in the wild. Mama doted on me, she dressed me up like a doll, she didn’t force me to work...” After marriage, Katerina found herself in captivity, her bright and pure soul was constantly reaching out for freedom, she wanted to escape from the strong clutches of her mother-in-law. And despite all that she had to endure, she said: “And if I get really tired of it here, no force can hold me back.” It’s hard for Katerina in Kabanova’s house, who strives to bring her family and, above all, the willful Katerina, to complete obedience. But the more they humiliate her, the stronger the impulse for freedom, love and happiness awakens. She cannot fall in love with Tikhon; he is not able to protect his wife from his mother’s attacks, since he himself is a tool in her hands. Therefore, the feeling for Boris expresses both a mortal melancholy from a monotonous life, and a burning desire for freedom and space. Having fallen in love with all her soul, Katerina does not want and cannot pretend and deceive, that is, adapt to the “dark kingdom.”

She makes an attempt to find help and support from her loved one: “Take me with you from here,” she asks Boris and hears in response: “I can’t Katya. I’m not eating of my own free will: “my uncle sends me.” Thus, there are two options left for Katerina: one is to live with her husband, subdued and trampled, the other is to die. She chose the latter - liberation at the cost of death.

After Katerina passed away, the residents of the city of Kalinova saw everything that was happening to them. Even Kabanikha’s obedient and submissive son Tikhon has seen the light; he dares to blame his mother for the death of his beloved wife, bending over her lifeless body: “Mama, you ruined her! You, you, you...” Residents of the city of Kalinov seemed to have created this tragic situation themselves, failing, being afraid to speak out in time against tyranny and evil!

What is the double meaning of the title of A. N. Ostrovsky’s drama “The Thunderstorm”?

What is the double meaning of the title of A. N. Ostrovsky’s drama “The Thunderstorm”?

Ostrovsky's plays reflected, as if in a mirror, the whole life of the Russian merchants. The drama “The Thunderstorm” shows the reader a reliable picture of the tragedy, which can be considered a completely common occurrence for the merchant environment. The life and customs of the Russian merchants were capable of bringing a person to moral and physical death, and Ostrovsky in his works shows all the circumstances, terrible in their everydayness and typicality, accompanying such a tragedy. One of the city residents, Kuligin, says: “Cruel morals, sir, in our city, cruel!” Cruelty is so closely woven into the life of the city and its inhabitants that it does not even occur to anyone to resist or be indignant about it. Everyone around them is forced to put up with existing orders and morals. The only thing that is bright, clean and beautiful in the city is the amazingly beautiful nature. It is no coincidence that at the very beginning of the work, tribute is paid to this eternal beauty, which does not depend on the anger and cruelty of people. Kuligin speaks about the beauty of his native nature: “Here, my brother, for fifty years I have been looking at the Volga every day and I can’t get enough of it.”

The Volga symbolizes freedom, and any person in the city of Kalinov depends on those around him, on cruel morals and other people’s opinions, often unfair. That is why there is clearly some stuffiness in the air. In nature, this occurs before the start of a thunderstorm.

The “Dark Kingdom” tries to enslave everyone who has even the slightest prerequisites for thinking or acting independently. Everyone obeys, so such representatives of the “dark kingdom” as Kabanova and Dikoy can freely establish their own rules.

Kabanikha is an extremely disgusting character, she is cruel, power-hungry, but at the same time stupid and limited. She is hypocritical, in her soul there is neither pity nor compassion for others. They say about her that she is a hypocrite, “she favors the poor, but completely eats up her family.” Kabanikha constantly reproaches everyone around her for not showing her due deference and respect. However, there is absolutely nothing to respect her for. Kabanova pesters her household so much that they quietly hate her. There is simply no other way to treat her.

Kabanova demands that everyone obey her. Deep down, she feels how fragile her power over those around her is. And this makes her even more angry and hate everyone around her. She is also an unfortunate victim of the “dark kingdom”. Perhaps she was different in her youth, but the existing order led her to turn into an evil and cruel creature.

Kabanikha cannot even understand the members of her own family, among whom different relationships are gradually being established than those to which she is accustomed. It is difficult for Marfa Ignatievna to understand that each person is a whole world, a whole Universe. And therefore, each person has the right to his own life, which is built according to principles other than those that she preaches.

Kabanova is considered a respected and influential woman in the city. She and the merchant Dikoy constitute the “color” of the city nobility. It is no wonder that such a suffocating atmosphere reigns in the city, because all the rules are established by such narrow-minded and evil people. Just look at how the merchant Dikoy treats those around him: he embezzled the money of his nephew, who was left an orphan. And he blackmails his nephew in every possible way, threatening that he will not receive his money if he is not respectful enough to him and obedient to his will. Dikoy does not pay money to the peasants, he humiliates people, trampling on their human dignity. Wild and Kabanikha are birds of a feather. They are extremely selfish people who value only themselves, and try not to take others into account.

Katerina initially appears to have completely opposite qualities than those characteristic of representatives of the merchant environment. Katerina is dreamy and imprudent. Despite the fact that she grew up in the same merchant family, her parents treated her completely differently. Katerina herself remembers with sadness about her girlhood: “I lived, didn’t worry about anything, like a bird in the wild. Mama doted on me, dressed me up like a doll, and didn’t force me to work...” Katerina is given in marriage by force, as, indeed, was customary in the merchant society of that time. She does not have any feelings for her husband, so life itself in the Kabanovs’ house depresses her. Katerina dreams of freedom, of joy, of a real life full of events. And she has to vegetate in an atmosphere of all-consuming stupidity, hypocrisy and falsehood.

The mother-in-law is trying to humiliate Katerina, but she can only endure it. Katerina is tender and dreamy, she suffers from a lack of love and care. She is bored, sad and sad. She is absolutely unhappy. Katerina's husband is a weak-willed and weak person, Katerina does not love him, and he does not even try to protect his wife from her evil and unfair mother-in-law.

Love for Boris is for Katerina a escape from the dullness and monotony of everyday joyless life. Katerina cannot refuse her feelings. After all, love is the only thing she has that is pure, bright and beautiful. Katerina is an open and straightforward person, so she cannot hide her feelings, adapting to the prevailing orders in society. Katerina can no longer stay in this city, again endure the humiliation of her mother-in-law. And she decides to leave with her loved one. But he refuses: “I can’t, Katya. Food is not of my own free will: my uncle sends it.” Katerina realizes with horror that she will again have to live with her husband and endure Kabanikha’s orders. Katerina's soul can't stand it. She decides to throw herself into the Volga and find freedom in death.

Katerina gives up her life at the moment when a thunderstorm breaks out over the city. A thunderstorm in nature radically changes the atmosphere, the hot and suffocating haze disappears. Katerina’s death was the same thunderstorm for society that forced people to look at their own lives differently. Now even Katerina’s husband understands who is to blame for the woman’s death. He blames his own mother for the tragedy: “Mama, you ruined her! You, you, you...”

Katerina’s death was the sign that made those around her wake up and open their eyes, which had long been closed by a veil of lies, hypocrisy and hypocrisy. Tyranny, indifference and human indifference to the fate of others destroy people not only physically, but also spiritually. The drama is called “The Thunderstorm” because in this work the thunderstorm is not only a natural, but also a social phenomenon. An explosive situation was brewing in the city, and finally it happened - under the influence of the environment and the people around her, the unfortunate woman voluntarily gave up her life.

References

To prepare this work, materials were used from the site http://www.ostrovskiy.org.ru/

What is the double meaning of the title of A. N. Ostrovsky’s drama “The Thunderstorm”? Ostrovsky's plays reflected, as if in a mirror, the whole life of the Russian merchants. Drama “Thunderstorm”

More works

A.N. Ostrovsky's drama "The Thunderstorm" is one of the writer's most famous works. It contains many themes: love, freedom, and serfdom. And, of course, the main idea that runs like a red thread through the entire work is reflected in the title of the play.

A thunderstorm is both a natural phenomenon, a danger looming over the city, and a symbol of the era.

From the very beginning of the story, in the first act, we hear a conversation between two heroes about Kalinov’s morals. Kudryash and Kuligin are minor characters, but despite this they carry an important semantic load. Their conversation revolves around the Wild One. This hero is gifted by the author with a speaking surname; indeed, human concepts seem to be alien to him. This hero is a kind of thunderstorm for everyone at home, as well as for the courtyard people; his sudden anger keeps the entire neighborhood in fear.

Another episode in which Dikoy and one of the heroes who first appear on stage, Kuligin, are present. In this episode, Kuligin asks Dikiy for money to build a clock and a lightning rod; the hero wants to do something useful and good, to somehow move the ossified society. But he is refused, it turns out that Dikiy’s stupidity and short-sightedness is even deeper than it might seem to us, he is categorically against the construction, because a thunderstorm, in his opinion, is sent to people as punishment, and watches are not needed at all (the author probably emphasizes the lack of watches the fact that Kalinov’s development is lagging behind, there is no education and rough serfdom still reigns).

The main character of the work, Katerina, lives with her husband in the house of his mother Kabanikha. Kabanovs, this is their telling surname, and it does not require further explanation. Freedom-loving Katerina languishes under the yoke of this cruel woman, a real thunderstorm for her entire home. Only Katerina’s good manners and wisdom allowed her to remain under her power for a long time, but only externally, internally the heroine always remains free.

Much in Katerina’s life is connected with thunderstorms. She is afraid of this natural phenomenon, faints, her intuition tells her that something is about to happen that will decide her fate. And she admits to her actions with Boris, and understands: she cannot live in the Kabanovs’ house anymore. After all, Kabanikha became a thunderstorm not only for her, but also for her son. He runs away from home to spend a few days in freedom.

As for Katerina, she herself can be called a thunderstorm for the outdated foundations of the Kalinovites. In the finale, she seems to challenge the slavery and oppression that reigns in the city. Throughout the entire action, tension is felt, a thunderstorm hangs over Kalinov’s tyrants.

Much indicates that the power of Kabanikha and Dikiy is in danger. Kudryash refuses to obey them, and in the end disappears along with Varvara, who also only creates the appearance of subordination to Kabanikha, but in reality she does what she considers necessary.

And, of course, Kuligin’s words at the end of the play confirm the idea that the power of the Wild and Kabanovs is short-lived, a thunderstorm is approaching them. Kuligin reminds them that Katerina’s body may belong to them, but her soul is free.

The meaning of the title of this play is very significant. Many times it occurs as a natural phenomenon, is reflected in the images and characters of the characters, and seems to be a character itself. The whole atmosphere of the work is reflected in the title of A.N. Ostrovsky’s wonderful and still popular and beloved play “The Thunderstorm”.

The meaning of the title, the title of Ostrovsky's play The Thunderstorm

A.N. Ostrovsky is one of the most outstanding writers of the 19th century; his works tell us about the struggle of humanity, kindness, compassion with meanness, greed and malice. In each of his books, the author shows kind, naive heroes faced with the cruel reality of the world, which leads them to complete disappointment in life and kills all the good that is in them.

"The Thunderstorm" is the pinnacle of the playwright's creative quest. After all, this play marked the beginning of such a monumental theme, which was subsequently used more than once as the main theme in their works by various writers of contemporaries and subsequent centuries. What has impressed readers so much over three centuries?

Katerina, translated from Greek, means “pure”; Ostrovsky tells us how people around her, rotten to the very bones, oppress her and drive her into a corner, because they feel the strength in her and understand that she is the beginning of the end for them.
This fragile, naive girl cannot be called strong-willed or strong, she did not accomplish a feat, on the contrary, her act can be perceived as weakness, but the death of the heroine became a protest against the existing order, by her example she freed the hands of all the oppressed. Her image is a “ray of light”, a symbol of the fight against cruel, selfish people who ruin the lives of everyone around, that is, against the “dark kingdom”.

In the last days and weeks of her life, Katerina was terribly afraid of thunder, believing that God’s punishment for her sins was falling on her head, she was so pure that she did not understand that the thunderstorm did not come to kill her, lightning and thunder were splitting into pieces the world of those who offended her, the darkness has come to an end.

Katerina played the role of a soldier who runs ahead of everyone with a flag, calling to fight, the role of a soldier who awakens strength and resistance in souls. After all, after her death, everyone who had been silent and patient before protested. Kabanov finally realized and understood that his tyrant mother was to blame for what happened, but his conscience was not calm either, because he could not prevent the tragedy. Kudryash and Varvara decide to run away, to leave behind Diky and Kabanikha, whose life will become unbearable if they have no one to oppress and no one to pour their dirt on.

A thunderstorm that brings death to the dark kingdom, to the former terrible foundations - this is the main meaning and significance of Ostrovsky’s play.

Alexander Nikolaevich shows the hackneyed and banal theme of the struggle between good and evil in a completely unique light and perceives it quite sharply. I think this is a very important work that everyone should read.

Feat is a very deep word that hides so much. For ordinary civilians it is not entirely clear. However, military personnel and rescuers know its worth. Since they face danger every day, very often face to face with death

What is the double meaning of the title of A. N. Ostrovsky’s drama “The Thunderstorm”?

Ostrovsky's plays reflected, as if in a mirror, the whole life of the Russian merchants. The drama “The Thunderstorm” shows the reader a reliable picture of the tragedy, which can be considered a completely common occurrence for the merchant environment. The life and customs of the Russian merchants were capable of bringing a person to moral and physical death, and Ostrovsky in his works shows all the circumstances, terrible in their everydayness and typicality, accompanying such a tragedy. One of the city residents, Kuligin, says: “Cruel morals, sir, in our city, cruel!” Cruelty is so closely woven into the life of the city and its inhabitants that it does not even occur to anyone to resist or be indignant about it. Everyone around them is forced to put up with existing orders and morals. The only thing that is bright, clean and beautiful in the city is the amazingly beautiful nature. It is no coincidence that at the very beginning of the work, tribute is paid to this eternal beauty, which does not depend on the anger and cruelty of people. Kuligin speaks about the beauty of his native nature: “Here, my brother, for fifty years I have been looking at the Volga every day and I can’t get enough of it.”

The Volga symbolizes freedom, and any person in the city of Kalinov depends on those around him, on cruel morals and other people’s opinions, often unfair. That is why there is clearly some stuffiness in the air. In nature, this occurs before the start of a thunderstorm.

The “Dark Kingdom” tries to enslave everyone who has even the slightest prerequisites for thinking or acting independently. Everyone obeys, so such representatives of the “dark kingdom” as Kabanova and Dikoy can freely establish their own rules.

Kabanikha is an extremely disgusting character, she is cruel, power-hungry, but at the same time stupid and limited. She is hypocritical, in her soul there is neither pity nor compassion for others. They say about her that she is a hypocrite, “she favors the poor, but completely eats up her family.” Kabanikha constantly reproaches everyone around her for not showing her due deference and respect. However, there is absolutely nothing to respect her for. Kabanova pesters her household so much that they quietly hate her. There is simply no other way to treat her.

Kabanova demands that everyone obey her. Deep down, she feels how fragile her power over those around her is. And this makes her even more angry and hate everyone around her. She is also an unfortunate victim of the “dark kingdom”. Perhaps she was different in her youth, but the existing order led her to turn into an evil and cruel creature.

Kabanikha cannot even understand the members of her own family, among whom different relationships are gradually being established than those to which she is accustomed. It is difficult for Marfa Ignatievna to understand that each person is a whole world, a whole Universe. And therefore, each person has the right to his own life, which is built according to principles other than those that she preaches.

Kabanova is considered a respected and influential woman in the city. She and the merchant Dikoy constitute the “color” of the city nobility. It is no wonder that such a suffocating atmosphere reigns in the city, because all the rules are established by such narrow-minded and evil people. Just look at how the merchant Dikoy treats those around him: he embezzled the money of his nephew, who was left an orphan. And he blackmails his nephew in every possible way, threatening that he will not receive his money if he is not respectful enough to him and obedient to his will. Dikoy does not pay money to the peasants, he humiliates people, trampling on their human dignity. Wild and Kabanikha are birds of a feather. They are extremely selfish people who value only themselves, and try not to take others into account.

Katerina initially appears to have completely opposite qualities than those characteristic of representatives of the merchant environment. Katerina is dreamy and imprudent. Despite the fact that she grew up in the same merchant family, her parents treated her completely differently. Katerina herself remembers with sadness about her girlhood: “I lived, didn’t worry about anything, like a bird in the wild. Mama doted on me, dressed me up like a doll, and didn’t force me to work...” Katerina is given in marriage by force, as, indeed, was customary in the merchant society of that time. She does not have any feelings for her husband, so life itself in the Kabanovs’ house depresses her. Katerina dreams of freedom, of joy, of a real life full of events. And she has to vegetate in an atmosphere of all-consuming stupidity, hypocrisy and falsehood.

The mother-in-law is trying to humiliate Katerina, but she can only endure it. Katerina is tender and dreamy, she suffers from a lack of love and care. She is bored, sad and sad. She is absolutely unhappy. Katerina's husband is a weak-willed and weak person, Katerina does not love him, and he does not even try to protect his wife from her evil and unfair mother-in-law.

Love for Boris is for Katerina a escape from the dullness and monotony of everyday joyless life. Katerina cannot refuse her feelings. After all, love is the only thing she has that is pure, bright and beautiful. Katerina is an open and straightforward person, so she cannot hide her feelings, adapting to the prevailing orders in society. Katerina can no longer stay in this city, again endure the humiliation of her mother-in-law. And she decides to leave with her loved one. But he refuses: “I can’t, Katya. Food is not of my own free will: my uncle sends it.” Katerina realizes with horror that she will again have to live with her husband and endure Kabanikha’s orders. Katerina's soul can't stand it. She decides to throw herself into the Volga and find freedom in death.

Katerina gives up her life at the moment when a thunderstorm breaks out over the city. A thunderstorm in nature radically changes the atmosphere, the hot and suffocating haze disappears. Katerina’s death was the same thunderstorm for society that forced people to look at their own lives differently. Now even Katerina’s husband understands who is to blame for the woman’s death. He blames his own mother for the tragedy: “Mama, you ruined her! You, you, you...”

Katerina’s death was the sign that made those around her wake up and open their eyes, which had long been closed by a veil of lies, hypocrisy and hypocrisy. Tyranny, indifference and human indifference to the fate of others destroy people not only physically, but also spiritually. The drama is called “The Thunderstorm” because in this work the thunderstorm is not only a natural, but also a social phenomenon. An explosive situation was brewing in the city, and finally it happened - under the influence of the environment and the people around her, the unfortunate woman voluntarily gave up her life.

References

To prepare this work, materials from the site were used http://www.ostrovskiy.org.ru/

Similar works:

• Studying drama at school using the example of the play by A.N. Ostrovsky "Thunderstorm"

  Coursework >> Literature: foreign

  And the lyrical plot is different, how V drama. Selecting conflicts and building... will be able to live double life. ... Ostrovsky V " Groze", “Which side is the playwright on?”, “ Meaning titles « Storm", “The Defeat of Ka-banikha,” the dark kingdom,” “In “ Groze" ...

• Collection of works of Russian literature from the 19th century to the 80s of the 20th century

  Essay >> Literature and Russian language

  ... Ostrovsky Meaning titles dramas "Storm" After publication and production dramas Ostrovsky "Storm", ... . This name has double meaning. On the one hand, ... a person. In themselves titles works of Tolstoy and... and more natural, how Sonya's rational behavior...

• Literature tickets

  Abstract >> Literature and Russian language

  Imprisoned in title novel, is revealed... A.N. Ostrovsky. 2. The main conflict of the play by A.N. Ostrovsky « Storm". 3. The image of Katerina in the play “ Storm": - ... QUESTIONS 1. Q how meaning titles dramas « Storm"? 2. Who... . The poet writes about " double to the abyss" - about the bottomless...

• Spur for the exam in 2002

  Essay >> Literature and Russian language

  Motherland, oh sense human existence. ...And them double wedding is... My answer is title this book"...discipline? And in how was there self-will? It turns out... scenes dramas A.N. Ostrovsky « Storm", b) Analysis of the final scene dramas A.N. Ostrovsky « ...