Trouble from a tender heart! The “mad lover” got engaged to his bride right on stage. “Trouble from a Tender Heart Play Trouble from a Tender Heart summary

Zolotnikov
Alexander
Daria
Semyonovna
Masha
Nastenka
Kubyrkina
Kate
Servant
Hairdresser
Lackey.

PHENOMENON 1.

DARIA SEMYONOVNA Oh, my God! Still no pink dress. What is this? The dress was ordered for this evening, but you will receive it tomorrow morning.” Everything is so, everything is so. Such a shame: I would just beat someone! Nastya! Nastya! Nastenka!

NASTYA I'm here, auntie.

DARIA SEMYONOVNA. Well, thank God! Where have you been, mother? Everything in my head is nonsense, but there’s nothing to think about my aunt; did you send to marchande de modes?

NASTYA I sent it, auntie.

DARIA SEMYONOVNA Well, what about Mashenka’s dress?

NASTYA Ready, auntie.”

DARIA SEMYONOVNA So why don’t they carry it?

NASTYA Yes, auntie"

DARIA SEMYONOVNA Why are you grumbling?

NASTYA (quietly) Without money, auntie, they won’t give it away; They say they already owe a lot.

DARIA SEMYONOVNA What, are you trying to be rude to me, mother? Here’s my gratitude: I took an orphan into my home, I feed and clothe her, and she still says barbs to me. No, honey, I won’t let you forget. What? They brought crackers, huh?.. They’re spinning the ice cream.” Eh?.. You won’t think about anything. Well, why are you standing rooted to the spot? You see, Mashenka hasn’t combed her hair yet; give me the studs.

MASHA Here I should put rings on my forehead “like this” Mama, as you wish, but if they don’t bring me a dress, I won’t marry for anything; I’ll stay in my room and call in sick. As you wish.

DARIA SEMYONOVNA What are you? What you? I'm crazy! I’m making an evening for you, but you won’t be there; will you order me to dance instead of you? We will have the very first wives,” that is, gentlemen.

MASHA Yes! That's exactly how they'll go.

DARIA SEMYONOVNA Why, mother, won’t they go?

MASHA What did they forget here? After all, there is now a better ball than yours; I told you to put it off, but you want everything your own way.

DARIA SEMYONOVNA It’s time for you to get married, Mashenka, otherwise my strength is lacking these evenings. Look, Prince Kurdyukov will be there today, try to please him.

NASTYA Oh, auntie, he’s an old man!

DARIA SEMYONOVNA No one is asking you. Well, what an old man, his money is young. A servant enters with a letter

Who is this from? “Well” (with annoyance) Wonderful, incomparable” Prince Kurdyukov apologizes, it can’t be.

MASHA Well, what did I say!

DARIA SEMYONOVNA What, Mashenka, should I send for a pink dress? After all, there will be no prince.

MASHA, of course, should be sent.” What do you think? Am I going to go without a dress because of your old man, or what?

DARIA SEMYONOVNA Oh, Mashenka, at least you would be ashamed of people.

MASHA He's French, he doesn't understand.

DARIA SEMYONOVNA Well, then I’ll go get the money, I’ll send for the dress.

MASHA It would be high time... well, well, go.

DARIA SEMYONOVNA So she raised herself a bride - ruin and nothing more! (Leaves.)

PHENOMENON 2.

MASHA (to the hairdresser) Here it is again! Nastya "Nastya" what are you thinking about?

NASTYA So, nothing, something sad”

MASHA What nonsense! Look, has this hairstyle stuck with me?

NASTYA Has arrived.

MASHA Very pestering?

NASTYA Very.

MASHA Right” Well, what are you going to wear?

NASTYA Yes, I’ll stay like this, why should I dress up?” no one will notice me.

MASHA You should at least weave a ribbon into your hair.” I have a lot of old ribbons in my closet.

NASTYA No, why?

MASHA Well, as you wish.

ZOLOTNIKOV (behind the scenes) Is Daria Semyonovna at home?

MASHA Oh, what a shame, man! (the hairdresser runs after her).

PHENOMENON 3.

ZOLOTNIKOV Sorry,” I scared someone here. (to the side) Oh, this daughter. (out loud) But the mistress is not at home, apparently?

NASTYA No, sir, at home; I'll go tell her.

ZOLOTNIKOV Neither, nor, don’t worry; It’s you that I need.

NASTYA Me?

ZOLOTNIKOV Yes; let me take a good look at just you. Turn around a little, like this “incomparable” I couldn’t wish for anything better than you.

NASTYA Yes, I don’t know you at all.

ZOLOTNIKOV You will meet me soon. What year are you?

NASTYA Eighteen

ZOLOTNIKOV Excellent. Tell me, do you have any suitors?

NASTYA No, sir.

ZOLOTNIKOV Why don’t they look, fools! Are you thinking about marriage?

NASTYA Sorry, I don't have time.

ZOLOTNIKOV No, you are not angry. I am Zolotnikov, farmer. Have you heard maybe? A man who has become rich, my speech is a little harsh. And, by the way, I take an active part in you; Would you believe it, I came from Kazan on purpose for you to propose to you.

NASTYA Are you?

ZOLOTNIKOV Don’t think I’m talking about myself. First of all, I am fifty years old; secondly, my face is far from attractive; thirdly, my wife is in Tambov. No, sir, I want to marry my son, and if I were to tell the whole truth, I would really like to marry him to you. Of course, if you fall in love with each other. You don't love anyone, do you? Tell me the truth"

NASTYA No one, sir.

ZOLOTNIKOV Well, don’t like it. I'll introduce my son to you. He is a kind little guy. The heart is only tender. Just give me your word that you will not mind my proposal.

NASTYA Listen, the word is not a joke: once you give your word, you have to keep it, but I don’t know your son.

ZOLOTNIKOV So what? He's waiting here in the living room.

PHENOMENON 4.

ZOLOTNIKOV Oh, no way, here’s the hostess! Ege-he-he, how she has changed! Thalia was just a glass, and now, thank you God.” Daria Semyonovna, do you recognize me?

DARIA SEMYONOVNA (looking) It’s my fault, sir.

ZOLOTNIKOV Remember well.

DARIA SEMYONOVNA Excuse me” No, I can’t.

ZOLOTNIKOV Thank you, Daria Semyonovna. Let me ask - do you still play the piano?

DARIA SEMYONOVNA And, father, where should I go?

ZOLOTNIKOV Remember, in 1919 in Kazan.”

DARIA SEMYONOVNA My God, Vasily Petrovich!

ZOLOTNIKOV I am a great sinner. This is the time. Became a different person. (points to the vest) There was nothing here - it appeared. (points to his head) There was a lot here - almost nothing remains. Daria Semyonovna didn’t recognize it!

DARIA SEMYONOVNA God brought us to meet. Do I seem as old to you, father, as you do to me? Yes, I heard you got terribly rich.

ZOLOTNIKOV With grief, Daria Semyonovna. Just as you refused me, remember, I entered into business, into trading, to my misfortune, became rich, and out of despair, I got married.

DARIA SEMYONOVNA Out of consistency, that’s right; and here with what destinies?

ZOLOTNIKOV There are some things to do, but I brought my son.

DARIA SEMYONOVNA Do you have many children?

ZOLOTNIKOV One son in total.

DARIA SEMYONOVNA Married?

ZOLOTNIKOV No, he’s still single.

DARIA SEMYONOVNA I ask you to humbly sit down. Nastenka, see if the candles are lit in the living room. Please sit down; What the hell were we talking about?

ZOLOTNIKOV Yes, about my son; I want to marry him.

DARIA SEMYONOVNA Oh, be careful, Vasily Petrovich! In St. Petersburg, the girls are all good-looking; but once they get married, it’s immediately clear that their upbringing is not the same, not the same at all. I have a daughter, so I can brag about it.

ZOLOTNIKOV Yes, I spoke to her just now.

DARIA SEMYONOVNA And no! You spoke to my niece, an orphan whom I keep out of mercy. I am a mother, Vasily Petrovich... but I’ll tell you that my daughter was raised this way, prepared this way.”

MASHA (behind the scenes) Mommy!

DARIA SEMYONOVNA What, my dear?

MASHA The dress was brought.

DARIA SEMYONOVNA Now, my friend; and such an innocent child will be put to shame.

ZOLOTNIKOV This is what I need. Sasha is my good boy, but he still has the wind in his head; They told him that he had two million."

DARIA SEMYONOVNA Two million?..

ZOLOTNIKOV Two million. Believe me, his heart is so tender, as soon as he sees a skirt, he will melt; every day I am in love; what are you going to do? Well, it would be all right for a prank, but in the summer, in Tambov, I decided to marry some intriguer. Fortunately, the hussar turned up, otherwise I would have cried with him forever. I see things badly: I’m taking my son with me to St. Petersburg, and to you, Daria Semyonovna, from old memory I know that you won’t refuse good advice; and you, I heard, have a daughter. Who knows? Maybe our children will meet and fall in love.” If it’s not us, it’s our children, Daria Semyonovna, isn’t it?

DARIA SEMYONOVNA What's the old thing to remember!

ZOLOTNIKOV will not return, truly. Well, let’s admire the children.” Let me kiss your hand.

DARIA SEMYONOVNA With pleasure.

ZOLOTNIKOV And the hand has aged; do you sniff tobacco?

DARIA SEMYONOVNA For the eyes, Vasily Petrovich.

MASHA Mama, come here; How obnoxious you are!

DARIA SEMYONOVNA Now, now, my angel “Now I’ll bring it to you” Don’t be too strict.

PHENOMENON 5.

ZOLOTNIKOV Lord, what a change! “She didn’t recognize me,” here’s a lesson for you, Vasily Petrovich. “For thirty years I remembered her with pleasure,” imagining her as her former beauty. And that’s what prompted me to come here!

Ah, right is worse than a slap,
Like having not seen each other for thirty years,
You will find an old woman in the ruins
Love is an enthusiastic subject.
Oh! Dasha! In previous years
This is not how you and I met;
(With a sigh) Then you smelled the flowers,
Now - you sniff tobacco!

PHENOMENON 6.

ALEXANDER (throws himself on his father's neck) Father, hug me. I agree, have it your way, I’m not marrying her, I like her, I really like her. I am satisfied, I am glad, I am happy, prosperous.” Father, hug me.

ZOLOTNIKOV Wait a minute!

ALEXANDER No, hug me.

ZOLOTNIKOV Listen!

ALEXANDER No, hug me: like this” again. It’s over, it’s decided, I will fulfill your will: I will marry her, and precisely her, no one else, but her! That’s what I came up with, that’s my father.” Hug me again.

ZOLOTNIKOV Listen!

ALEXANDER Eyes, waist, hair “what character” You can see now. Father, bless!

ZOLOTNIKOV Yes, get rid of it, please.” We were mistaken, it’s not her.

ALEXANDER Why not her? She, she, she! I don’t want her to be not her!

ZOLOTNIKOV Yes, I was mistaken: you think that I was talking there in the living room with my daughter.”

ALEXANDER Well, yes.

ZOLOTNIKOV That's the thing, she's not a daughter.

ALEXANDER Why not a daughter? Wasn't she born without a father and without a mother?.. She was someone's daughter?.. There was some kind of mother, and a father too.

ZOLOTNIKOV She is a niece.

ALEXANDER Whatever.

ZOLOTNIKOV Yes, they tell you that she is a niece.

ALEXANDER Yes, even if she were an uncle, I’ll still marry her! Thy will was the father's will - the law.

ZOLOTNIKOV Yes, I predicted another for you.

ALEXANDER No, my father’s will is the law!.. I don’t want another.

ZOLOTNIKOV Don't make any noise, they're coming here.

ALEXANDER So don’t let them go,” tell them not to go.

ZOLOTNIKOV Just look.

ALEXANDER I don’t even want to look.

PHENOMENON 7.

DARIA SEMYONOVNA Here is my Mashenka, Vasily Petrovich; I ask for love and favor. (in ear) Stay straight! (loudly) She's shy to me. (in ear) Sit down well. (out loud) Excuse her, Vasily Petrovich: she’s not a secular girl, she’s all about needlework and books.

MASHA (in her mother's ear) Stop it, mummy!

DARIA SEMYONOVNA No, I tell her: “Why are you, Mashenka, spoiling your eyes in your summer?” In your summer you should look for pleasures, have fun,” and she says to me: “No, mamma, I don’t want your secular pleasures, that in them “A woman’s job is not to dance and not to flirt, but to be a kind wife, a gentle mother.”

MASHA Mommy, I'll leave"

DARIA SEMYONOVNA Would you believe it, I left the whole household in her hands - let her get used to it, and in her free time she plays music, draws, where do you have this head that you graduated without a teacher, you know, this Apollo Velbedersky?

MASHA (out loud) Torn it up. (in ear) Mommy, I'm tired of you!

ZOLOTNIKOV And here, madam, is my son. (to his son) Bow down!

ALEXANDER I don't want to.

DARIA SEMENOVNA It’s very nice to meet you: is this your first time visiting us in St. Petersburg?

ALEXANDER Yes!

DARIA SEMYONOVNA How long are you planning to stay here?

ALEXANDER No.

DARIA SEMYONOVNA Why is this so?

ALEXANDER Yes.

MASHA AH, Mama, your questions are not very modest: it may be unpleasant for them.

DARIA SEMYONOVNA Where can I be able to talk to young people? It's your job to keep young people busy. Let's go, Vasily Petrovich; no matter how many years we haven’t seen each other, there’s something to talk about” (in the ear) Let them get to know each other; It will be freer without us.

ZOLOTNIKOV Of course.

DARIA SEMYONOVNA And you, darling, manage here without me; It’s time to get used to it: today you’re a girl, and tomorrow you might live in a house yourself. Everything is in the will of the Lord. (kisses her on the forehead and speaks in her ear) Don't forget! Two million! (Aloud) Let's go, Vasily Petrovich.

PHENOMENON 8.

MASHA (aside) He seems to be completely unhewn. Oh, what a pity!

ALEXANDER (aside) Well, how can you compare her with that one! That one has eyes, a waist, hair.” However, this one is decent too.

MASHA Would you like to sit down?

ALEXANDER No, sir, why!

Silence

MASHA How do you like our St. Petersburg?

ALEXANDER (absent-mindedly) What?

MASHA Do you like Petersburg?

ALEXANDER Petersburg, or what? Famous city, sir!

MASHA When did you arrive?

ALEXANDER On the very day of magnetic illumination, you deigned to hear, of course?

MASHA Yes, I heard it, but I didn’t see it.”

Silence

Have you already been to Passage?

ALEXANDER Why, I ate hearth pies downstairs.

MASHA Do you like it?

ALEXANDER Pies or what?

MASHA No” Passage.

ALEXANDER pleasant walk.

MASHA Why don't you sit down?

ALEXANDER Don't worry! (to the side) Eyes, what eyes! Where were my eyes that I didn’t notice her eyes!

MASHA We have a wonderful opera this year.

ALEXANDER They say, sir.

MASHA Are you perhaps a musician yourself?

ALEXANDER Why, sir! I play a little.

MASHA On the piano?

ALEXANDER Mainly on the horn.

ALEXANDER And you, sir? (getting pampered)

MASHA I sing a little.

ALEXANDER Really? How nice it is! (aside) I don’t know why I didn’t like her the first time. She’s very, very sweet.” And what a wonderful manner. (To her) I really don’t know if I dare ask you.

MASHA How's that?

ALEXANDER I say, I don’t know if I dare to ask you..

MASHA What?

ALEXANDER I don’t know if I dare to ask the first time.” Please encourage me.

MASHA (flirty) Why? What do you want?

ALEXANDER Do I dare to ask “for example” (to the side) Yes, this is a charm, not a girl” (To her) Make me happy, please, let me listen.

MASHA Yes, we are waiting for guests.

ALEXANDER You'll have time.

ALEXANDER Try it.

MASHA (flirtatious) Is it just for you? (going to the piano)

ALEXANDER (aside) For you, for me” She said for you “She liked me” “Yes, this is not a girl” charm!

MASHA Just accompany me, please; I have a new romance here.

ALEXANDER With pleasure (sits at the piano)

Tell me what's in the shadow of the branches,
When nature rests
The spring nightingale sings
And what does he express in song?
Why is everyone secretly worried about blood?
Tell me, tell me what the word is
Familiar to everyone and forever new?
Love!
Tell me what you're talking about in private
In thought, is the girl telling fortunes?
What secret trembling in a dream
Does he promise her fear and joy?
Call that illness strange
In which there is eternal joy.
What should she expect? What does she want?
Love!
When from life's melancholy
You, tired, languish
And, despite the evil sadness,
At least you call upon the ghost of happiness"
What delights your breast?
Aren't those unearthly sounds
When did you first hear -
I love?!

ALEXANDER (jumps up from his chair and runs to Masha) Oh, what a voice! What a voice! What a feeling! What a soul! You've driven me crazy; I’m delighted, now I’ll go crazy if you don’t allow me to hope.

MASHA How to hope?

ALEXANDER Don’t you know anything?

MASHA No.

ALEXANDER, don’t you know that your old woman was once in love with my old man?

MASHA How about mummy too? I wouldn't have thought that. Yes, she didn't tell me about it.

ALEXANDER Yes, they never talk about it. Here, father, I came up with the idea that I would be against you, or you for me. It’s all the same,” only it depends on you. Well, in love, in love, completely in love. Well, if you don’t agree, I will be the most unfortunate mortal.

MASHA Say so.

ALEXANDER Father wishes my happiness; he only thinks about my happiness; Yes, and I wish myself happiness - who doesn’t wish themselves happiness! Only you, maybe, don’t want my happiness?

MASHA Have mercy” why?

ALEXANDER How? Do you want my happiness?.. Really?

MASHA Of course.

ALEXANDER So can I hope?

MASHA I depend on my mother.

ALEXANDER It’s not about mummy, it’s about mummy; tell me about yourself “can you like me?”

MASHA (simply) Why not?

ALEXANDER Marya” as per the priest?

MASHA Petrovna.

ALEXANDER Mashenka! I am the happiest person in the world, I will love, love, love you, like no one has ever loved before, and never will!

MASHA Just wait.

ALEXANDER Why wait, why wait? This is hypocrisy; I don't want to wait; I love you, we love each other, we will be happy; we will have children; make of me what you will; order, dispose, let me just prove my love to you.

MASHA You are truly a strange person. However, listen, we're having a dance party tonight.

ALEXANDER Do you want to dance with me? Don’t exact it as best I can.

MASHA It’s all the same, but you see, I don’t have a bouquet.

ALEXANDER So what? What do you need a bouquet for?

MASHA It’s in fashion: holding a bouquet in your hands.” Don’t you understand?

ALEXANDER No.

MASHA Well, I’ll tell you: go get a bouquet, only of fresh flowers.

ALEXANDER Where will I go?

MASHA Where you want: that's your business. “And I need to receive guests.” Goodbye (extends his hand)

ALEXANDER (kissing the hand) What a hand!

What kind of pens are, simply wonderful!

I would be ready to kiss forever.

Well, go ahead, bye

Bring me flowers.

ALEXANDER

What kind of weirdness is this?
What good is a bouquet to you?
What do you need other people's flowers?
You yourself are the best flower!

PHENOMENON 9.

ZOLOTNIKOV Where are you going, crazy?

ALEXANDER Father, I congratulate you on the bouquet!.. Hug me! I will fulfill your command.” Your desire is my law! Yes! I’ll marry her” I’m happy.. I’ve been completely reborn” From fresh flowers.

ZOLOTNIKOV What happened?

ALEXANDER What happened? I am in love at your command. The father's will is the law! Yes! You want, I’ll get married whenever you want, even today.” Parent, bless.

ZOLOTNIKOV Yes, explain first.

ALEXANDER No, hug me, hug me like a parent... That's it! It's over! I'll marry her!

ZOLOTNIKOV But who is she wearing?

ALEXANDER On it!

ZOLOTNIKOV On the niece?

ALEXANDER On his daughter.

ZOLOTNIKOV On Nastenka?

ALEXANDER On Mashenka, on my Mashenka, on Marya Petrovna. For everyone she is Marya Petrovna, but for me Mashenka!

ZOLOTNIKOV How did you tell me that you were in love with someone else, with your first one?

ALEXANDER First?.. no! It seemed so to me; however, she is also a very, very, very nice girl. This is the only one you, my father, assigned to me, and besides, she sings,” she sings! Father, did you hear Grisi?

ZOLOTNIKOV No, I haven’t heard.

ALEXANDER And I haven’t heard, so that’s how he sings. Well, let's go!

ZOLOTNIKOV How are we going?

ALEXANDER Yes, let's go for bouquets, for sweets... She wants it, she ordered it; Well, take your hat - let's go!

ZOLOTNIKOV Go alone.

ALEXANDER No, I’m not going alone: I won’t find anything; Let's come back now.

ZOLOTNIKOV Yes, at least explain.

ALEXANDER Dear, I’ll explain everything. Don't forget that the fate of my life depends on this. Well, let's go.

PHENOMENON 10.

KUBYRKINA This is your blotter, mother, of course.

KATYA Boudoir, mummy

KUBYRKINA Well, all the same, General Akhlebova has exactly the same one; Tell me how everyone lives in St. Petersburg!

DARIA SEMYONOVNA Haven't you been here for a long time?

KUBYRKINA Fifteen years old; It's a joke! But, I must admit, yours is expensive.

DARIA SEMYONOVNA Yes, not cheap.

KUBYRKINA For mercy, whatever you don’t take hold of” beef sirloin 34 kopecks! Is it unheard of! Trustee, I rented an apartment such that a lawyer in Tambov wouldn’t want to live with me.”

KATYA Cherte, mummy.

KUBYRKINA No matter.

MASHA (to Katya) Was your dress made at home or in a store?

KATYA Of course, in the store.

MASHA (aside) She lied; Now it’s clear that they’re at home. (To her) Where did you get the cape?

KATYA IN THE PASSAGE.

MASHA Very nice.

DARIA SEMYONOVNA Do you, Agrafena Grigorievna, play cards?

KUBYRKINA A passionate huntress, mother, not out of interest, but just for a little reason.

DARIA SEMYONOVNA Do you travel a lot now? The balls have begun"

KUBYRKINA Unfortunately, my Katenka fell ill; It’s also good that her nature is strong and she recovered quickly, otherwise the doctor was afraid that a relapse would occur.

DARIA SEMYONOVNA Relapse, mother.

KUBYRKINA And, mother, relapse, recitation - it’s all the same. Where is your room, Marya Petrovna?

MASHA Here, on this side.

KUBYRKINA Oh, let me be curious.

MASHA You're welcome.

KUBYRKINA Let's go, Katenka.

KATYA I’ll come now, mummy; I’ll just fix the curls.

PHENOMENA 11.

KATYA (alone in front of the mirror) How mannered this Mashenka is! Why is she turning her nose up? This is the importance of living in St. Petersburg. Am I worse than her? Well, what?.. just nothing, just no worse.

I myself am seventeen years old,
And ask anyone
There is no better place in St. Petersburg
Katya from Tambov!
Against other young ladies
I'm no worse!
I am no less than them,
Narrower at the waist
Thick hair in a braid,
And besides, since childhood I
I learned all the secrets
Female coquetry;
I know, I love pranks,
How to lie with your heart,
How probably yourself
Make you love
And my eyes and gaze
Always playing tricks:
They will give you a smile,
They will enrage you with ridicule.
I myself am seventeen years old,
And ask anyone
There is no better place in St. Petersburg
Katya from Tambov!

SCENE 12.

ALEXANDER Here’s the bouquet” I got it with great effort.. Here’s another (drops everything) My God! Who do I see? Katerina Ivanovna!

KATYA Alexander Vasilievich! Oh! (faints on a chair)

ALEXANDER It’s bad for her.” She’s bad for her! I scared" This is for me" Help! Help!

KATYA Don't shout!

ALEXANDER woke up “woke up” Katerina Ivanovna!

Katya faints again

Phew, another seizure; she’ll suffocate in the corset.. Are there scissors to cut the laces?” Oh, by the way.. (hastily takes the scissors from the dressing table)

KATYA (jumping up) Don't come near! Don't touch! What do you need? Why are you here? Is it not enough for you that you deceived me, that after all your promises and assurances, you abandoned me, an orphan? Go, don't show yourself to me!

ALEXANDER Here they are! How am I still to blame?

KATYA He asks “is he guilty?” Yes, you are a monster, not a person! You are a shameless Don Juan!

ALEXANDER What is Don Juan?

KATYA It's none of your business! Answer” and explain your action. I really don’t know how I’m still talking to you. Well, please tell me “You live in our village” “You pretend to be in love, look for my hand, and when I, as an inexperienced, defenseless girl, began to feel inclined towards you”

ALEXANDER Please don't look at me like that."

KATYA When I agreed to your proposal, I entrust my fate to you, you suddenly leave without saying a word, without saying goodbye, without even drinking tea “just like a thief” (crying) Oh, I’m unhappy! What did I do?

ALEXANDER No, please allow me." No, please allow me." Look at me

KATYA, if you please.”

ALEXANDER (to the side) Wow, you’re an abyss” She’s become prettier again” (to Her) What the hell did I want to ask? Yes, let me ask you, what did you want to make of me?

KATYA “Like what?” I thought that you would be my husband. Is it good? Well, after that, tell me, who are you like?

ALEXANDER I look like my mother,” but that’s not the point. What kind of husband did you want to make me?

KATYA What kind of husband? Ordinary.

ALEXANDER How ordinary?

I would really like to know
Which husbands exactly?
A week after the wedding,
Would I, sinner, be with you?
Everything is shared between wives and husbands,
How will the Lord bless them?
But what about the husband, tell me yourself,
Will the hussar share with you?
KATYA What hussar?

ALEXANDER What? Don't know which hussar? But that hussar-repairer who was visiting your village!

KATYA Yes, he is my brother.

ALEXANDER Which brother?

KATYA Second cousin.

ALEXANDER I know these brothers! Thank you for this kind of brotherhood; humble servant!

KATYA, you forget"

ALEXANDER No, on the contrary, I remember very well.” Don’t pretend, I know everything.

KATYA What do you know?

ALEXANDER, I know that he wrote letters to you.

KATYA That's not true!

ALEXANDER that's great! I read it myself, and what kind of letters are they?” “My angel, Katenka!” My angel” where do they learn, hussars, to write such letters?

KATYA So you were angry about this?

ALEXANDER Not enough, or what? What more would you like?

Katya laughs.

Well, why are you laughing?

KATYA, have mercy, you are so funny!

ALEXANDER Who, am I funny? No, I’m not funny, I’m offended.” Can you explain why you received hussar letters?

KATYA Nothing is easier.

ALEXANDER Well, try and explain!

KATYA I don't want to.

ALEXANDER Katerina Ivanovna, please explain.

KATYA You're not worth it.

ALEXANDER Katerina Ivanovna! I beg you, explain,” don’t be cruel.

KATYA Well, listen; Do you remember Katenka Rybnikova?

ALEXANDER was visiting you? For mercy's sake, she is Avdotya.

KATYA This is the older sister, and that one is the other; these letters to her, I only betrayed them. He even wanted to marry her.

ALEXANDER How, really? Ah, Katerina Ivanovna! I am a fool, a villain, a wicked man, a slanderer! Torment me, beat me! Guilty without guilt! And why did these hussars bother me? Forgive me, Katerina Ivanovna!

KATYA No, it's too late now.

ALEXANDER Katerina Ivanovna, so you are innocent?

KATYA Well, of course! However, as you wish.

ALEXANDER (throwing himself to his knees) Katerina Ivanovna, be generous, don’t make me die of grief.

KATYA (crying) No! I am a poor girl, I love the hussars." Anyone can insult me." I am destined to be unhappy forever - to love forever and suffer alone.

ALEXANDER (on his knees) Katerina Ivanovna, forgive me.

KATYA You won't be jealous anymore?

ALEXANDER Never, Katerina Ivanovna “only”

PHENOMENON 13.

ZOLOTNIKOV (at the door) Bah! What news!

Katya runs away

ALEXANDER Father, it’s her, Katerina Ivanovna, Katya Tambovskaya! I, a monster of the human race, a hussar, wrote letters to Rybnikova, wanted to marry Rybnikova, and she, my Katenka, loved and suffered for me.”

ZOLOTNIKOV Yes, at least speak Russian.

ALEXANDER She suffered, father, but she loved for me.

ZOLOTNIKOV You, brother, are out of your mind!

ALEXANDER Father, hug me.

ZOLOTNIKOV Get off, you idiot; crushed everything!

ALEXANDER No, I must, I want, I decided to make amends for my crime.” I am obliged to Katenka; I cannot do otherwise: I will marry Katenka, my Katenka.

ZOLOTNIKOV Yes, marry whoever you want; I'm finally tired of you. I’ll give you a quarter of an hour to come to your senses, and then I’ll order you to be examined by the provincial government and put you in a madhouse. There will be no patience! Do you hear that in a quarter of an hour there will be an answer!

ALEXANDER Father! Just hug me.

ZOLOTNIKOV Get away from me, you ass!

SCENE 14.

ALEXANDER (alone, walking around the room) No! Here is the situation” here is the situation. I will marry Katerina Ivanovna, it’s decided; this is my sacred duty.. But I asked for Marya Petrovna’s hand; I excited her imagination.” And what a girl Marya Petrovna is! Charm, ideal, death of reason. , I would really like to marry her! Yes, here’s Nastenka, my niece, and it wouldn’t be a bad idea to marry her.” That’s the situation! They won’t allow you to marry three, but one is not enough! This is a tender heart! This is what it leads to! And then the priest came with a knife; It was easy for him, he married his mother, but what about me? Killed, simply killed! Katenka, Nastenka, Mashenka; Nastenka, Mashenka, Katenka” What should I do? I'm dying in my prime! (falls into a chair with a large back, so that he is not visible.)

PHENOMENA 15.

DARIA SEMYONOVNA I can’t stop looking at your Katenka, Agrafena Grigorievna: she is a beauty in the full sense!

KUBYRKINA Much mercy, Daria Semyonovna. Why don't you look at strangers! I hope you won’t have time to stop looking at your Mashenka. Just now we talked about her with General Akhlebova. That's a girl, you could say she's a girl!

DARIA SEMYONOVNA kept everything to herself, but you raised yours at home?

KUBYRKINA At home, Daria Semyonovna.

DARIA SEMYONOVNA Please tell me what techniques exactly she lived in the great world of centuries... and what modesty, how she behaves!

KUBYRKINA I’m really happy with Daria Semyonovna that she and your Mashenka have become close. Believe me, it’s been a month since we arrived, and I already find that Katenka has won a lot. And who should we learn from, if not from your Mashenka? Here is an exemplary girl and what a beauty!

DARIA SEMYONOVNA Belle femme, you want to say.

KUBYRKINA Yes, mother, it doesn’t matter.” Well, there’s nothing to say, your Masha is a sight for sore eyes.

DARIA SEMYONOVNA Do you think your Katya isn’t fun to look at?

KUBYRKINA What manners!

DARIA SEMYONOVNA What a bon ton!

KUBYRKINA What a pleasure!

DARIA SEMYONOVNA What kindness in conversation!

KUBYRKIN We can’t help but congratulate

DARIA SEMYONOVNA From the outside you will rejoice.

KUBYRKINA I'm surprised she's not married yet! I think it’s impossible to count the suitors!

DARIA SEMYONOVNA Yes, there is - fourteen generals have wooed.

KUBYRKINA (to the side) He’s lying,” he’s just lying!

DARIA SEMYONOVNA There were colonels and captains, the prince was alone. But I don’t captivate Mashenka, let her choose. After all, she will have to live together, not me. However, as a good friend, I can tell you a secret: today I told Mashenka.

KUBYRKINA Really? It was a happy day, and I talked to Katenka today.

DARIA SEMYONOVNA My daughter is marrying a rich man; Yes, that’s not the point - he’s a good man. Have you perhaps heard about Alexander Zolotnikov?

KUBYRKINA what? What a nonsense! My daughter is marrying Zolotnikov; They have been engaged for a long time, but now they have decided again.

DARIA SEMYONOVNA No, sir, excuse me... he immediately asked for Mashenka’s hand.

KUBYRKINA No, not Mashenka, but Katenka.

DARIA SEMYONOVNA Mashenka, they tell you!

KUBYRKINA No, sir, Katenka” Your Mashenka, of course, is a sweet girl, but how can she compare with my Katenka! Although it is not very noticeable, everyone knows that she is a little lopsided.

DARIA SEMYONOVNA How? My little Mashenka is lopsided! Are your eyes lopsided? I will order her to undress in front of you. Crooked! That's great! Isn’t that why you got it because your daughter is all covered in cotton wool?

KUBYRKINA what? Is my daughter on cotton wool? I have a cotton wool cloak, not my daughter, my daughter is not a cotton wool cloak. My daughter is as she was born, and she wears a dress only for decency. She has no one to deceive.

DARIA SEMYONOVNA Yes, and he doesn’t deceive; Zolotnikov may not have a far-reaching mind, but he’s also not such a vulgar fool as to marry your daughter.

KUBYRKINA Why is that so?

DARIA SEMYONOVNA But because everything is known that your daughter ran after a hussar officer, who laughed at her and abandoned her; and immediately they slandered the poor orphan, who was not guilty either in soul or in body. Noble deed! The hussar told it himself.

KUBYRKINA You dare to say this to me.. You! Don’t you think everyone knows that your lopsided girl is in love with an Italian singer? It’s a shame, they say, to look at her as if she’s sitting at the opera... everyone laughs!

DARIA SEMYONOVNA Yes, you seem to be forgetting yourself? I won't let you in.

KUBYRKINA I won’t go myself; and without you, thank God, we will find an acquaintance: General Akhlebova is better than you, and may she find pleasure with me.

DARIA SEMYONOVNA And I can’t hold back, mother, I can’t hold back!

KUBYRKINA Goodbye, mother, I’ll go get Katenka. You won't have my leg!

DARIA SEMYONOVNA Good riddance!

KUBYRKINA And your daughter won’t marry our fiancé... she won’t!

DARIA SEMYONOVNA Yours will spend time as a girl!

I won’t allow KUBYRKIN to joke with me; My uncle is a senator, I will find protection for myself! Leave quickly so that things don't get worse!

DARIA SEMYONOVNA Yes, I tell you, yes I tell you, yes, this is unheard of rudeness! You can't deal with me like that! Goodbye, I won't see you again for ages!

SCENE 16.

ALEXANDER (from behind the chair) here she is! Here she is! What a thing it is! One is lopsided, the other is on cotton wool. One loves the hussars, the other the Italian,” and they say about me that I’m a fool! (running out from behind the chair) But no, I’m not a fool! I won't allow myself to be fooled. I'll do it my way! I will choose the third, that is, the first, not one or the other, but the third, that is, the first! What a thing it is, here it is, here it is! (seeing Nastya) Yes, here she is! Wait, madam, let me tell you two words.

NASTYA For me?

ALEXANDER Are you angry with me?

NASTYA For what?

ALEXANDER Well, well, admit that you're angry?

NASTYA Not at all.

ALEXANDER Why! I showed you so much attention the first time, and then I took up completely unrelated subjects.

NASTYA So what!

ALEXANDER Let me ask first, do you have any relatives of the hussars?

NASTYA No.

ALEXANDER You don't sing Italian arias?

ALEXANDER What a priceless girl you are! Nastasya” as per the priest?

NASTYA Pavlovna.

ALEXANDER Nastenka! I solemnly offer my hand to you.

NASTYA Oh, my God! You are certainly not healthy! Should I send for a doctor?

ALEXANDER You will be my doctor.

NASTYA Sorry, I don’t have time” (wants to leave)

ALEXANDER (holding) No, first decide the fate of my life. Just don't be embarrassed; tell me, will you be pleased for me to marry you?

NASTYA I'm surprised how you dare talk to me like that. I'm a poor girl, but I won't allow saucy jokes.

ALEXANDER Yes, for mercy's sake, I'm not joking; I have a positive intention to marry you.

NASTYA Who told you that I shared this intention! Why did you get the idea that I would marry the first person I met? I know that in St. Petersburg rich suitors are not afraid of rejection, but for me there is much more in life besides money. There, in the living room, they were just now saying that you have two million, and I confess that on this occasion I heard so much that I felt disgusted. However, it’s not difficult for you to get married, just say the word,” and brides will come running from all sides, but I don’t need a wallet, but a person whom I could love and respect. Farewell!

ALEXANDER Nastasya Pavlovna! Listen to me.

NASTYA Why? You were mistaken about me: I am not like others.” How can you understand the pride of a poor girl who, for lack of other treasures, keeps spiritual wealth? She will not exchange her soul for luxury that she does not need; she may take pity and make you happy, because she values herself highly, but she will never sell herself.

ALEXANDER So you are refusing me, Nastasya Pavlovna?

NASTYA Decisively.

ALEXANDER And you don’t give up hope?

NASTYA Not the slightest.

ALEXANDER Listen, Nastasya Pavlovna, I’m stupid, funny, impudent, ignorant - whatever you want; Only, really, I’m not a bad person. I have a tender heart; well, am I to blame; Well, believe me, I keep thinking about how to get attached, fall in love well, and then that’s it! The soul, the soul, just whispers: “Get attached, you fool, get attached,” - well, and here, as if on purpose, fate teases. Either a hussar turns up, or some Italian, and I’m a fool with money! Well, what do I need in this money, tell me yourself... Everyone wants my money, but no one wants me, me myself.

NASTYA (aside) He really is pitiful. (aloud) Look, don’t rush, maybe you’ll find it.

ALEXANDER Yes, I want you, Nastasya Pavlovna; you open my eyes. I feel like a new person; have pity on my rich position.

NASTYA I told you my decisive answer. Rest assured that I spoke to you out of conviction, and not out of empty coquetry. Don't be angry with me; this lesson may be useful to you; when you get too lost with some women, you will involuntarily remember that there are those who not only deserve, but even demand respect. (Curts down coldly and leaves.)

SCENE 17.

ALEXANDER Fucking hell! It doesn't get any easier hour by hour. Just now there were three brides, but now there are none!

ZOLOTNIKOV (at the door) Well, have you made up your mind?

ALEXANDER Wait, wait.”

ZOLOTNIKOV Who should I congratulate?

ALEXANDER Not with anyone: she refused!

ZOLOTNIKOV Who, Katenka?

ALEXANDER No.

ZOLOTNIKOV Mashenka?

ALEXANDER No!

ZOLOTNIKOV So who?

MASHA (enters) Alexander Vasilyevich, what does this mean? Is it true that you proposed to Katenka? Do you want to insult me? But it won’t work out like that.” I have a brother in the Caucasus.. You won’t get rid of him. Do you hear?

ALEXANDER I really don’t understand what you want.

ZOLOTNIKOV, that's how she is!

KUBYRKINA (enters) She’s already here, but what do I care? I’ll send you out, I won’t leave you alone. Marya Petrovna, I left a handkerchief in your room. Let me get it.

MASHA (aside) How unbearable! It arrived on time! (out loud) I'll bring it now, sir.

KUBYRKINA Sorry for disturbing you! (leaves)

KATYA (enters) Alexander Vasilyevich, what did I learn? You wanted to deceive me again: you are wooing Mashenka. This is too much.” This will not be in vain for you - my second cousin will stand up for me, will fight with you with pistols, will kill you, he will certainly kill you!

ZOLOTNIKOV This one is good too.

DARIA SEMYONOVNA (enters) That’s right, she’s already hooked up with the guy: what do I care? Katerina Ivanovna, mummy is calling you.

KATYA (to the side) She came at the right time” (out loud) Where is she?

DARIA SEMYONOVNA I think she’s gone here, I’ll take you (to the side) But I won’t leave you alone.

ALEXANDER Do you hear, father, what a story it is.

ZOLOTNIKOV Shut up!

NASTYA (walking across the stage) Oh, I thought you left.

ALEXANDER No, I’m going... I’m going.” Nastasya Pavlovna, I’m in despair.

Kubyrkina, Katya, Masha, Daria Semyonovna run out of different doors and rush at Alexander, quickly and almost simultaneously.

DARIA SEMYONOVNA No, it can’t stay like this!

KUBYRKINA This must be explained!

MASHA Yes, sir, if you please tell the truth!

KATYA I have suffered enough from you!

DARIA SEMYONOVNA Did you marry my Mashenka?

KUBYRKINA Are you wooing my Katya?

DARIA SEMYONOVNA I will not allow my daughter to be insulted.

KUBYRKINA And I will complain; my uncle is a senator.

KATYA Why are you widening your eyes?

MASHA Why are you standing rooted to the spot? Speak up, explain!

ZOLOTNIKOV (running out) Sasha, Sasha! Are you here? Sasha, you and I are lost! Dead! Trouble has happened! I feel bad!

ALEXANDER (with fear) Father! What happened to you?

ZOLOTNIKOV Burst! Burst!

ALEXANDER Who burst?

ZOLOTNIKOV Tambov.

ALL Tambov!

ALEXANDER What, an earthquake?

ZOLOTNIKOV That is, not Tambov, but a Tambov ransom, all the deposits were gone - after all, my entire fortune was worth two million! I received the letter. there is only one village left, and that one is being auctioned off” Sasha! We have nothing more.

ALEXANDER Well, thank God! And I was so scared: I thought you had cholera! So why shout like that? You won’t have any money, but what am I going to do, what am I going to do?

NASTYA (listening) Yes, he is a noble man!

MASHA Oh, poor Katerina Ivanovna!

KATYA Oh, unfortunate Marya Petrovna!

KUBYRKINA I feel sorry for you, Vasily Petrovich, here! You could say “an unpleasant counter-dance.”

KATYA Kontrdans, mummy.

KUBYRKINA It doesn’t matter; All you have to do is humble yourself before Providence.” Your son is young; Now he will settle down and marry Marya Petrovna.

DARIA SEMYONOVNA No, your son was wooing Katerina Ivanovna; I don’t fight off suitors from her - let her live happily.

ZOLOTNIKOV Let me ask: who will marry Sasha?

MASHA Of course, not me!

KATYA And not me either!

ZOLOTNIKOV (to Nastya) Isn’t it you?

ALEXANDER No, father, she refused me even a rich man! Let's get out of here, it's time to come to my senses, the money is making my head spin, it's such a mess in my head. Now you have to be a person yourself. What do you think, I’m a blockhead, a chair, some kind of brute, I don’t feel what I owe you? You have done your best work for me, thank God, now it’s my turn. I will provide for you, I will feed you, I will go to work at anything, to the store, to day laborers, to shoemakers, to artisans, to laborers, to journalists, to writers! (To the audience) Gentlemen, does anyone have a place? Without patronage, you yourself know, it’s difficult. Do not refuse, I will justify: honest, kind, loyal, you will be satisfied! Well, let's go, father, let's be ourselves, and not an addition to our money. This lesson is worth all your wealth.

ZOLOTNIKOV Well, let's go.

NASTYA Wait, Alexander Vasilyevich, I’m to blame for you.

ALEXANDER Are you?

NASTYA I insulted you just now because I didn’t know the nobility of your feelings.

ALEXANDER Don't talk, don't talk, otherwise your heart will go upside down again; Now I don’t even dare to get married.

NASTYA And only now I can agree to your proposal; I have a lot of pride and I feel that I can replace everything that you have lost. Here's my hand.

ALEXANDER What do I hear?.. Nastenka" Nastasya Pavlovna!

ZOLOTNIKOV My daughter! Hug me” Well, hug me too, just for the last time.

KATYA How touching!

KUBYRKINA This is nonsense!

DARIA SEMYONOVNA Tell me, Vasily Petrovich, how could this misfortune happen to you?

ZOLOTNIKOV Yes, if you please see, mother, it didn’t happen, but it could only have happened.

KUBYRKINA What does this mean?

ZOLOTNIKOV And this means that last year I refused all the payoffs, and two million will go, so be it, to Nastenka’s pins. You cheated, mother, sinful man! I wanted to help out my Sasha.

NASTYA So you deceived me?

DARIA SEMYONOVNA This is out of hand!

MASHA What is Nastya like? After all, I did, I must have guessed.

KATYA knew everything in advance; however, I’m very happy!

KUBYRKINA This is like nothing else; we will not allow ourselves to be fooled; My uncle is a senator!

SERVANT guests have arrived.

DARIA SEMYONOVNA Let's go, Mashenka. We have nothing to do here. And you, mother, congratulations, craftswoman! She repaid me for my care! I got everyone through!

NASTYA I fooled everyone” They will really think “This is unbearable! No, I would rather refuse my word.

ZOLOTNIKOV Who said that the word is sacred? No, if you are afraid of all sorts of things, you won’t be able to live like that. No, let them say whatever they want, and we’ll have a merry feast and celebrate the wedding.

ALEXANDER Hurry up, father!

ZOLOTNIKOV That's the same! And you look at your wife, and knock the nonsense out of your head, and you will have joy and consolation, and not trouble from a tender heart.

ALEXANDER:

Having finished my adventures,
Now at this decisive hour,
I must ask for mercy
For the writer and us.
We are afraid that we are tired
Comfort us, gentlemen,
So that tender hearts are in trouble
It really wasn't a disaster!

At the Jewish Cultural Center "Beit Grand" on Nezhinskaya on Valentine's Day, the premiere of the Tour de Force theater took place - the vaudeville "Mad Lover" based on the play "Trouble from a Tender Heart" by Count Vladimir Sollogub.

Valentine's Day is the time to forget about social problems and plunge into the ocean of tender feelings, so the hall was full, and a considerable proportion of the audience were couples - married and just looking at such a prospect. Actually, the Tour de Force theater itself (translated from French as “impetus to movement,” “an outburst,” “demonstration of strength”) is a youth group, a studio with a constantly renewed roster of participants. This theater is young - after all, it is the same age as the independence of Ukraine and some of its actors. This time, the guys who have been studying in the theater studio for 2-3 years took the stage.

The director of the play and permanent director of the Tour de Force theater Natalya Knyazeva said before the start:

“Today we want to talk to the public about love. All our performances are only about love, we will show you what love was like in the nineteenth century, maybe completely different, and maybe completely the same!

Count Vladimir Aleksandrovich Sollogub (1814-1882) is a famous Russian writer, author of “secular” stories, essays, memoirs about Pushkin, Lermontov, Gogol and vaudevilles. This genre was the most beloved in Russia in the first half of the 19th century. Count Sollogub rightfully occupied one of the first places in the list of authors, and “Trouble from a Tender Heart” (or “Mad Lover”), his most famous vaudeville, was staged for the first time in 1850. A master of the anecdotal plot, brilliantly aware of the laws of the genre, he captivatingly develops the intrigue, and sometimes caustically, sometimes with a slight grin, ridicules human vices and weaknesses. But in the end, virtue and justice always win for him. The ancient play “Trouble from a Tender Heart” touches on the eternal themes of love and money, relationships between a man and a woman, mother and daughter, father and son. These topics will never cease to be relevant. Costumes from the century before last, bustles, hairstyles that look like birdhouses... But why are the situations and dialogues so painfully familiar? The content of the play is relevant to this day: even today there are enough sensitive, well-to-do, mummy’s boys, smart young ladies with tenacious claws, and mothers greedy for other people’s wealth. But there are also people of honor who value, first of all, a person’s moral qualities, and only then the state of his bank account. And in this sense, vaudeville, of course, is modern. This play harmoniously combines the lightness of vaudeville and the topicality of the confrontation between selflessness and greed, cunning and nobility, hypocrisy and openness.”

But then the show begins. In the pre-dawn twilight, against the backdrop of plush curtains, the inhabitants of the house in negligee are rushing around the stage - ladies in caps, a gentleman in a robe (everyone, regardless of gender, has curlers wrapped around their heads, because there is a ball in the evening, and you need to be beautiful!). And only the girl inflating the samovar is dressed and combed, neat, attractive with her strict beauty, article, and she doesn’t even need curl curlers, her luxurious braid is already beautiful. This girl turns out to be the poor niece of the mistress of the house Nastenka (Yulia Kozhukhar). She doesn’t have a dowry, so the family made her into a kind of Cinderella. She is dominated by the comical aunt Daria Semyonovna (Alena Timkova) and her evil, fitful, throwing household utensils daughter Mashenka (Lyudmila Rymar). To bring Mashenka out of a seizure, her mother periodically grabs her by the collar and sharply tilts her, then straightens her. Another member of this family is a French hairdresser, footman and whipping boy rolled into one, a curled grasshopper who meekly receives slaps from everyone in turn (well, except for Nastenka, of course). Artemy Egorov plays this lively guy with almost no lines, only interjections and antics. And then more guests will come to them from Tambov, the caricatured lady Kubyrkina (Sergei Bazilyuk, who speaks in a deep voice, created a very colorful image) with her in her own way epileptic daughter, a lover of hussars Katenka (Lyubov Agrest), who needs mysterious pills to get out of her stupor, always stored in a bag tightly sewn to the waistband of the dress.

Kubyrkin is something; there were no such subtropics in the capital back in Sollogub’s time. Everything that doesn’t lie well, for example, vases and silver glasses, ends up in her immense cleavage; she prefers to drink champagne from a bottle as huge as a mortar, pouring it into a bucket beer mug. And talking about her social life and conversations with General Akhlebova, the lady throws off her fur cape, on the back of which is written in huge letters: “Gen. Akhlebova." In the play there was a place for duels with fans, and furious dancing at the ball, and the goal of everything was the fight for the groom, the only one among three brides.

Sergei Markov in the role of the noble millionaire father Zolotnikov makes one believe in his advanced age; the character is constantly tormented by a nervous tic. And his son Alexander made him epileptic, whose diagnosis was that same “trouble from a tender heart,” because he is pathologically amorous: “No! Here's the situation, here's the situation. I will marry Katerina Ivanovna, it’s decided; this is my sacred duty... But I asked for Marya Petrovna’s hand; I excited her imagination! And what a girl Marya Petrovna is! Charm, ideal, death of reason, I would really like to marry her! Yes, Nastenka is my niece, and it wouldn’t be a bad idea to marry her... That’s the situation! They won’t allow you to marry three, but one is not enough! This is a tender heart! This is what it leads to! And then the priest came with a knife; It was easy for him, he married his mother, but what about me? Killed, simply killed! Katenka, Nastenka, Mashenka; Nastenka, Mashenka, Katenka... What should I do? I’m dying in my prime!”

And if dads hadn’t pretended to be broke, we would still be sitting in the theater hall, and the groom would be rushing between three brides. But the selfish Mashenka and Katenka immediately turned away from the gate, and the sincere Nastenka, finishing her veil as she went, rushed down the aisle, she really liked the charming young man. Love triumphs, and two million, by the way, have not gone anywhere.

“Of course, Count Sollogub never dreamed of such daring boldness of production decisions, but he would certainly have understood and accepted the findings of the director and actors,” the married couple Svetlana and Gennady commented on what they saw. - This is real vaudeville, the “voice of the province”, in its purest form! We will definitely advise our friends to attend the performance, the young guys play just great, especially the main character, who is incredibly touching and sincere...”

“I’ve been studying at the Tour de Force studio for two years now,” said Evgeny Zainiev, who plays Alexander, after the performance. - But my specialty in life is different, I graduated from the Academy of Cold... Regarding my hero, I have never been rich in my life, but I am amorous and greedy for beautiful appearance, just like Alexander. And just like him, I was able to see the inner world, the spiritual beauty of a girl, behind the attractiveness of external forms. Yulia Kozhukhar, who plays Nastenka, is my fiancée in the play and in life, so today we had an incredibly romantic evening! When is the wedding? Wait and see…".

Well, advice and love! And it’s worth keeping an eye on the posters so as not to miss the opportunity to see with your own eyes this amazingly funny action, where the heroes are similar to us today, again to the point of being ridiculous.

Violetta Sklyar, specially for Dumskaya
Photo: Vladimir Andreev

I like small theaters on the outskirts of a big city. Looking like rain-soaked puppies, they cling to high-rise buildings or huddle in basements. They warm themselves and wait for happy and sunny days. But the curtain rises, like a rainbow rising into the sky, and the small theater enjoys life just as much as the big, “legitimate” theaters. And most importantly, it also pleases the viewer.

There are a huge number of theaters in Moscow - about one hundred and fifty. Most of them are located closer to the center, and they are well-known, they are spoken and written about, and television films are made. There is less talk about small theaters. Therefore, I would sometimes like, along with talking about my favorite large academic theaters, the Maly or the Mossovet, to write about such unique and very worthy ones as the Kamburova Theater, Theater.doc or the Theater in the South-West. Or about completely unknown ones, like the Revelation Theater, which I want to talk about today.

A small theater on the outskirts may have more rights to be called a theater. And here's why. We all remember the expression, “The theater begins with a hanger,” which has already become meaningless from frequent repetition. But I would redo it - theater begins, at a minimum, from the road. That is, while we are still on the road, we tune our hearts in a special way. And the further you go, the longer the wait and the sweeter the anticipation.

The Revelation Theater is located in Konkovo, a few kilometers from my home. And I decided to walk, imagining that I was going from the village of Cheryomushki to the neighboring village of Konkovo to see the artists. In some way, the path to the theater itself was theatricalized. Moreover, the performance that was on stage that day (by the way, the cultural center where the troupe settled is also called “Stage”) is a vaudeville from the life of the nineteenth century: Vladimir Sollogub’s play “Trouble from a Tender Heart.”

The play is staged in a classical manner - lightly, as befits a vaudeville, with verses and dances. The actors play exaggeratedly, but not pretentiously. Fun and joyful. So, despite the “14+” mark, I would recommend the production to children as well. In general, I think that a good performance, like music, should have no age restrictions. Because a good performance, even if it is “adult” and not understandable to a young viewer, having sunk into the soul of a child, can hide in it and emerge years later.

The plot of the play “Trouble from a Tender Heart” is not as well known as, for example, the plots of other similar vaudevilles - “Straw Hat” or “Lev Gurych Sinichkin”. So let me recap briefly.

Large theaters can afford to wear torn jeans at balls or change plots: they still have their own regular audience

An old friend of hers, Vasily Zolotnikov, a wealthy tax farmer (actor Alexei Timoshin), comes to the house of the St. Petersburg landowner Boyarkina (played by actress Elena Sortova) from Tombov with her son Alexander. They were once in love with each other, but they broke up and haven’t seen each other since then for “thirty years and three years.” And so Vasily Petrovich brought his son to the capital to marry him to the daughter of his friend. But “my son’s heart is so tender, as soon as he sees the skirt, it melts; every day, I’m in love.” Alexander justifies this characterization given by his father. She falls in love with every new girl who appears during the course of the play: Boyarkina’s daughter, her friend who came to stay with her, and her cousin, a poor orphan girl who is “kept out of mercy.” Actor Pavel Narkunas plays the perfect Khlestakov, but under the tutelage of his father.

Everything gets completely confused because Alexander proposes to everyone. Poor orphan Nastenka refuses him because of his millions, and two rich brides are seduced by these millions. The comedy begins. Then Zolotnikov Sr. resorts to a trick - he announces that he is bankrupt.

The two male roles, in my opinion, turned out to be very bright. Both actors (Timoshin and Narkunas) cutely fool around on stage, as it should be in vaudeville, but each in his own way. And the female roles, it seemed to me, repeated each other in places. But perhaps it’s a matter of time, when each lady copied the other. (“Who should I learn from, if not from your Mashenka? Here is an exemplary girl.”)

The role of Nastenka, an orphan, turned out to be drab, but not through the fault of the actress (Anastasia Frolova) and not through the fault of the director (Daria Ananyeva) - you just can’t play or stage these “correct” young ladies of the nineteenth century in any other way. I suddenly thought that it would be interesting to imagine her as a serious character from another world who accidentally ended up in a stupid vaudeville. But it would have been a different production, perhaps with different sets and costumes. And this one is good because it gives us the opportunity to plunge into the world of vaudeville of the century before last. And it does not emphasize parallels with modern realities to the detriment of the atmosphere of that era.

Large theaters can afford to wear torn jeans at balls or change plots: they still have their own regular audience. And small theaters are more careful about plot and words, about the truth of life and the truth of fiction.

So, pray tell, what should a young man, handsome, kind, and even dreaming of getting married, do?! Most likely you will answer: “Find a bride and offer her your hand and heart”... And you will be absolutely right. But what should a young man do, whose heart literally melts with love at the sight of every young girl?! This is where the difficulties begin: Marya Petrovna, Katerina Ivanovna, Nastasya Pavlovna... everyone was invited to marry by the unlucky hero!

The son of a wealthy tax farmer, Alexander, has arrived in St. Petersburg and is looking for a bride. There are, as they say, a ton of brides around him - but how can he choose the only one. And Alexander has such a tender heart, he likes all the girls at once. And then there’s the mother of one of the brides, Daria Semyonovna Boyarkina, courting the rich groom and his father.

And all the girls like him too. Just how to find out - they are ready to marry him, Alexander, or prefer his million-dollar inheritance. Then the father uses a trick... This is where the one and only one is located.

This is the story the audience saw on the stage of the Nogin Palace of Culture on April 15, when they came to the premiere of the performance of the folk music and drama theater “Search”, directed by Tatyana Sannikova.

Brilliant vaudeville by Vladimir Sollogub "Trouble from a Tender Heart", which has been running on the Russian theater stage for more than 150 years, once again delighted the audience with sparkling humor, a dashing plot, sharp characters, dances and songs.

The performance, full of grace, charm and slyness, was shown to the audience by the Poisk Theater. Cheerful and witty, with songs, dances and gypsies (Al. Glazunova, D. Gorokhova, V. Pilipenko, V. Minenko) - he gave the audience many pleasant minutes, which they spent together with the actors A. Sannikov (Alexander), A. Tolkachev (Zolotnikov), I. Turkina (Daria Semyonovna), A. Glazunova (Masha), A. Tolkacheva (Nastenka), N. Piskareva (Kubyrkina), D. Kalinina (Katya), V. Kornyakov (Kuafer).

Photo by E. Mareshina