National Palace Museum in Taipei. National Palace Museum Taipei ROC Armed Forces Museum

Location: No. 221, Sec 2, Zhi Shan Rd, Shilin District, Taipei City, Taiwan 111
Visits per year: more than 6 million
Opening hours: from 8.30 – 18.30
Telephone:+886 2 2881 2021
Website: npm.gov.tw

In the north of the Taiwanese city is located one of the greatest treasures on the planet - the Imperial Palace Museum. It is sixth in the world in terms of attendance and the number of amazing and unique exhibits.

The history of the museum in Taiwan

Initially, the exhibition of the Museum of Chinese Art, opened in 1925, was located near Beijing, in the Forbidden City. During the civil war in China, in order to protect the priceless collection, it was decided to hide the exhibits in. For this purpose, about 3,000 boxes with museum exhibits were delivered to the island in the strictest confidence.

Initially, the boxes were stored in various factory warehouses and at the port until a suitable place was found for them. Almost 20 years later, a Chinese-style building was specially built to hold exhibitions, which was subsequently modernized several times. Today, the territory where the exhibits are located totals 9,000 square meters. m.

What is interesting about the Imperial Palace Museum?

This unique institution contains a huge amount of works of art from ancient times to the present day. Despite the huge territory, no more than 3,000 exhibits can be exhibited here at a time, while the rest of the collection awaits its time in the storerooms. Soon it is planned to open new areas, expanded to 30 thousand square meters. m. In the museum you can see:

How to get to the Imperial Palace Museum?

It will take quite a lot of time to examine the unique exhibits of the Chinese museum. A regular ticket for one person costs about $8, students and tourist groups receive discounts. From the city center you can get to the museum in different ways - by

The Imperial Palace Museum is an art and history museum in the capital of the Republic of China (Taiwan), Tai Pei. The seventh most visited museum in the world. In literature it is often referred to as the Gugong Museum, although this name also applies to the museum of the same name in Beijing. The National Palace Museum of Taipei and the famous Forbidden City in Beijing come from the same institution, which was split in two as a result of the Chinese Civil War. Covering an area of approximately 198 acres, the National Palace Museum is located on the outskirts of Taipei on the island of Taiwan. Construction began in 1962, and the museum opened on November 12, 1965, the 100th anniversary of the birth of Sun Yat-sen (1866 -1925), the great Chinese revolutionary and founder of the Republic of China. Thus, the museum is also called the Yat-sen Museum.

The museum was opened on October 10, 1925 in Beijing, on the territory of the Forbidden City. In February 1948, during the Chinese Civil War, a significant part of his collection was moved to Taiwan. In total, 2,972 boxes with exhibits from the Beijing Museum, containing the most valuable works of art, were transported by sea. For some time after arriving in Taiwan, the boxes with the collection were stored in railway warehouses, then in a sugar factory. The collection was later housed in various museums in Taiwan and in the state library until a separate museum complex was built for it in March 1964 - April 1965. When the new museum complex in the Taipei suburb of Waishuanxi was completed in 1965, President Chiang Kai-shek personally inscribed the words "Sun Yat-sen Museum" on the main gate in honor of the great founder of the Republic of China. The official opening ceremony of the Gugun National Museum took place on November 12 of the same year. Built in traditional Chinese style, the four-story main building of the Museum is decorated with ornaments, bordered by stylized canopies, and covered with a green tiled roof with yellow edges and angular flaps. In 1967 and 1969, the building underwent reconstruction and expansion, and in 1985, reconstruction and redevelopment of the exhibition space was carried out. In July 2004, the building was again reconstructed and by the opening of the Museum in February 2007, it acquired its modern, complete appearance.

The Imperial Palace Museum in Taipei is one of the largest treasuries with a remarkable collection of monuments of Chinese culture and history, covering the development of more than 8 thousand years of civilization in China - from the Neolithic era to the overthrow of the imperial Qing dynasty. The museum's collection includes approximately 696,344 objects, most of which were formerly in the collection of the Qianlong Emperor. In the halls of the museum, only their best examples are constantly displayed, since the collection itself is too extensive to be fully displayed in the exhibition areas. The rest, most of the exhibition - works of painting and graphics, items made of jade, porcelain, bronze - are periodically replaced with those stored in storage rooms. The museum collection consists of the following sections: bronze sculpture calligraphy painting jade products ceramics rare books historical documents valuable clothing, jewelry and accessories

There are exhibition halls on the first, second and third floors, and on the fourth floor there is a recreation area with a tea restaurant called “Terem of Three Rarities”. The complete collection contains about 650,000 copies created in different eras. However, each exhibition can only exhibit about 1,700 pieces. At this rate, assuming that exhibits change every three months, it will take as much as 100 years to display the entire collection. The director of the Imperial Palace Museum is Zhou Kongqing. He is a member of the Taiwan government and reports directly to the country's prime minister.

One of Taiwan's most revered artifacts, the Meat-Shaped Stone is a piece of agate carved to resemble a piece of stewed pork. According to the National Palace Museum, the craftsman "took the rich natural resources of this stone and carved it with great precision... the veins and hair follicles became even more realistic."

This engraved olive pit from 1737 measures 3.4 cm long and 1.6 cm high - one of the most complex works of art. It was engraved by the artist Ch'en Tsu-chang during the reign of the Qing Empire in China. On the tiny boat are 8 figures with different facial expressions. There are chairs and dishes inside, and the windows are movable. At the bottom of the boat there is a text of more than 300 characters.

One of the main treasures of the museum is the jade cabbage, which was part of the dowry of the Jin concubine of the Qing Dynasty (1644 -1911). What's amazing is that jade cabbage is carved from a single piece of jade, one half of which is gray and the other half is emerald green. The artist cut leaves from the green part and used the gray part as the outer part of the cabbage. The figures of two red grasshoppers placed on a cabbage make this work of art so realistic that it will seem that if you press on a cabbage leaf with your fingernail, juice will flow out of it. The cabbage symbolizes the righteousness of the family, and the grasshoppers symbolize a large number of children, which obviously made good sense as part of a dowry. It is said that jade cabbage was originally concubine Zhen's dowry. So why is the cabbage in Concubine Jin's room? The fact is that Concubine Jin and Concubine Zhen were sisters. When Emperor Guangxu chose them as concubines, their father prepared a generous dowry. Concubine Jin loved jewelry, so she received a huge amount of money and valuables, while her little sister, Concubine Zhen loved books, so her father gave her a priceless jade cabbage. When Concubine Jin discovered that there was no jade cabbage in her box, she became very angry and cried. To appease her elder sister, Concubine Zhen gave her her treasure, so it became part of her sister's dowry.

Funny Restroom Images

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Coordinates:

Imperial Palace Museum whale. trad. 國立故宮博物院, ex. 国立故宫博物院
Logo
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Location	Taipei
Visitors per year	5 402 325 (2014)
Director	Zhou Kunqing
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K: Museums founded in 170

Imperial Palace Museum(Chinese trad. 國立故宮博物院, ex. 国立故宫博物院, pinyin: Guólì Gùgōng Bówùyùan, pal. : Goli Gugong Bowyuan, literally: “National Museum “Former Imperial Palace””; English National Palace Museum listen)) is an art and history museum in the capital of the Republic of China (Taiwan), Taipei. In 2015, it was ranked 6th in the world in terms of attendance. In literature it is often referred to as the Gugun Museum. Gugong), although this name also applies to the museum of the same name in Beijing.

General information

Museum collections (as of December 2015)

Category	Qty items
Bronze products	6224
Ceramics	25 551
Jade products	13 478
Varnish	766
Enamel	2520
Artistic carving	663
Coins	6953
Textiles	1536
Painting works	6538
Calligraphy works	3654
Calligraphy supplies	2379
Calligraphy pattern books	490
Tapestries and embroidery	308
Fans	1880
Rare books	211 195
Archival documents of the Qing dynasty	386 862
Documents in Manchu, Mongolian and Tibetan languages	11 501
Ink prints(Chinese: 拓片)	896
Miscellaneous (religious affiliations, clothing and accessories, tobacco bubbles)	12 979
Total	696 373

The Imperial Palace Museum in Taipei is one of the largest treasure troves with a remarkable collection of Chinese culture and history, covering the development of more than 8,000 years of civilization in China - from the Neolithic era to the overthrow of the Qin dynasty. As of December 2015, the museum's collection includes 696,373 objects, most of which were formerly in the collection of the Qianlong Emperor. In the halls of the museum, only their best examples are constantly displayed, since the collection itself is too extensive to be fully displayed in the exhibition areas. The rest, the majority of the exhibition - works of painting and graphics, items made of jade, porcelain, bronze - are periodically replaced with those stored in storage rooms.

The director of the Imperial Palace Museum is Zhou Kongqing (Chinese: 周功鑫). He is a member of the government of Taiwan and reports directly to the prime minister of the country.

Story

The museum was opened on October 10, 1925 in Beijing, on the grounds of the Forbidden City. In February 1948, during the Chinese Civil War, a significant part of his collection was moved to Taiwan. A total of 2,972 boxes containing exhibits from the Beijing Museum, containing the most valuable works of art, were transported by sea. For some time after arriving in Taiwan, the boxes with the collection were stored in railway warehouses, then in a sugar factory. The collection was later housed in various museums in Taiwan and in the state library until a separate museum complex was built for it in March 1964 - April 1965. The opening of the new museum in Taipei took place on November 12, 1965.

In 2014, the museum was visited by 5,402,325 people, in 2015 - 5,291,797 people.

Gallery

National Palace Museum RightSide Lion.JPG

National Palace Museum Front View.jpg

Li longji art.jpg

National palace museum-ming dynasty-sitting buddha.jpg

Jade cabbage closeup.jpg

MeatStone Taiwan.JPG

Palefrenier menant deux chevaux par Han Gan.jpg

Sources

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An excerpt characterizing the Imperial Palace Museum

– Listen, son... This man is not a Knight Templar. – Radan said hoarsely, pointing to the dead man. - I know them all - he is a stranger... Tell this to Gundomer... He will help... Find them... or they will find you. And best of all, go away, Svetodarushka... Go to the Gods. They will protect you. This place is filled with our blood... there is too much of it here... go away, dear...
Slowly, Radan's eyes closed. A knight's dagger fell to the ground with a ringing sound from the loosened, powerless hand. It was very unusual... Svetodar looked more closely - this simply could not be!.. Such a weapon belonged to a very narrow circle of knights, only those who once personally knew John - at the end of the handle there was a gilded crowned head...
Svetodar knew for sure that Radan had not had this blade for a long time (it had once remained in the body of his enemy). So today, in self-defense, he grabbed the killer’s weapon?.. But how could it fall into the wrong hands?! Could any of the Temple knights he knew betray the cause for which they all lived?! Svetodar did not believe in this. He knew these people as he knew himself. None of them could have committed such base vileness. They could only be killed, but it was impossible to force them to betray. In this case, who was the person who owned this special dagger?!
Radan lay motionless and calm. All earthly worries and bitterness left him forever... Hardened over the years, his face smoothed out, again resembling that joyful young Radan, whom Golden Maria loved so much, and whom his dead brother, Radomir, adored with all his soul... He again seemed happy and bright , as if there was no terrible misfortune nearby, as if everything was joyful and calm in his soul again...
Svetodar stood on his knees without saying a word. His dead body only quietly swayed from side to side, as if helping himself to withstand, to survive this heartless, vile blow... Here, in the same cave, eight years ago Magdalena passed away... And now he was saying goodbye to his last loved one , remaining truly all alone. Radan was right - this place absorbed too much of their family blood... It was not for nothing that even the streams turned crimson... as if wanting to tell him to leave... And never come back.
I was shaking with some strange fever... It was scary! This was completely unacceptable and incomprehensible - after all, we were called people!!! And there must be somewhere a limit to human meanness and betrayal?
- How could you live with this for so long, Sever? All these years, knowing this, how did you manage to remain so calm?!
He just smiled sadly, without answering my question. And I, sincerely amazed at the courage and perseverance of this wonderful man, discovered for myself a completely new side of his selfless and hard life... his unyielding and pure soul...
– Several more years have passed since Radan’s murder. Svetodar avenged his death by finding the killer. As he suspected, it was not one of the Knights Templar. But they never knew who the man sent to them really was. Only one thing became known - before killing Radan, he also vilely destroyed the magnificent, bright Knight who had been with them from the very beginning. He destroyed him only in order to take possession of his cloak and weapons, and to create the impression that Radan was killed by his own...
The accumulation of these bitter events poisoned Svetodar’s soul with losses. He had only one consolation left - his pure, true love... His sweet, gentle Margarita... She was a wonderful Qatari girl, a follower of the teachings of the Golden Mary. And she somehow subtly reminded Magdalene... Either it was the same long golden hair, or the softness and leisurelyness of her movements, or maybe just the tenderness and femininity of her face, but Svetodar very often caught himself looking for She has long-gone memories that are dear to her heart... A year later, they had a girl. They named her Maria.
As was promised to Radan, little Maria was taken to nice, courageous people - the Cathars - whom Svetodar knew very well and whom he completely trusted. They pledged to raise Maria as their daughter, no matter what the cost or threat to them. Since then, this has been the case - as soon as a new child was born in the line of Radomir and Magdalena, he was given to be raised by people whom the “holy” church did not know and did not suspect. And this was done in order to preserve their priceless lives, to give them the opportunity to live out their lives to the end. No matter how happy or sad he may be...
– How could they give away their children, Sever? Have their parents never seen them again?.. – I asked in shock.
- Well, why didn’t you see it? We saw it. It’s just that each fate turned out differently... Later, some of the parents generally lived nearby, especially the mothers. And sometimes there were cases that they were arranged even with the same people who raised their child. They lived differently... Only one thing never changed - the servants of the church did not get tired of following their trail, like bloodhounds, not missing the slightest opportunity to destroy the parents and children who carried the blood of Radomir and Magdalena, fiercely hating even themselves for this a small, newly born child...
– How often did their descendants die? Has anyone ever stayed alive and lived their life to the end? Did you help them, North? Did Meteora help them?.. – I literally bombarded him with a hail of questions, unable to stop my burning curiosity.

The National Palace Museum in Taipei is one of the twelve largest art museums in the world, its collection includes about 700 thousand exhibits, the oldest one is 8 thousand years old.
The basis of the museum's collection is the treasures of the Forbidden City (the imperial palace in Beijing). This collection of Chinese art, which was collected over centuries in the courts of different dynasties, represents the quintessence of Chinese culture. Many rulers of China were inveterate collectors, but the beginning of collecting palace collections was laid during the Song Dynasty (960-1279). Emperor Taizong specifically sent emissaries to all provinces of China with orders to collect, confiscate, or simply steal the best examples of Chinese art. After the devastating Mongol invasion, the collecting tradition resumed. The restored imperial collection of art objects was first kept in Beijing, and in 1368, when the Ming dynasty came to power, it was moved to Nanjing. In the 1420s, when the Ming Emperor Yong Luo moved the capital back to Beijing, the imperial collection was housed in the halls of the palace in the Forbidden City. Over the next centuries it grew continuously. The rulers of the Qing dynasty (1644-1911) especially contributed to its replenishment.

The history of the National Museum began almost a hundred years ago. In 1911, the last Chinese imperial dynasty fell. On November 5, 1924, the last Emperor of China, Pu Yi, was finally expelled from the Forbidden City. On October 10, 1925, the republican authorities opened a museum in the former Forbidden City. Treasures that were previously in private possession became available to those interested from all over the world. However, the museum did not last long. The first half of the twentieth century in China was a time of turmoil and change, which influenced the fate of the collection. The capture of Manchuria by the Japanese in September 1931 increased the likelihood of armed conflict, and in February 1933 the decision was made to transfer the collection from Beijing to Shanghai. Then the priceless historical monuments from the imperial palaces, the bulk of the museum's collection, were carefully packed into baskets, loaded into railway cars and sent to the safer Nanjing. Thus began a long, dramatic odyssey of the imperial treasures. After temporary storage in the warehouses of foreign missions, the collection set off on a long journey through Southeast China, which lasted from 1933 to 1948. The civil war between supporters of the Republican and Communist parties of China, which began in 1946, was the reason for the transfer of the best part of the collection from the mainland to the island of Taiwan. So, 16 years later, having covered a distance of thousands of miles, the precious collection ended up in the capital of Taiwan, Taipei. In addition to this, the museum’s collection includes the collections of the National Library and the Institute of History and Philology of the Chinese Academy.

But it was not until 1965, when the National Palace Museum opened to the public, that the treasures of the imperial palaces were again available for viewing. Today, the National Palace Museum is the world's largest and finest collection of Chinese art. These are items that once belonged to Chinese emperors - porcelain, bronze, jade, ceramics, lacquerware, calligraphy, paintings, rare books and documents. The museum's collection has continued to grow in recent years, thanks to donations from private collectors.
The museum building, built in the post-war period, resembles in its appearance the palaces of the Forbidden City. Only a small part of the collections (about 15 thousand exhibits) is on permanent display. The bulk of the collection is kept in huge dungeons cut into the hill on which the palace stands. From time to time, the museum organizes thematic exhibitions where unique works of Chinese, Tibetan, and Manchu art stored in its collections are demonstrated. Many of them are simply priceless. For example, the collection of jade figurines spans a period of more than five thousand years - from approximately 5000 BC. to 220 AD The collection of Tibetan ritual objects tells the long and complex history of the relationship between Tibetan monks and the imperial court in Beijing. Most of these items represent gifts from various Tibetan monasteries sent to the Chinese emperors.
From the exhibits stored in the museum, you can trace the entire history of Chinese books over the past five thousand years. The range of materials on which ancient books were written includes pottery, tortoise shells and animal bones, bamboo, and silk. In addition to handwritten scrolls from the Han Dynasty (206 BC - 220 AD) and Buddhist sutras of the 6th-7th centuries, the first printed publications not only in China, but throughout the world, from the Song Dynasties are on display here (960-1279) and Yuan (1280-1367). These editions are of particular value: they were published almost at the same time when many works of Chinese classical literature were created, and now with their help researchers establish the textual authenticity of literary works.
The museum also displays real masterpieces of calligraphy created by the best Chinese masters of all times.
The finest porcelain of the Ming Dynasty era was a coveted product for many decades in the markets of all countries of the world, but its most outstanding examples could only be seen at the court of the Chinese emperors, and today - in the Taiwanese National Palace Museum.

Decorative Chinese cabbage, given by the emperor to his bride as a sign of purity of intentions and expectation of an heir.
Ch"ing dynasty, reign of Kuang-hsü, 1875-1908. Jade, carving. Approx. 23 cm

Inkstone stand decorated with flowers, plants and insects. First half of the 18th century.
Ivory, carving. 2.9 x 8.5 x 3.9 cm

Bottom view

Miniature boat in the shape of a dragon. XVIII century.
Ivory, carving. 3.6 x 5.0 cm

Case for a dragon boat in the shape of a cockerel. XVIII century. Varnish.

Pumpkin-shaped water container. XVIII century.
Ivory, carving.

Huang Zhenxiao. Table screen “Orchid Pavilion”. 1739.
Ivory, carving. 9.2 x 3.6 x 0.2 cm, height with stand – 12.7 cm

Reverse side

Box in the shape of a citron fruit “Hand of Buddha”. XVIII century.
Ivory, carving. 3.8 x 8.3 cm

Openwork box for brushes. Second half of the 18th – beginning of the 19th centuries.
Ivory, carving. 45.4 x 30.4 x 21.6 cm

Nine-story pagoda. Second half of the 19th century.
Ivory, carving. 67.5 x 22 x 18.5

You Tong. Bowl in the shape of a raft. Second half of the 17th century. Horn. rhinoceros, carving. 12.2 x 26.5 x 12.1 cm

Brush stand “Seven Sages in the Bamboo Grove”.
Bamboo, carving. 15.5 x 14.7 cm

Ju Sansong. Water bowl in the shape of a lotus leaf.
The end of the 17th – beginning of the 18th century.
Bamboo, carving. 7.2 x 9.3 x 15.1 cm

Pumpkin-shaped box. XVIII century.
Bamboo with gilding inside, carving. 9.9 x 10.4 cm

Brush holder. The end of the 17th – beginning of the 18th century.
Boxwood, carving. 18.5 x 17.8 x 22.3 cm

Openwork stand for brushes in the shape of a pumpkin vine. XVIII century.
Boxwood, carving. 19.8 x 21.2 x 15.3 cm

Vessel for wine. XII – X century BC Bronze.

Vessel for cooking. XIII – X century BC Bronze.

Vessel for cooking. XIII – XII centuries BC Bronze.

Vessel for wine. XIII – XI centuries BC Bronze.

Vessel for storing/presenting food. XII – X century BC Bronze.

Vessel for wine. XII – XI century BC Bronze.

Vessel for storing/presenting food. XIII – XI centuries BC Bronze.

Bowl in the shape of a lotus. Northern Sung period, 960 – 1127.
Porcelain, green-blue glaze.

Flower vase. Yuan Dynasty, 1271 – 1368.
Porcelain, violet-blue glaze.

Vase. Ming Dynasty, reign of Yung-lo. 1360 – 1424.
Porcelain, underglaze painting.

Vase in the shape of garlic. Ming Dynasty, reign of Wan-li. 1563 – 1620.
Porcelain, five-color glaze.

Vase with peonies and dragons. Ch"ing dynasty, reign of Yung-cheng. 1723 - 1735.
Metal, enamel, gilding.

Double vase with rotating interior (image changes). Ch"ing dynasty, reign of Ch'ien-lung. 1736 - 1795.
Porcelain, cobalt blue glaze.

Vase with butterflies. Ch"ing dynasty, reign of Kuang-hsü, 1875-1908. Porcelain, enamel, glaze.

P.S. The museum is grand! My husband and I spent two days there, but we still didn’t have time to see everything. You can’t take photographs there, and it’s useless; it would hardly work. Therefore, I present to your attention scans from a small general catalog of the museum, a catalog of carvings, and an impressive catalog of bronzes. The last one is in Chinese, so if anyone is interested, I can give it to them to read.