Impressionists in the Hermitage. The Impressionists in the Hermitage: Famous Artists and Their Paintings, Location, Exhibition Places, Opening Hours of the Exhibition and Date Paintings by French Impressionist Artists in the Hermitage Collection
The main headquarters of the Hermitage is a new exposition complex, which is part of the State Hermitage Museum and is an important landmark of St. Petersburg. The main headquarters is located in the eastern wing of a semicircular building on Palace Square, stretching from the Moika River to Nevsky Prospekt, in the very center of St. Petersburg.
The building of the General Staff building itself is one of the brightest architectural works in the Empire style; it was erected by the famous architect Carl Rossi at the beginning of the 19th century.
History of the General Staff in St. Petersburg
The main headquarters became a symbol of the Russian Empire, it housed the highest state institutions and ministries. The Ministry of Foreign Affairs was located in the eastern part. After the revolution, various organizations, the Commissariat for Foreign Affairs and even the police department were housed in the premises of the building.
The two central buildings are connected by the arch of the General Staff, built at the final stage and becoming the main decoration of the entire building. Be sure to take a photo of the arch of the General Staff Building.
Arch of the General Staff
As a dedication to the victory in the Patriotic War of 1812, the top of the triumphal arch is crowned with a monument of a flying chariot, from which the ancient goddess Glory proudly looks with a laurel wreath of the winner in one hand and a standard with a double-headed eagle in the other. Warriors in armor hold back six magnificent horses rushing forward.
The arched vault is decorated with figures of winged goddesses of victory, high reliefs of military armor and weapons, statues of sentry warriors and a snow-white colonnade. Palace Square offers a view of the entire architectural and sculptural composition, the arch of the General Staff stands out against the backdrop of the austere facade of the building.
Panorama view of the Main Headquarters St. Petersburg photo from the side of the Hermitage Panorama of the General Staff Building in St. Petersburg looks good not only during the day, but also in the evening. When darkness descends on the city, the facade lighting turns on and the General Staff building looks great.
headquarters in the evening Be sure to visit the Palace Square in the evening. Moreover, various events are very often held on Palace Square, so you will not be alone.
From the side of Bolshaya Morskaya Street, through the arch, a beautiful view of the panorama of the square and the Hermitage opens up, and the Alexandria Column is exactly in its middle. The Arch of the General Staff Building in St. Petersburg was equipped with the first street electric clock, which was installed under its arch for the Ministry of Finance in 1905.
The Hermitage Museum received at its disposal only the eastern part of the building, the rest belongs to the Western Military District. From 2004 to 2014, the reconstruction of the interior was carried out, the purpose of which was to turn the historic building into a full-fledged museum complex.
The courtyards-atriums of the General Staff create the impression of a single large space with a natural system of light scattering.
Courtyards-atriums of the General Staff 
Modern spacious exhibition halls are connected by glass "bridges",
glass walkways visitors are greeted by a wide marble staircase, avant-garde solutions are elegantly combined with architectural classics.
The main staircase of the General Staff The main expositions of the General Staff of the Hermitage in St. Petersburg
The museum complex has four floors. The main exhibition premises are united into three enfilade lines - Palace (along Palace Square), Pevcheskaya (along Pevchesky Proyezd), River (along the Moika Embankment) - and supplemented by a central Grand Enfilade of courtyards-atriums.
Plan layout of expositions of the General Staff of St. Petersburg
| Floor number | What's on the floor |
| 1st floor | Entrance and ticket offices Wardrobe, shop and cafe Lecture hall |
| 2nd floor | Art Nouveau Art of the peoples of Africa Italian sculpture of the 20th century Exposition dedicated to the Ministry Finance of the Russian Empire |
| 3rd floor | Exhibitions “Under the sign of the eagle. Empire Art» French Painting and Sculpture of the 19th Century» Western European art of the nineteenth century Museum of the Russian Guard Halls of memory of Carl Faberge Exposition, about the Ministry of Foreign Affairs Affairs of the Russian Empire |
| 4th floor | Gallery in memory of Sergei Schukin and the Morozov brothers works of the Impressionists, post-impressionists, artists of the Nabis group; French Salon painting and masters |
For a more detailed study and drawing up an inspection plan, I suggest the floors of the General Staff in St. Petersburg.
Second floor plan example And for a short review, we will touch on the main iconic expositions.
World-famous canvases of the Impressionists and Post-Impressionists are presented on the fourth floor of the complex in the “Gallery in memory of Sergei Schukin and the Morozov brothers”. Previously, the hall of French painting of the 19th century was located in the halls of the Winter Palace.
In the first room, impressionism is represented by landscapes by Claude Monet, they are filled with air and light, both bright and incredibly tender. In the next room - images of beautiful dancers by Edgar Degas and the famous multi-figure portrait "Concord Square". Further, visitors are presented with a collection of still lifes by Henri Fantin-Latour, landscapes by Pissarro and Sisley.
Two whole halls are occupied by portraits of Auguste Renoir, admiring with their simplicity and expressiveness, lively and sunny, glorifying impressionism. Quite different, but no less memorable faces look from the portraits of Paul Cezanne. Among his paintings you can see the famous still lifes with apples, and landscapes with green streets.
History of Psyche Maurice Denis 1909 The permanent exhibition continues with a series of paintings by Paul Gauguin, who is unlike other masters in his manner. Slightly angular figures of Tahitian women, island wildlife inspired him to create unique masterpieces. Vincent van Gogh was also distinguished by an unusual, passionate and expressive manner of writing.
Ladies of Arles Vincent van Gogh 1888 His paintings are the most popular among museum visitors, the artist's creative genius allowed him to put incredible emotions and feelings into the picture. Van Gogh's paintings, like lively, bright colors and bold strokes, create a feeling of movement, excitement and joy.
Unforgettable paintings by Henri Matisse, Pablo Picasso and other artists of the early 20th century also moved to the new complex.
Dance Henri Matisse 1910 
Young Lady Pablo Picasso 1909 The second floor is reserved for the Art Nouveau Art exposition, which presents objects of decorative and applied art made by masters of the 19th-20th centuries.
Part of the premises tells about the work of the Ministry of Foreign Affairs of the Russian Empire, which was located in this part of the building.
On the third floor, visitors are presented with paintings by Russian artists of the 19th - early 20th centuries: Karl Bryullov, Boris Kustodiev, Petrov-Vodkin and other famous masters.
On the other line of the floor there are military relics, weapons and uniforms from the times of the Russian guards of the 18th century. The real uniform of Peter 1 is presented in the form of an officer of the Life Guards of the Preobrazhensky Regiment.
Uniform of Peter 1 The third floor is also interesting with an exhibition dedicated to jewelry and the art of stone cutting. These halls were created in memory of the famous master Carl Faberge.
You can visit the Main Headquarters of the Hermitage, unlike the numerous "summer" palaces and parks of St. Petersburg, at any time of the year. The State Hermitage Museum is rightfully considered one of the best museums in Europe, and the renovated General Staff building provides an opportunity to visit a truly modern creative space that combines masterpieces of world art with modern cultural innovations.
It hosts temporary exhibitions of various areas of contemporary art, annual international biennials, expositions of contemporary artists from around the world.
To see the splendor of the Winter Palace, visit the Hermitage, walk along the Palace Square and find out where the arch of the General Staff Building in St. Petersburg is located is to keep the symbols of the northern capital in your heart and feel its mood. In the General Staff Building of the Hermitage it is allowed to take photos / photographs, with a slight restriction without tripods and flashlights.
How to get to the General Headquarters of the Hermitage in St. Petersburg
Getting to the General Headquarters of the Hermitage in St. Petersburg is easy, as the General Headquarters is located in the city center next to the Admiralteyskaya metro station at the very beginning of Nevsky Prospekt on Palace Square. Above the Admiralteyskaya metro station is the Admiral shopping complex and there is a historical one on the 6th floor.
The main headquarters of the Hermitage is located at the address: St. Petersburg, Palace Square, 6-8, lit. A
Entrance to the Museum The main headquarters in St. Petersburg is unremarkable and can not be seen right away. It is located not far from the triumphal arch on the left side on the first floor of the building, when viewed from Palace Square. And if you are walking from the metro and passing through this arch, then you need to turn right and walk thirty meters.
Entrance to the Headquarters 
Close-up of the entrance Opening hours and tickets at the Main Headquarters of the Hermitage Saint Petersburg in 2019
The opening hours of the General Staff Building of the Hermitage in Saint Petersburg are as follows:
- Tuesday, Thursday, Saturday, Sunday 10:30 - 18:00 (ticket office closes at 17:00)
- Wednesday and Friday 10:30 - 21:00 (ticket office closes at 20:00)
- Monday, January 1 and May 9 - day off
Opening hours and ticket prices for the Hermitage as of March 2019
The cost of entrance tickets for citizens of Russia and the Republic of Belarus
For adult visitors 400 rubles
this is a single entrance ticket to the Main Museum Complex and separate objects (the Main Museum Complex Hermitage, the Main Headquarters, the Winter Palace of Peter the Great) and is valid throughout the day.
If you plan to visit this day only one of the museums(The Hermitage or the General Staff or the Winter Palace of Peter I), then ticket price will be 300 rubles. When buying this ticket, you must warn the cashier otherwise the cashier will sell a complex ticket.
Can visit the museum for free, for this you need to come on a special day.
Days of free admission to the museum for all categories of individual visitors (for free tickets *, excursions remain paid):
- third Thursday of each month;
- March 8;
- May 18;
- December 7th.
Free visit: children of preschool and school age, students of educational institutions, students (regardless of citizenship), pensioners - citizens of Russia.
*Free ticket(except for tickets for children of preschool and school age) is issued upon presentation of the relevant documents confirming the right to it. A free admission ticket must be obtained at each museum complex during ticket office opening hours.
Be sure to have a passport, if a pensioner is required a pension certificate, students a student ID card, in the absence of documents, even Russians will have to buy a ticket as foreigners for 700 rubles, but sometimes we manage to convince the cashier that we are our own.
Official website of the General Staff of the Hermitage: www.hermitagemuseum.org
The historic building inside has been completely renovated and modernized. Disabled people have been taken into account, currently any exhibition on any floor can be reached by wheelchair. For this, elevators and lifts are made, which moms with strollers can also use.
Lift from wardrobe 
Wheelchair lift There is a cafe on the ground floor in the General Staff Building in St. Petersburg for a comfortable stay.
Ministry of Education and Science of the Russian Federation
St. Petersburg State University of Technology and Design
Department of Chemical Technology of Textile Design.
Specialty: 070601.65 - industrial design of textiles
Practice report.
"Collection of Impressionist and Post-Impressionist Paintings in the Hermitage"
Group student: 2-xd-4
Teacher:
Candidate of Arts - Associate Professor
Mitrofanova N.Yu.
Saint Petersburg 2008
Introduction
Impressionism
post-impressionism
Conclusion
Bibliography
Introduction
The topic of the report is “The Collection of Impressionist and Post-Impressionist Paintings in the Hermitage”. The collection of impressionists and post-impressionists in the Hermitage is one of the richest in the world. In the second half of the century, donations and purchases from domestic collectors became important sources of funds replenishment. The Hermitage possesses the largest collection of French Impressionist and Post-Impressionist paintings. was collected at the turn of the 19th and 20th centuries by two patrons S.I. Shchukin and I.A. Morozov. With a subtle flair, they were able to predict what role the Impressionists would play in the history of art.
The collection includes eight paintings by Claude Monet ("Lady in the Garden", paired panels "A Corner of a Garden in Montgeron" and "A Pond in Montgeron", etc.), six works by Pierre-Auguste Renoir ("Portrait of the Artist Jeanne Samary", "Girl with a Fan" and others) eleven canvases by Paul Cezan ("Banks of the Marne", "Still life with drapery", "Fruits", etc.) pastels by Edgar Degas, four works by Vincent van Gogh. ("Bush", "Huts", etc.). The art of Paul Gauguin is represented by fifteen paintings ("Tahitian Pastorals", "Woman Holding a Fruit", etc.). Among the thirty-seven works of Henri Matisse are such world-famous works as: "Red Room", "Dance", "Music". Thirty-seven paintings by Pablo Picasso belong to the early periods of his work: pink, blue, cubist ("Absinthe drinker", "Date", "Boy with a dog", "Woman with a fan", etc.). Nine works by Auguste Rodin, the largest sculptor of the second half of the 19th - early 20th centuries, include works in marble, bronze, plaster ("Eternal Spring", "The Sinner", "The Bronze Age", etc.)
In order to open the topic, it is necessary to solve a number of problems. First, consider the history of creation, in particular, consider the special contribution to its creation of two patrons - Morozov and Shchukin. Secondly, to study the very movement of the Impressionists and Post-Impressionists, which originated in France, to understand the features of their painting and highlight the most prominent artists of this trend. Thirdly, to describe the biography of one of the representatives of these areas, in this term paper - Paul Cezanne.
To solve a number of problems, it is necessary to turn to the literature. In the book "The Impressionists" Gabriele Crepaldi consistently describes the exhibitions of the Impressionists and their direct initiators. It also describes the reaction of critics to the exhibitions and quotes from publications. In "Encyclopedia for children. Art” in one of the articles describes the history of the creation of the collection in the Hermitage by S.I. Shchukin and I.A. Morozov. The book "The State Hermitage" by P. F. Gubchevsky also describes this collection. The book "Impressionism. The Illustrated Encyclopedia by I. Mosin consists of short biographies of artists, collectors and critics. Information from various information sites was also used.
The history of the creation of the Hermitage collection of Impressionist and Post-Impressionist paintings
In a brief reference, it is difficult to characterize the exceptional richness and diversity of the Hermitage's collection of works of French art. It covers a huge, almost five hundred year period, from the early monuments of the French Renaissance to paintings by artists of the 20th century. The excellent creations of outstanding painters and sculptors clearly characterize various styles and artistic trends, all the main stages in the development of the fine arts of France. Tapestries, fabrics, lace, artistic furniture, faience and porcelain, items made of silver, gold and bronze - all this unusually rich complex of applied art monuments gives a broad idea of the country's culture, helps to correctly understand the interaction of various types of art. The exhibition "The Art of France of the 15th - early 20th centuries", occupying 39 halls, is the largest in the world outside of France itself. In a sequential inspection, it should be borne in mind that the first half of the exposition, dedicated to the art of the 15th - 18th centuries, is located in the halls of the second floor, and the works of the 19th - early 20th centuries. located on the third floor.
The works of Impressionist artists occupy a very significant place in the exhibition (rooms 107, 108). Outstanding painters of this trend - Monet, Pissarro, Sisley, Renoir - are represented by many first-class paintings. Protesting against the routine and falsity of salon-academic art, the Impressionists turned to the direct depiction of the surrounding world. Working only from nature, most often in the open air, in their rural and urban landscapes, scenes of everyday life and portraits, they sought to capture the incessant malleability and variability of nature, excellently conveyed the air environment, sunlight and the subtlest changes in color relationships. The coloristic freshness of the Impressionist paintings, painted in rich and pure tones, colored transparent shadows and many newly developed painting techniques that accurately and correctly convey optical perception, was a valuable contribution that enriched and expanded the possibilities of painting. However, the exclusive focus only on the color perception of the world, the refusal to disclose the semantic side and the ideological significance of various life phenomena soon led the Impressionists to the internal unification of the images they created. It is no coincidence that the methods of impressionism were insufficient for a deep psychological disclosure of a person's individuality, showing events of the greatest social significance. In the art of the Impressionists, there is almost no plot painting that poses significant social, ethical or moral themes, despite the exceptional acuteness of the social conflicts of their time.
In the artistic views of the masters of the next generation, subjectivist tendencies were further developed and led to the formalistic searches of artists of the 20th century. It should be noted that the Hermitage collection of works by Cezanne, Gauguin, Marquet, Bonnard, Matisse, Picasso and other masters of the late 19th - first half of the 20th century. so extensive that it can fairly be attributed to the best world collections, even taking into account those available in France itself.
Moscow merchants and entrepreneurs Sergei, Peter and Dmitry Shchukin, Ivan and Mikhail Morozov, who made their own collections of the Impressionists and their successors, have special merit in collecting works of world art. Based on his collection, S.I. Shchukin in 1909 opened a public art gallery, free of charge for visitors, in B. Znamensky Lane near the Arbat, in the former palace of Prince Trubetskoy, which was bought by his father from ruined aristocrats.
Sergei Ivanovich Shchukin (1854-1936) graduated from a commercial academy in Germany and in 1890 became the head of a family business, the Ivan Shchukin and Sons Trading House. This talented and energetic entrepreneur was nicknamed "porcupine" by his partners for his stubbornness in trade deals. After his marriage, Shchukin settled in Bolshoi Znamensky Lane, in a mansion known in Moscow as the former palace of the Trubetskoy princes. Artists, musicians, and actors have always been welcome guests in the Shchukins' house. The collection of S.I. Shchukin was created in 1898-1918. and went through a series of stages, when collections of works by the Impressionists, Post-Impressionists, Fauves, the Nabis group, and Cubists were acquired successively. However, a number of paintings were bought as soon as they appeared at the Parisian marchants, dealers in paintings (as a rule, great connoisseurs of art).
Shchukin laid the foundation for his famous collection in the 1990s. XIX century., When he became interested in modern Western painting. He often visited Paris and on one of his visits he bought the work of the French impressionist Claude Monet "Lilacs in the Sun". The first painting by Monet, which ended up in Russia, made a huge impression on connoisseurs-professionals - Moscow painters. However, the general public, not only in Russia, but also in the homeland of impressionism, in France, did not yet understand, and sometimes did not want to understand such painting. Shchukin, possessing a subtle flair, was able to predict what role the Impressionists would play in the history of art.
Soon, the collection of the Russian philanthropist included paintings that have now become classics: “Portrait of Jeanne Samary” and “Girl in Black” by Auguste Renoir, “Haystack” and “Capuchin Boulevard” by Claude Monet, paintings by Camille Pissarro, Edgar Degas. From 1903-1904 Shchukin began to collect works by Paul Cezanne, Paul Gauguin, Vincent van Gogh, Pablo Picasso, which attracted the collector with their unusualness. He himself said: "If, after seeing a picture, you experience a psychological shock, buy it."
With the work of Henri Matisse, Shchukin first met in 1905 at an exhibition in Paris and since then has remained a constant buyer of his paintings. In 1910, Matisse completed two picturesque panels for Shchukin's mansion - "Music" and "Dance", and in 1911 the artist came to Moscow.
In 1908, Shchukin made a will, according to which his entire richest collection became the property of the city. By the time of the Bolshevik revolution of 1917, Shchukin's unique collection consisted of 225 works and gave a complete picture of the development of French painting, from the 1870s to cubism. Shchukin directly ordered decorative panels for his home from such masters as Bonnard, Villard and Matisse.
Which closed this weekend, made me think about the innovative trends in painting of that time. I won’t say that I am a big fan of painting, but the pictorial solutions of the early 20th century are already recognized classics. And since it’s a classic, it means that such a view of the world makes sense at least to try to correlate it with one’s own. Paintings of the early 20th century in St. Petersburg can be seen in the Russian Museum, in Erarta, in the Hermitage, and in several other places. It was too lazy for me to go to Erarta, because it was far away, and the Russian Museum and the Hermitage were almost nearby. One is open until 21.00 on Thursday, the other - on Wednesday. It was Wednesday - January 31, a lunar eclipse and I was drawn to the Hermitage. At the ticket office in the Winter Palace, they politely sent me to the General Headquarters, through Palace Square, it turns out that the avant-garde artists now "live" there, on the 4th floor. I have never been to the Rossi wing, all the more it became interesting. Came, and there - here
To be honest, I liked it. On the 4th floor there are such interesting glass bridges
And under the bridge is another courtyard
Avant-gardists were placed on the 4th floor. You can get there by lift. However, I did not go to them, but to the French Impressionists. This, of course, is not avant-garde, but for the end of the 19th century it was also a revolutionary campaign. After the pompous staging and multi-figure compositions of academic artists, the viewer did not immediately accept this direction. In my unenlightened view, the landscapes of the Impressionists have not lost their original message - to convey a momentary impression. At first, I wanted to purposefully get to the avant-garde artists and not stop at other paintings. But the charm of the moment, like a casual glance out of the window, stopped me. I took out my smartphone and went to those canvases, into the “windows” of which I wanted to look. First it was Claude Monet "Meadows at Giverny"
He is the Pond Bank in Montgeron
It is also Waterloo Bridge. fog effect
His same - On the steep banks near Dieppe
The next stop is Camille Pizarro Boulevard Montmartre. Here curiosity played more, it was too much I read about this famous boulevard in literary works. Something like "so you're a little scarlet flower" :))
I partially took a photo from the network when my picture was completely unsuccessful. Moving on - Auguste Renoir Landscape at Beaulieu. The sea, the sun, the wind - all in a small landscape, as if outside the window.
The same set, but from a different place and in a different manner: Georges Pierre Seurat Fort Sanson - the coast of the English Channel.
In the same technique, but the work of another artist - pointillist Paul Signac Harbor in Marseille
According to the author's memoirs, it is an absolutely fictional thing, but nevertheless, reflecting the real moment of the approaching sunset.
Another of the famous followers of Paul Signac - Henri Edmond Cross View of the Church of Santa Maria degli Angeli near Assisi
Paul Cezanne Blue landscape - deep twilight, almost night. But for the artist, the period of passion for impressionism was relatively short.
Paul Gauguin A man picking fruit from a tree. And not because Paul Gauguin is an iconic figure, there are more famous works of him in the Hermitage. But because everything is momentary - the sun, goats, fruits.
Here is Van Gogh Kust. By the way, this bush grew in the garden of the psychiatric hospital, where Vincent van Gogh spent several years. Art critics write about a hot day, maybe the bush was the same, but here I didn’t feel a hot day
His same sad Remembrance of the garden in Etten. In the picture - the mother and sister of the artist, and Etten - the city in which Van Gogh was born, although the picture was painted in the south of France in Arles
Charles Cotte View of Venice from the sea. Here I was more saddened by the dissimilarity of the plot to everything I know about Venice.
And I'll end today with Georges Dupuis The embankment of Notre Dame in Le Havre
The collections of the Hermitage contain a truly gigantic number of works of art of world significance. The paintings that are here are familiar to everyone and everyone in the world. The names of the artists that are presented here in originals have been the most famous for many decades and centuries, and their art is unique. A small selection of paintings by three artists that are waiting for you further proves this fact once again.
Here are some pictures from the halls of the Hermitage which are devoted to French painting of the XIX-XX centuries.
Claude (A Corner of the Garden at Montgeron, The Pond at Montgeron, The Lady in the Garden of Sainte-Adresse). One of the most famous Impressionist painters (1840, Paris - 1926, Giverny)
Pierre Auguste (Child with a Whip, Portrait of the Actress Jeanne Samary). An outstanding French artist, a representative of the style of painting - impressionism (1841, Limoges - 1919, Cagnes-sur-Mer)
Paul (Girl at the piano, Big pine near Aix, Lady in blue). Great French artist, representative of post-impressionism (1839, Aix-Provence - 1906, Aix-Provence).
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Claude Monet paintings in the Hermitage
Pierre Auguste Renoir paintings in the Hermitage
Thanks to Svetlana's attentive care, we changed the day of our excursion in order to get to the exhibition of impressionists from the combined collection of the Morozov brothers in the General Staff Building of the Hermitage, which opened on the day of our departure from St. Petersburg. This gave an unexpected opportunity - our meeting with the Impressionists, through a deep and attentive story by Svetlana, was destined to be enriched by 140 paintings by Matisse, Gauguin, Renoir, Bonnard and Monet. Not a tour, but a holiday of the soul! We advise everyone! If you love the Impressionists, this will be a joyful meeting! If you are indifferent to them, you will love them! There is no way to go to the mountains without a guide, and to meet with art it is also better to entrust yourself to a knowledgeable specialist. Only a person who carries the joy of life in himself can speak with inspiration about the Impressionists. We were lucky to have a guide to the world of the Impressionists, Svetlana loves and knows their life and work. Our communication for more than two hours against the backdrop of joyful flashes of light and colors flew by quickly, but will remain in the soul for a long time - great gratitude to Svetlana and the desire to return to the world into which we plunged.
We had a company of 2 adults and 2 children (5 and 9 years old), we asked Svetlana to focus more on children in her story, which Svetlana did very well, but the adults were not bored either. The eldest daughter fell in love with Monet's paintings and the next day asked to return to the museum to see the paintings again. Although before that, we did not observe a penchant for museums and a gallery. This is the merit of Svetlana. Thanks a lot. We will definitely come back again.
A magnificent lecture-excursion, to be honest, we could not imagine (I am writing on behalf of the family) that it would be so interesting (so much information!) And exciting (Svetlana, a great speaker and the material was prepared perfectly). Once again, many thanks, including for a truly human attitude (which is so rare in our time) and a real art history lecture! I hope that this will not be the last time - after all, there is so much that remains outside the boundaries of the material and that they simply did not have time to see in the Hermitage and St. Petersburg.
Svetlana spoke very interestingly about the life of artists, so the material is better remembered. Gave a lot of information for further study and development
We express our deep gratitude to Svetlana for a fascinating story about the life and work of the Impressionists. Two hours flew by like a flash. We'll come again!
Interesting. Informative. Fascinatingly.
Thanks a lot.
Thank you, Svetlana, for finding the opportunity to meet with us. She is a wonderful storyteller, very involved in the topic. We enjoyed our tour of France and the Hermitage Impressionist collection. Definitely recommend to all art lovers. Good luck Svetlana! Natalia, Lyalya and Tasya
We are absolutely delighted! Communication with Svetlana is just a song! She is a very attentive and tactful interlocutor, building her story depending on the level and preferences of the listeners. She is a treasure trove of art history information, and this tour helped paint a clearer picture of the Impressionist painting community. In addition, there was such passion in her story, such passion for her work! We received not only a lot of unique information, but also unforgettable hours of communication, parting as good friends.
