Ivan Vasiliev. The performance "Crystal Palace" is a great creative success for all artists! Ivan Vasilyev and Maria Vinogradova
January 4, 2016, 14:42Maria Alexandrova and Vladislav Lantratov
Premier of the Bolshoi Theater Vladislav Lantratov and People's Artist of Russia Maria Alexandrova have known each other for a long time, but in the summer of 2014, while Petruchio was taming the obstinate Katarina on the stage of the Bolshoi Theater, the artists entered into an alliance not only creative. 
Having previously experienced emotional and physical traumas, Maria, according to mutual friends, accepted Vladislav's feelings as a reward. Joint walks along the lanes of the Arbat, jewelry surprises and gatherings in Coffeemania on Sadovaya-Kudrinskaya noticeably softened the laughter and dance of this strong woman, who even rewarded her Odette with the severity of her suffering nature. 
Before Alexandrova, Lantratov met with ballet dancer Anastasia Shilova.
For piquancy, it is worth noting that Maria is 10 years older than Vladislav. In addition, she left her husband, artist Sergei Ustinov, whom she married in 2007. 
In my opinion, purely externally, Vladislav is inferior to her husband, an artist, 
but, as they say, do not drink water from the face)
Ivan Vasiliev and Maria Vinogradova
Vasiliev is the premier of the Mikhailovsky Theater and already, at 26, an Honored Artist of Russia. Vinogradova is the leading soloist of the Bolshoi Theatre.
Their romance began with a joint work in the production of "Spartacus" in 2013, in which Vasiliev danced Spartacus, and Vinogradova - Phrygia. 
Ivan Vasiliev invited Maria Vinogradova on their first date... to the Bolshoi Theatre, but to the opera. The couple's romance developed more rapidly than the second act of La Bayadère. The Mikhailovsky Theater premier quickly decided that a $50,000 Graff ring would be the best way to express his feelings for his beloved. On the day "X" Vasiliev strewed the floor in the living room with rose petals, fell on his knee in front of Vinogradova and offered her his hand and heart. The girl did not resist.
« What kind of person is he? Best. My. Not in the sense that he is my property. He is my man. I feel comfortable with him", - said Maria Vinogradova in an interview with Tatler magazine, the cover of the February issue of which was decorated with this bright couple. It’s impossible not to admire Ivan and Maria (it’s tempting to switch to the folklore “Ivan da Marya”) - they are young, beautiful, happy, in love and are not going to hide it.
This summer, the lovers officially signed) 
Marriage with Ivan is the second for Mary. Previously, she was married to the brother of the general director of the Silver Rain radio station, Dmitry Savitsky, Alexander, the owner of the Trekhmer company. 
After the divorce, the ballerina had a relationship with the host of the Eagle and Tails show, Anton Lavrentiev, for two years.
It is worth mentioning that for a long time, almost from the moment of graduating from college, Vasilyev met with the prima ballerina Natalia Osipova. Everyone was already sure that they would get married and live together to the grave, but unexpectedly, two years ago, the couple broke up. 
Now, as you know, Natalya Osipova is dating Sergei Polunin, who has repeatedly declared his commitment to the ballet standard))
In addition to an affair with Osipova, he dated Covent Garden ballerina Helen Crawford and an aspiring Bolshoi ballerina Yulia.
Artem Ovcharenko and Anna Tikhomirova.
Artyom and Anna met at the ballet school at the Bolshoi Theatre, entered the Bolshoi with a difference of two years, both went from choreographers to soloists, and Artyom was awarded the title of prime minister 2 years ago.
Young people have been dating for 7 years. And they recently announced that they will get married soon). 
From the interview:
WITHhow many years have you been together?
Anna: In October it will be seven years. And we met much earlier, when we were teenagers. Once, at a New Year's disco at the choreographic school, Artyom invited me to dance and said that he liked me. But career and uch:) took away all the strength, there was no time for relationships. However, years later we ended up in the same theater - the Bolshoi. Then Artyom began to take care of me seriously. And I did this until I finally realized that I really want to be close to this person.
Anastasia Stashkevich and Vyacheslav Lopatin
Prima ballerina and leading soloist of the Bolshoi Theater
got married in 2011)
Denis and Anastasia Matvienko 
The premier of the Mariinsky Theater has been married to the soloist of the same theater for twelve years, they are raising their two-year-old daughter Lisa.
From the interview:
Nevertheless, you still chose a ballerina as your wife - Anastasia Matvienko. So, is there something special about them?
Ballet dancers only marry ballet dancers because they are too busy. If you train all day, rehearse, and in the evening you also dance in a performance, then where will you go to get acquainted? So it turns out that most of the marriages are intra-ballet.
Nastya and I met at the Serge Lifar Ballet Competition, where I was not supposed to perform - I just came to watch. Standing backstage, I saw a girl dancing on the stage - beautiful, bright and very talented - it was obvious right away. We met, I tried to look after Nastya, but at first I didn’t have much success. She even did not immediately answer the marriage proposal, which I made by putting a diamond ring in the pocket of her jacket. But, fortunately, we have been together for eleven years already, we have a wonderful daughter, Liza, who I consider the main victory in my life. 
Did your wife decide to give birth without fear for her ballet career?
Today, ballerinas do not have to sacrifice their careers for the sake of their personal lives, nor their personal lives for the sake of their careers. Simultaneously with Nastya - plus or minus a couple of months - several more ballerinas of the Mariinsky Theater gave birth to children. My wife recovered very quickly and started dancing again four months after giving birth. .jpg)
Leonid Sarafanov and Olesya Novikova
The Premier of the Mikhailovsky Theater is married to the first soloist of the Mariinsky Theatre. They met and got married when Leonid was the premier of the Mariinsky Theatre. 
The couple has three children. Five-year-old son Alexei, two-year-old Ksenia. And literally two weeks ago, on December 16, the son Alexander was born. 
Ekaterina Kondaurova and Islom Baimuradov
Prima ballerina and leading soloist of the Marinsky Theater Ekaterina Kondaurova and Islom Baimuradov could play the unearthly beauty of vampires from the Twilight saga: plastic movements, eyes that look into the very heart, insinuating, more precisely, bewitching voices. But the artists would still not exchange their favorite troupe for shooting in girlish melodramas. Devotion to ballet and led them to each other ten years ago. 
Ekaterina came to enter Vaganovskoye from Moscow, Islom - from Austria. But because of the eight-year difference, they did not even know each other. Although the girl recalls: when Islom was already serving at the Mariinsky, and schoolgirl Katya came to rehearsals, running down the corridor she heard: “Oh, what girls we have here!” And, turning around, she saw a grinning handsome man. 
Today, he is not only the love of her life, but also a strict mentor - Islom is increasingly engaged in tutoring and does not give concessions even to Katya. At home, they like to cook together to the music, and any pleasant melody, from classics to System of a Down, serves as a backdrop for roast lamb with spices. But not Swan Lake, please!
From an interview with Catherine in 2009:
I danced a lot with my husband, Islom Baimuradov, he is also a Mariinsky soloist. We really like to perform together, it's a completely different feeling. The audience notices this, in the same New York, people were surprised: “It’s just some kind of chemistry between you.” - “Yes, we are husband and wife!” Our family is over a year old..
- Was the wedding like Volochkova's?
- There was none: we got up at 8 in the morning, signed at 9, went to the lesson at 11, in the evening we had "Swan". I was dressed in a trouser suit, with a tie ... I think that a wedding is a private matter for two. If there are very big celebrations, it is probably for the public. And then often that's why they live together - well, after all, they still saw the wedding. And here - our desire, no one participated, even my mother did not know until the moment when, after the recording, we came already with rings, and before the lesson I called her in Moscow. She is an understanding person.
Islom always tries to help Ekaterina, rehearses with her even at home. I liked how in one program he said: " I didn’t become a star, unfortunately my body didn’t allow it. But if I have a wife at home who can become a star, why not help her" And " We try to be together 24 hours a day. Necessarily. That's why I got married. Well I guess that's the meaning of life".
Victoria Tereshkina and Artem Shpilevsky
The prima ballerina of the Mariinsky Theater and the soloist of the Bolshoi Theater got married in the summer of 2008.
From an interview with Victoria:
- On stage, partners change, but in life, which partner did you get?
- I knew about my future husband from the age of sixteen. We studied together at the Academy of Russian Ballet. For me, he seemed something unattainable - the man of my dreams. But, as you know, dreams do come true. After studying, we met while touring the world, sometimes in Moscow at concerts. Later, he admitted to me that all this time he liked me. But for a long time we did not communicate with him in any way, except for studying each other with our eyes. And during the recent tour of the Mariinsky and the Bolshoi in Japan, we finally met, we began a correspondence ...
– E-mail?
– SMS-kami! I knew for a long time that he was very good. For me, not only external qualities are important in a man - beauty and “height”, but also what he is inside. Because to live after all not with beauty. In a word, last summer I married the soloist of the Bolshoi Ballet Artem Shpilevsky. 
- How do ballerinas decide on family life?
“At first, I didn’t want to get married. But in life, a lot of things happen as if by themselves. You suddenly meet a person and realize that you can live happily ever after with him.
–D
do you think about procreation?
- There was a moment in my life when I could not imagine myself as a mother, it seemed that everything was still very far away. But now I'm getting ready for it. In the meantime, she got a cat - a Russian blue. Fate gave it to me. Someone closed it in our entrance in the shield. She meowed so plaintively that my husband and I could not stand it and warmed up. Right now I'm sitting with you, and I think about her - she sits at home all day hungry and waits for me. She always sees me off with such a reproachful look, knowing that I will return late.
In 2013, the couple had a daughter, Milada.
"Why did you choose such a rare name for your daughter?
It is Old Slavic and means “sweetheart”, “okay” - what more could you want for a child? My husband and I decided to name our daughter that, even when she was in her stomach.
How does the husband help with education?
His main help is that thanks to him, my mother has the opportunity to attend my performances: while Artyom is babysitting her daughter, she can slip away to the theater. Because when I am at rehearsals, it is my mother who spends time with Milada, who recently specially moved to St. Petersburg from my native Krasnoyarsk - I could not entrust my daughter to any other person.
Artem, who was a soloist of the Bolshoi Theater, probably could have danced quietly for another five years, but left the stage. Why?
The profession has ceased to bring him pleasure, and this is the worst thing. He even admitted that when he saw his last name in the distribution of parties in new performances, he simply went to hard labor. This despite the fact that at the beginning of his journey he was very fond of dancing - first he left Russia for Seoul, where he quickly went from a choreographer to a theater premiere, then he accepted an offer to become a soloist of the Berlin Staatsoper, and then moved to Moscow. Of course, all relatives lamented his departure from the theater, but he prepared for such a step in advance: he graduated from the law faculty of MGIMO, and now he is engaged in business. But thanks to his decision, we finally united. After all, the first three years after marriage lived in different cities.
And a little about ballet artistic directors
Sergey Filin and Maria Prorvich
The artistic director of the ballet troupe and the choreographer of the Bolshoi Ballet have been together for about 15 years, raising two sons. 
True, Sergei Filin is not a model of a faithful husband. The whole country learned about this in 2013, during a hearing in the case of an attempt on his life. From the record of the case, it turned out that Filin had an intimate relationship with ballerinas Natalya Malandina, 
Olga Smirnova 
and Maria Vinogradova. 
He also tried to persuade Angelina Vorontsova to such a relationship. 
And all this with the living wife of Maria Prorvich. 
Maria, as a true friend, comrade and brother, forgave her husband all the sprees, and supported him in everything, throughout the treatment, investigation and trial. However, Filin in court categorically denied any relationship with other ballerinas. And he does not get tired of saying in an interview that Maria is his main love, his most faithful friend, and that the family is the meaning of his life.
By the way, Prorvich is already the third wife of Filin. From the second marriage with prima Inna Petrova, Sergei has a son, Daniel. 
Igor Zelensky - Yana Serebryakova
The path of Igor Zelensky to family happiness was long and thorny. In addition to gossip that he met with a bunch of his partners in all theaters, I managed to find out from the Internet about his romance with a ballerina Zhanna Ayupova. 
From the memoirs of her friend: “Zhanna got married early and gave birth to her son Fedya, and it seemed that her life would continue to go on peacefully. But it wasn’t there! One of the theater premieres, passionately in love with Zhanna, spun such a whirlpool around her ... I can’t think of another more precise definition. creative flourishing of Ayupova". 
Zelensky broke up with Zhanna when he met a figure skater Ekaterina Gordeeva.
Igor met Katya through his friends, and the feelings that she aroused in him made the dancer fall in love with no memory, neglecting all conventions. " Katya is the most beautiful woman, - Igor said . - She was broken after the death of Sergei. as a close friend, I hope I can bring some joy and comfort into her life.". Throughout this romance, Katya and Igor secretly attended performances with each other and, when a rare opportunity arose, met backstage. They spent all their free time together. Despite the serious conspiracy, which they went against their personal desire, they still failed to hide the truth. 
Zelensky did not get to the wedding with Gordeeva. But with the young soloist of the Mariinsky Yana Serebryakova- came. 
In 2007, their eldest daughter was born, who was named by the unusual name Mariamiya. 
After Yana, Zelensky gave birth to two more children - a son and a daughter.
She left her career as a soloist. Engaged in teaching activities. 
Alexey and Tatyana Ratmansky
They met in the late 80s in Kyiv. Tatyana was a ballerina at the National Opera of Ukraine and Alexei's partner. In 1992, the two of them left to work in Canada. In 1995 they returned to Kyiv, but faced with many obstacles of a creative and bureaucratic nature, in 1997 they left for Denmark. In Denmark, two years later, their son Vasily was born.
In Denmark, Alexey developed his talent as a choreographer. Since 2003 he has been the artistic director of the Bolshoi Ballet Company, and since 2009 he has been a permanent choreographer of the American Ballet Theatre.
From an old interview:
- Do you like the life of a nomad artist?
- The main inconvenience is that I cannot
make time for your son.
- Who does he look like?
- I think that it’s me, although Tatyana and I are very similar to each other
on a friend. By the way, my wife and I gave birth to Vaska together - in Denmark, fathers are present during childbirth. By the way, I was the first to take my son into my arms.
Vasily's son, who is very similar to his father.
Until now, on Facebook, Alexey does not get tired of confessing his love to his wife Tatyana.
Why does everyone think
that ballerinas are nothing
don't eat?"
Maria Vinogradova is the embodiment of all the best that exists in the ballet world. The girl is equally beautiful both in the title role of Giselle on the stage of the Bolshoi Theater and in everyday life. In an interview for a joint project between Buro 24/7 and Cartier, Maria spoke about how costumes for Bolshoi productions are made, whether it is possible to go on stage in jewelry and whether she has professional superstitions.
Necklace, rose gold, Cornelian, diamond; Bracelet, pink gold, pink opal, diamond; Bracelet, yellow gold, chrysoprase, diamond
Ring, pink gold, pink opal, diamond; Ring, yellow gold,
mother-of-pearl, diamond; Necklace, pink gold, pink opal, diamond
peasant girl, then, of course, you can’t go on stage in jewelry. But when the role allows, they are acceptable. They give us something, we take something from our stocks.
Let's dispel some myths about the life of ballerinas. Are you talking about diets? I don’t even know why everyone around thinks that we don’t eat anything. Personally, I love to eat. Especially at night. Especially sweet. (Laughs) I got lucky with that.
Do you have professional superstitions? I think all artists, creative people have them. But no one will give out their "secrets". I will reveal only a small part: I always go on stage with my right foot.
You posed today wearing jewelry from the Amulette de Cartier collection. Which one suits you best in terms of symbolism? Chrysoprase as a symbol of creative achievements. Energy, strength, harmony - everything that is associated with him is important, and especially in my profession.
Photo Fedor Bitkov Style Elena Bessonova Producer Daria Ruchkina make up Egor Kartashev, Giorgio Armani Hair Elmira Pyshnyuk, Camille Albane
Necklace, rose gold, onyx, diamonds; Bracelet, pink gold, pink opal, diamond; Ring, rose gold, onyx, diamond
Ballerina suitcase
Six pairs of pointe shoes, needles and hairpins - what is stored in the suitcase of the soloist of the Bolshoi Theater
The work of a ballerina for the audience is always embraced by romance: it contains incredible grace, femininity, magical outfits, and, of course, tours around the world. Few people in the audience realize that the images created on stage are the fruit of hours of hard work, daily classes, rehearsals and great self-discipline.
How do fragile ballerinas transport their things around the world? How many pairs of pointe shoes does it take to dance on the stages in New York? And how many dresses do you need for a perfect vacation? The site learned the answers to these questions from the first soloist of the Bolshoi Theater and the performer of the role of Shirin in the ballet "Legends of Love" Maria Vinogradova.
“I have six pairs of pointe shoes with me”
“Ballerinas carry absolutely everything with them,” the ballerina smiles. The performer of the role of Shirin in the ballet "Legends of Love" Maria Vinogradova was accepted into the troupe of the Bolshoi Theater immediately after graduating from the Moscow State Academy of Choreography.
Masha began to go on tour back in the days of the school: “I was then 14 years old, ballerinas generally grow up early, and I have been packing my “ballet” suitcase for many years without fail. It is divided strictly into two parts: things necessary for rehearsals and performances, and things for life. In the “ballet” section, I have all kinds of warm-up things, several leotards, pointe shoes, as well as makeup, threads, needles. All these things take up a lot of space. I'm still very thrifty and I'd better take more pointe shoes and rehearsal clothes. You never know."
“More is better” is the most correct principle in this situation. When choosing a “ballet” wardrobe, Maria always starts from how far the troupe travels and with what repertoire: “If we go on a long tour, then I take about six pairs of pointe shoes with me, given that I dance in durable and hardy. I have different ones: beige, classic pink, harder, softer, some I use only at rehearsals, others - on stage. When I went on my last big tour to New York, I had six pairs of pointe shoes with me, and I also ordered a box of new ones for Moscow directly to the hotel. All this stock had to somehow fit into a suitcase. But with clothes for life, difficulties arise more often. It happens that I just don’t guess with the weather and take clothes at the wrong time: too warm or too light, - Masha laughs. “Then you have to go to the store and buy something urgently, and this always drives you into a stupor.”
All this set of necessary things fits, oddly enough, into an ordinary suitcase of size L. “I'm happy,” Maria shrugs. “Despite the huge number of things, I have never had any overweight.”
To the question: “Are you afraid of losing your suitcase with pointe shoes?” the ballerina answers without hesitation: “Not a drop. Never lost anything on a flight. But if anything, my friend Kristina Kretova will always share pointe shoes with me (Leading soloist of the Bolshoi Theatre. - Ed.) We are the same size.
Awards
2005 - II prize at the International Competition of Ballet Dancers and Choreographers in Moscow (junior group, solo).
2006 - gold medal at the International Choreographic Festival-Competition for Children and Youth "Dance Olympus" (3rd group - 16-18 years old, classic, solo)
To complement the image given by the costumes, the ballerinas also carry cosmetics with them, they apply makeup for the performance themselves. “Now there is no longer such a bright make-up that our predecessors had,” says Maria, “it has become much calmer, of course, we use a tone that is dense in texture and highlights facial features a little brighter, but the theatricality in the makeup has become a little less.
Of course, each performance has its own specifics. In the ballet “Legends of Love”, the main role is played by an oriental motif, and I want to emphasize this in the image, add oriental flavor to the makeup.”
The soloists' hairstyles are handled by a separate make-up artist, but the thrifty Maria always has more than a dozen hairpins, hairnets and invisibility in her bottomless suitcase. Just in case.
For referenceMaria Vinogradova was born in Moscow. In 2006 she graduated from the Moscow State Academy of Choreography (teacher Natalya Revich) and was accepted into the Bolshoi Ballet Company. Rehearsed under the direction of Tatyana Golikova. Currently rehearsing under the direction of Nina Semizorova.
In 2014, she took part in 6 productions of the Bolshoi Theatre: Street Dancer (Don Quixote), Mirta (Giselle, revised by V. Vasiliev), Olga (Onegin to music by P. Tchaikovsky, choreography by J. Cranko), Shirin (Legend of Love by A. Melikov, choreography by Y. Grigorovich), Giselle (Giselle, revised by Y. Grigorovich), Sylphide (Si lfida” by H.S. Levenskold, edited by J. Kobborg).
She starred in the feature film "Twenty Cigarettes" (2007, studio "Paradise", directed by Alexander Gornovsky) and in advertising for Nike.
VTB annually supports productions of the Bolshoi Theatre. The Bank supported major ballets such as Legends of Love, The Sleeping Beauty, The Lady of the Camellias, Onegin, Ivan the Terrible, Cinderella, Notre Dame Cathedral, and others.
Ivan Vasiliev and Maria Vinogradova in the production of "Crystal Palace" © Photo: Nikolai Mayorov
World ballet star Ivan Vasiliev, famous ballerina Maria Vinogradova, prima ballerina of the Bolshoi Theater Maria Allash, opera soloist of the Bolshoi Theater Anna Aglatova and famous dramatic actress Maria Golubkina about the stage miracle that awaits us in Malta.
July 21, 2017 is marked in the cultural calendar of Malta especially: in (Valletta) a spectacular performance will be shown. For the first time, the stars of the Bolshoi Theater of Moscow will perform on the stage of a European island nation.
Unprecedented in its scope, the event is timed to coincide with the celebration. This is a joint project of the Mediterranean Conference Center with the support of the Maltese Ministry of Culture and the Malta Philharmonic Orchestra.
Ivan Vasiliev, Honored Artist of Russia He received his primary choreographic education at the Dnepropetrovsk State Choreographic School (Ukraine). In 2002-2006 he studied at the Belarusian State Choreographic College (teacher - A. Kolyadenko). During his studies, he trained at the National Academic Bolshoi Opera and Ballet Theater of the Republic of Belarus, where he performed the part of Basil in the ballet Don Quixote and the part of Ali in the ballet Corsair.
After graduating from college, he was accepted into the ballet troupe of the Bolshoi Theater of Belarus, but at the end of 2006 he joined the troupe of the Bolshoi Theater of Russia and in 2010 became the premiere of the troupe.
Since December 2011 - in the ballet troupe of the Mikhailovsky Theatre. In 2012-2013 he was the premiere of the American Ballet Theater (ABT). He is a guest soloist at La Scala and the Bavarian Ballet.
Performs with the troupes of the Bolshoi Theatre, the Mariinsky Theatre, the Novosibirsk Opera and Ballet Theatre, the ballet troupe of the Rome Opera. On the stage of the Mikhailovsky Theater he performs the leading roles in the ballets Don Quixote, La Bayadère, The Flames of Paris, Swan Lake, Le Corsaire, The Sleeping Beauty, Laurencia, Giselle, or Wilis, Cavalry Halt, Vain Precaution, Class Concert, La Sylphide. In 2014, he participated in the film "The First Ball of Natasha Rostova" at the opening ceremony of the Olympics in Sochi.
In 2015, he made his debut as a choreographer: the premiere of Ballet No. 1 in his production took place on the stage of the Barvikha Luxury Village Concert Hall. In 2016 he released three one-act ballets Morphine, Blind Connection and Bolero, which were included in the repertoire of the Mikhailovsky Theatre. In May 2016, the ballet Love is Everywhere choreographed by Ivan Vasiliev was shown at the Bolshoi Theatre.
Ivan Vasiliev is a brilliant performer of the parts of Conrad in Le Corsaire and Philippe in The Flames of Paris, who was awarded the Benois de la Danse prize by the International Association of Choreographers. Winner of the prestigious British National Dance Critics' Circle Award for "Best Dancer" (2011); Grand Prix of the international festival Dance Open (2011); British National Dance Critics Circle Award for In the Spotlight (2008); "Star of the Ballet - 2000" (2007, Cannes, Critics' Award of the magazine "Ballet" - 2000); Special Prize of the International Ballet Competition in Varna (2006).
Photo: Nikolai Mayorov
The performance features brilliant classical dancers from the most famous theaters in Russia, as well as famous singers, musicians and dramatic actors.
We have prepared a present for the readers of the Maltese Herald - we talked with Russian soloists and found out what unprecedented luck fell on everyone who will be in Malta on July 21, because we are all waiting for the pre-premiere show of a grandiose and unusual performance!
Ivan Vasiliev
In the play "Crystal Palace" - Jester
The brilliant artist, one of the five best ballet dancers on the planet, shares his thoughts on the upcoming performance.
“My creative biography extends to the entire ballet space of Russia, Europe and America, and originates in the Belarusian Choreographic College. Since 2006 I have been working at the Bolshoi Theater of Russia, where I reached the position of the premiere. In 2011, I decided to become a "dancer of the world" in order to be as creative as possible. I accepted many different invitations from the largest choreographic venues in the world, actively trying myself in different styles, various dance styles, classical and modern. I always follow my creative intuition and am open to interesting dance projects, especially if they are based on real historical events.
When I was asked to think about participating in the Russian-Maltese project, I immediately became interested in the concept of the performance and the libretto. The play "Crystal Palace", where the plot unfolds during the reign of the Russian Empress Anna Ioannovna, certainly required my participation! I have danced heroes and princes many times. I also had a chance to dance jesters, but I immediately imagined this tragic image in a technical and performing manner, and, of course, I liked it, so I agreed to participate in the project, despite the most difficult work schedule. It was also extremely important and interesting for me that in this project we will play lovers together with my beloved wife, the soloist of the Bolshoi Theater of Russia, Maria Vinogradova. We rarely get the chance to work together on stage, especially in a full-fledged performance. This opportunity should not be missed. We got married quite recently, quite often we have to leave because of work. When I saw my wife in a snow-white veil during the rehearsal of one of the scenes of the play, I realized how right we made the decision when we agreed to participate in the production together. It was also very pleasant to learn that the director and choreographer of the ballet invented and created these roles for Maria and me. This is a great honor for any creative person. It is very important and reverent for every artistic couple of spouses to "live" the stories of "Romeo and Juliet" over and over again in various genre interpretations.
Ivan Vasiliev:
“In this project we will play lovers together with my beloved wife”
I have repeatedly noted in various interviews that dance, and not only effective, is my life. Now it is important and interesting for me to create a dance, a choreographic performance, to think through complex images. This is one of the reasons why I am accepting invitations to participate in completely new ballet productions. I create the image myself and watch how the choreographer does it with other artists - my partners, I absorb the process. And the embodiment of historical events today is doubly interesting. It trains the mind, intellect and gives wisdom.
My talented and beautiful wife Maria supports me in everything, for which I am extremely grateful to her, because only with the total support of such a crazy creative person like me, everything will be embodied in the most beautiful options.
Was born in Moscow. In 2006 she graduated from the Moscow State Academy of Choreography (teacher Natalya Revich) and was accepted into the Bolshoi Ballet Company. Rehearsed under the direction of Tatyana Golikova. Maria Vinogradova is the famous leading soloist of the Bolshoi Theater in Moscow. Currently rehearsing under the direction of Nina Semizorova.
Her repertoire includes such roles as Phrygia (Spartacus by A. Khachaturian, choreography by Y. Grigorovich), Anastasia (Ivan the Terrible to music by S. Prokofiev, choreography by Y. Grigorovich), Mirta (Giselle, revised by V. Asiliev), Giselle (Giselle, revised by Y. Grigorovich), Olga (Onegin, to music by P. Tchaikovsky, choreography by J. Kr enko), Shirin (Legend of Love by A. Melikov, choreography by Y. Grigorovich), Sylphide (La Sylphide by H. S. Levenskold, revised version by J. Kobborg), Bela (A Hero of Our Time by I. Demutsky, choreography by Y. Possokhov, director K. Serebrennikov), Masha (The Nutcracker, revised version by Y. Grigorovich).
Photo: Nikolai Mayorov
Maria Vinogradova
In the play "Crystal Palace" - Bride of the Jester
The beautiful ballerina is the wife of the famous Ivan Vasiliev, with whom she will dance a love duet.
The participation of the famous soloist of the Bolshoi Ballet Company in the creative project "Crystal Palace" is a landmark event for the new choreographic performance.
Maria is very well aware of the exclusivity of the creative process, since in the 19th century libretto authors and choreographers rarely take on the realization of historical themes that are based on real events.
The performance of the part of the Court Jester, the beloved of the Court Jester, who lived at the court of the great Empress Anna Ioannovna, is a great creative success, according to Maria Vinogradova. In addition to the complex technical and performance content of the part, the image assumes a real tragic component, indeed, all the nuances of human experiences and fears that lead to tragedy. Dancing love, joy, fun and "buffoonery" that coexist with suffering, confusion and anxiety is a very complex creative process that Maria lives with Ivan Vasiliev, an outstanding dancer of our time and her husband.
Maria Allash, prima ballerina of the Bolshoi Theater, the first performer of leading roles in the most famous performances of the Bolshoi Theater - Swan Lake, Esmeralda and many others. She has the title of Honored Artist of the Russian Federation and People's Artist of the Russian Federation. Participation in the upcoming premiere of the choreographic project "Crystal Palace" Maria Allash considers it a great creative success for all the artists involved in the production.
It should be noted that Maria Allash has always been very selective in her repertoire, which she performed outside the walls of her native theater - the Bolshoi. Her love for historical and fabulous librettos is known to all her creative colleagues and friends. Allah, truly, is a Princess in her appearance and excellent physical data. The most beautiful images of the ballet theater - Odette, Aurora, Kitri, the Lilac Fairy, the Queen of the Dryads -
For many years, they have adorned not only the ballerina's personal repertoire, but also performances on the famous stages of the Bolshoi Theater.
Photo: Nikolai Mayorov
Maria Allash
In the play "Crystal Palace" - the Queen of Diamonds
The party of the Queen of Diamonds, on which the fate of the main characters depends, her "icy" essence and strictness become clear to the ballerina like no one else. The choreographer had no doubts and no other options but to invite the Queen of Diamonds to the project. Only she is able to geometrically build her courtiers, who, stone by stone, are building the Ice House, where the lovers will find themselves. The tragic beauty that Maria Allash embodies in the performance is truly a work of art that brings real creative pleasure to the ballerina.
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Anna Aglatova, soloist of the Bolshoi Theatre. Opera singer, soloist of the Bolshoi Theater in Moscow. During the time since the first appearance on the stage, she has been a participant in many prestigious international competitions, had solo performances throughout Europe. In 2005, she performed the role of Nanette in the opera Falstaff and made her debut at the Bolshoi Theater, becoming its youngest soloist. Since then, she has been busy in almost all opera productions of the theater.
In the play "Crystal Palace" - Opera Diva
“This project is unique, first of all, because two of the most bohemian art forms, opera and ballet, are intertwined on the stage at the same time. The director's idea is so organic that I'm sure the viewer will be fascinated by the appearance of an opera singer on stage next to sophisticated ballet dancers.
It's always fun to do something first. My main task on stage is always to sing beautifully and be an actress. In this production, I will add to my tasks also be graceful.
Maria Golubkina is a famous Russian film and theater actress. She grew up in a family of famous artists, Larisa Golubkina, who is known to the audience for the brilliant film "The Hussar Ballad", and Andrei Mironov, beloved by everyone for his roles in the legendary films "The Diamond Hand", "The Man from Capuchin Boulevard" and many others. Maria Golubkina worked at the Moscow Theater of Satire and at the Moscow Drama Theater. Pushkin, played in films such as "The Frenchman", "Adam's Rib", in the series "Leningrad" and "Yesenin". In addition, Maria is a master of sports in equestrian sports and regularly participates in horse races, which is important, because Anna Ioannovna, whose role is played by Maria, will appear on stage on a horse.
Maria Golubkina
In the play "Crystal Palace" - Empress Anna Ioannovna
“I am honored to be part of this project. This is a new theatrical experience for me. I have never participated in a theatrical ballet production of this magnitude before.
I am proud of the history of my country, because whoever does not remember his past has no future either. I want as many people as possible to know the history of Russia.
The baroque period is one of my favorites, so touching this era makes my heart tremble.
My heroine, Anna Ioannovna, appears on horseback in one of the scenes. In general, animals very often appear on world theatrical stages. But it is always not easy, you need to work hard with them, as well as observe safety precautions.
I owe my love for horses to my grandfather and his stories about the beauty and intelligence of the horses that his parents bred. I have been dressage since the age of nine and have a Grand Prix horse.”
Pavel Klinichev, conductor of the Bolshoi Theater
Behind the conductor's stand this evening will be the maestro - the famous conductor of the Bolshoi Theater. His repertoire includes almost all the ballets that have been staged at the Bolshoi in the past 20 years, including Swan Lake, The Sleeping Beauty and The Nutcracker by P. Tchaikovsky, Raymond by A. Glazunov, The Golden Age, The Bolt and The Bright Stream by D. Shostakovich, Romeo and Juliet by S. Prokofiev and Ivan the Terrible to music by S. Prokofiev and many others
Under his leadership at the Bolshoi Theater, the premieres of twelve ballet performances were held, from the recent - “Spring Spring” by I. Stravinsky (2013), “Variations on the theme of Frank Bridge” to the music of B. Britten, “Symphony of Psalms” to the music of I. Stravinsky, “Undine” by H.V. Henze and “The Golden Age” by D. Shostakovich (all in 2016).
In 2014, Pavel Klinichev won the Golden Mask award in the Best Ballet Conductor nomination for the play Cantus Arcticus / Songs of the Arctic to music by E. Rautavaar.
In 2015 he was awarded the "Golden Mask" for the play "Tsvetodelika".
In the 2015/2016 season, three of his works were immediately nominated for the Golden Mask Award: Romeo and Juliet (Ekaterinburg Opera and Ballet Theatre), Ondine and Variations on a Theme by Frank Bridge (Bolshoi Theatre).
In 2017, Pavel Klinichev won the Golden Mask award in the Best Ballet Conductor nomination for H.V. Henze.
Director of the performance - Honored Worker of Culture of Russia, director, guest choreographer of the Bolshoi Theater in Moscow. We are already with her about the production of "Crystal Palace" in No. 2 of the "Maltese Herald", where she revealed to us many secrets of the upcoming event.
The choreographer of the performance is a well-known choreographer, a former soloist of the Bolshoi Theatre.
The basis for the play "Crystal Palace" was the music of a modern composer, our compatriot, whose work we were able to get acquainted with during the V Malta International Music Festival and fully enjoy it.
Choir Stagecoach Malta The show will also feature corps de ballet dancers of the Bolshoi Theater And ballet dancers of Moscow theaters, Malta Philharmonic Orchestra , chorus Stagecoach Malta and students. We will meet them in the next editions of the Herald, but for now… we invite everyone to enjoy high art on July 21, 2017 at the Mediterranean Convention Center in Valletta!
They are young, talented and obsessed with the profession. Duet on stage and in life. Maria Vinogradova is the leading soloist of the Bolshoi Theatre. Her element is lyrical heroines, and in this role she is truly in demand today.
Photo: Dmitry Zhuravlev
Ivan Vasiliev is a world ballet star. Each of his performances, and on any continent, is a grandiose event for the public, which idolizes Vasilyeva ... Most recently, Masha and Ivan had a daughter. But Maria is already in the ranks. On December 16, at the Christmas evening "Christmas Ballet Gala" in the Kremlin Palace, her next premiere is the ballet "Scheherazade". Who is the partner? Of course, Ivan Vasiliev!
WITHhow many years have you been together?
Ivan: In December, I turned three years old.
Is it a lot or a little?
Maria: Depending on which side to look.
I .: With me - a year in two.
Why such speeds?
I.: Because I am a cheerful person. ( Laughs.)
Each of you had your own personal life, your own career. What united you?
M.: Scene. At the Bolshoi Theater we danced together in Spartacus, Vanya - the main part of Spartacus, I - Phrygia, his beloved. Since this all started. ( Smiling.)
In the ballet world, many are obsessed with their profession.
I: I'm just struggling with this. It's just ballet, not all of life. I guess I really realized this when I had a family, when my daughter was born. You come home, and you need to be able to switch.
M .: Of course, I want to spend as much time as possible with my little daughter, but you also need to do everything in your career.
How old is your daughter now?
I: Five months. For the sake of my daughter, I work hard, tour a lot.
Sometimes I come home late at night, and at five in the morning I have to fly somewhere again. The only thing that gives me strength and makes me gather internally is my daughter and family.
How quickly did you feel that your relationship could end in marriage?
I .: We came together like a puzzle, we immediately felt harmony. From the first week we started dating, it was so easy for us to be together. Now we have multiplied this feeling, we have become a full-fledged family, this cannot but rejoice. True, I courted Masha for almost a month.
I understand, Ivan, that with your reactivity, a month is an eternity.
Seeker: For me, even an hour is sometimes an eternity, everything is relative.
M .: And it seems to me that this time somehow dragged on slowly.
I .: I was touring all the time then. Courtship was at a distance, I sent Masha parcels, flowers.
M .: Basically it was flowers.
I.: I remember once I brought you a box and told you to open it when I was already on the train. I stopped in Moscow then literally at ten o'clock.
And you, Masha, of course, liked all this?
M .: Well, what woman does not like it when she is beautifully looked after? ( Smiling.) Maybe these signs of attention were especially expensive and valuable, because real feelings arose.
When you are dancing in a duet, the scene is sure to highlight the true feelings. Did you already dance together after the birth of your daughter?
M .: Yes, on November 29 we had Spartak. In fact, being in position, I set myself the goal of getting back on stage very quickly. I realized for myself that if I settle on maternity leave, I will never come back.
Our profession is the business of the young, and if you fall out of the process for a long time, then you can miss a lot. So, as soon as the doctors allowed physical activity, I started going to a ballet class. This happened a month after giving birth.
Everything spun so quickly that at the beginning of the season I was actively involved in the work. It was difficult, of course. Vanya saw my torment, in the summer he went to the theater with me, gave me a class, helped me get in shape.
I .: I could not convince Masha that we still need to stay at home. I'd love to sit in her place. (Laughs.)
M .: While on maternity leave, I went to performances in which Vanya danced. "Spartak", "Ivan the Terrible" in the Bolshoi ... I flew with him to St. Petersburg, to Novosibirsk, even to Japan. I really wanted to go on stage!
At one time there was a high-profile story when Ivan Vasiliev, already being the premiere of the ballet and having all the possible privileges in the theater, unexpectedly left the Bolshoi. Do you, Vanya, have no desire to go back?
I.: I left, but in fact I did not go anywhere. Because already a month after “leaving” the theater, I again began to collaborate with the Bolshoi as a guest soloist, and I continue to cooperate to this day. I have many interesting projects around the world. At the moment, the situation with the Bolshoi Theater suits me. I like to come there, to dance my favorite ballets, the Bolshoi is my first theater, my home, my beginning, and I feel very comfortable here.
I remember well your first performance at the Bolshoi in 2006. You danced in Basil's Don Quixote, the main male part, the most difficult part, designed for a mature dancer, and you were only seventeen years old then! This is a unique case for the Bolshoi Theatre, there has never been anything like it before or since.
M.: Vanya is a unique case in itself. ( Smiling.) I mean his brilliant career. On stage, he is honest, always gives his best - even if there are injuries, he will never save strength. And in life he is as open as on stage.
That's just about strength and energy. Once, a very dramatic episode happened at the creative evening of the ballerina Ulyana Lopatkina. Ivan began to dance a fragment from the ballet "The Flames of Paris", suddenly lost his balance, fell, then started dancing again and as a result, right on the stage, he lost consciousness. Personally, it was painful and scary for me to watch all this ...
I .: Yes, I was dancing then with a temperature of over forty, only backstage I came to my senses, on some kind of bed. They called an ambulance.
And who needs such sacrifices and why?
I: Well, I can't say no. ( Smiling.)
Were you scared then?
I: No, it was not scary. It was embarrassing.
M .: Not a single artist is immune from this. There are things that cannot be controlled on stage. Injuries happen. I had a broken leg. I “broke down” on the run of a new performance. I worked with this fracture for about a week, because the doctors did not see the fracture on the X-ray.
I walked on crutches for a month, then it took a long time to recover. And I had so many premieres planned then! Of course, you need to take care of your health. Need more time to rest. Even Vanya already understood that he needed to take care of himself. I am responsible for the health of our family. All the time I make sure that my husband takes vitamins, does massages ...
One more moment. I remember very well how, before my debut in Don Quixote, just before the start of the performance, I asked Ivan if he was worried when he stepped on the stage of the Bolshoi Theater for the first time. And Ivan self-confidently answered: “Why worry about something?” I was very surprised by this reaction.
I .: Probably, it was youthful maximalism, a defensive reaction. I can say that if the excitement disappears before the performance, you can leave the profession.
So you were lying then?
And of course. And perhaps because of the adrenaline, I did not understand how much I was worried. Now I understand that no matter how much I dance, I get more and more worried. When you grow, when you reach a certain level, you become responsible for what you do. Every time you step on stage, you have to be the best version of yourself.
At seventeen you had Don Quixote. Where to grow next?
And you succeeded. You've had a phenomenal career and are applauded all over the world.
I .: Over the years, I have managed to dance in many places. I worked with the best dance troupes in New York, London, Munich, Rome... I was Ivan the Terrible, and Spartak, and the Prince in Swan Lake, and the Evil Genius there. I don’t have such that, they say, like this, you put me as an Evil Genius, and I only want to be a prince. If the role is interesting to me, let it be secondary, what's the difference. After all, you can go out and dance it so that it becomes the main one!
It's right. You seem to have very different personalities. If Ivan is temperamental, explosive, then Masha is calm, unflappable...
I.: In some ways, we are still similar. For example, both are homemade, such “couch troops”. The biggest thrill is when you can sit at home together, talk ...
I know that Masha is a native Muscovite, but Ivan has a rich geography.
I .: Yes, it shook me. I was born in the Primorsky Territory, and studied ballet in Minsk. ( Smiling.)
Why Minsk and not Moscow?
I.: I was advised good teachers there. From Vladivostok we moved to Ukraine, I was twelve years old. From there to Minsk.
Interestingly, Vanya, were you told from the very beginning that you have outstanding ballet abilities?
I .: At the age of five, I already danced a variation from Don Quixote ...
...Wow!
I.: So, probably, there was a potential. I can’t say that everything was easy, but I liked to work since childhood.
I didn’t like to idly run around the school, play tag or sit in a computer club, it was simply not interesting to me, and what’s the point of all this? He only did what could bring some result. I have always been a leader, I even learned English for this reason. When I came to work under a contract in New York, at the American Ballet Theatre, I thought: how is it that I won’t be the soul of the company? And he began to learn the language. I guess it's in my nature to be the center of attention. ( Smiling.)
Were you invited to the Bolshoi after winning the Moscow International Ballet Competition? In any case, then everyone was just talking about the phenomenal Ivan Vasiliev.
I .: They invited a little later. I received a gold medal at a competition in Moscow at the age of fifteen.
М.: By the way, Ivan and I met there for the first time: that year I also became a laureate.
I .: No, we first met before, when you came to a concert to us at the Minsk School. Don't you remember? I participated in a one-act production staged especially for me, and Masha danced in The Nutcracker. True, then we did not meet.
Why?
I.: I was generally a shy boy. He went on stage, danced, and then remained in his own world. Every time when a ballet was given in the Minsk theater, I was sure to be in the auditorium, in the gallery. Classmates at the school were surprised: “Why do you go to the same production so many times?” But I didn’t understand how you can skip, the performers are different every time, there is a lot to learn.
Your older brother Victor is also into ballet. Have you followed in his footsteps?
I.: No, rather, he followed mine. It so happened that we began to study together in a folk ensemble, and then I was ahead of him everywhere. I went to Minsk, a year later he arrived. When I came to the Bolshoi, he entered the Moscow Academy of Choreography. Now my brother works at the Bolshoi Theater in Mimans, so there is only one Vasilyev in the state! ( Smiling.) And I was called to the Bolshoi three times.
Did you have to persuade?
I .: The first time they called for a conversation when I was at a competition in Perm, so I could not come. I won the Perm competition, and they called me a second time, but at that time I had state exams at the school. And on the third time, they actually sent me a train ticket. I got acquainted with the management, and I was immediately offered to become a soloist.
Usually, everyone starts with the corps de ballet.
I .: In the Bolshoi, this happened for the first time: seventeen years old, only from the school bench - and immediately a soloist.
Did you think that all this was in the order of things, or did you perceive it as gifts of fate?
I.: What are the gifts of fate? I just wanted to make it happen. At the age of twenty, I already became the premiere of the ballet, bypassing the position of the leading soloist.
In Masha, in this sense, everything is even, smooth, step by step.
M .: Yes, I went through all the steps at the Bolshoi: from the artist of the “second corps de ballet” to the leading soloist. The first major role was Anastasia in Ivan the Terrible, then Spartak, and then new interesting roles.
And Ivan is now also a choreographer. Tell me, when did you feel the need to stage ballets?
I.: Even before dancing. I always want to do something new, otherwise it's boring. Masha constantly heard that I wanted to bet, and then one day she told me: “If you want, bet.” That is, in fact, pushed me to realize my dream.
M .: When Vanya composes a ballet, this is a separate story. A person is completely immersed in his world. He can wake up in the middle of the night, turn on the music, start telling me something or even showing me something.
I .: Several of my productions are in the repertoire of the Mikhailovsky Theater, where I serve today.
And on December 31, the Hermitage Theater will host the premiere of my two-act ballet A Christmas Carol based on Dickens' novel A Christmas Carol, I myself am dancing a hero named Scrooge.
If Ivan dances on December 31 in St. Petersburg, then you will celebrate the New Year separately?
I .: I specifically scheduled my premiere for sixteen hours, so that later I could catch a plane to Moscow. So we will definitely celebrate the New Year together!
Photo: Dmitry Zhuravlev. Style: Polina Shabelnikova. Makeup and hair: Natalia Oginskaya/Pro.FashionLab
