How terrible are people like belikov. Why is it a great pleasure to bury people like Belikov
BELIKOV
BELIKOV - the hero of A.P. Chekhov's story "The Man in the Case" (1898), teacher Greek. The image of B. has become a symbol of the fear of life, the personification of the sacramental "no matter what happens." Having no name or patronymic in the story, he is one of the gallery of Chekhov's "non-humans" (Zhmukhin from "Pecheneg", or Unter Prishibeev). B. “Always, even in very good weather, he went out in galoshes and with an umbrella, and without fail in a warm coat with wadding. And he had an umbrella in a case and a watch in a case made of gray suede, and when he took out a penknife to sharpen a pencil, his knife was also in a case; and his face, it seemed, was also in a case ... He wore dark glasses, a sweatshirt, stuffed his ears with cotton wool, and when he got into a cab, he ordered to raise the top. But B. is not just a quirky person - his caution is aggressive, everything new, unusual, generally outstanding, causes him fear and stubborn opposition. His colleagues do not have the courage to "shrug off", they hate, but obey: on his orders, "doubtful" gymnasium students are expelled, they endure his painful visits. B. is scary, not ridiculous, in this image, signs of a demonic beginning are obvious. His death is vaguely reminiscent of Chekhov's story "The Death of an Official" (1883), whose hero also dies of shock. But Chervyakov, who sneezed the bald head of an important person, is a trifle, a nonentity. B. - the colossus of forever frozen, eternal dogma - is dying because the very foundations of his "case world" collapsed: the bride rides a bicycle, from the house where he came to explain about this, they were thrown out, saying unheard-of rudeness, and to top it all off - demon - ridiculed. The unrestrained “ha-ha-ha” of Varenka Kovalenko, who happily escaped marriage with this man, “everything ended: both the matchmaking and Belikov’s earthly existence.”
On the movie screen, the image of B. was embodied by N.P. Khmelev in the film of 1939.
T.N. Sukhanova
literary heroes. - Academician. 2009 .
See what "BELIKOV" is in other dictionaries:
Belikov is a Russian surname. Known bearers: Belikov, Alexander Lukich (1824-1890) Archpriest of the Riga Alekseevsky Church. Belikov, Vasily: Belikov, Vasily Ivanovich (1921 1944) Hero Soviet Union. Belikov, Vasily Ivanovich (1867 1943) ... ... Wikipedia
BELIK BELIKOV BELENKY BELIKHOV BELYSHEV BELYAVSKY BELYAYEV BELYAKOV BELYAKIN BELYANCHIKOV BYALKOVSKY BYALY BELAN BELEY BELENKO BELENKOV BELENKY BELASHOV BELEKHOV BELOKUROV BELYANIN BELYANYAK BELYUSHIN BYALIK BYALKO All these surnames undoubtedly come from ... ... Rus surnames
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BELIKOV- Valery Alexandrovich (1925 87), owl. military leader, Gen. Army (1983). On the military service since 1942. He graduated from the Military. acad. armored tank. troops (1956), Military. acad. General Staff (1968). In Vel. Fatherland war from July 1942 to July 1944 in action. army: private, comr ... ... Encyclopedia of the Strategic Missile Forces
Belikov- 353588, Krasnodar, Slavic ... Settlements and indices of Russia
Books
- Christianity is ready. 1886-1887. , Belikov D. This book will be produced in accordance with your order using Print-on-Demand technology. The book is a reprint edition. Although a lot of work has been done on...
- The activities of the Moscow Metropolitan Filaret in relation to the schism, Belikov. This book will be produced in accordance with your order using Print-on-Demand technology. The activities of the Moscow Metropolitan Filaret in relation to the schism: Abstracts for the composition of Vasily ...
Composition based on the story of A. Chekhov “The Man in the Case” Warm weather. A clear, joyful, though not sunny day. A strange person in a warm wadded coat, dark glasses, galoshes, with an umbrella, sits down on a cab and orders to raise the top. The surprised driver tries to ask something again, but suddenly he realizes that there is no point in asking the question: his passenger's ears are stuffed with cotton wool. Well then! Go! Where? Away from the present, deeper into the past, to beloved Greece - and anywhere, if only away from reality, to the real, such a terrible and incomprehensible life.
No, this is not a horror movie hero and not a hired secret agent. This is a teacher, the hero of Chekhov's story "The Man in the Case". This man has already buried himself alive in his cases and cases, in an impenetrable shell that he created for himself.
Well, God is with him, as he wants, he lives, and it would be his own business if he lived in a mink, like a wise gudgeon who "lived - trembled and died - trembled." But Belikov, trembling himself, for fifteen years makes the whole gymnasium tremble - both students and teachers. He reduces points for students for behavior, demanding the exclusion of objectionable ones, and hints to colleagues that there are “higher authorities”. The whole city is trembling: “they are afraid to speak loudly, send letters, make acquaintances, read books and are afraid to help the poor, to teach letters ...” Those who are afraid have double vision, therefore they tolerate Belikov, seeing in him no longer an ordinary teacher - a small person, but a big threat. And Belikov really poses a threat. Here he is going up to the teacher Kovalenko. To “relieve the soul”, as a well-wisher and senior comrade, warn: “You ride a bicycle, and this fun is completely indecent for a youth educator.” It's not about the bike, it's about life position: "Behave very, very carefully."
Unexpectedly, Kovalenko takes off the sheep's skin from the wolf: “I don’t love, for the first time in my life, Belikov heard the truth about himself. For the first time, it was not him who was afraid, but he was someone.
This was enough for Belikov's face to show horror. But both fear and horror are the driving forces of meanness, which turned a well-wisher into an informer who considers it his noble duty to “add to Mr. Director.” Kovalenko had only to "shove" Belikov so that he "rolled down the steps, rattling his galoshes." Falling in steps, he fell in his own eyes. He rolled down from the height to which he raised himself, maintaining his significance with fear, which, like a terrible infection, infected everyone.
"Pushing out" from a normal human environment was entirely enough for him to push Belikov out of life. The gallery of images of “little people” begun by Pushkin and Gogol found a similar continuation in the image of Belikov. We sympathize with Bashmachkin, who died of grief, Chervyakova, who died of fear, we neglect the wise gudgeon. But none of them interfered with others - they lived according to the principle: "My house is on the edge." Belikov, on the other hand, drove his house into someone else's life, shamelessly and mercilessly destroying it. After death, his face, dismissed from fear, was finally cheerful and meek. In the coffin, Belikov looked human.
That is why, as Chekhov writes, "to bury people like Belikov is a great satisfaction." His death is a hint, a faint hope for another, free life, and even this is enough for the soul to receive wings. But ... "how many more such people are left in the case ... and how many more will be..."
No, not funny, but terrible Belikov and those like him. Belikov is white. Not pure, like the first snow or a bride's veil, but devoid of color, an albino discolored from birth - but not from the outside, but internally none.
In a permanent black case, he buried himself alive, since a coffin is a life case, and any case is a coffin during life.
My favorite poet of the Silver Age (poetry by A. A. Akhmatova)... Poetry awakens the most ringing strings in a person’s soul, makes you break away from reality and soar with your thought into unprecedented you ...
What to do if a teacher picks on a child at school There will always be a child in the class who in one of the teachers causes an irresistible desire to find fault and criticize. The laces are not tied, the shirt and...
Warm weather. Clear joyful, though not sunny day. A strange person in a dark warm coat on wadding, in dark glasses, in galoshes, with an umbrella in a case, sits down on a cab and orders to raise the top.
The surprised driver tries to ask something again, but suddenly realizes that it is useless to ask questions: the ears of his passenger are stuffed with cotton.
No, this is not a horror movie hero and not a hired secret agent. This is teacher Belikov, the hero of Chekhov's story "The Man in the Case". This man, during his lifetime, buried himself in his cases and cases, in an impenetrable shell that he created for himself.
Well, yes, God is with him, as he wants, and lives. And it would be his own business if he lived in a mink, like a wise minnow, who "lived - trembled and died - trembled." But Belikov, trembling himself, for fifteen years makes the whole gymnasium tremble - both students and teachers. He lowers the scores for students in behavior, demanding the exclusion of objectionable ones, and hints to colleagues that there are “higher authorities”. The whole city is trembling: “they are afraid to speak loudly, send letters, get acquainted, read books, they are afraid to help the poor, teach them to read and write ...” Fear has large eyes, which is why they tolerate Belikov, seeing in him no longer an ordinary teacher - little man but a big threat. And Belikov really poses a threat. Here he is going up to the teacher Kovalenko. To “relieve the soul”, as a well-wisher and senior comrade, warn: “You ride a bicycle, and this fun is completely indecent for a youth educator.” It's not about the bike, but about the position in life: "You need to behave very, very carefully."
Unexpectedly, Kovalenko takes off the sheep's skin from the wolf: "I don't like fiscals." For the first time in his life, Belikov heard the truth about himself. For the first time, it was not him who was afraid, but he was someone. This was enough for Belikov's face to show horror. But fear and horror are the driving forces of meanness, which turned the well-wisher into an informer, who considers it his noble duty to “report to Mr. Director.” Kovalenko only needed to “push” Belikov so that he “rolled down the stairs, rattling his galoshes.” Falling down the stairs, he fell in his own eyes. He rolled down from the height to which he himself had set himself up, supporting his significance with fear, with which, like a terrible infection, he infected everyone.
"Pushing out" from the normal human environment was enough for Belikov to be pushed out of life. material from the site
The gallery of images of “little people” started by Pushkin and Gogol found its worthy continuation in the image of Belikov. We sympathize with Vyrin and Bashmachkin, who died of grief, and Chervyakov, who died of fear, we despise wise minnow. But after all, none of them interfered with the others - they lived according to the principle: "My hut is on the edge." Belikov, with his hut, drove into other people's lives, shamelessly and mercilessly destroyed them. After death, his face, freed from fear, finally became cheerful and meek. In the coffin, Belikov finally looked human.
That is why, as Chekhov writes, “to bury people like Belikov is great pleasure". His death is a hint, a faint hope for another, free life, and even this is enough for the soul to gain wings. But ... "how many more such people are left in the case ... and how many more will be..."
No, not funny, but terrible Belikov and others like him. Belikov is white. Not pure, like the first snow or a bride's veil, but devoid of color, discolored from birth, an albino - but not externally, but internally none.
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The story "The Man in the Case" continues the theme of the vulgarization of man - one of the main themes of A.P. Chekhov. His hero is another intellectual in the gallery Chekhov's characters, a person who should be the spiritual pillar of society. In fact, he is a moral and ethical dead man. What else can you call the teacher of ancient languages Belikov?
This person is afraid of life, runs away from it by all possible means. He even dresses as if he were wearing a protective shell: “always, even in very good weather, he went out in galoshes and with an umbrella and certainly in a warm coat with cotton wool ... He wore dark glasses, a sweatshirt, stuffed his ears with cotton wool, and when he got into a cab, then ordered to raise the top.
The narrator concludes that this person had a constant and irresistible desire to surround himself with a shell, to create a case for himself that would seclude him, protect him from external influences.
In life, this hero occupied the same "case" position. He taught ancient languages, which are called "dead" because they are no longer spoken by any people in the world. “Reality irritated him, frightened him, kept him in constant anxiety,” says Burkin. In order to justify this timidity of his, his disgust for the present, Belikov always praised the past and what had never happened. Therefore, it is not surprising that he chose ancient languages as his life field, “which were for him, in essence, the same galoshes and umbrella where he hid from real life.”
Belikov did not show any emotions in relation to other people, in his head there were only rules, duties, schemes. So, for example, the hero believes that it is necessary to support a good relationship with colleagues. What does this mean in his understanding? Belikov regularly comes to visit the teachers he works with and just sits in the corner and is silent. Everyone is afraid of Belikov, but no one loves him.
Only once some semblance of feelings flashed through the life of the hero. He felt sympathy for the sister of the history and geography teacher Kovalenko. The history teacher was a lively and spontaneous person, therefore, against his background, the dead figure of Belikov is even more contrasting.
Kovalenko could not stand the teacher of ancient languages: “Or he laughed, laughed to tears, now in a bass voice, then in a thin squeaky voice, and asked me, spreading his arms: - Shaw is he sitting with me? What does he need? Sit and watch." He gave Belikov the nickname "swallow the spider" and, of course, did not approve of the teacher's decision to propose to his sister.
The passion for Varenka Kovalenko ended badly for the hero. His mind, filled with stereotypes and prejudices, could not stand it. Outraged that Kovalenko and his sister are cycling, Belikov has a conversation with his colleague. His arguments are funny and terrible at the same time: “If the teacher rides a bicycle, then what is left for the students? They can only walk on their heads! And if it is not allowed circularly, then it is impossible. I was horrified yesterday! When I saw your sister, my vision blurred. A woman or a girl on a bicycle is terrible!”
An angry Kovalenko lowers Belikov down the stairs. Varenka becomes a witness to this shame of the hero, who laughs merrily at this incident that happened to her fiancé.
The hero could not survive this - Belikov endures all this and dies, So, his attempt to start living real life ended in failure.
Chekhov shows that Belikov is no longer capable of being reborn, is no longer capable of normal life. Only in a dead state did he look “alive”: “Now, when he was lying in a coffin, his expression was meek, pleasant, even cheerful, as if he was glad that they had finally put him in a case from which he would never come out” .
The narrator notes that with the death of this teacher, everyone felt relieved, "great pleasure." It seemed to people that they had finally gained freedom. But it was only an illusion, a fleeting delusion. At the end of the story, the author notes: “But no more than a week passed, and life went on as before, the same harsh, tedious, stupid life, not circularly forbidden, but not completely resolved; didn't get better."
The heroes of the story conclude that, although Belikov was buried, how many more such “people in a case” remained, and how many more there will be! Fear of life, Chekhov tells us, deprives life itself not only of one person, but of all those who surround him. And what could be more terrible than to become a dead man in life?
A LITERATURE LESSON BUILT USING CHPRKM TECHNOLOGY.
Item: literature.
Level: ninth grade.
Text: A. P. Chekhov's story "The Man in the Case"
Methods used: work with a conceptual and terminological map, supporting text, debates
TOPIC: "Is Belikov comical or scary?"
Formation of the conceptual and terminological apparatus on this topic,
development of critical thinking skills when working with text
preparatory work for homework
During the classes.
CHALLENGE STAGE.
The 20th century is over. A new time has come in everything: in technology, space, nature. Has the person changed?
Guys thoughts.
THE STAGE OF REFLECTION.
Divide the class into pairs, groups. Within 10 minutes work with the glossary. You need to learn these concepts in the group, try to formulate definitions of these concepts in your own words, write down in the group what you did.
2 people to interview each other on the definitions.
Now it is necessary for the group to compose a coherent text on the topic “Man of the 20th century”.
the number of concepts used by the group
precision in use
B . WORKING WITH THE BACKGROUND TEXT "The Man in the Case" - according to the reader for grade 9.
TEACHER'S WORD:
At the end of his life, Chekhov will write to notebook: “Nowhere does authority press like we, Russians, humbled by age-old slavery, afraid of freedom ... We are overtired of servility and hypocrisy ....” The writer studied the psychology of fear in great detail.
IN. ^ READ "Teacher Burkin's Reflections on Life in the City after Belikov's Death".
Discuss the perspective (the future) presented in the passage. What is your reaction?
^ D. WORKING WITH THE ARTICLE "The concept of humor and satire" - p. 309
Find examples of the grotesque in the text, pay attention to the methods of creating the image of Belikov
TEACHER'S WORD:
The manic fear of life, not completely forbidden, but not completely resolved, undividedly owns the soul of the hero, a man in a case, absurd and insignificant.
STAGE OF REFLECTION.
HOMEWORK:
Write an essay on the topic:
Is Belikov comical or scary?
