""Three Musketeers". Do you agree that the novel is considered adventurous historical

Composition

Do you agree that the novel is considered adventurous-historical?

Alexandre Dumas - the father did not strive for documentary in his works. His novels are considered adventure-historical. Adventurous, first of all, because their plots are based on a fascinating intrigue, which was invented by the author. Historical because real people participate in them, and many events that actually happened are reproduced. But there is another reason for such a name - the freedom of the author when using a variety of events to characterize the heroes of his story. That is why the reader always knows that when reading an adventure-historical novel, he gets acquainted with a witty fiction, which is only partly true to historical truth. The novel The Three Musketeers can be accurately attributed to the first half of the 17th century, it describes the events that took place during the life of Cardinal Richelieu and the Duke of Buckingham.

How do you explain the title of the novel? As you know, the friends whose adventures are described in it were four, not three.

Let's follow the fate of four friends. Three of them were already musketeers at the very beginning of the novel. D'Artagnan did not immediately achieve this honor. The Three Musketeers with D'Artagnan is an inseparable union in which D'Artagnan was the most active force.

No one doubts that the main character of the novel is D'Artagnan. His actions are at the heart of all the most striking events of the novel, which begin with a formidable skirmish between future friends. Then the four heroes will be connected by exciting adventures, in which D'Artagnan will become the instigator and hero. He is the first to enter the battle, and he also completes the battle.

What events seem to you the most striking, organizing the plot of the work? Are there genuine historical events among them? Which?

All the battle episodes of the novel speak of specific events. But the story with pendants is especially memorable - a jewel that ended up in England in the hands of the Duke of Buckingham, who was in love with the French queen. All the numerous events of the intense plot take place in the first half of the 17th century. At the same time, the brave musketeers manage to prevent a number of military conflicts that were generated by the policies of Cardinal Richelieu and the Duke of Buckingham.

What is the code of honor for the heroes of the novel? To what extent does it seem applicable to you today?

The code of honor that the Musketeers profess is known to everyone. They did not invent it, but they sacredly embodied it in their lives, which attracted numerous readers of many generations. Some phrases of this code sound like aphorisms: “One for all - all for one”, etc. Musketeers protect the weak, they punish meanness, they are noble in relation to a woman, true to their word. A general code of honor for a noble person may well be drawn up for the deeds of each of the four characters in the novel.

What qualities and actions are absolutely unacceptable for the heroes of the novel? How unacceptable are they to you?

The code of honor presupposes the nobility of deeds. Observing it, it is impossible to commit any unseemly act, and not just meanness. Betrayal, deceit, hypocrisy, denunciation - all this is excluded by the very fact of the existence of a code of honor. And of course, they must be unacceptable to each of us.

Are the exploits of the heroes of the novel connected with the service of a lady, or do these exploits have no inspirer?

High nobility in relation to a woman is characteristic of musketeers, they serve the lady, helping, for example, the queen, Madame Bonacieux. But these noble deeds have more to do with their code of honor than just the worship of a particular lady.

Do you agree that the novel is considered adventurous-historical?

Alexandre Dumas - the father did not strive for documentary in his works. His novels are considered adventurous and historical. Adventurous, first of all, because their plots are based on a fascinating intrigue, which was invented by the author. Historical because real people participate in them, and many events that actually happened are reproduced. But there is another reason for such a name - the freedom of the author in using a variety of events to characterize the heroes of his story. That is why the reader always knows that when reading an adventure-historical novel, he gets acquainted with a witty invention, which is only partly true to the historical truth. The novel The Three Musketeers can be accurately attributed to the first half of the 17th century, it describes the events that took place during the life of Cardinal Richelieu and the Duke of Buckingham.

How do you explain the title of the novel? As you know, the friends whose adventures are described in it were four, not three.

Is there a hero in the novel who can be considered the main character of the work? Who is he? Prove that he is at the center of the events of the novel.

No one doubts that the main character of the novel is D'Artagnan. His actions underlie all the most striking events of the novel, which begin with a formidable skirmish between future friends. Then the four heroes will be connected by exciting adventures, in which D'Artagnan will become the instigator and hero. He is the first to fight, and he also finishes the battle.

What events seem to you the most striking, organizing the plot of the work? Are there genuine historical events among them? Which?

All the battle episodes of the novel speak of specific events. But the story with pendants is especially remembered - a jewel that ended up in England in the hands of the Duke of Buckingham, who was in love with the French queen. All the numerous events of the tense plot take place in the first half of the 17th century. At the same time, the brave musketeers manage to prevent a number of military conflicts that are generated by the policies of Cardinal Richelieu and the Duke of Buckingham.

What is the code of honor for the heroes of the novel? To what extent does it seem applicable to you today?

The code of honor that the Musketeers profess is known to everyone. They did not invent it, but they sacredly embodied it in their lives, which attracted numerous readers of many generations. Some phrases of this code sound like aphorisms: “One for all - all for one”, etc. Musketeers protect the weak, they punish meanness, they are noble in relation to a woman, true to their word. The general code of honor of a noble person cannot be drawn up according to the deeds of each of the four heroes of the novel.

What qualities and actions are absolutely unacceptable for the heroes of the novel? How unacceptable are they to you?

The code of honor presupposes nobility of deeds. Observing it, one cannot commit any unseemly act, and not just meanness. Betrayal, deceit, hypocrisy, denunciation - all this is excluded by the very fact of the existence of a code of honor. And of course, they must be un-acceptable for each of us.

Are the exploits of the heroes of the novel connected with serving a lady, or do these exploits have no inspirer?

How do you imagine the character and appearance of mi-lady? Is this a romantic figure, or do you see traits of a real character in the way she is described?

Milady appears before the reader as a romantic villain, in whose character there is not a single bright line. Although the qualities that are inherent in her are found in real people, but the combination of them in milie di frightens with a concentration of anger and ruthlessness, a complete lack of good intentions.

Does the adventure-historical novel give an idea of the era depicted? How would you characterize its role in shaping your understanding of historical time?

The undoubted benefit of an adventurous historical novel is that it not only introduces the era, but also captivates it with the plot. The events and characters with which such a novel introduces us are usually emotionally perceived by readers, and in this their positive role is indisputable. Paying tribute to the cheerful talent of A. Dumas, we note his inexhaustible invention, humor and brilliance of dialogues. We must take into account that skillfully describing the court life of the era and military operations, he does not really care about the historical accuracy of events. Much is depicted in a simplified way, often due to random reasons: the intrigues of the courtiers, a happy coincidence.

What century is depicted in the novel? What signs of the times can you identify in the novel?

The novel depicts the first half of the 17th century. The novel is full of the most diverse signs of the era. We not only learn about the events of a particular time, but also about the architecture of that time, about the fashion that reigned at court, about the manner of communication and even the rules for organizing fights. The author could make mistakes in reproducing the realities of the time, but they will live in our memory, since they are depicted by the writer very vividly and convincingly.

What role does landscape play in the novel?

In the novel The Three Musketeers, as in other historical adventure novels by A. Dumas, the role of the landscape is small. It often looks like a decoration of the era, as a confirmation of the authenticity of the events depicted. Most often these are not pictures of wildlife, but the general outlines of the scene. Sometimes the description of a particular place includes a story about its change over time. So, describing the ruins of the castle, the author recalls the time of its heyday.

What interiors do you especially remember?

Among the interiors, the living quarters of the rulers are reproduced in the most detail. Their pomposity and their worldly (by the standards of our time) inconvenience. Dumas knows how and loves to paint with a word not only portraits of heroes, but also the objective world that surrounds them. The reader observes the life of the characters in a familiar environment. It is worth noting the variety of interiors that the writer recreates: it can be the Queen's boudoir, the modest furnishings of Madame Bonacieux's house, and the chambers of Cardinal Richelieu.

Most often, those interiors are remembered in which the most dramatic events took place, and the details of their descriptions help to present scenes important for the development of the plot.

What attracted you as readers to this novel: a fascinating adventure plot, the characters and actions of its heroes, the skill of storytelling, the closeness of the author's positions to your views on life?

Reading a novel is exciting. And, having completed this reading, we can try to determine what underlies our reader's interest. Reflecting on this, we usually call the fascination of the plot, the brightness of the characters' characters, the amazing mastery of the story, which vividly depicts the actions of the characters, as well as the clarity of the author's position, with which any reader wants or agrees. to argue, or to argue, it is so clearly expressed on the pages of the novel.

Try to characterize the features of the author's skill.

A. Dumas in his adventurous historical novels actively uses the entire set of authorial techniques that can attract the reader. He refers to what interests every reader - to the past. Against such an interesting background, fascinating plots unfold, the development of which holds the reader's attention, causes his complicity and empathy. At the same time, it is necessary to note the mastery of depicting characters, the skillful use of all the details of the situation, which contribute to the active inclusion of the reader in the course of events. If we try to characterize the mastery of the author, we will note that we have before us a master of creating a plot, depicting human characters, creating a complex and unified picture of reproducing reality within the framework of a work of art. material from the site

What thoughts and feelings arise while reading this novel?

Reading a novel is often perceived as entertainment, as a vacation, in which life around begins to be perceived joyfully and optimistically, although the circumstances of the plot do not seem to imply this. However, while reading, questions often arise that are no longer able to be solved by the author, but by the reader himself. And these questions and motivations for action are often realized in actions that are not at all connected with the characters and the plot of the novel, but are only prompted by its content. Thus, collective “Musketeer Diaries” often appear, oaths are given based on the code of honor of the Musketeers, which largely determine the further behavior of student readers. Almost every reader can evaluate the measure and degree of the impact of the book on his spiritual world and further behavior after the book is read.

How can one explain the appearance of an infinite number of dramatizations and film versions of the plot of the novel?

The fascination of the plot and the brightness of the characters of the characters attracts readers. The features of the literary text, as well as its popularity, cause a desire to use it to create works of other genres. You can try to name the genres in which The Three Musketeers were embodied - these are movies, performances, parody novels, musicals, animated films, etc. Not all of them were lucky, but always the reader and the viewer come first peered with interest at new attempts to use their favorite stories and characters.

Try to stage any episode of the novel with classmates.

Any dialogue can turn into a small scene that will show some quality of the hero, such as his ingenuity or quick reaction. At the same time, the brightness of a particular dialogue can be seen as the use of the artistic techniques of Dumas the playwright on the pages of a prose work. The novel "Three Musketeers" is included in the school curriculum as an extracurricular reading and turning to voluntary creative work on creating a dramatization will help all eighth graders to get involved in the process of discussing a work of art with its features, and those problems which are especially important at the moment in this particular class.

Didn't find what you were looking for? Use the search

On this page, material on the topics:

questions and answers about the story of the three musketeers
What does the Three Musketeers novel teach us?
find the landscape in the novel three musketeers
essay on the novel three musketeers
fragments of the landscape in the novel Three Musketeers

1. All for one, one for all!(All four uttered in chorus the words suggested to them by d'Artagnan).

2. " Do not submit to anyone. Except the king, the cardinal, and Monsieur de Treville". This was Father d'Artagnan's advice. It is very reminiscent of N. Leskov's description of Golovan - Ivan Flyagin: "official and faithful."

3. De Treville's advice to the Gascon: If someone starts a quarrel with you, try to avoid it., be the instigator even a ten-year-old child. If you are attacked, day or night, retreat and be not ashamed.

4. The noble has only one word.

Athos: Monsignor, we are nobles and did not lie even for the sake of saving lives!

Planchet: And I'm not a noble, so I'm allowed to lie.

5. Athos: Keep the secret entrusted to you.(At the same time, Athos asked a friend whose secret it was and whether those people allowed anyone to initiate this secret.)

Porthos was wounded, but he lied that he had stumbled in a duel. D'Artagnan listened to everything, but, knowing the truth, he decided not to hurt his friend with his truth.

Despite his youth, our Gascon was a very cautious youth. He pretended to believe everything the boastful musketeer told him, for he was convinced that no friendship could withstand the revelation of a secret, especially if this SECRET PUNCHES ELORD besides, we always have a certain moral superiority over those whose lives we know.
Athos, under the influence of wine, tells the Gascon the whole truth about himself and Milady. Waking up the next morning, he pretends, like Porthos, that he has spoken nonsense. D'Artagnan: You didn't say anything special... I don't remember anything. And even lies: That's what I remember, as if through a dream, as if we were talking about the hanged.

6. Attitude towards money:

Athos kills an Englishman. They solve the problem: to whom to give the wallet with his money. They decide: this Englishman's servant.

D'Artagnan in the bastion of La Rochelle kills one of Milady's accomplices. The second accomplice was wounded. So the young man threw a purse to this wounded man. Didn't glare.

The executioner also did not take the money: "And now let this woman also know that I am not doing my job, but my duty."

Athos never bargained. If the thing suited him, he always paid the required amount, without even trying to slow it down.

7. Porthos, seeing that he was entirely in the power of the enemy, recognized himself defeated.

8. (Continuation No. 7). After that, the stranger asked what his name was, and, having learned that his name was Porthos, and not D’Artagnan, OFFERED HIM TO LEAN ON HIS HAND, brought him to the hotel, jumped on his horse and disappeared.

9. D'Artagnan did not find anything more witty, as he advised milady to FORGIVE de Wardes and abandon her cruel designs.

10. Athos tells the Gascon the story of his love, but tells it in a veiled way - as if not about himself, but about some person, that is, he, recalling the words of A. Chekhov, does not humiliate himself in the eyes of the interlocutor.

11. Solve the problem of where to go to the Gascon: one date with a lady, the other with a cardinal. Aramis: A courteous cavalier cannot but go on a date assigned to him by a lady, but a prudent nobleman can find an excuse for not appearing to his eminence, especially if he has reason to believe that he is not invited at all out of courtesy.

12. D'Artagnan talks about what happened to him in the bastion. But he FAILS .... "I will not forgive you that you forced me to come, not allowing me to rest after this night, after I took and destroyed the bastion! Oh, what a pity, gentlemen, that you were not there! It was hot!”

13. - Dear Athos, I admire you, but in the end WE ARE NOT RIGHT.

14. Felton: Since the captive is still a woman, I wanted to show her the attention that every well-bred person is obliged to give a woman, if not for her sake, then at least FOR THE SAKE OF OWN Dignity.

15. Aramis: Silence is the last joy of the unfortunate; DO NOT GIVE YOUR SORRY TO ANYONE.

16. All intrigues are over. The Gordian knots are untied. Richelieu, turning to the Chevalier de Rochefort and d'Artagnan, says: Rochefort, this is Monsieur d'Artagnan. I ACCEPT his number of MY FRIENDS, so KISS BOTH and be REASONABLE if you want to save your heads.

17. It is not shameful to live off your mistresses. (Aramis and Porthos - however, the latter still got married, although the reason was not love, but a chest with an inheritance.). [In those days, they paved their way with the help of women and were not ashamed of this.]

ill. Maurice Leloir

Compiled by L. Suvorova

You will be very obligated if you use this block of buttons and "+1":

You can see other developments by works:

* Dumas A. "Three Musketeers" /

Extracurricular reading lesson in 8th grade.

Theme of the lesson: “Through the pages of the novel by A. Dumas“ The Three Musketeers ”

Lesson Objectives:

Educational. The formation of students' moral and aesthetic feelings through the categories and values of the life of the novel: good and evil, truth, justice, conscience, friendship and love, freedom and responsibility.

Developing. Development of figurative and analytical thinking, creative imagination and reader culture; formation of ideas about the specifics of literature in a number of other arts; development of oral and written speech of students.

Educational.Development of skills in the analysis of a work of art with the involvement of basic literary concepts and the necessary information on the history of literature; revealing concrete-historical and universal content in the work.

Methodological techniques: student's message, retelling and analysis of the text, conversation on questions, dramatization of an episode of Dumas' novel "The Three Musketeers".

Equipment: presentation for the lesson, fragments of the film by G. Jungvald - Khilkevich "D, Artagnan and the Three Musketeers.

During the classes.

Introductory speech of the teacher(!)

Dear guys, today we will make a journey through the pages of a wonderful work, one of the most exciting books of foreign literature that has influenced the minds of many generations of people around the world, we will make a journey through the pages of A. Dumas' novel "The Three Musketeers". Please write down the topic of today's lesson.

(!) The objectives of our lesson: Briefly retell and analyze the episodes of the novel that you like.

It will reveal the significance of this work for the development of other arts.

Continue learning the skills of analyzing a work of art with the involvement of basic literary concepts.

Develop the ability to build a monologue.

Traveling through the country of Literature, you read many books, fell in love with many literary heroes, learned a lot of interesting things about writers and poets, Russian and foreign. But you meet the work of the French writer A. Dumas for the first time. Let's listen to a short message about the writer.

(!) The student makes a presentation about the life and work of A. Dumas.

Alexandre Dumas was born on July 24, 1802 in the small French town of Villers-Cotterets near Paris. His father, General Dumas, once served with Napoleon. Then he retired and soon died. Then Alexander was only 4 years old. The family was left without a livelihood. The writer Dumas inherited many character traits from his father and generously endowed his heroes with them.

“This is not a man, but a force of nature,” the historian Jules Michelet said about the writer, whose works A. Dumas admired. Michelet paid him the same coin.

A giant who lived beyond his means, a broad nature, a subtle connoisseur of the culinary arts, an inexhaustible author, who was always accompanied by success and debt. This is Alexandre Dumas. Moreover, the life of the writer is a continuous novel like those that he himself wrote: the story of a giant glutton who was in a hurry to eat everything at once; life, adventures, reflections, dreams. The writer told readers about his life in the book of memoirs "My Memoirs".

And so, at the age of 20, Dumas ended up in Paris! “This ignoramus Alexander,” the gossips of Ville-Cotret said about him, “already serves as a writer for the Duke of Orleans.” (The future King Louis Philippe.) Alexandre Dumas was sure that he would conquer Paris, France, the whole world with his pen. The future has shown him right.

After several fruitless attempts to write a work for the theater, success finally came. The first play by A. Dumas "Henry III and his court" was staged on the stage. The Duke of Orleans personally contributed to the success of the premiere .. The play, however, angered the supporters of classicism, but a year later Dumas won again during the legendary battle around the play "Ernami". The theater gave the first ticket to the glory of Alexandre Dumas.

(Students write down the years of the writer's life)

(!) Additions to the message (teacher)

Alexandr Duma

French novelist and playwright, commonly referred to as Dumas père

Born July 24, 1802 in Villa-Kotre (dep. Aisne), the son of a republican general.

1822 - having received almost no systematic education, twenty-year-old Dumas, with fifty-three francs in his pocket, sets off to conquer Paris.

1825 - begins his literary career as a playwright, creating the play "Hunting and Love" (La chasse et l'amour).

1829 -Dumas creates the first truly romantic drama "Henry III and his Court", staged with great success at the Comedie-Française and very successful financially.

1830 - Takes part in the July Revolution.

1831 - the modern comedy of manners "Antony", in which the writer makes the first attempt in stage practice to explore the psychology of a romantic hero. Also written is the play "Napoleon Bonaparte, or Thirty Years of the History of France", which displeases Louis Philippe. Then Dumas turns to him with an open letter, in which he asks that he no longer be considered in the service of the House of Orleans.

(V) 1844 - The Three Musketeers is published, one of the most popular historical narratives of all time. It was written in collaboration with O.Make. The storyline is almost entirely borrowed from the so-called Memoirs of Monsieur d'Artagnan by Gautien de Courtil de Sandra.

A. Dumas owns the following novels from Peru: "Twenty years later", "Queen Margo", "The Count of Monte Cristo", "Madam Monsoro", "Forty-five", "Viscount de Brazhelon".

1858 - a travel essay is published describing a trip to Russia in 1858. - "From Paris to Astrakhan" - full of errors, but imbued with sympathy for Russia. In total, Dumas makes several ruinous journeys, to which he devoted almost 30 books of his Travel Impressions.

1860 - joins the campaign of the "Thousands" of G. Garibaldi, which ensured the victory of the Italian Revolution of 1859-1860.

The legacy of Dumas is almost three hundred volumes. To provide himself with a sufficient amount of material, he organized a real factory for the production of book products. Dumas' collaborators were O.Make and P.A.Fiorentino. But the spark of inspiration was Dumas's genius, since none of his collaborators managed to create any memorable novel on their own.(!)

Questions session.(In the course of the conversation, the guys fill out the table)

So, let's define the artistic features of the work under study. In the course of our conversation, you will need to fill out a small table.(!) When was the Three Musketeers by Dumas first published?

In 1844. (!)

- (!) What kind of literature can we classify it as?

Epos-(!)

- (!) Determine the genre of the work.

Novel (!)

- (!) What type of artistic speech would you classify this work as?

Prose. (!)

- (!) What is the type of plot?

Adventurous, historical. (!)

Why is the novel called adventurous-historical. Do you agree with this point of view?

- (!) Where do the events of the novel take place? What is its geography?

- (!) In which city (mostly) does the action take place?

(!) What century is depicted in the novel? What signs of the times can you name?

The reign of Louis XIII is a time of rapid development of architecture, landscape design, the construction of many palaces, hunting lodges, and the flourishing of various types of art.

- (!) What role does landscape play in the novel? Look at the views of France, all these historical monuments appeared during the reign of Louis XIII.

(!)– What interiors of the novel do you especially remember.

Since we say that the novel by A. Dumas is historical, then there must be real historical figures here. Name them.

(!)– Determine whose portraits are on the slide? (Write down the names of historical figures in the novel).

And what real historical events do we find on the pages of the novel?

How do you explain the title of the novel? As you know, there were four friends whose adventures are described in it.

What is the code of honor for the heroes of the novel?

- (!) To what extent does it seem applicable to you today?

What qualities and actions are absolutely unacceptable for the heroes of the novel? How unacceptable are they to you?

Is there a hero in the novel who can be considered the main character of the work? Who is he?

Let's go through the pages of the novel and follow the adventures of our heroes. Be sure to pay attention to how the writer manages to lure, intrigue the reader. How are the characters developed in each episode?

(!) Seeing D, Artagnan in Paris.

How did the illustration for the novel help you imagine how D, Artagnan appeared on the streets of Paris?

(!) Acquaintance with the Musketeers.

(!) Dramatization of the episode "Introduction"
Retelling of the episodes of the novel by A. Dumas "The Three Musketeers"

(!) Meeting with D, Treville.

(!) History of pendants.

(!) Secret of Milady.

(!) Execution of Milady.

(!) Death of Constance.

(!) The novel by A. Dumas was filmed in many countries. at many film studios.

(!) I like the film of our, Russian, director Yungvald-Khilkevich “D, Artagnan and the Three Musketeers. Starring here(!) M. Boyarsky, V. Smekhov, I. Sitarygin, V. Smirnitsky, I. Alferova, A. Freindlich, O. Tabakov, M. Terekhova, N. Trofimov and other wonderful actors.

At your request, we will watch the episode of the death of Constance. In the film, this is indeed one of the brightest, most touching and memorable moments.

Watching a movie clip.

Compare, please, how this episode is shown by Dumas and Yungvald-Khilkevich? What new does or does not a film fragment give us?

(!) I want to say that participation in this film had a big role in the fate of the actors who played the main roles. Like the heroes of the novel, they are very friendly, they observe the code of honor to which the musketeers were faithful. They even persuaded the director to shoot a sequel to the film.

(!) Cartoonists also refer to the images of famous musketeers. A wonderful cartoon based on the novel was filmed.

(!) On the stages of many theaters of the world and today there are performances based on the novel by A. Dumas. There are no empty seats at these performances.

(!) Composers from different countries have written a huge number of musicals. There are TV and radio plays about the adventures of the Musketeers.

Write down in your notebook those types of art whose artists have turned and are turning to the images of the novel by A. Dumas.

Guys, why do you think the novel by A. Dumas "The Three Musketeers" does not lose its relevance? Why for almost two centuries it has been of such interest to readers.
(!) D/Z. Write a review about the novel by A. Dumas "The Three Musketeers"
Grading.