What wins in Oblomov mind or feelings. Essay on mind and feelings in literature
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Preparation for the final essay in the direction of "Reason and Feeling" Teacher of the Russian language and literature, GAPOU IOC named after. V. Talalikhina Lodygina A.V. Moscow, 2016
"mind and feeling" The direction involves thinking about reason and feeling as the two most important components of a person's inner world, which influence his aspirations and actions. Reason and feeling can be considered both in harmonious unity and in complex confrontation, which constitutes the internal conflict of the personality. The theme of reason and feeling is interesting for writers of different cultures and eras: the heroes of literary works often face a choice between the command of feeling and the prompting of reason.
Mind Feeling Mind Reason Common sense Intellect Reasoning Thinking abilities The ability to feel the truth 1. The highest level of human cognitive activity, the ability to think logically and creatively, to generalize the results of knowledge. // Product of brain activity expressed in speech. 2. Mind, intellect (opposite: feeling). // Sanity. Sensation Impression Emotion Soul impulse Experience Passion Heart inclination Attraction Infatuation 1. The ability of a living being to perceive external impressions. 2. The very process of feeling, perceiving something. 3. The psychophysical state of a living being, what it experiences, feels, what is included in the content of its spiritual life. 4. open Love experienced by Keml. to smb. // Excitement, elation, impulse.
Reason Feeling A person can be: Insensitive, unreceptive, rational, prudent, seeing through, aware, understanding, strong-willed, thinking, selfish, reasonable, far-sighted, educated. A person can be: Touching, sensitive, vulnerable, sentimental, sensitive, receptive, impressionable, responsive, emotional, sincere, intoxicated, easily hurt.
Theme Works episodes What does it mean to have noble feelings? What are true feelings? What is the power of human feeling? Yu.M. Nagibin "Old Turtle" A.I. Kuprin "Olesya" Eduard Asadov "The Ballad of Hatred and Love" The boy experienced noble feelings when he woke up with a sense of responsibility for another. He was able to correct his mistake: he returned Masha home. Olesya loves Ivan Timofeevich sincerely, deeply - this is her amazing strength. Thanks to the strength of her love, she is able to sacrifice her convictions for Ivan Timofeevich: Olesya goes to church being convinced that she is a witch. Feelings that create and destroy Yu.M. Nagibin "Old Turtle" A.I. Kuprin "Olesya" I.A. Goncharov "Oblomov" F.M. Dostoevsky "Crime and Punishment" Destructive feeling. The passionate desire to have small funny turtles led the boy to the fact that he sold the old turtle, a true friend, without regret. This selfish feeling arose from the fact that he heard and saw only his desires, his “I want”. Creative feeling. An unexpectedly awakened sense of responsibility for the life of the old Masha, shame for the betrayal of a friend who needs you, lead the boy to a bold and important decision: to return the old turtle home at any cost.
Theme Works episodes When the mind becomes dangerous? Is reason a happy gift of man or his curse? I.A. Bunin "Beauty" M.E. Saltykov-Shchedrin "The Wise Scribbler" F. M. Dostoevsky "Crime and Punishment" A.S. Griboedov "Woe from Wit" Beauty, the second wife of an official, had a "sharp" look, noticed everything, reasonably approached the solution of any issues. And just as reasonably, calmly, she hated the son of an official from her first marriage. She pretended that he did not exist in the house, transferred him to sleep first on the sofa, and then on the floor. The result of such a reasonable approach was the lonely life of a little seven-year-old boy isolated from the whole house. The image of A. Chatsky. Clever, but not needed by Famus society. Leaving Moscow “Carriage for me, carriage” What is more important: reason or feeling? What to listen to: mind or heart? I.A. Bunin "Dark alleys" A.I. Kuprin "Duel" I. S. Turgenev "Fathers and Sons" F.M. Dostoevsky "Crime and Punishment" (printing) L.N. Tolstoy "War and Peace" Yuri Alekseevich Romashov goes to the Nikolaevs every evening, although he knows that they do not wait for him there and do not stand on ceremony in his presence, but to see Shurochka (Alexandra Petrovna) once again, to watch her during needlework is above him forces. Romashov is ready to endure shame, if only to feel the firm and caressing grip of a sweet female hand: he went into this charming grip with his soul. Yuri Alekseevich each time experienced an acute sense of shame, hearing the ridicule of orderlies and feeling the scornful attitude of Shurochka's husband. The episode of leaving Moscow by the Rostov family. Mother for a reasonable approach, because on carts you need to take away the inheritance of children. Natasha perceives the situation differently: “that we are some kind of Germans!” and begs to give carts to the wounded. Mother becomes ashamed.
Theme Works episodes Is it possible to go on about your emotions? Is it necessary to give free rein to feelings? I. A. Bunin "Sunstroke" L.N. Tolstoy "War and Peace" F.I. Tyutchev “Oh, how deadly we love” The lieutenant, fascinated by his new acquaintance, begs her to go ashore. She is confused, succumbed to persuasion, goes on about her emotions, as if a sunstroke overshadows her consciousness. She calls it crazy: there has never been anything like it in her life and never will be. Why is she doing this? This lovely woman is married and has a three-year-old daughter. This behavior is reckless, but the author does not condemn her for it. The feeling can flare up suddenly, like an eclipse - a person loses his temper. But this feeling is the most beautiful thing that has ever been and will be in the life of these people. Let only a moment - it is worth eternity. Natasha Rostova, succumbing to feelings for Anatole Kurakin, decides to run away with him, despite the dissuades of her relatives. This act led her to break off relations with Andrei Bolkonsky. Elena Denisyeva, passionately in love with F.I. Tyutchev, takes heavy blows of fate: the condemnation of society, the impossibility of becoming the wife of Fedor Ivanovich (he is married), a serious illness.
What is the power of human feeling? The power of feelings is unusually great. Power can change a person: awaken his best or worst sides. Such a strong feeling is love (faith, fear): it resurrects and kills, forgives and hates, spiritualizes and devastates. The world is filled with the power of love from birth to death: maternal love knows no boundaries, the depth of feelings between a man and a woman is difficult to describe in words; love for creativity shows the strength of the individual, for animals - sensitivity and mercy. This topic has worried many generations and still remains important and significant in the life of every person. Examples of the manifestation of the power of human feeling are often found in the works of Russian classical literature.
thesis Let us recall the work of A.I. Kuprin "Olesya". This story clearly shows the power of love of the main character: her dedication, sincerity, spirituality.
illustration Olesya grew up in the forest, she knew the peculiarities of life in the wild, she was alien to the petty problems of the inhabitants of Polesye. Her meeting with Ivan Timofeevich took place in early spring, nature itself blessed their love. Olesya knew that their feelings were doomed, that she would have to suffer greatly, but she did not refuse her love, did not exchange it for peace. Olesya's magic is not in witchcraft, as she thought, but in amazing sincerity, depth of feelings. Knowing the deer heart of her chosen one, the girl accepted all his weaknesses, without reproaching, without condemning. Olesya really wanted to keep her love, but fate cannot be changed! The decision taken by Olesya is admirable. She went to church, hoping to change the predestination, thereby saving their feelings. She takes full responsibility. Only a person with great power of love can do this! Unfortunately, the inhabitants of Polissya treated her extremely cruelly: they beat her, smeared them with tar. Olesya is forced to leave, but not once does she accuse Ivan Timofeevich of anything, gratitude and still love sound in her words.
Mini-conclusion The amazing power of Olesya's love lies in the ability to give, not to take, in self-sacrifice.
Collection of essays: Mind and heart in the fate of the heroes of the novel by I. A. Goncharov "Oblomov"
Mind and heart are two substances, often having nothing in common with each other and even conflicting with each other. Why do some people tend to weigh their every decision and look for a logical justification in everything, while others do their actions solely on a whim, as their heart tells them? Many writers thought about this, for example, Leo Tolstoy, who attached great importance to what guides his characters in their actions. At the same time, he did not hide the fact that he was much nicer to the people of the “soul.” It seems to me that I. A. Goncharov, paying tribute to the work of the mind in his heroes, appreciated the work of the heart in them more.
N. A. Dobrolyubov considered Goncharov’s characteristic feature as an artist to be that “he is not amazed by one side of the object, by one moment of the event, but rotates the object from all sides, waits for the completion of all moments of the phenomenon.”
The characters of the characters are revealed in the novel with all their inherent contradictions. So, the main character, Ilya Ilyich Oblomov, has a lot of shortcomings - he is lazy, apathetic, inert. However, it also has positive features. Nature fully endowed Oblomov with the ability to think and feel. Dobrolyubov wrote about it this way: "Oblomov is not a stupid apathetic nature, without aspirations and feelings, but a person who is also looking for something in his life, thinking about something" -.
The novel speaks more than once about the kindness, kindness, conscientiousness of Oblomov. Introducing us to his hero, Goncharov writes that his softness “was the dominant and main expression, not only of his face, but of his whole soul.” And further: “A superficially observant, cold person, glancing casually at Oblomov, would say: must be, simplicity!" A deeper and more sympathetic person, peering into his face for a long time, would walk away in pleasant thought, with a smile. What could cause people to smile thoughtfully at the mere sight of this man? I think this is due to the feeling of warmth, cordiality and poetry of Oblomov's nature: "His heart, like a well, is deep."
Stolz - a man completely opposite in temperament - admires the spiritual qualities of a friend. "There is no heart purer, brighter and simpler!" - he exclaims. Stolz and Oblomov have been friends since childhood. They love each other very much, but at the same time there is a certain internal conflict between them. Even, rather, not a conflict, but a dispute between two completely different people. One of them is active and practical, and the other is lazy and careless. Stolz is constantly horrified by the way of life his friend leads. He tries with all his might to help Oblomov, to pull him out of this swamp of idleness, which mercilessly sucks into its depths. Stolz is Oblomov’s faithful and devoted friend ", ready to help him both in word and deed. It seems to me that only truly kind people are capable of this. Therefore, I am not inclined to consider Stolz only as a rationalist and pragmatist. In my opinion, Stolz is a kind person, and he is active in his kindness, and He does not get off with one sympathy. Oblomov - another. He, of course, "is not a stranger to universal human sorrows, the pleasures of high thoughts are available to him." But in order to bring these lofty thoughts to life, you need to at least get off the couch. Oblomov is no longer capable of this.
The reason for the complete dissimilarity of the characters of the two friends is their completely different upbringing. Little Ilyusha Oblomov was from childhood surrounded by boundless love, affection and exorbitant care. Parents tried to protect him not only from some troubles, but also from all types of activities. Even in order to put on stockings, it was necessary to call Zakhar. Education was also not given much importance, and as a result, the naturally gifted boy had irreparable gaps in education for the rest of his life. His curiosity was ruined, but the measured and calm life in Oblomovka awakened dreaminess and gentleness in him. The soft Ilyusha Oblomov was also influenced by Central Russian nature with the leisurely flow of rivers, with the great calmness of fields and vast forests.
Andrei Stolz was brought up in a completely different way. His education was handled by a German father, who took his son's deep knowledge very seriously. He sought to educate Andryusha, above all, industriousness. Stoltz began to study at an early age: he sat with his father over a geographical map, parsed Bible verses, taught Krylov's fables. From the age of 14-15, he already independently traveled with his father's orders, and carried them out accurately, never confusing anything.
If we talk about education, then, of course, Stolz went far ahead of his friend. But as for the natural mind, Oblomov was not at all deprived of it. Stolz tells Olga that in Oblomov "there is no less intelligence than others, only buried, he is littered with all sorts of rubbish and fell asleep in idleness."
Olga, it seems to me, fell in love with Oblomov precisely in his soul. And although Oblomov betrayed their love, unable to break out of the shackles of familiar life, Olga never managed to forget him. She was already married to Stolz and, it would seem, lived happily, but she kept asking herself, “what does it ask for from time to time, what does the soul search for, but only asks and searches for something, even as if, it’s scary to say, it yearns.” I understand where her soul was torn - towards the same kindred and close soul. Stolz, with all his virtues - intelligence, energy and purposefulness - could not give Olga the happiness that she experienced with Oblomov. Oblomov, despite all his laziness, inertia and other shortcomings, left an indelible mark on the soul of an outstanding and talented woman.
Thus, after reading the novel, the impression remains that Goncharov is closer to Oblomov with his rich and tender soul. Ilya Ilyich had an amazing property: he knew how to arouse the love of others, seemingly without giving anything in return. But thanks to him, people discovered their best qualities in themselves: gentleness, kindness, poetry. This means that people like Oblomov are necessary, if only to make this world more beautiful and richer.
A semi-dark room littered with unnecessary things, cluttered with bulky furniture. Around the dust, desolation, dirt. In the center is a sofa on which lies a man who has become a symbol of laziness, apathy and ... spiritual purity, cordiality. Yes, yes, almost a century and a half to Oblomov’s exclamation: “Life: good life! What is there to look for? interests of the mind, heart? - we answer: “Hearts, of course, hearts!” And immediately the active, practical, purposeful Stolz steps aside, and he remains, pampered, clumsy, sometimes funny, Oblomov. Why?
I think it's a matter of priority.
Mind or heart in Russia has always been decided and, probably, will be decided in favor of the second. Our country, even now, when the time of the Stolts has come, needs the Oblomovs. This hero is “even too Russian”, because he combines deep laziness, about which they say: “Until the thunder breaks out, the peasant will not cross himself”, generosity, naivety and the main feature of our mentality is sincerity, which is synonymous with cordiality.
I adore Oblomov with his touching embarrassment over half-eaten crackers, his ardent declaration of love for music and a woman, and his sincere belief in friendship. “Not a single false note was issued by his heart, did not stick
Mud to him ... ”- Stolz will say, expressing the main qualities of his friend’s character - cordiality and the absence of falsehood.
Is Oblomov smart? Certainly not stupid. But this is only a tiny fraction of his "crystal soul". His mind is the mind of a child who understands that he needs to study, work, but why? Oblomov is sincerely happy and proud of his close friend, he certainly knows where to apply his strength, where to invest, what to buy, where to get it. This skill is absent from Ilya Ilyich, it even frightens him. It would probably be very difficult for the hero now, in our “commercial” time.
Everything that happens to Oblomov is the result of heart “movements”, he does not plan, does not calculate his actions, as his heart tells him. There is plenty of evidence for this.
Meeting with Olga. The first unexpected confession while singing: "I don't feel music... but... love." Ilya sincerely believes, albeit not for long, in what can change. Oblomov feels love with all his heart. In Olga - his new life, his almost unreal, ideal Oblomov's idea of family and happiness. Why does he refuse everything? Because Ilya Ilyich understands perfectly well: he will not make a loved one happy.
And it is impossible for Oblomov to be one himself at the expense of someone. Only a big heart is capable of such an act. He will never experience the “fever of life” again, he is almost spiritually dying, and yet he cannot do otherwise. Oblomov's self-sacrifice is one of the brightest features of the Russian character. This ability forced the high society princesses to abandon their titles and go to Siberia, and their husbands to go to the Senate Square. It is impossible to silence the call of the heart to be with those who are having a hard time, who need support.
There is an expression in Russian: "There is enough heart for everyone." This is about Oblomov. Everyone who is close to him receives warmth and understanding. Stolz hurries to his friend not only to get him out of bed. Andrei receives a charge of cordiality, kindness, as in childhood, when the half-asleep Oblomovka became a true paradise for a boy deprived of his childhood. And the adult Stolz needs Oblomov, only with him he is not a businessman, an entrepreneur, but a person. It was Ilya who helped Andrey to know true friendship, disinterested and faithful, and later love, which Stoltz, it would seem, was not capable of.
And Olga? Wasn't she happy with Oblomov? Can the pain of separation be compared with tenderness, sincerity and ardor of feeling! Her life "crossed ... such love that women dream of and that men are no longer capable of," in the words of Kuprin's general Anosov from the story "Garnet Bracelet." Olga's heart experienced all the facets of a great feeling, and this is not only delight and joy, but also pain. She learned to love, so Stoltz is happy with her.
I would like to recall one more hero, or rather a heroine, who lives exclusively with her heart. Quiet, narrow-minded Pshenitsyna, perhaps the only one who does not want to remake Oblomov, she does not need anything, she herself gives him her heart. The loss of Ilya Ilyich is much harder for her than for Olga. After all, only with the advent of the hero “her life lost and shone”, “beams spilled, quiet light”. Oblomov brought meaning to the existence of Pshenitsyna, he taught her to be happy. With the image of Agafya Matveevna, the theme of self-sacrifice reappears: she gives her son to Andrei and Olga. This is her payment for seven years of happiness, her gratitude.
“There are few such people, they are rare ...” - Stolz will say. Yes, there are almost none, we echo him. Where are you, Oblomov, an unfortunate man with a big heart, who was enough for everyone?
Ivan Goncharov's novel "Oblomov" was published in 1859, almost immediately exciting the writer's contemporaries and interested critics in the complexity of the characters described and the ambiguity of the questions raised by the author. One of the leitmotifs of the novel is the theme of love, which is most clearly revealed through the image of the protagonist - Ilya Ilyich Oblomov. The reader gets acquainted with the character at the very beginning of the work as a dreamy, apathetic, lazy person who does not want to do anything. And if it were not for the feeling that suddenly flared up for Olga Ilyinskaya, in the fate of the hero, most likely, nothing significant would have happened. The love in Oblomov's life for Olga became the very turning point when a person must choose: to move on or leave everything as it is. Ilya Ilyich was not ready to change, so their relationship ended in parting. But spontaneous feelings were replaced by a quiet, peaceful life in the house of Agafya Pshenitsyna, which, nevertheless, led to the early death of Ilya Ilyich.
Oblomov's two loves in Goncharov's novel embodied two female images, two examples of the realization of feelings for a loved one and two paths for the main character, which had a tragic ending. Why was not a single woman able to pull Ilya Ilyich out of the swamp of "Oblomovism"? The answer lies in the characteristics of the characters of the heroines and the life priorities of Oblomov himself.
Oblomov and Olga Ilinskaya
The feelings of Olga and Oblomov developed rapidly, almost from the first meeting the characters felt attracted to each other: Ilya Ilyich was fascinated by the harmony, intelligence and inner beauty of Ilyinskaya, and the girl was attracted by the kindness, complaisance and tenderness of a man. And, it would seem, the strong feelings that flared up between the characters could develop and become an aid to a happy family life. However, differences in the characters of the characters and a different vision of an ideal life together led to the early parting of Oblomov and Olga.
Ilya Ilyich saw in the girl the ideal of an “Oblomov” woman, capable of creating for him a calm home comfort, a life in which every day would be like another, and that would be good - no shocks, misfortunes and experiences. For Olga, this state of affairs was not only unacceptable, but also terrifying. The girl dreamed of changing Oblomov, eradicating all apathy and laziness in him, making him a bright, forward-looking, active person. For Olga, the feelings themselves gradually faded into the background, while duty and the “higher” goal became the leader in the relationship - to make Oblomov some semblance of his ideal. But Ilya Ilyich, perhaps because of his sensitivity, and perhaps because he was much older than the girl, was the first to understand that he could become a burden for her, a ballast that would pull her towards the hated "Obolomovism" and would not be able to give her that happiness, about which she dreams.
The relationship between Oblomov and Olga Ilyinskaya was a spontaneous, but fleeting feeling, as evidenced even by the fact that they met in the spring and parted in the late autumn. Their love really was like a fragile branch of lilac, which, having given the world its beauty, will inevitably fade.
Oblomov and Agafya Pshenitsyna
The relationship between Oblomov and Agafya Pshenitsyna had a completely different character than the stormy, bright, memorable love between Ilya Ilyich and Olga. For the hero, the care of soft, quiet, kind and economic Agafya acted as a healing balm, helping to restore mental strength after a tragic break with Ilyinskaya. Gradually, without noticing it, Oblomov fell in love with Pshenitsyna, and the woman fell in love with Ilya Ilyich. Unlike Olga, Agafya did not try to idealize her husband, she adored him for who he was, was even ready to pawn her own jewelry so that he did not need anything, was always full and surrounded by warmth and comfort.
The love of Agafya and Oblomov became the very reflection of the hero’s illusions and dreams, to which he devoted many years, lying on the sofa in his apartment. Peace and tranquility, bordering on the degradation of the personality, complete detachment from the outside world and gradual dying, were the main life goal of the hero, the very Oblomov "paradise" without which he felt failed and unhappy, but which eventually ruined him.
Oblomov, Agafya and Olga: the intersection of three destinies
Olga and Agafya in the novel "Oblomov" are two female characters opposed by the author. Ilyinskaya is the image of a modern, future-oriented, feminized girl who has her own personal opinion on everything, while Pshenitsyna is the embodiment of a truly Russian woman, the keeper of the hearth, obeying her husband in everything. For Olga, love was closely connected with a sense of duty, the duty to change Oblomov, while Agafya adored Ilya Ilyich, not even thinking that she might not like anything in him.
Oblomov's love for two important women in his life was also different. To Olga, the hero felt a really strong feeling, completely embracing him, which made him even for a while abandon his usual, lazy way of life and begin to act. For Agafya, he had a completely different love - similar to a feeling of gratitude and respect, calm and not exciting the soul, like their whole life together.
Love for Olga was a challenge for Oblomov, a kind of test, after passing which, even if the lovers parted anyway, he might have been able to change, freeing himself from the fetters of Oblomovism and starting to live a full, active life. The hero did not want to change, did not want to give up dreams and illusions, and therefore remains with Pshenitsyna, even when Stolz offers to take him to her.
Conclusion
The main reason for Ilya Ilyich's immersion in "Oblomovism" and his gradual disintegration as a person lie not in Agafya's excessive concern, but in the hero himself. Already at the beginning of the work, he does not behave like a person who is interested in the world around him, his soul has long been living in a world of dreams, and he himself does not even try to return to real life. Love, as a resurrecting feeling, should have awakened the hero, freed him from the "Oblomov" half-sleep, however, it was already too late (recall the words of Olga, who said that he had died a long time ago). Depicting Oblomov's love for Olga, and then for Agafya, Goncharov provides the reader with a wide field for reflection on the nature and meaning of love in the life of every person, the importance of this feeling in the fate of the reader himself.
The presented material will be useful to students in grade 10 before writing an essay on the topic "Love in Oblomov's life."
Artwork test
People are driven by different impulses. Sometimes they are driven by sympathy, a warm attitude, and they forget about the voice of reason. You can divide humanity into two halves. Some people constantly analyze their behavior, they are used to thinking through every step. Such individuals are practically not amenable to deception. However, it is extremely difficult for them to arrange their personal lives. Because from the moment they meet a potential soulmate, they begin to look for benefits and try to derive a formula for perfect compatibility. Therefore, noticing such a mindset, others move away from them.
Others are completely subject to the call of feelings. During love, it is difficult to notice even the most obvious realities. Therefore, they are often deceived and suffer greatly from this.
The complexity of relations between representatives of different sexes is that at different stages of the relationship, men and women use a reasonable approach too much, or vice versa, trust the choice of a course of action to the heart.
The presence of fiery feelings, of course, distinguishes humanity from the animal world, but without iron logic and some calculation it is impossible to build a cloudless future.
There are many examples of people suffering because of their feelings. They are vividly described in Russian and world literature. An example is the work of Leo Tolstoy "Anna Karenina". If the main character had not fallen in love recklessly, but had trusted the voice of reason, she would have remained alive, and the children would not have to experience the death of their mother.
Both reason and feelings must be present in consciousness in approximately equal proportions, then there is a chance for absolute happiness. Therefore, one should not refuse in some situations the wise advice of older and more intelligent mentors and relatives. There is a popular wisdom: "A smart person learns from the mistakes of others, and a fool learns from his own." If you draw the correct conclusion from this expression, you can humble the impulses of your feelings in some cases, which can adversely affect fate.
Although sometimes it is very difficult to make an effort on yourself. Especially if sympathy for a person overwhelms. Some feats and self-sacrifices are made out of great love for faith, country, and one's own duty. If the armies used only cold calculation, they would hardly raise their banners over the conquered heights. It is not known how the Great Patriotic War would have ended if it were not for the love of the Russian people for their land, relatives and friends.
Composition 2 option
Mind or feelings? Or maybe something else? Can reason be combined with feelings? This is the question every person asks himself. When you are faced with two opposites, one side screams, choose the mind, the other screams that you can’t go anywhere without feelings. And you don't know where to go and what to choose.
The mind is a necessary thing in life, thanks to it we can think about the future, make our plans and achieve our goals. Thanks to our mind, we become more successful, but it is the feelings that make people out of us. Feelings are not inherent in everyone and they are different, both positive and negative, but it is they that make us do unimaginable things.
Sometimes, thanks to feelings, people perform such unrealistic actions that it took years to achieve this with the help of reason. So what to choose? Everyone chooses for himself, having chosen the mind, a person will follow one path and, perhaps, be happy, choosing feelings, a completely different road promises a person. No one can predict in advance whether it will be good for him from the chosen path or not, we can draw conclusions only at the end. As to the question whether the mind and the senses can cooperate with each other, I think they can. People can love each other, but understand that in order to create a family, they need money, and for this they need to work or study. Here in this case, the mind and feelings act together.
It seems to me that these two concepts only start working together when you grow up. While a person is small, he has to choose between two paths, it is very difficult for a small person to find points of contact between reason and feeling. Thus, a person always faces a choice, every day he has to fight with it, because sometimes the mind can help in a difficult situation, and sometimes feelings are pulled out of a situation where the mind would be powerless.
Brief essay
Many believe that the mind and feelings are two things that are completely incompatible with each other. But to me, they are two parts of the same whole. There are no feelings without reason and vice versa. Everything we feel, we think about, and sometimes when we think, feelings appear. These are two parts that create an idyll. If at least one of the components is missing, then all actions will be in vain.
For example, when people fall in love, they must turn on their mind, since it is he who can evaluate the whole situation and tell the person whether he made the right choice.
The mind helps not to make a mistake in serious situations, and feelings are sometimes able to intuitively suggest the right path, even if it seems unrealistic. Mastering the two components of one whole is not as easy as it sounds. On the path of life, you will have to face considerable difficulties until you yourself learn to control and find the right facet of these components. Of course, life is not perfect and sometimes it is necessary to turn off one thing.
You can't always balance. Sometimes you need to trust your feelings and make a leap forward, this will be an opportunity to feel life in all its colors, regardless of whether the choice is right or not.
Composition on the topic Reason and feelings with arguments.
Final essay on literature Grade 11.
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