Detailed description of Levitan's golden autumn painting. Description of the painting "Golden Autumn" by I. Levitan

Now I have before me a reproduction of Levitan's painting Golden Autumn. I look at her and I can't see enough. Hands reach out for a sheet of paper and a pen to give Levitan's Golden Autumn in an essay for grade 4.

Levitan Golden autumn picture description

Levitan is a famous landscape painter, whose works are admired by many, and among them there are many paintings dedicated specifically to autumn - this wonderful and amazing season. Why amazing? Yes, because only autumn is able to paint nature in such colorful and bright colors. We can see these colors on the artist's canvas, making an analysis of Levitan's painting Golden Autumn.

One glance at the work of Levitan Golden Autumn is enough to make a description of the picture and I will start it with a description of a birch grove. There is a birch grove on the left side of the river. The trees managed to dress up in gold and red decorations and now show off in front of passers-by, delighting with their bright colors. It is impossible not to notice a lonely birch on the right bank of the river. She also managed to dress up in a golden outfit. Take a look and fall in love with this beauty. It immediately seems like I am walking along the river and I see how the birch leaves flutter in the wind, and the wind itself is light and pleasant, although the coolness is already felt. Not far from the birch, willows spread their long branches. These trees are still green, but very soon they will put on colorful decorations.

The river itself, which divided the coast into two parts, is quiet and calm. In its water surface, as in a mirror, the sky was reflected with its clouds and the branches of shrubs that grow near the river.

The grass in Levitan’s painting is still green, but we understand that it doesn’t have long to please us with its lush greenery, because autumn has already come into its own, which means that winter will come very soon.

The sky is still blue, but clouds appear on it, which are typical for the autumn period. What is most interesting, we do not see the sun in the picture, but everything around is illuminated by invisible rays and this light in the picture allows us to better see all the details and objects around.

The artist's painting Golden Autumn is bright, and the depicted autumn is captivating and festive, I even wanted to look not at a reproduction, but at its original. You can always look at Levitan's painting Golden Autumn in the Tretyakov Art Gallery


Today, "Golden Autumn" is considered the pinnacle of Isaac Levitan's skill, and at the time of the creation of the picture, the painter was treated rather biased and reproached for his desire to paint landscapes. Like, it is not worthwhile for a Jewish artist to take on the work of primordially Russian masters. Nevertheless, the landscapes painted by Levitan occupy the first places in the "golden background" of Russian painting.


Isaac Levitan. Self portrait (1880)
Isaac Ilyich Levitan(1860 - 1900) was born into an educated impoverished Jewish family in 1860. In 1870, Father Ilya Levitan decided to move to Moscow in order to somehow escape from poverty. Isaac's older brother Abel went to study at the Moscow School of Painting, Sculpture and Architecture, and 2 years later his younger 13-year-old brother joined him. A couple of years later, the mother of the future artist dies, and the sick father is forced to leave work and earn a living by tutoring.

The constant financial difficulties of the family prompted the leadership of the school to provide financial assistance to the Levitan brothers several times "for excellent success." In the end, they were completely exempted from tuition fees.


Gray day. I. Levintan, 1890s
Isaac Levitan really had success in painting. As his contemporary recalled: “Everything was easy for Levitan, nevertheless, he worked hard, with great restraint.” Landscapes were especially good.

In the spring of 1888, Levitan, together with fellow artists Alexei Stepanov and Sofya Kuvshinnikova, went on a steamboat along the Oka to Nizhny Novgorod and further up the Volga. During the trip, they unexpectedly discovered the beauty of the small, quiet town of Plyos. They decided to stay and live there for a while. As a result, Levitan spent three extremely productive summer seasons in Plyos (1888-1890). In the late 1880s and early 1890s, Levitan headed the landscape class at the School of Fine Arts of the artist-architect A. O. Gunst.

About 200 works completed by him in three summers in Plyos brought Levitan wide fame, and Plyos became very popular with landscape painters.

In 1892, Levitan, as a "person of the Jewish faith," was forced to leave Moscow and lived for some time in the Tver and Vladimir provinces. Then, thanks to the efforts of friends, the artist "as an exception" was allowed to return.

Gold autumn. I. Levitan, 1895.
One of the most famous paintings by Isaac Levitan is "Golden Autumn", written in 1895. It belongs to the so-called "major series" of the artist. The Soviet art historian Alexei Fedorov-Davydov spoke of this canvas as follows: “Golden Autumn” strikes and captures with the fullness and beauty of its emotional content, so definitely expressed in color splendor, in the major sound of a golden colorful scale.

Levitan himself was skeptical about his canvas, calling it rude. During this period, he suffered from bouts of melancholy. In the 19th century, this concept meant a mental disorder, depression. In addition, Levitan had a sick heart.


Paintings "Golden Autumn" in 2010 in the State Tretyakov Gallery.
When the picture was presented to the public, it was acquired by Pavel Tretyakov. Levitan was immensely happy. Until the canvas was transferred to the Tretyakov Gallery, it was allowed to be exhibited at the exhibition of the Wanderers in different cities of Russia. In Kharkov, a misfortune happened to the painting: a copper visor fell from one of the heaters and broke through the canvas. Today the wound is closed and cannot be seen with the naked eye.


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"Gold autumn"- a landscape by the Russian artist Isaac Levitan (1860-1900), painted in 1895. Belongs to the State Tretyakov Gallery. The size of the painting is 82 × 126 cm.

This picture "amazes and captures with the fullness and beauty of its emotional content, so definitely expressed in color splendor, in the major sound of a golden colorful scale."

Composition based on Levitan's painting "Golden Autumn" - real examples

Everyone experiences autumn in their own way. When I look at Levitan's painting Golden Autumn, I am overcome with a feeling of admiration. From the picture breathes autumn coolness. In the foreground of the picture is a deep blue river. In the distance, she turns, and at the turn stands a lonely golden birch. On the left side of the picture is a birch grove. Looking at her, you understand that autumn has come. All leaves are bright yellow. Only a small bush blushes among the birches. Not all the trees in the picture are golden, but the golden decoration of autumn catches the eye. In the background is a small village. The houses are barely visible in the distance, but the green winter wheat stands out against the yellow background. The sky is soft blue, with a white airy cloud on it.

I liked this picture. The day is clear and sunny. And although the artist did not draw the sun, it is all permeated with sunlight. She exudes warmth and kindness.

Everyone experiences autumn in their own way. When I look at Levitan's painting Golden Autumn, I immediately see birch trees. They are very beautiful. After all, autumn has come. This is the most wonderful and mysterious time of the year. Autumn, like an artist, paints all nature with bright colors. Autumn is the most delightful smile of the year, which is why the painting exudes warmth, kindness and joy. The sky is very beautiful in the picture. It has gentle airy clouds. All this splendor is reflected in the deep waters of a small river.

In the picture, one cannot fail to notice bright leaves on small multi-colored bushes. The red color adds beauty and brightness to this painting. The sun illuminates everything. That's why I really like the picture. After all, autumn is so beautiful! This is my favorite time of the year.

When I look at Levitan's painting Golden Autumn, I am overwhelmed by a feeling of joy and fun. Autumn in the picture is very beautiful. The birch trees are exactly covered with gold. The leaves are bright yellow and orange. In the center of the picture is a blue river. Somewhere it reflects the blue sky. The day is clear and sunny. In the background of the picture, winter wheat turns green. There are peasant houses nearby, all the trees cast dark shadows. The autumn sun shines on them. I really liked this picture, because it is cheerful and sunny.

Everyone experiences autumn in their own way. When I look at Levitan's painting Golden Autumn, I feel a sense of joy. In the center of the picture is a deep blue river. From it breathes autumn coolness. The river reflects the blue sky and the clouds floating on it. Near birch grove. Birches are so thin and graceful that they resemble Russian girls. They have golden hats on their heads. The village is in the background. There are small houses there. They merge with the sky. The picture shows a bright sunny day. And so I really liked the picture of Levitan.

In Levitan's painting Golden Autumn, the sun shines brightly. The birch trees are covered with golden foliage. The grass beneath them turned brown. Somewhere she turned brown. in the background of the picture I see small houses. Nearby, winter wheat is green. A blue river flows through the whole picture. On the right bank stands a lone yellow birch. It is so beautiful that you will not immediately notice the green trees standing nearby. Looking at the picture of Levitan, I am overwhelmed by feelings of joy and fun. A clear sunny day. I really liked the picture because it is beautiful.

Note

Dear students, the essay based on the painting by I.I. Levitan "Golden Autumn" is given without correcting errors. This text was written by 4th graders. There are teachers who check the essay for availability on the Internet. It may turn out that two similar texts will get checked. Read an approximate version of GDZ homework and write your essay on this topic.

Levitan is called the "poet of nature" because of his subtle, philosophical perception of the Russian landscape, a little sad, unpretentious, but possessing an irresistible attraction and modest, dim beauty. The picture, which Isaac Levitan painted in 1895, "Golden Autumn", is very different from his other works just in that it is permeated with the sun, bright and laid-back.

Artist biography

Isaac Levitan was born into a poor Jewish family from a small Lithuanian town. Levitan's father was very educated, and in order to improve the financial situation of the family, he moved the household to Moscow, where his eldest son Abel (Adolf) entered the Moscow School of Painting, Sculpture and Architecture to study. Two years later, Isaac followed in his footsteps, enrolling there in 1873.

As a Jew, Isaac Levitan repeatedly faced persecution and other manifestations of anti-Semitic sentiments, up to graduating from college without an artist's diploma. Because of this, a beautiful and talented landscape painter was forced to give paid lessons and paint portraits to order. In the mid-80s, Levitan's financial situation improved, and he was able to devote himself to landscape painting.

Isaac Levitan, "Golden Autumn": description of the painting

Isaac Levitan painted two paintings with the same name with a difference of only one year. Many art historians believe that the artist was not satisfied with the first option, so he painted a lighter and “transparent” landscape depicting the same picturesque place. Both paintings were created in the Tver province, in the town of Ostrovno, and the Syezha River is depicted on them.

The picture illustrates the time of the year that Levitan loved most of all - golden autumn, the period when everything around is saturated with light and gold on rare sunny days. Thin white-yellow birch trees frame the bank of a small river, in the waters of which all the colors of autumn are mixed. Bright hills run away to the horizon, as if meeting with a transparent white-blue sky. Bright shades and a light plot create an almost idyllic landscape, which, against the backdrop of more gloomy and dull paintings by Levitan, distinguishes Golden Autumn in a special category.

Painting analysis

The canvas, which Levitan ("Golden Autumn") began to paint at the dawn of Russian impressionism, is both characteristic and uncharacteristic of the landscape painting of the great artist. On the one hand, thin, tall birch trees are a feature of Levitan's landscapes, on the other hand, bright, major tones and careless strokes categorically contradict the traditional painting technique that characterizes the artist's early paintings.

"Golden Autumn" - Levitan's painting, which combines the features of impressionism and traditional academic painting. The outlines of trees, banks, rivers, hills and even a small village in the background do not remain blurry spots, as in most impressionist paintings, but have a completely distinguishable contour. The artist allowed free, careless impressionistic strokes to transform the foreground of the picture, where golden leaves and withered grass seem to come to life before the viewer's eyes.

Subject. Preparation for an essay based on the painting by I.I. Levitan "Golden Autumn".

Lesson goals. Introduce students to the concepts(text, paragraph, means of communication) on the basis of an art history text in order to use it in preparation for an essay based on the painting by I.I. Levitan "Golden Autumn". Introduce art history terms into the active vocabulary of students:landscape, landscape painter, painting, painter, colorist. Activate vocabulary on the topic "Autumn".

Lesson equipment.

Reproduction of a painting by I.I. Levitan "Golden Autumn". -Art history text from the book by V.B. Rosenwasser "Conversations on Art" -

Lesson content.

I. Teacher's story about the artist and his painting

Isaac Ilyich Levitan (1860-1900) was an outstanding landscape painter of the late 19th century.
His fate was not easy: coming from a poor Jewish family, he learned humiliation and poverty from an early age. Art became the vocation of I.I. Levitan literally from childhood. Already at the age of thirteen he entered the Moscow School of Painting, Sculpture and Architecture. His teachers were V.G. Perov, A.K. Savrasov, V.D. Polenov.
A.K. Savrasov, he learned to see the poetry and beauty of Russian nature. V.D. Polenov had a great influence on I. Levitan as a colorist, which was especially evident in pure, sonorous colors, in a lively, direct sense of nature in such paintings by the artist as “First Greenery”, “Birch Grove”.
The painting "Golden Autumn" (1895) creates an image of a solemn, joyful autumn in its tranquility, glorifying native nature. This picture could rightly be called “an encyclopedia of Russian autumn.

II. Conversation on the painting by I.I. Levitan "Golden Autumn"

Autumn in the paintings of Levitan is very diverse. It is impossible to list all the autumn days he painted on the canvas. Levitan left about a hundred "autumn" paintings, not counting sketches. They depicted things familiar from childhood: lonely golden birches, not yet upholstered in the wind; a sky like thin ice; shaggy rains over forest clearings.
But in all these landscapes, no matter what they depict, the sadness of farewell days, falling leaves, rotting grasses, the quiet hum of bees before the cold weather and the pre-winter sun, barely noticeably warming the earth, are best conveyed ...

What is shown in the picture?

What feelings did the artist want to express?

Why is the painting called "Golden Autumn"?

What colors (tones) did the artist choose to show the "gold of autumn"?

What would you like to write about in an essay on this picture? What will you describe?

III. whiteboard writing

Students are encouraged to write down words that they can rely on when working on an essay.
Sky, river, field, birches, grove, trees, village, hillock, grass.
All these words are supporting, they are objects for description, what is already given to us by the picture. And what can we say "new" about this "given"?

On the board - write:

New:

sky

blue, bright, clean, sunny, with white clouds.

river

not wide, clean, calm, deep, quiet, with a slow flow.

trees

yellow, golden, colorful, like candles, beautiful.

grass

dry, yellow as a carpet, brown.

field

green, fresh, like a velvet soft carpet.

small village

small, distant

IV. Conversation with students on the content of the picture

How would you start an essay on a painting?

From the fact that the artist I.I. Levitan depicted a beautiful time - autumn.

What would you write after the introduction?

I would describe in detail the trees, the river, the sky...
What would be the last sentence of your essay?

I would definitely write (a) about what a beautiful time of the year autumn is, how the artist beautifully portrayed it. I really liked this picture...

And now look how the author of the book "Conversations about Art" V. B. Rosenwasser described this picture. But the whole trouble is that I got only separate sheets with printed text, and now I don’t know if this text is one or different, which sheet is the first and which is the last.
Let's try to figure this out together. Read passages. (Students are given printed sheets with text).

« “Peering into the picture of I.I. Levitan, we, as it were, together with the artist, experience that boundless beauty of our native land, autumn nature, which has always attracted the greatest masters of Russian landscape painting.”

Does the content of the text match the picture? Are the passages one text?

Yes, they are, because all of them talk about the painting by I.I. Levitan “Golden Autumn”.

Indeed, all the passages are linked by one thought. Which?
The main idea of ​​this text is the idea of ​​the beauty of Russian autumn nature.

Right. You proved that all the passages are one text, they are united by one thought. How would you arrange these passages? Which one will be first, (second, third)?

1. At the beginning of the text, I would put (a) an excerpt "Simple and familiar ...". This passage describes the picture in full, in general.
2. Behind the first passage, I would put (a) a detailed description of the landscape and how the picture is written. This part is the longest and explains what the first passage says...
3. The passage “Peering into the picture ...” I would put (a) last, because it talks about the beauty of nature, as if it draws a conclusion from everything that has been said before.

So, we have restored the text with you completely. Please note that each passage begins with a red line. Why? How do you think?
Probably because each passage describes the picture differently. Each of them seems to have its own idea. For example, in the first passage we immediately see the picture. And in the second, we seem to be looking at the landscape together with the author of the text and slowly move our eyes across the picture.

Right. Sentences united by one thought (subtopic) and having clear boundaries form paragraphs. Are the paragraphs related? If related, how?

Yes, the paragraphs are linked. In the first paragraph, the author talks about the river. And he begins the second paragraph by describing what is to the left and to the right of the river. In the second paragraph, the words “look”, “take a closer look” are often repeated, and in the third paragraph the conclusion is made: “... looking at the picture of I. I. Levitan ...”.

You correctly noticed that here the paragraphs are interconnected by single-root words. There are other types of communication, but we will learn about this later.

Did you like the text?

I really liked the text. The author described in detail the painting "Golden Autumn". After reading this text, I better understood the picture of I.I. Levitan.

What new about the painting by I.I. Levitan did you learn from the text?

I learned how the artist painted the picture, how he applied paint to show the movement of water and better depict the golden foliage of birches. -How does the author describe the river, trees, field, sky? What words does he use? Complete the supporting words that we wrote down earlier with new ones from the text.

V. Vocabulary and stylistic work
- Use a dictionary to explain the meaning of the following art terms:
Painting is a type of fine art that reproduces objects and phenomena with the help of paints.
Scenery - picture depicting nature.
smears - technique of painting with oil paints. The smear is placed once. They can overlap in different directions. There are light and thick strokes.
coloring - the ratio of colors in the picture by tone.

Form landscape, word painting, nouns denoting a person from nouns.
(Landscape painter, painter).

Find in the text complex adjectives denoting shades of color. Explain their meaning with a picture.
(Emerald-green winter stripe, deep blue water, crimson-gold birches, red-bronze oaks).
-What artistic means should be used to make your description as colorful, expressive, accurate? Let's try to collect a verbal "palette" for the painting by I. Levitan.

Metaphors: the mirror of the river, the warm gold of foliage, the panorama of winter fields, heaps of red leaves, the festival of colors, the kingdom of autumn.

Comparisons: like festive radiance, like a patchwork quilt, like trees drenched in gold.

Epithets: clean and transparent air, enchanting beauty, amazing picture.

Avatars: the sun is pouring its last warmth, the birch trees are dancing, the reeds are sad, nature has become thoughtful.

Let us pay attention to the compositional structure of the essay-description. Together we draw up a detailed plan of the composition, think over the options for the introduction and ending.

Plan.

1. Introduction. It may consist of 2-3 sentences, or it may be expanded.

    Autumn is the favorite season of many poets, musicians and artists.

    I.I. Levitan is a singer of the beauty of Russian nature.

    The bright range of colors of the Russian landscape gives rise to a joyful mood.

2. The main part is the largest in volume. Here is a description of the painting itself.

    Painting by I. Levitan “Golden Autumn”.

    The general plan of the picture.

    Trees in Levitan's painting.

    Autumn river.

    Azure of the sky.

    Background of the painting.

3. Conclusion It may consist of 2–3 sentences, or it may be extended.

    What feelings did this beautiful corner of nature, depicted by the great painter, evoke in you?

    Remember your observations in the autumn forest, your mood, your feelings.

    What is the main idea of ​​this picture and your essay?

Homework: write an essay based on the painting by I.I. Levitan “Golden Autumn”.

Application.

Levitan's autumn landscape seems simple and familiar to us. The artist depicted a narrow river, calmly carrying its waters between low banks. “On the left we see a birch grove, on the right – individual trees. Our gaze moves, as it were, following the course of the river, autumn forests open up in the distance, and in the gap between them, on a high hill behind the emerald-green winter stripe, is a village. The sky is blue, clear, covered with light white clouds. Before us is a river, and it seems that its deep blue water is slowly moving. Take a closer look at how the artist painted that part of the water that is closer to us. He laid strokes of paint not along the movement of water, but vertically, and the water seemed to rear up and rise. And only further, becoming lighter, she began to slowly move. We find the same technique for constructing space in the image of the coast on the left. The ground is spread out before us, covered with already browned autumn grass. Crimson-gold birches on the left and red-bronze oaks on the right seem to part, revealing to the eye the endless expanses of fields and forests. See how densely the artist applied paint where the golden foliage of birches is depicted in the foreground, how grass and water are painted. But the further into the depths of the landscape, the less dense and lighter the strokes become.

Levitan's autumn landscape seems simple and familiar to us. The artist depicted a narrow river, calmly carrying its waters between low banks. “On the left we see a birch grove, on the right – individual trees. Our gaze moves, as it were, following the course of the river, autumn forests open up in the distance, and in the gap between them, on a high hill behind the emerald-green winter stripe, is a village. The sky is blue, clear, covered with light white clouds. Before us is a river, and it seems that its deep blue water is slowly moving. Take a closer look at how the artist painted that part of the water that is closer to us. He laid strokes of paint not along the movement of water, but vertically, and the water seemed to rear up and rise. And only further, becoming lighter, she began to slowly move. We find the same technique for constructing space in the image of the coast on the left. The ground is spread out before us, covered with already browned autumn grass. Crimson-gold birches on the left and red-bronze oaks on the right seem to part, revealing to the eye the endless expanses of fields and forests. See how densely the artist applied paint where the golden foliage of birches is depicted in the foreground, how grass and water are painted. But the further into the depths of the landscape, the less dense and lighter the strokes become.“Peering into the picture of I.I. Levitan, we, together with the artist, are experiencing that boundless beauty of our native land, autumn nature, which has always attracted the greatest masters of Russian landscape painting.