How to enter a theater university for an actor or director? How to enter the Shchukin school.

Acting is the mother of learning! Each person after graduation, as a rule, consciously takes the first steps towards a future career. There are also graduates who have not yet decided who they want to become in the future, but, due to the rise of certain life attitudes and with an eye on their own intuition, consider this or that specialty a priority for themselves.

The result of logical weighing or the cry of the soul?

It is important to note that there are two categories of professional areas, between which there is a barely noticeable line. The first group includes common professions of a general nature: economists, lawyers, teachers, engineers, etc. The second group includes narrower specializations, the distinguishing features of which are certain boundaries in the career and all its aspects, as well as the individual predisposition of the employee to one or another areas for their activities. In other words, a person who has no idea about his role in a certain business, not to mention at least a modicum of love for him, will hardly be able to achieve significant heights in his work. This statement is true in relation to medical workers, veterinarians, journalists, employees of the Ministry of Emergency Situations, programmers, paleontologists and, of course, creative people - actors, directors, artists, and so on.

Shaping the final decision

Thus, each graduate, at the onset of that very moment, must decide at least on the category of his future activity. It's great if he clearly understands what profession he wants to connect his life with.

As a rule, a firm and undeniable decision is made by graduates whose future activity belongs to the second category of specialties (see above), among which there are also creative professions. IN this case a person clearly understands where he needs to do. A theater university is the only decision for him, made not without the influence of a genetic predisposition and taking into account the trust in his own intuition, or after reading or listening to excellent reviews of students in institutions of a creative nature.

Naturally, once accepted, action should be taken immediately. After all, a difficult path awaits graduates, at the end of which only self-confident and truly gifted creative individuals will reach incredible heights.

Variety of theater universities in Moscow and the main nuances of the learning process

The consequence of the foregoing is the conclusion that entering a theater university in Moscow is not an easy task, which is why, after making the final decision, a creative person needs to pull himself together and confidently go towards the goal. The capital of Russia has a considerable number of universities with a theatrical bias, in addition, some other universities can boast of having acting or directing departments in their structure.

Which theater university is better to enter? It should be noted that in relation to the huge number of creative institutions in Russia, the brightest talents are trained in cities such as Moscow and St. Petersburg. There is a professional teaching of performing arts, it is possible to organize events at the largest theaters, as well as conveying to students the intricacies of acting through work with famous personalities.

If a graduate has set a clear goal for himself to enter a theater university in Moscow, then first of all it would be advisable for him to consider advanced educational institutions. Among them, the first place is occupied by GITIS (RATI). This university is truly a dream of budding stars. Equally popular in society are such institutions as those at the Maly Theater of Russia, the Boris Shchukin Moscow Institute at the Theater. Vakhtangov, VGIK named after S. Gerasimov, School-Studio named after Nemirovich-Danchenko Moscow Art Theater and others.

Selection criteria

When considering the question of how to enter a theater university, one should definitely take into account a number of qualities that a graduate must possess. Thus, during the selection process, true professionals in their field, teachers and famous personalities strictly evaluate applicants according to a number of criteria:

In terms of age, preference is usually given to younger candidates.
Only graduates of high school, as well as colleges with a creative bias, have the right in practice to consider the question of how to enter a theater university.
Preference is given to a person with a bright appearance who can melt the hearts of strict members of the commission.
Such an innate personality trait as charisma is rightfully rewarded with high marks, because only under this condition will it be interesting for the audience to follow the artist's activities on stage. The quality in question can be manifested in an original facial expression, unusual facial expressions, or a non-standard voice.
Since, when participating in creative performances, graduates often need to perform various compositions, members of the commission give preference to those who have a more developed
And finally, how to enter the theater without inner charm? Probably not. Agree, a real artist must be able to captivate the audience with an emotional game, because only in this way will people believe in the sincerity of the story played out on stage.

The path to a successful career: a step-by-step plan of action

How to enter a theater university if you have the above qualities? It is very simple if you approach the matter responsibly and fulfill all the requirements of the upcoming stages, of which there are, as a rule, three:

To begin with, you should pass the exam well (Russian language and literature), and then submit its results to the selection committee of a particular university.
The second stage is to identify the talents of the graduate through a colloquium. It will not be difficult to enter a theater university on a budget if the future artist is able to competently and charismatically answer the questions posed by the members of the commission, and they can be the most unexpected. As a rule, their list begins in a standard way: why did the applicant choose a creative educational institution and how does he see himself in the future?
The third stage is the most meaningful, because it includes three components. First, the selection committee evaluates the graduate's speech, so he just needs to learn a few excerpts from works of art in advance. Thus, the jury members will be able to verify the correct setting of the voice and diction of a person, as well as evaluate the way of presenting information to the viewer, characteristic of the applicant. Then there is a consideration of the artist's creative skills, as well as his vocal and choreographic data, which allows you to reasonably assess and predict the possibilities and prospects of a person who has a difficult, but such an interesting career.

Auxiliary tools for successful admission

How can a graduate carry out competent preparation in order to successfully pass all the stages discussed above? Everyone chooses for himself this or that way of comprehension of the new. Someone stubbornly develops a talent in themselves, training in front of a mirror, someone reads fables with friends, while others master courses for those entering theater universities.

It is important to note that many educational institutions, as well as creative centers in Moscow, are successfully promoting the practice of teaching acting or directing skills to applicants. In addition, an analysis of the percentage ratio of applicants for many years has shown that it is more appropriate for an applicant to study creatively at the university where further admission is planned. Thus, in Moscow there are similar courses in almost all theatrical educational institutions. This is the best option for both school graduates and universities, who can get a good income from the implementation of the service in question.

Actor is a state of mind

There are many non-standard personalities in the world who, thanks to their unsurpassed talent, are able to make a huge contribution to the development of the creative potential of their native country. These include acting professionals. A huge advantage of the presented activity is numerous tours, thanks to which the artist has a unique opportunity to visit various countries of the world. As a rule, this profession involves unimaginable time costs, so real masters of art rarely have the opportunity to see their families. No wonder society says that an actor is a lifestyle.

If a person is absolutely sure of his readiness to accept all the conditions of a new life, then all that remains is to gather strength and take the first step, which involves entering the appropriate university. For example, in the higher theater school (institute) them. M. S. Shchepkina, Russian University of Theater Arts - GITIS, Moscow Art Theater School or All-Russian State University of Cinematography named after S. A. Gerasimov.

Directing as one of the most creative professions on the labor market

For those who see themselves in the future as an absolute leader in the field of cinema or theatrical art, there is such a profession as a director. It is important to note that such people must have excellent creative thinking and boundless imagination, because writing artistic scripts is not an easy task. Moreover, the activities of the master of the presented case are very diverse: staging films of various genres (from documentaries to comedies), theatrical performances, musical events, circus programs, and so on.

Only under the condition of an absolute predisposition to this profession can an applicant try to take the first step into a beautiful future. And he will be helped in this matter by such educational institutions as the Russian University of Theater Arts - GITIS, the Theater Institute. B. Shchukin, and Arts (MGUKI), All-Russian State University of Cinematography named after S. A. and others.

The professionalism of teachers is the most important factor in the beautiful future of the country in the creative field

Undoubtedly, every famous personality of the present time could not independently go through this difficult path and still reach the very top of his career. Accordingly, mentors play a special role in the learning process of each creative person. Moreover, the higher their professionalism, the better will be the work with students of universities with a theatrical bias.

Most of the creative educational institutions in Moscow can boast of the highest level of knowledge transfer, and this, no doubt, pleases. This judgment can be proved using the example of one of the most famous universities in Moscow. Higher Theater School. M. S. Shchepkina (Institute) at the State Academic Maly Theater of Russia is famous for its unsurpassed level of teaching, because innovative tools are used there. The mentors of this university create individual workshops in various areas. This provides an incredibly comfortable atmosphere in the process of acquiring new knowledge by students of an educational institution.

To what extent is it possible to get an education free of charge?

After receiving detailed information about competitions for certain specialties of creative educational institutions, many graduates seriously think about whether to enter a theater university, since the operation is actually incredibly difficult, especially when it comes to education at public expense. Accordingly, only under the condition of incredible interest and a complete predisposition to a future profession, one can try to achieve the realization of one's dream.

It is quite natural that applicants initially try to enter the budget, and receive paid education as a secondary option. It should be noted that almost all theater universities in Moscow distribute the percentage of students studying on a free and paid basis, in accordance with the rule of proportional dependence of the number of state-funded places on the total indicator. At the same time, each educational institution forms this dependence individually.

Which theater university is easier to enter?

As it turned out, with a creative bias, you need to have talent and a solid focus. Often, future students plan to bypass at least part of the difficulties organized by the introductory campaign. That is why they are trying to find easy ways to solve the issue.

But what theatrical university to enter if you want to ensure the absolute minimization of effort? The fact is that only a few applicants choose future professions with a creative bias, since there are relatively few truly talented people in terms of art on the planet. And if one of these specialties is clearly defined in the subconscious of the future star, then any university will accept a graduate with open arms. Undoubtedly, those who have talent will definitely do it without much difficulty, because they will burn with the desire to gain knowledge in a particular university. It is only necessary to take into account the fact that in the best educational institutions every year there is a huge influx of applicants, and, in accordance with this, it is reasonable to assess your capabilities, because only the person himself has so much information about himself as no one else.

Are graduates of creative universities in demand in the labor market?

It should be noted that a considerable number of theater universities are active in Moscow, so many artists, directors and producers are released annually. But the problem is that not all of them promote themselves in the field of art. Why does this happen?

The fact is that some graduates, having despaired of finding a job in their specialty, choose a fundamentally different direction. They go to work as economists, lawyers, sales managers or even in the service industry. In general, in those places where stable wages and a functional system of workers are guaranteed. Only the most "punching" students of theater universities in Moscow find their place at the top of that very tower called art. Among the graduates, there is a considerable percentage of those working in their specialty, but at the same time not having achieved much success. They enjoy their own activities, and this is quite enough for simple human happiness.

Current stars as the pride of the country's leading universities

"How to enter a theater university?" - such a question was once asked by current actors, artists, directors and musicians. They did not yet know that after a considerable number of years they would become known not only in their educational institution, but throughout the world. A striking example of this is the famous singer Katya Lel, who studied at the Russian Academy of Music (RAM) named after the Gnesins. Today, with her magical voice, she conquers numerous auditoriums, probably only because from childhood she was sure that she would devote her life to music. Lolita also has a professional education, having received knowledge at the Moscow Institute of Culture. It is important to note that at one time she had a very serious approach to future activities, but then she hardly knew what heights she could reach.

In general, the list of world-class stars can be continued endlessly, because every year there are more and more of them. But this is not the main thing, because the talent of the whole country in the aggregate is much more important. That is why every applicant who plans to master creative activity should take a responsible approach to this issue and consider in detail all aspects of getting an education at the chosen faculty. After that, it remains only to believe in yourself and confidently walk into a beautiful future!

Every year, theater universities in the capital host thousands of people who want to learn from recognized masters of acting. In pursuit of a dream, girls and boys storm the doors of admissions offices, but burning eyes and enthusiasm are not enough to get the coveted student certificate. In the face of fierce competition, there are serious requirements for admission to future alma maters. Despite this, the competition from year to year remains incredibly high, and the conditions for admission are overgrown with more and more myths and tales, which can confuse unprepared applicants.

How to enter the theater?
What exams to take in a theater university?
What does it take to get into drama school?

In order not to fall into the trap of rumors scattered throughout the Internet, especially for students of the course Acting for Applicants, we will consider what requirements the admission committees of the most rated theater educational institutions in Moscow impose when entering the acting department.

General requirements for entering a theater university:

First of all, all school graduates are required to provide information on the successful passing of the Unified State Examination (USE) in the Russian language and literature. The minimum threshold for reviewing documents: 38 points in Russian and 40 points in literature. (Certain categories of citizens, which include holders of higher education, foreigners with a secondary specialized education in the specialty "Drama Theater and Cinema Actor" and, more recently, permanent residents of the Republic of Crimea or the city of Sevastopol, can enter without USE results. For data higher education institutions conduct their own testing.)
The standard package when submitting documents also includes a certificate confirming the presence of secondary / higher education, a medical certificate, a copy of the passport and a set of standard photographs (usually 4-8 pieces). Young men additionally need to bring a copy of the registration certificate or military ID.
The initial selection takes place in April - June, and the main entrance examinations are usually given in July - early August. The admission process is divided into several stages: consultations - auditions, competitive selection, in some cases an interview.
A prerequisite is the absence of organic deficiencies in speech and voice.

Features of entrance examinations to theater universities:

Higher Theater School (Institute) them. M.S. Shchepkina

"Sliver", as this school is often called, is considered one of the most conservative theater schools. In addition, acting is the only area of training here.

The admission process consists of the following stages: selection consultation, 3 stages of pre-examination consultations and entrance examinations.
At the selection consultation, the reading by heart of fables, poems and excerpts from prose (at least 2 works in each genre) is evaluated. If the applicant is interested in teachers, he will be offered to pass the “aptitude test”. A prerequisite for passing this round is the performance of 2-3 songs or romances, in some cases they may be asked to perform a dance. It is also possible to assess the knowledge of acting, speech culture, plasticity and interview (topics: culture, art, politics, social life, international situation, etc.).

Theater Institute named after Boris Shchukin

An applicant for the specialty "Actor of Drama Theater and Cinema" must first successfully overcome three qualifying rounds, for which it is necessary to prepare 2-3 fables (one of them must necessarily belong to the authorship of I.A. Krylov), 3-4 poems and 2-3 fragments artistic prose. And only after that the results of exams in general education subjects, creative and professional tests are evaluated.
Be ready to perform with a reading program, participate in etudes, show your musicality and plasticity.
As a test of professional orientation, an interview is conducted, for which it is advisable to familiarize yourself with the list of literature presented on the official website of the school.

Russian University of Theater Arts - GITIS

The first thing to remember: RATI-GITIS is an independent educational institution, i.e. it does not belong to any theater, which distinguishes it, for example, from the Moscow Art Theater School. Thus, there is no single school at the university: the features of education depend on the studio or workshop.
The selection for the full-time department takes place in 3 rounds, after which the applicant is allowed to pass the entrance exams (2 tests of a creative orientation: the skill of an actor and an interview).
For listening, you should prepare small excerpts from the following literary genres: fable, poetry, prose, monologue. Attention should be paid to both classical and modern domestic and foreign literature. In addition, the selection committee will pay special attention to the ability to improvise: for example, members of the committee may offer to play a small simple scene right on the spot, sing a song or perform a dance.
As for the interview, it is designed to assess your level of culture and knowledge in the field of arts. However, get ready for a possible change in the topic of conversation: they may ask about the characteristics of the theatrical process or start a conversation about family, parents and hobbies. On the official website of RATI-GITIS in the section "Information for Applicants" there is a list of required reading works that you should familiarize yourself with.

Moscow Art Theater School

Selection auditions are traditionally carried out in 3 stages. It is necessary to prepare an interesting program in advance, consisting of 3 excerpts from prose, 3-4 poems and 3 fables.
The following entrance tests are held for the specialty "Acting Arts": creative and professional. There is no interview.
At the creative competition, the performance of a literary work (poem, fable or prose) is evaluated, it is recommended to prepare the performance of several fragments from different genres. There are no special preferences for the choice of material.
On a professional test, an applicant passes a test of voice and speech, musicality (performing a song, performing exercises for rhythm) and plasticity (dance, performing exercises for plasticity and coordination of movements). For this type of exam, you must bring sportswear and shoes.
Among the features when entering one of the most popular schools of performing arts is the fact that the selection committee takes into account the individual achievements of applicants - confirmed by the relevant documents - and awards additional points for them. However, only one achievement is taken into account - the presence of a certificate of secondary general education with honors.

All-Russian State University of Cinematography named after S. A. Gerasimov

In VGIK, they also train in the specialty "Actor of Drama Theater and Cinema", however, special emphasis is placed at the Institute of Cinematography on the preparation of future film and television stars. Therefore, if you prefer television and filming to the theater, then it is preferable to apply here.
Creative tests are carried out in 3 rounds: photo and video tests, a professional test (reading a poem, fable or prose by heart, checking musicality and plastic data) and an individual interview.

As you can see, the stages of admission in the main universities of the capital are practically the same:

several rounds of pre-examination auditions
the main entrance examinations, which include an assessment according to two criteria: professional skills and academic results.

For those who want to prepare in advance for all the unexpected tasks of the admission committee and choose their own program for passing creative competitions, we offer acting courses for applicants to theater universities in Moscow at the Tvoya Stsena studio.

In the classes of this course, emphasis is placed on acting and stage speech, selects and analyzes literary material.

The Shchukin School is a higher theatrical educational institution, which only every hundredth entrant enters. For those who won this colossal competition, the trials are just beginning. Every year, Freshman Day is held here, where senior students demonstrate to freshmen what they will experience over the next four years. Who ran the Shchukin school a hundred years ago? Why is this institution allowed to teach only its graduates? How to enter one of the most prestigious in Russia?

Let's study!

On October 23, 2014, the Shchukin School celebrated its centenary. The first years of the existence of this educational institution fell on a difficult time for Russia. It was created in 1914. The founder - Yevgeny Vakhtangov - is a student of Stanislavsky, the very one who chronically did not believe in acting. According to legend, the former ward of the famous theatrical reformer uttered a significant phrase: “Let's study!” It was from her that the Shchukin Theater School began its existence.

Zahava

Then the educational institution was just a small theater studio. But it was not in vain that the great Stanislavsky assured that no one could teach according to his system better than Yevgeny Vakhtangov. The first productions brought great fame among Moscow theatergoers. In 1922, the audience saw the famous production of "Princess Turandot". But the founder of the studio did not live to see the premiere. And the next leader was Boris Zakhava. The talented actor and director headed the Shchukin Theater School, albeit intermittently, but for almost half a century. It was he who laid down the basic principles of teaching, which teachers are guided by within the walls of the legendary university today.

Boris Shchukin and features of teaching

Only those who were once its students and successfully completed their studies can teach at this university. The leaders are sure that this is the only and main way to keep the theater school, which the Shchukin school is famous for, in a canonical form. By the way, the well-known name was given to this institution only in 1939. Boris Shchukin is one of the favorite students of the founder of the studio. This man is one of the brightest representatives of the Soviet realistic school. He has worked in theater for over twenty years. Shchukin is also known for being one of the first actors who were able to embody the image of Lenin on stage. There is an opinion that it was thanks to these merits that the school was named after him.

Achievements

The Shchukin School was transformed into an institute in 2002. Over the hundred years of its existence, the educational institution has produced such an impressive galaxy of talented actors that it is rightfully considered a champion among other Russian theater universities. People call him "Pike". The big competition for the year is stable.

Famous Alumni

From the walls of this institute came such celebrities as Yuri Lyubimov, Andrei Mironov, Vladimir Etush, Nikita Mikhalkov. Among the younger generation, Sergey Makovetsky, Maxim Averin should be noted. Of course, this is not a complete list.

The duties of the artistic director, as you know, are performed by Vladimir Etush. Rector of the Institute - Evgeny Knyazev.

Directing department

Until the end of the fifties, only those who dreamed of acting glory sought to enter the Shchukin School. This university did not produce other specialists. In 1959, future directors were also trained here. However, the form of education at the directing department is only part-time. The competition for it is not so severe - only three people per place. The rules by which the selection committee works are such that yesterday's schoolboy who dreams of the laurels of Zakharov and Meyerhold cannot enter the directing department at the Shchukinskoye school. Those who have behind their backs the professional practice of a theater director are accepted here.

People from all over the country come to the directing department to study, and not at all in order to conquer the capital. After all, applicants are expected in their native theaters. And it is in their homeland that students will subsequently have to deliver their theses.

Acting Department

Future directors stay within the walls of the institute for no more than two months a year, which cannot be said about those who study acting here. For future artists, in addition to the core discipline, it is planned to study the following subjects:

plastic expressiveness;
musical expressiveness;
scenic speech.

The acting department also has a department of history and philosophy.

Admission rules

The exam in the specialty is held in three stages:

Reading Krylov's fables, two or three poems and an excerpt from prose.
Checking music, rhythm and voice data.
Execution of a small stage sketch.

If the applicant has passed the exam in the specialty, he is allowed to pass the Russian language and literature (in writing), as well as a colloquium, which aims to identify the level of knowledge in the field of culture, art, literature and national history.

The institute has preparatory courses. Admission to them is carried out after listening, on which it is necessary to read an excerpt from a prose work, a poem or a fable. Training in the preparatory courses is held on weekends and consists of seventy-two

Educational theater

During the training, students present their first works to the audience. The educational theater of the Shchukin School is a full-fledged unit, which employs a whole team of professionals. Students produce their diploma works together with directors-teachers. For seventy years, the educational theater of the Shchukin School has kept the traditions that were laid down by the students of the founder of this legendary university. The diploma work reveals the creative individuality of each student. Inveterate theater-goers of Moscow have the opportunity to see the performances of talented and young actors. Such is the tradition that the Shchukin School has not changed throughout almost its entire existence.

Performances with the participation of students were more than once a resounding success. The history of the institute knows cases when, in order to get to view one of the theses, Muscovites stood idle in long lines at the box office for hours.

The repertoire of the educational theater is updated annually. On the educational stage, plays based on the works of both Russian and foreign authors are staged. Among them are "Monsieur de Moliere" (based on the novel by Mikhail Bulgakov), "Poverty is not a vice" (A.N. Ostrovsky), "Farewell to Matera" (based on the novel by Valentin Rasputin).

How to get there?

In the heart of the capital is the Shchukin School. The address of this educational institution is Bolshoy Nikolopeskovsky lane, 15, building 1. On foot from the Arbatskaya metro station, you can walk within ten to fifteen minutes.

The main selection criteria for admission to a theater university.

“There are only two criteria for admission to a theater school: this can be corrected for a future student, this can never be corrected ... This is what we must proceed from!” Leonid Volkov, the great theater teacher.

When entering a theater university, college or VGIK, there are selection criteria for applicants. Until recently, in front of acting teachers who listened to applicants at the final creative competition, in front of each actor’s skill teacher, there was a lined sheet of paper in which the teacher put his assessment in front of one or another creative criterion of the applicant. Primitively, point by point.

Now there are no such “leaflets”, but for every acting teacher, a professional in his field, such “fads” exist in their heads. These points are parameters, creative criteria, selection criteria against which the teacher speculatively assigns points to the applicant. Let's try to figure it out. What are these points?

The first point is: "External data of the theater university entrant".

For an actor - his external data - his business card. This is something that he cannot develop, this is from God and parents. Eyes, face, smile, height, figure, whiteness of teeth, shape of lips, color and naturalness of hair, absence of obvious physical defects - this is a reality and, of course, teachers of acting skills pay paramount attention to this.

But don't be confused "external data" theater university entrant with his/her "stage charm" . So far, in the first paragraph, it is not considered. As is sexuality. As is beauty.

The concept of beauty, by the way, is conditional and subjective. The concept of beauty, especially female, is changing in humanity, like fashion. For the Renaissance - Leonardo da Vinci's Gioconda - was the standard of beauty.

But… if today we put a photograph of some Miss Universe and a reproduction of the Mona Lisa next to it, I assure you, the choice of the modern average man will not fall on the “da Vinci standard”.

Putting a mental assessment in the line "external data" - the teacher for the skill of the actor (acting) looks not at your beauty, but at the degree of expressiveness of your external data.

You can be far from beautiful, but have such expressive and penetrating eyes, which seem to reflect the slightest “rustle of your soul”, as the great K.S. Stanislavsky said.

Or, again, not to be handsome, but to have such a lively expression(“live face”), which “mirrors” any nuance of your experiences. You can have rare "external data". For example, very funny, comedian appearance. Have you met people on the path of life, the first glance at which causes a smile? Not often, but certainly met.

Or, on the contrary, if you look at a person, you will be taken aback!

So he seems somehow unusual, bright, his face, eyes, movements - excite, cause emotional response. It happens even less frequently, but it does happen.

This is the kind of natural rarity that we, teachers of acting, call unique external data. But this is rare! The presence of these expressive means does not depend on you and me. I repeat, this is an objective reality - it is on it that teachers first of all turn. Because they know that most of the bottom lines of the “evaluation sheet” (voice, diction, plasticity, even ear for music) can be developed by the student in the learning process, but external data and their natural expressiveness are not subject to development.

They either exist or they don't...

(From the article by Eldar Tagiev “Who is admitted to drama schools?” - the newspaper "Culture" September 1993.)

Yes, there is a concept "stage charm"- is also a very important criterion in the selection for admission to theatrical universities. But what is "stage charm"? This is a "sub-point" of what I was talking about above. Stage charm - again, do not confuse with beauty - stems from "external data".

“Stage charm” is, simply speaking, what explains why it is interesting, pleasant, exciting to watch a person who is on stage space. This, again, is an objective factor: either it exists or it doesn't.

"Stage Charm" can be both positive and negative.

For example, let's take a well-known example - the film "Brother": Danila Bagrov (actor Sergei Bodrov - Jr.) - positive charm, his brother (actor Viktor Sukhorukov) - negative charm.

But it is fascinating, interesting, pleasant for us viewers to observe the existence of these diverse actors. Our eyes do not get tired of either one or the other.

Both have the magic of "stage (in this case, cinematic) charm."

The stage and screen have a truly magical effect.

Sometimes handsome people in life - they turn into gray mediocrity, and - vice versa! I do not argue that there are internationally recognized standards of male and female beauty on stage and screen. For example, Marilyn Monroe is the standard of female beauty and sexuality for many Americans. She was charming both in life and on stage. But, you see, Marilyn Monroe has never been recognized as a Great Actress.

The world "prayed" for her as an icon of charm. To objective factors (criteria that cannot be corrected), I include, no matter how strange it may seem to anyone, a sense of rhythm.

Asked him: - "Yuri Andreevich, is it possible to become an actor without an ear for music?

Yuri Andreevich replied:

“Hearing is needed, although sometimes we accept applicants with a slow musical ear to a theater university. But if there is a problem of rhythm, then that's it. And you want to take a person, and sometimes you even take it, but by the third year you understand: this is insurmountable. Children without hearing begin to sing through rhythms, and hearing improves. But if the rhythm is lame, a person will not even be able to hear and perceive where to reproduce it. The teachers let him out of the university, realizing that they are letting him die. God gave him much more: charm, mobility, good susceptibility - everything is in him, but he is not able to perform an elementary action. He can accidentally pierce someone with a sword, inflict an accidental blow on someone, he falls out of dance numbers, and most importantly, he is motionless in speech, and all speech is on rhythms. He does not perceive the special style of the author, he is the same everywhere: thumps, thumps, thumps .... "

And the third "whale" of those criteria that are given to the applicant by God (after external data and sense of rhythm), I think this is an inner emotionality and contagiousness.

I think it is not necessary to explain in detail what is meant by this.

For me "contagiousness" - this is when an actor starts on my back from an emotional experience « goosebumps." But unlike the first two criteria, your emotionality, fortunately, can be developed and it is not developed in a good theater university.

And after graduating from a theater university, a good actor has been doing this all his life - with every role he "grows" your emotionality, increases the degree of impact on the viewer.

1. It is necessary to start preparing not the day before and not a month in advance, but certainly a year, if not two, before the intended attempt. A hastily learned text is not what the commission needs. You are not asked to demonstrate memory, but the ability to appropriate the text, make it your own, analyze and visualize the analyzed :)) According to the acting (professional) take, it takes at least 2 weeks to shrink the parsed text in your head. This is after all the rehearsals, showdowns and so on. 2 weeks of pure existence time in this text for a professional. But you're not a professional yet, are you?

2. It is best to prepare with a tutor, i.e. with a person who knows what it is - theater. It is best to try to find a theater teacher as a tutor. Just because they know how to explain what is required, because every day they do it with their students. The cost of such classes in Moscow is from 20 to 40 dollars for 2 hours. According to those who used the services of tutors, private lessons really give a lot of new things, reaching literal revelations. Just remember: NEVER ADMIT AT A COMMISSION THAT YOU DO THEATER anywhere or with anyone :))

3. You can also prepare at preparatory courses, which are usually available at every theater university (at least in Moscow). Typically, courses last from a month to three, classes one or two days a week. Again, according to the reviews of those who tried it, the best preparatory courses in Moscow are the courses at the Shchukin School. They last 3 months, classes are held on weekends, two couples a day. The principles of stage speech, the basics of acting, rhythm are studied, and lectures are given on the history of the theater. The latter is not found anywhere in Moscow, and the department of theater history in Shchuk is the strongest among other universities (IMHO, of course). The cost of the courses is about 3500 rubles (data for 2003). At the Moscow Art Theater School, courses last a month and cost about $50. You have to enroll in courses, i.e. go through something like an audition. However, the selection there is much less strict, completely unsuitable comrades are weeded out. Classes in the courses are held in a group, therefore they are inferior in quality and richness to classes with a private teacher. Although it is useful to combine the teacher and courses. During the courses, you have the opportunity to find out the general level of those who will enter this year (as they say, look at others and show yourself), get to know the teachers of a particular school and the requirements that apply to applicants.

4. Self-education is mandatory. You have to read a lot and hard. Here, knowledge of the school curriculum is not enough. Here you need to comprehend it. :)) In addition, you need knowledge of the works of Stanislavsky, Chekhov (and your own opinion on this matter), read more on the history of theater and literature. You are still entering a creative university, and not at a machine factory :)). An actor cannot be stupid and uneducated.

If you do not have the opportunity to use the services of tutors and courses. It's hard, of course. But, in the end, statistics say that our biggest stars are residents of just the provinces. Usually they also, having reached the zenith of fame, nevertheless admit that they participated in amateur performances or attended a theater studio :)). As for my personal opinion, it seems highly doubtful that one can enter a theater school without having ever dealt with the stage before. Perhaps the teachers of theatrical universities are right in some way, fearing graduates of amateur theatrical studios ... For, of course, there is a great chance that you will get a good stamp there. But after all, you have been given a head not to stamp, but to work on yourself. None of the normal directors of theater studios tolerates or likes clichés. Exactly the same as the venerable theatrical figures. According to my observations, the presence or absence of a stamp depends only on the personality of the actor. Some buy into the first applause they get after reading the verse on the New Year tree in the 5th grade - and now they continue to read further in the same way as before Santa Claus, like - I'm already smart, I know how to play :)). Others do not perceive awards at festivals and competitions as the limit of their capabilities, but carefully analyze their videos, read, think, polish their technique and speech.

6. About completely independent work (it is also the most important). Remember, you can’t do theater on a schedule. Either they do it all the time, or they don't do it at all. Those. in your head there should be continuous work on passages, on the accumulation of factual material, observation of those around you. All drag in "your piggy bank" of acting experience.