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Beyond the distance there are two forges, the main theme. Poem "Beyond the Distance"

The poem “Beyond the Distance is a Distance” was written in the post-war period, its author is an outstanding writer, lieutenant colonel and simply a person who is not indifferent to the Fatherland. His life was thorny and short. When creating this work, he did not spare himself, giving himself up to wanderings and setting out wartime tragedies on a piece of paper.

A little about the author

In 1910 in the Smolensk region. His father earned his living as a blacksmith and often organized evenings reading works of great poets: Pushkin, Lermontov, Nekrasov and others. This was the first decisive impetus in the literary development of the creator. Alexander Trifonovich’s mother was very sensitive and caring, he repeatedly mentioned this in his poems and notes. The poet also graduated from the Institute of Literature in Moscow (MILFI). Tvardovsky's first poem was written in early childhood. During the war, he was in the ranks of the soldiers from the very beginning until the victory in the fight against the German fascists. For which he was awarded orders and medals more than once. The war touched the poet’s soul in a special way, which is impossible not to notice after reading at least one poem by Tvardovsky. In recent years, Alexander Trifonovich was the editor-in-chief of the literary magazine “New World”; they tried to remove him from this position for a long time and using various methods. Alexander Trifonovich was unshakable until his deputies were fired, replacing them with enemies. After leaving the magazine, Alexander Trifonovich settled down at the dacha with sadness about the past, and then decided to travel around his motherland. The great poet did not live long, leaving an indelible mark in the memory of readers and fellow writers. Tvardovsky died in 1971.

"Behind distance -far" ( Tvardovsky): summary

The work is classified as a lyrical genre of writing with an epic slant. It consists of 15 chapters with a smooth transition from one to another. The inspiration for the poem was a trip to Russia, including Siberia, the Urals, and the Far East. The poem is autobiographical in nature, there are dialogues and descriptions of the landscapes of the homeland. At one of the stops, the author meets his childhood friend, to whom he devotes one of the chapters of the poem. In short, the basis of the work is reflections, memories and descriptions of the views from the carriage window.

"Beyond the Distance - the Distance" (Tvardovsky): history of creation

The reasons for creating the work were the author’s departure from the magazine “New World” and the difficult events experienced during the war. For ten long years Tvardovsky wrote the poem “Beyond the Distance, the Distance.” The summary should be preceded by an explanation of the motives for its creation. The poet, in doubt and bitter memories, decides to travel around Russia, starting from the Urals, then to Siberia and the Far East. All these travel sensations make up the travel diary “Beyond the Distance - the Distance.” On one of his trips, Tvardovsky meets a friend to whom one of the sections of the poem is dedicated. The author also does not forget to mention his small homeland. After its publication, the work became a leader among modern poems. But it did not receive much criticism or discussion.

More information about the chapters of the poem

The introduction and the first chapter tell about the motives of the writer’s journey. Reflections from the carriage window about the distances and anticipation of the events ahead are framed by the cheerful disposition of the author. Saying goodbye to Moscow, the lyrical hero happily expects something from this trip. The chapter “On the Road” shows the author’s mood and desire for new sensations in unexplored places of the homeland. Alexander Tvardovsky rejoices at every new travel companion and image outside the window. “Beyond the Distance, the Distance” describes chapter by chapter the order of trips to different parts of the country.

Next, the writer describes the vast Volga, calling it “Seven Thousand Rivers.” He writes about the Volga as an omnipresent river into which “half of Russia looked.” Everyone looks at the river with undisguised delight, forgetting even what they were doing. By calling her mother, the poet wants to convey the majesty and beauty of the Volga. Truly, it runs along a large part of the Russian land and fills many lakes.

The chapter “Two Forges” reflects the author’s memories of his youth in Zagorye, where he grew up in his father’s forge, and his arrival in the Urals. Two forges as a reflection of the father-producer in the family and the Urals-producer, the blacksmith of the entire state. In the poem, the writer calls the Urals father, which also speaks of his motives to glorify and honor the Russian region.

Comparison of "two distances"

In the section “Two Distances,” the author says goodbye to the Urals and welcomes Siberia, describing its landscapes and everything that falls into his. Imagining one and observing the second distance, he is both delighted and sad. The poet put into this chapter more of the past and present of the country: the sorrows of war, tragic losses and the joy of new buildings, boiling labor, restoration of the state. But the memory is filled with the grief experienced, which Tvardovsky wrote about quite emotionally.

Friend of youth as an echo of the past

Tvardovsky's poem "Beyond the Distance - the Distance" is filled with colorful and sensual reflections. In each of the chapters, the author conducts a dialogue with the reader, which adds liveliness to the text. In “Literary Conversation” he talks about his fellow travelers, with whom he has been traveling for three days now: there is a major, a young couple, and a lady in pajamas. Without losing sight of the external features of each of them, he adds his own conjectures and assumptions about their further actions. There is also a dialogue with the reader.

During the trip, Alexander Trifonovich meets his old friend, with whom he strikes up a conversation. They remember their childhood, how they herded cattle together, lit fires in the forest, school and the Komsomol. Comrades of their youth, having not seen each other for 17 years, have five minutes to talk at the Taishet station. Friends part with insane sadness. This meeting leaves a note of sadness in the author’s soul.

Fragments of memories of the war

The entire trip lasts ten days, but includes a century of the history of the people and a large-scale description of the territory of Russia. Here are the cold mighty Urals, and Siberia - “the factory and granary of the state,” and the Far East. Historical military moments are described in the chapter “Front and Rear”. Playing with thoughts and images, the poem “Beyond the Distance is Distance” (Tvardovsky), the summary of which is quite voluminous, because the work itself has a deep meaning and a long period of writing, combines the past and present life of the people.

Tvardovsky treated this work as if it were his last, putting all of himself into writing the poem “Beyond the Distance - Distance.” The summary does not contain even a small fraction of all the charms and subtleties of the work. After reading at least one passage, the reader will be transported into the deep thoughts and memories of the author. In the last chapters about the journey back to Moscow, the writer on the sheet salutes fate for such a decisive step in his life.

The deep meaning of the concept of distance in the work

Analysis of Tvardovsky's poem "Beyond the Distance - Distance" is a story about the incredible skill of describing the forests and valleys, rivers and lakes of the great homeland, about the life and memories of the author, about fragments of the war taken from the poet's memory. But the more important essence of the century-old work is the comparison of times, the sadness and joy of the inhabitants of the era and the awareness of the coming new century. It’s as if the author carried the memories throughout his entire life, harmoniously placed them in the lyrical epic poem “Beyond the Distance, the Distance,” adding the scale and beauty of the state. This is how the masterpiece of Russian poetry of the last century turned out.

Composition

The essential basis of Tvardovsky’s poems is the image of the road. The plots of the poems are unusually dynamic. Dynamics are expressed not only externally. Tvardovsky’s hero grows internally and spiritually. These are new horizons opening up to the eye: the Volga, the Urals, Siberia, this is also clarity, a breadth of life prospects, an honest look into the future, etc..

A special distance in time and space opens up for the author of the poem “Beyond the Distance, the Distance,” who strives to convey the movements of the era, the achievements taking place in his homeland. A simple word, accurately used by Tvardovsky, emphasizes these distances: Trans-Volga region, Trans-Urals, Transbaikalia.

“If Tvardovsky’s early poems were akin to folk and Nekrasov poetry, then in this poem he is closer to Pushkin... The poem “Beyond the Distance is the Distance” is written in iambic tetrameter - a verse that sounds so varied in Derzhavin, Pushkin, Lermontov, Nekrasov, Tyutchev, Fet, Blok... The iamb is, as it were, created for poetry that broadly embraces life (like “Eugene Onegin”), for high journalism and accusatory satire... The iambs obediently serve the author throughout the poem.

Comparing the forge of the Urals in the war and post-war years seems to bring the reader closer to realizing the significance of the events taking place on the Angara. This labor feat is described by Tvardovsky as a front-line feat, as preparation for battle and the battle itself. It is not difficult for schoolchildren to confirm this with text, to explain why in the middle of this chapter there appear poems written in a ladder:

*And not a moment's respite
* Behind the dump truck 1-dump truck,
* To the point.
* In the soul!
* On the spot!

“In the chapter “On the Hangar” Tvardovsky gives a vivid picture of a single labor impulse. The poet admires the workers who have entered into single combat with nature, admires the people’s dexterity, the ability to completely devote themselves to their favorite work, to work in the name of a great goal,” we are told. Let's see how Tvardovsky glorifies people's work in this passage, how the feelings of the poet and the people are united:

* Burn forever and ever
* That good heat in our chests
* And everything fits us, everything is within our power,
* We can handle everything that lies ahead...

If for the poets of the 19th century the concepts of “homeland” and “state” were tragically separated, then the poets of our time have a different attitude towards the homeland (Mayakovsky, Tvardovsky), for whom the concepts of “Motherland”, “Russia”, “Fatherland” were combined into one:

* Thank you, Motherland, for the happiness
* To be with you on your journey...
* She is mine - your victory,
* She is mine - your sadness...

Capable of being responsible for everything, deeply accepting with all my heart the joys and sorrows of the people, the lyrical hero of the poem “Beyond the Distance is a Distance.”

Schoolchildren will have to answer the questions: how does Tvardovsky’s talent for “empathy” manifest itself in various poems (“The Country of Ant”, “Vasily Terkin”, “House by the Road”, “Beyond the Distance - Distance”)? How is the unity of the military and labor feats of the people revealed in Tvardovsky’s poems? What is Tvardovsky’s connection with folk poetry? How do you see a continuation in Tvardovsky’s poetry of the classical traditions of Russian poetry (Pushkin, Nekrasov)?

Reflecting on Tvardovsky’s poem, Yu. Burtin emphasizes the harmony of the theme and rhythm of the poem, citing as an example a poem about spring:

* Spring, morning, thin
* The ice was pulled by a net,
* But every straw drips,
* From each branch...

He notes that the rhythm of poems about spring is “brittle, changeable, just like the time in question.” At the same time, a wise perception of life, a folk style, and the accuracy of the details of the spring picture are noted. The motif of the Motherland results in a “verse of wide breathing”:

* You are all mine and all dear,
* My big homeland...
* “The white birch trees were spinning...”

Alliterations are interesting, helping to create a clearer picture:

* The spring breeze is blowing a little,
* Moving the leaves...
* Ant Country

Tvardovsky emphasized, as Lev Ozerov later recalled: “I love rhymes like “rivers - nuts”, not “rivers - eyelids”, but so that a sound is heard that is not identical and equal in origin: “k-x”. “Not “rivers are eyelids”, not “nuts are blemishes.” In confirmation, Ozerov cites the lines of the poet himself: “But the rivers are already darkening, the smoke of the fire is pulling upward. The mushrooms and nuts have gone away, look, the cattle didn’t leave the yard in the morning.”

Yu. P. Ivanov writes that obvious changes occurred in Tvardovsky’s lyrics in the 60s. There is less good nature, uncontrollable gaiety, and optimistic humor of the Russian character in it in comparison with the poems of the 30s. Tvardovsky's lyrics may have lost the majestic solemnity and high pathos of the war and post-war years. But it became stricter, more severe, uncompromising in the affirmation of moral truths, more in-depth, intellectually complex, dramatic and conflicting in resolving philosophical issues. These features make Tvardovsky’s lyrics of the last decade a bright and characteristic phenomenon of modern poetry. Based on these words, high school students prepare their reports on Tvardovsky’s philosophical lyrics in recent years and characterize Tvardovsky’s poems as a significant phenomenon in literature.

The real flourishing of the individual, her inner freedom, dignity, responsibility, characteristic of the Thaw, determined the features of A. Tvardovsky’s poem “Beyond the Distance” (1950-1960). Researcher A. Makedonov defined this work by A. Tvardovsky as a poem of the change of eras, the search for truth. Here the author strives to understand and tell the whole truth “about time and about himself,” without shifting difficult decisions onto anyone else’s shoulders. Compared to previous works, in the poem “Beyond the Distance, the Distance” the lyrical principle is even more intensified, which becomes decisive and structure-forming. Everything depicted in the work is shown through the eyes of the lyrical hero, given through the prism of his perception, his experiences, and comprehended by him. Thus, Tvardovsky’s essentially epic poetry, addressed to critical historical periods in the fate of the people, is enriched with openly expressed lyrical pathos and depth of philosophical reflection about the painful problems of the century, about one’s life path.

Tvardovsky “has something to see, something to sing.” And it’s true, he “sings” about a renewed country, about resilience, creative activity, the “youthful reason” of the working people. In the chapters “Seven Thousand Rivers”, “Lights of Siberia”, vocabulary and epithets of high style (“tree”, “sovereign”, “beauty”), metaphors (“seven thousand rivers”, “united family”, “forge of the state”) are actively used , “Milky Way”, “lights of Siberia”), folklore images (“Mother Volga”, “Father Ural”). In the chapter “On the Angara,” the description of the damming of the river unfolds into a picture of a labor holiday, a victory of man in a difficult struggle with the elements, and turns into the author’s open reflection on what is most dear to him:

You are here - the crown of earthly beauty,

My support and protection And my song -

Dear people!

In these chapters, expressing the poet’s most sincere feelings, his gratitude to his homeland for the happiness of being with her on her difficult path, the author is sometimes verbose and eloquent (I think Tvardovsky, with his amazing sense of truth and rejection of any kind of embellishment, was aware of this himself when he asked editorial staff to look at the completed chapters again and again: “I think I soared in them”). On the other hand, this affirming pathos is connected, it seems, with the poet’s desire not to allow anyone to doubt that truly valuable thing that was created by the labor of the people during the years of Soviet power.

The greatest artistic power is possessed by the chapters of the work in which the author does not “sing”, but reflects, where the pathos of analysis and introspection prevails. This mood is set by the genre of the book chosen by the writer. The first publications of excerpts from it were with the subtitle “From a travel diary.” Here the features of the work are precisely defined, the connection between its narrative plot (travel in space - across the whole country and in time - from the present to the past and future) and the lyrical-psychological plot. The diary records what is especially dear to a person, what is important for him personally, and this gives the work a confessional character, enhances the effect of authenticity, reliability of everything that is discussed in the poem. A diary is also necessary in order to understand oneself, to challenge oneself to the merciless judgment of conscience, to “put silent pain into words.” A special role in this “journey for the truth” (remember the traditional folklore plot) is played by the chapters “With Myself”, “Childhood Friend”, “So It Was”.

No, life has not deprived me,

She didn’t spare her goodness.

Everything was more than given to me On the road - light and warmth...

So that he lives and is always with the people,

So that he knows everything that will happen to him,

Didn't make it past the thirtieth year.

And forty first.

Tvardovsky thinks of himself as part of the people, he cannot imagine his life outside the common fate, and this gives the character of the lyrical hero epic features. That is why “I” in Tvardovsky’s poem is constantly combined with “we”. But this does not deprive the author of the opportunity and necessity to be “responsible for everything – until the end.”

Simply, sincerely and courageously, trying to understand and not condemn, Tvardovsky proceeds to the most important and difficult thing - reflecting on the path the country has traversed after the revolution, on his understanding of the Stalin era.

So it was: for a quarter of a century, the call to battle and labor sounded the name of a man with the word Motherland in the row...

We called - will we be disingenuous? –

His father in the country-family.

There's no subtracting here,

Nor to add, -

That's how it was on earth.

Two faces are highlighted in this chapter from the collective portrait of contemporaries, two that resonate with excruciating pain in the soul of the lyrical hero of fate. One is “a friend of shepherd childhood and difficult youthful days,” before whom the lyrical hero feels his inescapable guilt (the poet will tell you more about this in the chapter “Childhood Friend”). With him, the image of “mature memory” enters the chapter, from whose stern face there is no escape, “and it doesn’t befit you and me.” The second hero, or rather heroine, is Aunt Daria from her native Smolensk village,

With her hopeless patience,

With her hut without a canopy,

And empty workdays,

And the hard nights are no better...

With all the trouble - yesterday's war and the grave present misfortune...

Aunt Daria is the personification of the people’s conscience, the people’s opinion, which the poet values ​​above all else and which will not allow one to bend one’s heart or deviate from the truth.

The chapter “So it was” was of fundamental importance for A. Tvardovsky. Here are the words of the poet in V. Lakshin’s program: “It was important for me to write this... I had to free myself from the time when I myself professed a natural cult.” F. Abramov also reflected on the drama of Tvardovsky’s insight: “An intellectual, a peasant, and also a victim of collectivization, a true communist, who sincerely justified everything in the name of the revolution... And he was given strength by faith, which was stronger in him than in others . But it was like that until faith in Stalin was shaken, until the 20th Congress broke out... The whole post-war history is emancipation.”

One can argue (and this debate began in the 70s) about the depth of Tvardovsky’s insight, comparing the lines he wrote with A. Akhmatova’s “Requiem”, the books of A. Platonov, deeply respected by Tvardovsky, or A. Solzhenitsyn, who was discovered by him. One can say that the poet did not overcome the idea of ​​universal faith and universal blindness during the years of the cult, and note that Tvardovsky, like most people during the Thaw years, turned his thoughts to Lenin’s personality, trying to “see his clear mind in him.” There are also omissions in the poem that are obvious today: among the events experienced by the people and the author himself, not a word is mentioned about the dramatic years of collectivization (Tvardovsky will come to rethink them in the poem “By the Right of Memory”). “But which of us is fit to be a judge - To decide who is right and who is wrong?” – A. Tvardovsky warned against hasty conclusions and judgments about the most complex problems.

Searched here:

  • beyond the distance summary
  • analysis of the chapter lights of siberia

Year of publication of the poem: 1967

The poem “Beyond the Distance” was written by A.T. Tvardovsky for 10 years - 1950-1960. The circulation of editions of this work is measured in the millions. And the poem itself is called the most famous and successful work of the writer after “Vasily Terkin”.

Poems “Beyond the Distance” summary

Tvardovsky’s poem “Beyond the Distance” begins with the author setting off on a journey in a direction he has never been to before, although he has traveled halfway around the world. The hero travels at night, but cannot sleep, because he is sorry for the time. He goes to the Volga, then the Trans-Volga region, the Urals, the Urals, the Trans-Urals, Baikal and Transbaikalia. The author says that behind every distance there will be another distance. He talks about how terrible the war is and how hard the work of the country's defenders is. He says that although the war is over, it will always be remembered, it is like a wound that, although healed, hurts when the weather comes.

On the road

The author writes that the poet’s work brings him joy. The most important thing in life is youth, and you need to cherish it while you have it. The poet, having achieved recognition, loses his passion, he just needs youth. He is ready to get off the train at any of the stops and stay there indefinitely. This man does not believe in the boredom of distant places, and he admires the trip. The author asks you not to judge the poem right away, but to read at least half of it.

Seven thousand rivers

Through a dream, the hero hears someone talking about the Volga. He approaches the window, where a crowd of people has already gathered. Smokes. Shouts are heard everywhere: “She!” And now the Volga is already behind us. Next, the author describes the greatness of the Volga. Volga is the middle of Russia. There may be longer and larger rivers in the world, but the Volga is dear to the author.

Two forges

The writer talks about the forge in Zagorye, where he spent his childhood. About the sounds of the anvil, which still ring in the hero’s head, reminding him of his former, poor life. There were always people in their forge and there were always conversations about everything in the world. The forge was a joy, a break from everyday life for all visitors. The writer was proud of his father because he could create useful things with a few blows of a hammer. And on the way, the writer had a chance to see the main sledgehammer of the Urals.

Two distances

Another distance, where the grass is not thick and the landscape is sparse - Siberia. The hero plunges into memories of how he learned to read and write. He rejoices that his fate is ordinary, that he is not special. The author asks you to read until you get bored. Meanwhile, the train stopped at Taiga station. And right after the stop there is a completely different climate - winter, everything around is covered in snow.

Literary conversation

On a long journey, according to the author, everything is important down to the smallest detail, the weather, the conductor’s samovar, and the radio. That you need to make friends with your neighbors in the compartment, because all the people traveling in the same carriage are connected by a common direction. The writer ponders where the newlyweds standing at the window can go. At night, the author has a strange dream where he talks to his editor about his works.

Lights of Siberia

Tvardovsky's poem "Beyond the Distance" chapter "Lights of Siberia" is full of descriptions of the power of the Siberian region. Five Europes can be placed on this territory, says the author. The hero travels through Siberia for several days, he cannot take his eyes off the starry sky. The lights of Siberia last forever. The poet falls in love with Siberia: “I love it! ... you can’t stop loving.”

With myself

Life has endowed the writer with everything in full: his mother’s songs, holidays, and music; just like in his youth, he loves long conversations and nightly thoughts. And sometimes it seems to him that all the youthful fervor has not yet left him. Promises the reader not to violate the terms of friendship. The poet says that it will definitely be difficult for him in the future, but he will never be afraid.

childhood friend

In this chapter of the poem “Beyond the Distance” you can read about the writer’s old friend, his peer, with whom he herded cattle, lit fires, and was together in the Komsomol. The author could have called this person his first friend, if not for their separation. After seventeen years of separation, the hero met his old friend at the station. One was traveling “Moscow-Vladivostok”, the second “Vladivostok-Moscow”. They were glad to meet, but did not know what to talk about, so they just stood and smoked. The train boarding whistle sounded and five minutes later they parted ways. The pain and joy of that meeting crowded into the writer’s soul for more than one day.

Front and rear

Although the war ended long ago, a bitter memory of it remained in the souls of the people. A dispute ensued between the passengers of the carriage about the front and the rear, during which they tried to find out whose fate was more difficult. Surkov argued the most, because he hated those who had not been in battle at the front. And the Major, who was traveling with the writer in the same compartment, said that he had gone all the way from a simple soldier to a major and could conclude that it was easier at the front than in the rear. But not everyone agrees with his opinion. The author draws a conclusion similar to that of Fyodor Abramov: the rear and the front are twin brothers.

Moscow on the way

The poem compares a carriage with a communal apartment. The author recalls the newlyweds, who later became involved in a conversation and the entire carriage gathered around them. The young husband admits that he did not want to leave Moscow, but those benefits are not worth his conscience. His wife said that where they are, Moscow is there. And now it was time for the newlyweds to leave, the whole carriage wished them well. The poet envied the young in his soul.

On the Hangar

The hero remembers the time when he had a chance to visit the Angara during the construction of a hydroelectric power station. People in dump trucks drove onto the bridge and unloaded concrete cubes into the river to block the water's path, and so on many times. Many people, Siberians, gathered to watch what was happening. They called themselves that, although they were from different countries. The efforts of the people were not in vain and in the end the river gave up and flowed in the right direction. Soon, in place of the mighty river, only a stream remained, which the bulldozer operators successfully dealt with. That day remained in the writer’s memory as a holiday of labor.

To the end of the road

The hero is grateful to fate for the right choice of travel. Now Moscow and Siberia sound like the name of the country for him. He does not need to look for his life goal in distant lands, because every destiny is also distant, it is a unique path. The author loves his compatriots and believes that they deserve peace in their land through the blood and grief of their mothers. The writer cannot count how many beautiful and unique regions there are in his country.

That's how it was

The poet turns to his old friend, saying that they cannot escape their memories, and that they still belong to years that have long passed. The person’s name always stood in line with the word Motherland. The writer thanks his Motherland for the happiness of being on the same path with Russia.

To a new distance

The short summary of the poem “Beyond the Distance” ends with the author arriving in Vladivostok. There are only two characters in the book - the writer and the reader. At the end, the poet asks the reader to evaluate his travel notebook. And says goodbye to them.

The poem “Beyond the Distance” on the Top Books website

Tvardovsky’s poem “Beyond the Distance” is popular to read largely due to its presence in the school curriculum. This ensured her a high place among , as well as a high place among . And it is the school curriculum that will ensure that the poem “Beyond the Distance” will be included in our subsequent ratings.

You can read Tvardovsky’s poem “Beyond the Distance” online on the Top Books website.

A. T. Tvardovsky

BEYOND - DAL
(Chapters from the poem)

      It's time! Hit sent?
      The station, flooded with lights;
      And the life that has been lived since birth,
      It’s already like it’s over the line.

      I've seen maybe half the world
      And he hurried to live after the century,
      Meanwhile, this road
      I haven’t done it in so many years;

      Although he considered his dear
      And I kept it to myself,
      Like a book to read before the deadline
      I kept going and couldn’t.

      Many other things got in the way
      What's on everyone's mind these days?
      I needed some peace of mind
      To surrender to her without interference.

Illustrations for the poem by artist O.G. Vereisky. 1967

      But the first page of the book
      I open this one on time,
      When peace, as they say,
      Retiring again...

      I'm going. Small house with me
      What everyone takes with them on the journey.
      And the world is huge behind the wall,
      It's like water overboard, roaring.

      He sings over my bed
      And the grain cuts across the glass,
      A bad, untimely snowstorm
      Whistling and howling at random.

      He is full of suppressed anxiety,
      The troubles that are waiting in line.
      He is even more audible here, on the road,
      Lying directly towards the sunrise...

      I'm going. I wish I could sleep well,
      But I still can’t sleep:
      More lights of the Moscow region
      Outside the night is illuminated.

      This shelf is still enough for me,
      It’s a pity for another Moscow day,
      It's still such a long way to the Volga,
      And there the distance begins -
      Beyond that great water line.

      And this ladder made of sleepers,
      Having passed the Volga region,
      Cis-Urals,
      It will rise slowly to the Urals.
      The Urals, whose output is steel
      The highway rings below us.

      And beyond the Urals -
      Trans-Urals,
      And there is its own, different distance.

      And there is Baikal, beyond that distance, -
      You can barely go around in half a day, -
      And beyond Baikal is Transbaikalia.

      And there is another distance,
      What will turn into a new distance.

      And she, unknown to me,
      Another one, big, harsh,
      It will close and pass through the window...

      And at that time, perfectly accurate,
      Having fulfilled the deadline all the way,
      The Far Eastern train will arrive
      To the Far East, in fact,
      Where before the last station,
      At the border pillar
      It seems to me, from the neighboring land
      You can hear dull gunfire...

      But I’m still together with Moscow,
      Still in time alone.
      And, just at home before bed,
      I'm waiting for her latest news;
      She lends her voice
      And to me on my long journey.

      And there, from across the sea, sunrise
      Rises up like a glow, sad.

      And the day of war, a merciless day,
      Enters mountains and valleys,
      Where are the cities and villages
      The ruins smoke again and again.

      And the sleepless work continues again,
      The suffering of the defenders of Korea 1.
      In the morning the tired roar
      Coastal batteries...

      There are battles, the earth is burning.
      Not new, not new cruel experience:
      He's in these mountains and fields
      Moved from the walls of Europe.

      And you brought grief
      To this shore reborn 2,
      From your own land
      Separated by the entire ocean, -
      Even if you dress up in a different color,
      But the world is unlikely to be wrong:
      We met you from Moscow
      And they escorted us to Berlin...

      The people - ascetic and hero -
      I met the weapon of evil with a weapon.
      For the sin of war - punished with war,
      For death - marked with the seal of death.

      Filled with new strength in the struggle,
      He is in the years of terrible trials
      East and West awakened -
      And so -
      Half the world and our camp!

      Well, or that lesson is forgotten,
      And again, under a new flag,
      War threatens the fat soul,
      Walking towards the world with a familiar step?

      And, alien to life, this step,
      Bursting into the speech of night news,
      In humanity's ears
      It stands as a reality and as a harbinger.

      You can’t forget with him, you can’t fall asleep,
      You can’t get used to it and get used to it.
      He is like the earth in a ditch on his chest
      Buried alive...

      My long road
      The surrounding world of a vast country,
      Native Russian fields,
      Twinkling peacefully in the night, -

      Aren't you the ones who remember the years?
      When on this highway
      In the darkness from here to there
      The trains ran without lights;

      When they reached into the interior of the country
      Along this embankment and rails
      Factories - war refugees 3 -
      And with them people are fire victims;

      When, anti-aircraft gun barrels skyward
      Raising above the “green street”,
      rushed non-stop
      There, to the west, the trains.

      And just maybe a glimpse
      Dumb and endless melancholy
      From a company of marching soldiers
      Threw it at the oncoming ambulance...

      That memory of the torment endured
      Alive, quiet, among the people,
      Like a wound, that no, no - and suddenly
      Will speak to bad weather.

      But, people, our happiness lies in
      That we stubbornly want happiness,
      That we are building a house for centuries,
      Your own world is alive and man-made.

      He is the stronghold of all human hopes,
      He is accessible to all human hearts.
      Will we give in to his death?..
      Midnight strikes on the Spasskaya Tower...

1 ...The suffering of the defenders of Korea. - This refers to the Korean War in 1950-1953.

2 ...And you, who brought grief/To this shore, reborn... - Over half of the armed forces that participated in the Korean War were American.

3 Factories - war refugees... - During the Great Patriotic War, many large factories were evacuated to the eastern regions of the country, mainly to Siberia and the Urals.