In which works of Russian classics are social vices depicted, and in what ways can these works be compared with Shchedrin's "The Wise Scribbler"? In what works of Russian classics are the mores of bureaucracy depicted and in what way.

In what works of Russian classics are heroes connected by friendly relations, and in what way can these heroes be compared with Pechorin and Werner?

Read the fragment of the work below and complete tasks B1-B7; C1, C2.

Werner was short and thin and weak as a child; one leg was shorter than the other, like Byron's; in comparison with his body, his head seemed huge: he cut his hair with a comb, and the irregularities of his skull, thus revealed, would have struck a phrenologist with a strange interweaving of opposite inclinations. His small black eyes, always restless, tried to penetrate your thoughts. Taste and neatness were noticeable in his clothes; his lean, sinewy, and small hands showed off in light yellow gloves. His coat, tie and waistcoat were always black. The youth called him Mephistopheles; he showed that he was angry at this nickname, but in fact it flattered his vanity. We soon understood each other and became friends, because I am incapable of friendship: of two friends, one is always the slave of the other, although often neither of them admits this to himself; I cannot be a slave, and in this case commanding is tedious work, because at the same time it is necessary to deceive; and besides, I have lackeys and money! This is how we became friends: I met Werner in S ... among a large and noisy circle of young people; the conversation took a philosophical and metaphysical direction towards the end of the evening; talked about beliefs: each was convinced of different differences.

As for me, I am convinced of only one thing ... - said the doctor.

What is it? I asked, wanting to know the opinion of the man who had so far been silent.

In that, - he answered, - that sooner or later one fine morning I will die.

I am richer than you, I said, - besides this, I have another conviction - namely, that I had the misfortune to be born one ugly evening.

Everyone found that we were talking nonsense, and, really, none of them said anything smarter than that. From that moment on, we distinguished each other in the crowd. We often got together and talked together about abstract subjects very seriously, until both of us noticed that we were mutually fooling each other. Then, looking significantly into each other's eyes, as the Roman augurs did, according to Cicero, we began to laugh and, having laughed, dispersed satisfied with our evening.

I was lying on the couch with my eyes fixed on the ceiling and my hands behind the back of my head when Werner entered my room. He sat down in an armchair, put his cane in a corner, yawned, and announced that it was getting hot outside. I replied that the flies bothered me, and we both fell silent.

Please note, my dear doctor," I said, "that without fools it would be very boring in the world!... Look, there are two of us. smart people; we know in advance that everything can be argued to infinity, and therefore we do not argue; we know almost all the secret thoughts of each other; one word for us whole story; we see the grain of each of our feelings through the triple shell. The sad is funny to us, the funny is sad, but in general, in truth, we are rather indifferent to everything, except ourselves. So, there can be no exchange of feelings and thoughts between us: we know everything about the other that we want to know, and we don’t want to know anymore. There is only one remedy: to tell the news. Tell me some news.

Tired of the long speech, I closed my eyes and yawned...

M. Yu. Lermontov "A Hero of Our Time"

Explanation.

Pechorin and Werner converge on the waters. They immediately notice each other, as both stand out against the background of the "water society": "distinguished each other in the crowd." The heroes are smart, observant, critical, it seems that they understand each other perfectly, they are well versed in people. However, for all their commonality, they are different. And these differences are so strong that they are assigned different functions in the novel: the doctor is only an accompaniment to Pechorin, who is a real participant in life, Werner is her witness.

Friendly relations connect Onegin with Lensky, who, like the heroes of Lermontov, "have nothing to do with friends." They are, in fact, antipodes, although against the backdrop of rural society they seem similar. Like Werner and Pechorin, they stand out in the "crowd", and therefore become friends. Lensky is a young poet, an ardent lover, a romantic, far from reality. Onegin is a realist, prone to blues, tired of secular society and an empty life. No one will say better than Pushkin himself about the opposition of his heroes:

They agreed. Wave and stone

Poetry and prose, ice and fire.

The difference between Werner and Pechorin leads to the fact that they part rather coldly, while Pechorin remains "cold as a stone." The conflict between Onegin and Lensky is generally tragic: a duel.

The theme of "fathers and sons"
16. In what works of Russian classics are ideological clashes of representatives different generations and in what ways can these works be compared with “fathers and sons”?
The ideological clashes of representatives of different generations are displayed in the drama of A.N. Ostrovsky's "Thunderstorm" and in A. S. Griboedov's comedy "Woe from Wit".
In the drama of A. N. Ostrovsky "Thunderstorm" there is a conflict between the representative " dark kingdom» Martha Ignatievna Kabanova, defender of the old foundations, and representative younger generation Katerina. The boar is accustomed to the unquestioning obedience of her loved ones, but in her own family she sees the awakening of something new, alien to her. Katerina cannot come to terms with the dominance, despotism, tyranny of her mother-in-law.
In comedy A.S. Griboyedov "Woe from Wit", there is a clash on the ideological grounds of Famusov, a representative of the "past century", and Chatsky, a representative of the "present century". The basis of the conflict is a sharp divergence in views on the meaning of life, on the attitude to wealth, to ranks, career, service, serfdom, education, attitude to everything foreign.
Thus, the writers argue that the views on life of the younger and older generations in different times does not match.

The theme of "hero-entrepreneurs"
16. In what works domestic classics the type of “active hero” is depicted, and in what way can it be compared with Andrei Stolz?
"Active heroes" were portrayed by A.P. Chekhov, I.A. Goncharov, N.V. Gogol.
In the play by A.P. Chekhov " The Cherry Orchard» Ermolai Lopakhin managed to break out of poverty and achieve material well-being without any outside help. The hero correctly assesses the situation of the owners of the cherry orchard and gives them practical advice, which would allow saving the estate: from offering the owners to set up a garden and land on the river into summer cottages.
In N.V. Gogol's poem "Dead Souls" P.I. Chichikov is shown as an enterprising person. He fulfills his father's order to save a penny. He didn’t spend the money left by his father, but multiplied it (he made a bullfinch from wax, painted it and sold it; he sold food to classmates), provincial city N managed to find an approach to everyone he approached with a request to sell "dead souls".
Thus, Andrey Stolz, and Chichikov, and Lopakhin are “ active heroes”, each of them earns money, each strives to become a successful person.

duel theme
16. The heroes of what works of Russian classics are tested by a duel?
The duel was attended by Eugene Onegin from the novel of the same name in verse by A.S. Pushkin, as well as Pierre Bezukhov and Dolokhov from the epic novel War and Peace.
In the novel in verse "Eugene Onegin" A.S. Pushkin main character was forced to accept the challenge of Lensky, he was afraid of the "opinion of the world", which he himself so despised.
In the epic novel "War and Peace" by L. N. Tolstoy, Pierre Bezukhov shoots with Dolokhov, as a result of which the second was wounded.
Thus, the heroes decide to duel, hoping that she will remove shame from the offended and restore their honor.
Sleep motif
16. What works of Russian classics describe the dreams of heroes?
A dream is often a continuation of events that have occurred recently, or, conversely, predicting the future. In Russian literature, the motive of sleep is one of the methods psychological analysis. Transmitted in a dream state of mind hero in moments of great upheaval.
"Oblomov's Dream" in Goncharov's novel of the same name allows you to find the origins of the hero's character, to imagine the life, environment, customs that shaped Ilya Oblomov. As a child, Ilyusha was not even allowed to dress himself. They only made sure that the child ate well and did not overwork while studying with Stolz.
In the novel by F.M. Dostoevsky's "Crime and Punishment" Rodion sees a dream before the crime, at the time of painful reflections. The action takes place in Rodion's childhood. He dreams that he and his father pass by a tavern and see drunken men beating a horse. The boy tries to intercede, but in front of the eyes of the crowd, the unfortunate nag is finished off with an iron crowbar. Rodion cries, wants to scream.
Thus, the introduction to the work of sleep gives the writer the opportunity to penetrate into the most hidden properties of the soul of the hero, into his subconscious.

Images of the accumulator
16. What works of Russian literature depict characters similar in character and worldview to Nastasya Petrovna Korobochka, what exactly is this similarity?
The image of the accumulator can be observed in N.V. Gogol's poem "Dead Souls", in F.M. Dostoevsky's novel "Crime and Punishment", in the play "Undergrowth" by D.I. Fonvizin.
The box saves money “in motley bags”, takes care of the safety of its condition, therefore it keeps great amount dogs.
The old pawnbroker also wants to increase her income by lending at interest.
Prostakova robbed her serfs to the bone. The main thing for her in life is personal gain.
Thus, all the heroines want to get rich at the expense of other people.

"Russian rebellion"
16. In what works of Russian classics is the tragedy of the “Russian rebellion” shown?
In the domestic classics, the topic of "Russian rebellion" was touched upon repeatedly. At all times there were people who resigned themselves to the force and inevitability of circumstances and were ready to accept fate as it is with their heads bowed. But at all times there have been people who are ready to fight for their happiness, people who do not want to endure injustice, people who have nothing to lose. We can meet such people on the pages of A.S. Pushkin "Dubrovsky" and the novel " Captain's daughter».
Troyekurov, one of the main characters, took possession of Kistenevka with the help of bribes and bribery, and now, according to the law, the peasants became the property of this cruel and despotic landowner. Vladimir Dubrovsky cannot come to terms with the idea that in the house where he spent his childhood, where his mother and father died, a person guilty of all the misfortunes that fell on his head will settle. Dubrovsky decides to burn down the house and hide. Many peasants, who have shown their dissatisfaction with the current situation, follow him. In an effort to restore justice, a squad of robbers rob the rich on the roads.
The historical basis of the novel The Captain's Daughter is real events Peasants' War of 1773-1775 under the leadership of Emelyan Pugachev. A.S. Pushkin described in detail the whole course of events: the capture of fortresses, the siege of Orenburg, the execution of Pugachev, the suppression of the uprising.
Thus, the people fought against injustice at all times.

Matchmaking
16. In what works of Russian writers are we talking about matchmaking?
We are talking about matchmaking in D.I. Fonvizin’s play “Undergrowth”, in epic novel M.A. Sholokhov " Quiet Don”, in the play by N.V. Gogol “The Inspector General”.
In D.I. Fonvizin’s comedy “Undergrowth”, Skotinin and Mitrofanushka woo Sofya, but Starodum refuses them, since she has already agreed with Milon.
In N.V. Gogol's play "The Government Inspector", Khlestakov confesses first to the mayor's daughter in love, then to his wife. The hero proposes to his daughter, takes money from the mayor, allegedly in order to discuss the wedding with his uncle.
In the epic novel by M.A. Sholokhov “Quiet Flows the Don”, Grigory Melekhov’s father woo Natalya Korshunova in order to stop his son’s illegal connection with Aksinya.
Thus, only Sophia was the happiest of the above mentioned heroines.

Changes in life
16. In what works of Russian classics do heroes face the need for change?
Changes in life occur at Gerasim in the story of I.S. Turgenev's "Mumu", by Andrei Sokolov in the story of M.A. Sholokhov "The Fate of a Man", as well as by Grigory Melekhov in the epic novel Quiet Don".
The capricious lady brought Gerasim, the main character of the story, to Moscow from the village, arranged him as a janitor. He performed his duties honestly and conscientiously. Walking along the river, the hero saves the puppy, brings it to his home and begins to take care of the pet. After the order of the mistress - to exterminate the dog - the janitor disobeys his mistress and goes back to the village.
In M.A. Sholokhov’s story “The Fate of a Man”, Andrei Sokolov lost everything in the war: his home, his family, and, it would seem, there is no longer any meaning in life. The hero takes an orphan boy to his upbringing. Now he has someone to live for!
In the epic novel "Quiet Flows the Don" M.A. Sholokhov depicts a difficult moral way Grigory Melekhov. During civil war the hero goes over to the side of the whites, then to the side of the reds. At the end of the novel, he returns home, he does not want to fight anymore, meaning life - children. Life goes on.
Thus, if a person strives for changes in life, he makes efforts to change his life for the better.

Dramatic love relationship
16. What works of Russian writers depict the dramatic relationship of lovers?
The dramatic relationship of lovers is depicted in the drama of A.N. Ostrovsky's "Thunderstorm", M.A. Sholokhov's epic novel "Quiet Flows the Don", as well as in A.S. Griboyedov's comedy "Woe from Wit".
Katerina, main character plays, falls in love with Boris. She struggles with her feelings in every possible way, as she is married woman. Wild sends Boris to Siberia, the hero is not ready to take responsibility for the life of his beloved woman.
In A.S. Griboedov’s play “Woe from Wit”, Chatsky is in love with Sophia, but she prefers Molchalin. In love, Chatsky is not so much deceived as deceiving himself, he, like all lovers, sees what he wants, not noticing the obvious.
In the epic novel Quiet Flows the Don, Sholokhov narrates the love story of Grigory Melekhov with the married Aksinya. The heroes overcome many trials in order to be together, but the heroine dies.
Thus, lovers fight for their happiness, suffer, overcome many life trials.

Drama of a serf
16. In what works of Russian classics is the drama of a serf shown?
The life of serfs was portrayed by A.P. Chekhov in the play "The Cherry Orchard", M.E. Saltykov - Shchedrin in fairy tales " wild landlord"and" the story of how one man fed two generals.
In fairy tales, M.E. Saltykov-Shchedrin speaks bitterly about the humility of the peasant. The writer leads readers to the idea that it is time for a strong, strong peasant to think about his position and stop meekly obeying the ruling class.
The sick lackey Firs is forgotten by the owners, locked up with a key, although the old man faithfully served Gaev and Ranevskaya all his life.
Thus, the writers show that ruling class shows indifference to the fate of his serfs.

friendly relations
16. In what works of Russian classics are heroes connected by friendly relations depicted?
In the Russian classics, Onegin and Lensky were connected by friendly relations in A.S. Pushkin's novel in verse "Eugene Onegin", Grinev and Pugachev in A.S. Pushkin's novel "The Captain's Daughter".
Onegin and Lensky became friends from "nothing to do." Lensky introduced Onegin to the Larin family. After a quarrel between friends, a duel took place, in which Lensky was killed.
In the novel "The Captain's Daughter" A.S. Pushkin between Pugachev and Grinev develop friendly relations. The author portrays Pugachev as a complex and contradictory nature. On the one hand, he is a thief and a villain, declared a state criminal, on the other, he is just and noble man remembering good. Pugachev helps Peter get out of the fortress occupied by the rebels, and then frees Masha Mironova from the tyranny of Shvabrin.
Thus, the friendly relations of the characters are based on the fact that they understand each other, but at the same time, these relations are short-lived, at some point after different reasons are running out.

The materials are addressed to teachers of literature and graduates for the preparation of task C2. USE, compiled in accordance with the evaluation criteria of Part C. The theme of "fathers and children" С2. Which works of Russian classics reflect the ideological clashes of representatives of different generations, and in what ways can these works be compared with “fathers and sons”? The ideological clashes of representatives of different generations are displayed in the drama of A.N. Ostrovsky's "Thunderstorm" and in A. S. Griboedov's comedy "Woe from Wit". In the drama of A. N. Ostrovsky "Thunderstorm" there is a conflict between the representative of the "dark kingdom" Marfa Ignatievna Kabanova, the defender of the old foundations, and the representative of the younger generation Katerina. The boar is accustomed to the unquestioning obedience of her loved ones, but in her own family she sees the awakening of something new, alien to her. Katerina cannot come to terms with the dominance, despotism, tyranny of her mother-in-law. In comedy A.S. Griboyedov "Woe from Wit", there is a clash on the ideological grounds of Famusov, a representative of the "past century", and Chatsky, a representative of the "present century". The basis of the conflict is a sharp divergence in views on the meaning of life, on the attitude to wealth, to ranks, career, service, serfdom, education, attitude to everything foreign. Thus, the writers argue that the views on life of the younger and older generations do not coincide at different times. Topic "hero-entrepreneurs" С2. In what works of Russian classics is the type of “active hero” depicted, and in what way can it be compared with Andrei Stolz? "Active heroes" were portrayed by A.P. Chekhov, I.A. Goncharov, N.V. Gogol. In the play by A.P. Chekhov's "The Cherry Orchard" Yermolai Lopakhin managed to get out of poverty and achieve material well-being without any outside help. The hero correctly assesses the position of the owners of the cherry orchard and gives them practical advice that would allow them to save the estate: he suggests that the owners break up the garden and the land on the river into summer cottages. In N.V. Gogol's poem "Dead Souls" P.I. Chichikov is shown as an enterprising person. He fulfills his father's order to save a penny. He didn’t spend the money left by his father, but multiplied it (he made a bullfinch out of wax, painted it and sold it; he sold food to classmates), in the provincial town N managed to find an approach to everyone he approached with a request to sell “dead souls”. Thus, Andrei Stoltz, Chichikov, and Lopakhin are "active heroes", each of them earns money, each strives to become a successful person. Duel theme C2. The heroes of what works of Russian classics are tested by a duel? The duel was attended by Eugene Onegin from the novel of the same name in verse by A.S. Pushkin, as well as Pierre Bezukhov and Dolokhov from the epic novel War and Peace. In the novel in verse "Eugene Onegin" A.S. Pushkin, the protagonist was forced to accept the challenge of Lensky, he was afraid of the "opinion of the world", which he himself so despised. In the epic novel "War and Peace" by L. N. Tolstoy, Pierre Bezukhov shoots with Dolokhov, as a result of which the second was wounded. Thus, the heroes decide to duel, hoping that she will remove shame from the offended and restore their honor. Sleep motive C2. What works of Russian classics describe the dreams of heroes? A dream is often a continuation of events that have occurred recently, or, conversely, predicting the future. In Russian literature, the motive of sleep is one of the methods of psychological analysis. In a dream, the state of mind of the hero is transmitted in moments of strong shocks. "Oblomov's Dream" in Goncharov's novel of the same name allows you to find the origins of the hero's character, to imagine the life, environment, customs that shaped Ilya Oblomov. As a child, Ilyusha was not even allowed to dress himself. They only made sure that the child ate well and did not overwork while studying with Stolz. In the novel by F.M. Dostoevsky's "Crime and Punishment" Rodion sees a dream before the crime, at the time of painful reflections. The action takes place in Rodion's childhood. He dreams that he and his father pass by a tavern and see drunken men beating a horse. The boy tries to intercede, but in front of the eyes of the crowd, the unfortunate nag is finished off with an iron crowbar. Rodion cries, wants to scream. Thus, the introduction to the work of sleep gives the writer the opportunity to penetrate into the most hidden properties of the soul of the hero, into his subconscious. Images of storage C2. What works of Russian literature depict characters similar in character and worldview to Nastasya Petrovna Korobochka, what exactly is this similarity? The image of the accumulator can be observed in N.V. Gogol's poem "Dead Souls", in F.M. Dostoevsky's novel "Crime and Punishment", in the play "Undergrowth" by D.I. Fonvizin. Korobochka saves money “in motley bags”, cares about the safety of his fortune, therefore he keeps a huge number of dogs. The old pawnbroker also wants to increase her income by lending at interest. Prostakova robbed her serfs to the bone. The main thing for her in life is personal gain. Thus, all the heroines want to get rich at the expense of other people. "Russian rebellion" С2. In what works of Russian classics is the tragedy of the “Russian rebellion” shown? In the domestic classics, the topic of "Russian rebellion" was touched upon repeatedly. At all times there were people who resigned themselves to the force and inevitability of circumstances and were ready to accept fate as it is with their heads bowed. But at all times there have been people who are ready to fight for their happiness, people who do not want to endure injustice, people who have nothing to lose. We can meet such people on the pages of A.S. Pushkin "Dubrovsky" and the novel "The Captain's Daughter". Troyekurov, one of the main characters, took possession of Kistenevka with the help of bribes and bribery, and now, according to the law, the peasants became the property of this cruel and despotic landowner. Vladimir Dubrovsky cannot come to terms with the idea that in the house where he spent his childhood, where his mother and father died, a person guilty of all the misfortunes that fell on his head will settle. Dubrovsky decides to burn down the house and hide. Many peasants, who have shown their dissatisfaction with the current situation, follow him. In an effort to restore justice, a squad of robbers rob the rich on the roads. The historical basis of the novel "The Captain's Daughter" is the real events of the peasant war of 1773-1775 led by Emelyan Pugachev. A.S. Pushkin described in detail the whole course of events: the capture of fortresses, the siege of Orenburg, the execution of Pugachev, the suppression of the uprising. Thus, the people fought against injustice at all times. Matchmaking C2. What works of Russian writers talk about matchmaking? We are talking about matchmaking in D.I. Fonvizin’s play “Undergrowth”, in M.A. Sholokhov’s epic novel “Quiet Flows the Don”, in N.V. Gogol’s play “The Inspector General”. In D.I. Fonvizin’s comedy “Undergrowth”, Skotinin and Mitrofanushka woo Sofya, but Starodum refuses them, since she has already agreed with Milon. In N.V. Gogol's play "The Government Inspector", Khlestakov confesses first to the mayor's daughter in love, then to his wife. The hero proposes to his daughter, takes money from the mayor, allegedly in order to discuss the wedding with his uncle. In the epic novel by M.A. Sholokhov “Quiet Flows the Don”, Grigory Melekhov’s father woo Natalya Korshunova in order to stop his son’s illegal connection with Aksinya. Thus, only Sophia was the happiest of the above mentioned heroines. Life changes C2. In what works of Russian classics do the heroes face the need for change? Changes in life occur at Gerasim in the story of I.S. Turgenev "Mumu", by Andrei Sokolov in the story of M. A. Sholokhov "The Fate of a Man", as well as Grigory Melekhov in the epic novel Quiet Don. The capricious lady brought Gerasim, the main character of the story, to Moscow from the village, arranged him as a janitor. He performed his duties honestly and conscientiously. Walking along the river, the hero saves the puppy, brings it to his home and begins to take care of the pet. After the order of the mistress - to exterminate the dog - the janitor disobeys his mistress and goes back to the village. In M.A. Sholokhov’s story “The Fate of a Man”, Andrei Sokolov lost everything in the war: his home, his family, and, it would seem, there is no longer any meaning in life. The hero takes an orphan boy to his upbringing. Now he has someone to live for! In the epic novel "Quiet Flows the Don", M.A. Sholokhov depicts the difficult moral path of Grigory Melekhov. During the Civil War, the hero switches to the side of the whites, then to the side of the reds. At the end of the novel, he returns home, he does not want to fight anymore, the meaning of life is children. Life goes on. Thus, if a person strives for changes in life, he makes efforts to change his life for the better. Dramatic relationship between lovers C2. What works of Russian writers depict the dramatic relationship of lovers? The dramatic relationship of lovers is depicted in the drama of A.N. Ostrovsky's "Thunderstorm", M.A. Sholokhov's epic novel "Quiet Flows the Don", as well as in A.S. Griboyedov's comedy "Woe from Wit". Katerina, the main character of the play, falls in love with Boris. She struggles with her feelings in every possible way, as she is a married woman. Wild sends Boris to Siberia, the hero is not ready to take responsibility for the life of his beloved woman. In A.S. Griboedov’s play “Woe from Wit”, Chatsky is in love with Sophia, but she prefers Molchalin. In love, Chatsky is not so much deceived as deceiving himself, he, like all lovers, sees what he wants, not noticing the obvious. In the epic novel Quiet Flows the Don, Sholokhov narrates the love story of Grigory Melekhov with the married Aksinya. The heroes overcome many trials in order to be together, but the heroine dies. Thus, lovers fight for their happiness, suffer, overcome many life trials. The drama of a serf C2. In what works of Russian classics is the drama of a serf shown? The life of serfs was portrayed by A.P. Chekhov in the play "The Cherry Orchard", M.E. Saltykov - Shchedrin in the fairy tales "The Wild Landowner" and "The Tale of How One Man Feeded Two Generals." In fairy tales, M.E. Saltykov-Shchedrin speaks bitterly about the humility of the peasant. The writer leads readers to the idea that it is time for a strong, strong peasant to think about his position and stop meekly obeying the ruling class. The sick lackey Firs is forgotten by the owners, locked up with a key, although the old man faithfully served Gaev and Ranevskaya all his life. Thus, the writers show that the ruling class is indifferent to the fate of their serfs. Friendship C2. In what works of Russian classics are heroes connected by friendly relations depicted? In the Russian classics, Onegin and Lensky were connected by friendly relations in A.S. Pushkin's novel in verse "Eugene Onegin", Grinev and Pugachev in A.S. Pushkin's novel "The Captain's Daughter". Onegin and Lensky became friends from "nothing to do." Lensky introduced Onegin to the Larin family. After a quarrel between friends, a duel took place, in which Lensky was killed. In the novel "The Captain's Daughter" A.S. Pushkin between Pugachev and Grinev develop friendly relations. The author portrays Pugachev as a complex and contradictory nature. On the one hand, he is a thief and a villain, declared a state criminal, on the other hand, he is a just and noble person who remembers the good. Pugachev helps Peter get out of the fortress occupied by the rebels, and then frees Masha Mironova from the tyranny of Shvabrin. Thus, the friendly relations of the characters are based on the fact that they understand each other, but at the same time, these relations are short-lived, at some point for various reasons they end.

The fairy tale by M.E. Saltykov-Shchedrin is not the only work of Russian classics, the object of which is depiction of social vices.

For example, many heroes of the poem by N. V. Gogol “ Dead Souls” as well as the piskar, have become symbols of the negative phenomena of society. However, if M.E. Saltykov-Shchedrin embodied various vices in one small fish, then each Gogol character symbolizes a separate social vice: Manilov - carelessness, Korobochka - stinginess, Nozdrev - slovenliness.

In Oblomov, the hero novel of the same name I. A. Goncharova, as well as in piskar, various social vices are embodied: laziness, indecision, inability to live. The fates of these characters, in my opinion, are very similar: both heroes led an empty, insignificant life, after which they left nothing to be proud of.

This is how social vices are denounced in the works of Russian classics.

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In which works of Russian classics are social vices depicted, and in what ways can these works be compared with Shchedrin's "The Wise Scribbler"? In what works of Russian classics are the mores of bureaucracy depicted and in what way.

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