Master and Margarita relationship between the characters. The fatal love of the master and margarita
The novel "The Master and Margarita" is dedicated to the history of the master - a creative person who opposes the world around him. The history of the master is inextricably linked with the history of his beloved. In the second part of the novel, the author promises to show "true, faithful, eternal love." The love of the master and Margarita was just like that.
What does it mean, according to M. Bulgakov, “true love”? The meeting of the Master and Margarita was accidental, but the feeling that connected them until the end of their days was not accidental. No wonder they recognize each other by the “deep loneliness” in their eyes. This means that even without knowing each other, they felt a great need for each other. That is why a miracle happened - they met.
“Love hit us both at once,” says the master. True love powerfully invades the lives of those who love and transforms it! Everything everyday, ordinary becomes bright and significant. When Margarita appeared in the basement of the master, all the little things of his meager life began to seem to glow from within, and everything faded when she left.
True love is selfless love. Before meeting with the master, Margarita had everything need to woman for happiness: a handsome, kind husband who adored his wife, a luxurious mansion, finance. “In a word…was she happy? - asks the writer. - Not a single minute! .. Well need to was this woman? ., she needed him, the master, about not a Gothic mansion at all, and not a separate garden, and not money. All material wealth turns out to be insignificant compared to the opportunity to be close to your loved one. When Margarita did not have love, she was even ready to commit suicide. But at the same time, she does not want to harm her husband and, having made a decision, she acts honestly: she leaves him a farewell note, where she explains everything.
True love, therefore, cannot harm anyone, it will not build its happiness at the expense of the misfortune of another person.
And I didn’t read it - in history, in a fairy tale, -
May the path of true love be smooth.
W. Shakespeare
M. Bulgakov believed that life is love and hate, courage and excitement, the ability to appreciate beauty and kindness. But love... it comes first. Bulgakov wrote the heroine of his novel with Elena Sergeevna, the beloved woman who was his wife. Soon after they met, she took on her shoulders, perhaps most of him, the Master, a terrible burden, became his Margarita.
The story of the Master and Margarita is not one of the lines of the novel, but its main theme. All the events, all the diversity of the novel, converge to it.
They did not just meet, fate pushed them at the corner of Tverskaya and the lane. Love struck both like lightning, like a Finnish knife. “Love jumped out in front of them, like a murderer jumping out of the ground in an alley ...” - this is how Bulgakov describes the emergence of love among his heroes. Already these comparisons foreshadow the future tragedy of their love. But in the beginning everything was very calm.
When they first met, they spoke as if they had known each other for a long time. The violently flared love, it seemed, should burn people to the ground, but she turned out to have a homely and quiet character. In the basement apartment of the Master, Margarita, wearing an apron, hosted while her beloved worked on a novel. The lovers baked potatoes, ate them with dirty hands, laughed. The vase was filled not with disgusting yellow flowers, but with roses beloved by both. Margarita was the first to read the already finished pages of the novel, hurried the author, promised him glory, began to call him the Master. The phrases of the novel, which she especially liked, she repeated loudly and in a singsong voice. She said that in this novel her life. This was an inspiration for the Master, her words strengthened his self-confidence.
Bulgakov very carefully and chastely talks about the love of his heroes. She was not killed by the dark days when the Master's novel was destroyed. Love was with them even during the serious illness of the Master. The tragedy began when the Master disappeared for many months. Margarita tirelessly thought of him, not for a moment did her heart part with him. Even when it seemed to her that her beloved was gone. The desire to know at least something about his fate defeats the mind, and then the diaboliada begins, in which Margarita participates. In all demonic adventures, she is accompanied by the loving look of the writer. The pages dedicated to Margarita are Bulgakov's poem to the glory of his beloved, Elena Sergeevna. With her, the writer was ready to make "his last flight." So he wrote to his wife on a donated copy of his collection "Diaboliad".
With the power of her love, Margarita returns the Master from non-existence. Bulgakov did not come up with a happy ending for all the heroes of his novel: as it was before the invasion of the satanic team in Moscow, it remains so. And only for the Master and Margarita, Bulgakov, as he believed, wrote a happy ending: they will have eternal peace in the eternal home, which the Master was given as a reward.
The lovers will enjoy the silence, those whom they love will come to them... The Master will fall asleep with a smile, and she will forever protect his sleep. “The master silently walked with her and listened. His restless memory began to fade, ”this is how the story of this tragic love ends.
And although in the last words - the sadness of death, but there is also a promise of immortality and eternal life. It comes true today: the Master and Margarita, like their creator, is destined for a long life. Many generations will read this satirical, philosophical, but most importantly - lyric-love novel, which confirmed that the tragedy of love is a tradition of all Russian literature.
Subject."Love is life!" The development of the love storyline in the novel "The Master and Margarita".
Goals: 1) follow the development of the storyline Master - Margarita; reveal the beauty, kindness and sincerity of Bulgakov's heroes. 2) develop the ability to analyze, prove and refute, draw conclusions, think logically. 3) cultivate respect for women, honesty, humanity, optimism.
Introduction by the teacher.
So, the novel The Master and Margarita is about God and the devil, about cowardice as one of the terrible vices, the indelible, terrible sin of betrayal, about Good and Evil, about repression, about the horror of loneliness, about Moscow and Muscovites, about the role of the intelligentsia in society , but first it is about the true and eternal, all-conquering power of love and creativity.
Follow me, my reader! Who told you that there is no true, true, eternal love in the world? Let the liar cut out his vile tongue!
Follow me, my reader, and I will show you such love!”
According to Bulgakov, love can withstand the elements of life. Love is "immortal and eternal."
Do you agree with this idea?
Our task is to prove this idea by reading, analyzing individual episodes of the novel.
The master tells Ivan Homeless his story. This is both a story about Pontius Pilate and a love story. Margarita is an earthly, sinful woman. She can swear, flirt, she is a woman without prejudice. How did Margarita deserve the special mercy of the higher powers that control the universe? Margarita, probably one of the one hundred and twenty-two Margaritas Koroviev spoke of, knows what love is.
The love story of the Master and Margarita is connected with the change of seasons. The time cycle in the hero's story begins with winter, when the Master won one hundred thousand rubles and, still alone, settled in the basement and began to compose a novel about Pontius Pilate. Then spring comes, "divided into green lilac bushes." “And then, in the spring, something much more delightful happened than getting a hundred thousand,” the Master met Margarita. The "golden age" of love lasted for the heroes, while "there were thunderstorms in May and ... the trees in the garden threw off their broken branches, white tassels after the rain," while the "stuffy summer" was going on. The Master's novel was completed in August, and with the onset of autumn in nature, autumn came for the heroes as well. The novel was angrily received by critics, the Master was persecuted. "In the middle of October" the Master fell ill. The hero burned the manuscript of the novel and was arrested on the same evening on the denunciation of Aloisy Mogarych. The Master returns to his cellar, where others already live, in winter, when "the snowdrifts hid the lilac bushes" and the hero lost his beloved. A new meeting of the Master and Margarita takes place in May, after the spring full moon ball.
Love is the second path to superreality, just like creativity, it leads to the comprehension of the “third dimension”. Love and creativity - that's what can resist the ever-existing evil. The concepts of kindness, forgiveness, understanding, responsibility, truth, and harmony are also associated with love and creativity.
Analytical reading of individual chapters of the novel.
Chapter 13 "The fact is that a year ago I wrote a novel about Pilate" - "..and Pilate flew to the end."
What did you learn about the Master?
Why to the question of Ivan Bezdomny "Are you a writer?" the night visitor sternly replied, "I am the master"?
What does the Master's words "It was a golden age" mean?
In the same place, "White robe, bloody lining ..." - "She came to me every day, I started waiting for her in the morning."
Let us turn to the scene of the acquaintance of the Master and Margarita. The novel about Pilate was almost complete. For the Master, everything was clear, definite, although he was tormented by loneliness and boredom. And he went out for a walk. There were thousands of people around and disgusting yellow walls all around, and a woman was carrying disgusting yellow flowers…
What so struck the Master in Margarita? ("unusual, unseen loneliness in the eyes")
Was there anything unusual in their conversation? What is unusual about the flashed love of the characters?
The conversation is the most ordinary, there is nothing unusual in it, but the Master suddenly realized that "he loved this woman all his life." Unusual love of heroes, love at first sight. She strikes the heroes not as a beautiful vision “in the anxiety of worldly fuss,” but like lightning.
Teacher. Let's turn to the facts. Elena Sergeevna Bulgakova, the writer's wife, wrote in her diary: “It was in the 29th year in February, on oil. Some friends made pancakes. Neither I wanted to go, nor Bulgakov, who for some reason decided that he would not go to this house. But it turned out that these people managed to interest both him and me in the composition of the invitees. Well me, of course, his last name. In general, we met and were close. It was fast, extraordinarily fast, at least on my part, love for life ... "
What is the reality of the writer's life at this time? At this time, Bulgakov is in poverty. Neither fame, nor wealth, nor position in society could give Elena Sergeevna the author of The White Guard. His early feuilletons and stories sparkled and were forgotten, The White Guard remained underprinted, his plays were smashed, to say nothing of such things as The Heart of a Dog - silence, complete silence, and only because of Stalin's unusual love for the Days of the Turbins This play alone is on at the only theater in the country. Bulgakov met Elena Sergeevna in difficult, hungry years for him. And Elena Sergeevna in the early 30s was the wife of a major Soviet military leader of the Moscow Military District. Having intercepted the advance, Mikhail Afanasyevich Bulgakov once invited her to a glass of beer. They ate hard boiled eggs. But, according to her confession, how everything was festive, happy.
Bulgakov never lost himself outwardly. Many of the writer's contemporaries were simply shocked by polished shoes, a monocle, a strict triplet, intolerance to familiarity. And this was at a time when, for lack of funds, he was hired as a janitors, but even a person with such “White Guard glory” was not taken as a janitors. There were moments when I wanted to get a revolver from a hidden place. All this was not a secret either for Margarita from the novel, or for the real, smart, beautiful Elena Sergeevna.
But back to the heroes of the novel.
In the same place "Who is she?" - "... she said that in this novel - her life."
Why didn't Master answer Ivan's question "Who is she?"?
What are the happiest pages of the novel? (“She came and put on an apron as a first duty ...”)
What is happiness, because everything is more than prosaic: an apron, a kerosene stove, dirty fingers? Is it almost poverty?
Teacher: About the opportunity to be with a loved one in any conditions, even the most unfavorable, says a lot of literature, convinces life, reminds UNT. You know the Russian folk proverb "With a sweet paradise in a hut, it would be cute to your soul." Mikhail Afanasyevich said to Elena Sergeevna with gratitude: “The whole world was against me - and I am alone. Now we are together, and I'm not afraid of anything. In life, as in a novel, joy, happiness is not in wealth. Let us turn to the pages of the novel, which convince us of this.
Chapter 19
Was Margarita the only lover for the Master?
Teacher: And now the novel is written, given to the press. Master says: "I came into life holding it in my hands, and then my life ended." The novel was not published, but an article appeared in the newspaper "The Sortie of the Enemy", in which the critic warned everyone and everyone that the author "made an attempt to get an apologia for Jesus Christ into print." It's a tough time for the Master...
Chapter 13 "I got so carried away reading articles about myself ..." - "These were her last words in my life."
What was the expression of Margarita's complicity in the affairs of the Master?
Teacher: The Master's novel was persecuted, and then the Master disappeared: he was arrested on the denunciation of Aloisy Mogarych, who wanted to occupy the Master's apartment. The returned Master found that Mogarych occupied his apartment in the basement. Not wanting to cause misfortune to Margarita, realizing that he can give her nothing but love, the Master ends up in the Stravinsky psychiatric hospital. And what about Margarita?
Chapter 19
Why does Margarita curse herself?
Could she leave the Master?
Margarita "healed in the same place", but did her life remain the same?
Who did Margarita become for the Master?
Final word from the teacher.
In the basement of the Master, Margarita experienced the happiness of great love, renouncing all the temptations of the world in her name, plunging together with the Master into the thought of completing the book, which became the flesh and blood of her life, became its meaning. Margarita is not just the beloved of the Master, she became the guardian angel of the author of the novel about Pontius Pilate, the guardian angel of her beloved.
Summary of the lesson.
Subject. "Love is life!"
Goals: 1) reveal the kindness, beauty, sincerity of the feelings of Bulgakov's heroes; 2) develop the ability to analyze, prove and refute, draw conclusions, think logically; 3) to cultivate humanity, compassion, mercy.
“... Woland determines the measure of evil, vice, self-interest by the measure of truth, beauty, selfless goodness. He restores balancebetween Good and evil, and this serves good.
(V. A. Domansky)
I. Repetition.
How did the Master meet?And Margarita? Was it really an accident?
Tell the "story" of their love?
How do the Master and Margarita differ from the inhabitants of Moscow in the 1930s?
Were the Master and Margarita happy before they met each other? Is it only a lover
became Margarita for the Master.
Why did the Master disappear? What is the reason for such an act?
He simply could not see his beloved unhappy, could not accept her sacrifice. He's confused renounces his novel, burns it.
II. New topic.
1) The word of the teacher.
Margarita remains in the dark, feelings overwhelm her: she regrets the burnt manuscript,he is heartbroken for the health of his beloved, hopes to cure him, save him. Despair, confusionreplaced by determination to hope. The situation calls for action.
2)
Reading chapter 19 "Even I have a truthful person..." - ",.. and ringing in a dark room
the lock was closed”, (pp. 234-237 (484))
What feelings does Margarita experience after the disappearance of the Master?
What conclusion does she come to? What influenced it?
What does the fact that Margarita keeps the things of the Master mean?
3) But what does Margarita do to save love?
a) Ch. 19 p. 242246 (496) "The redhead looked around and said mysteriously..." - "... I agree to go to hell in the middle of nowhere" I won't give it back!
b) ch. 20 p. 247 “The cream was easily smeared” - “Goodbye. Margarita.
- How does the fact that she leaves her husband a note characterize Margarita?
V) ch. 20 p. 250 "At this time, behind Margarita's back." - "... jumped on the brush astride."
- Who does Margarita turn into for the sake of the Master?
4) The word of the teacher.
True love is always sacrificial, always heroic. No wonder so many legends have been created about her,No wonder so many poets write about her. True love overcomes all obstacles. By the power of love, the sculptor Pygmalion revived the statue he created - Galatea. By the power of love, they beat off the illnesses of loved ones, take them out of grief, save them from death.
Margarita is a very brave, determined woman. She knows how to engage in single combat, is ready to stand up for her happiness, stand up at any cost, even, if necessary, sell her soul to the devil.
The teacher's retelling of the episode of the destruction of the apartment of the critic Latunsky.
Analysis of the scene "Ball at Satan's".
A) Beginning of chapter 23 to "This will make them sick
Whathad to test Margarita before the ball?
What advice does Koroviev give her before the ball?
b) Guests at the ball pp. 283-287 "But suddenly something banged downstairs..." - "..her face was pulled into a motionless mask of greeting."
- Who were the guests at the ball?
Notorious villains gathered at the ball. Climbing up the stairs, they kiss the queen's knee Bala is Margot.
V) The trials that befell Margarita at the ball. Page 288 “Thus an hour passed, and a secondhour". - “... the flow of guests has thinned out.” pp. 289, 290.
- What physical tests fell on the lot of Margarita?
Page 291-294 "She, accompanied by Koroviev, again found herself in the ballroom." to the end of the chapter.
- What did Margarita have to experience at the ball? And all for what? Is the game worth the candle?
- Who did Margarita remember most at the ball and why?
Margarita had to endure many trials, probably shudder more than once, seeing the gallows, coffins. Before her eyes there was a murder Baron Meigel. But most of all she remembers young woman with restless eyes. Once, seduced by the owner of the cafe where she served, she gave birth and strangled the child with a handkerchief. And since then, for 300 years, waking up, she sees that nasal scarf with a blue border.
7)
After the ball. Ch. 24 strZOO-304 “Perhaps I have to go...»-«...
so it doesn't count, I'm fine
didn't do it."
Why does Margarita endure torment at the ball? What does she ask Woland about? Why?
Did anyone expect this request from her? How does this episode characterize Margarita? About whatspiritual quality does this act of Margarita speak? What is higher than love for her?
Why did Woland fulfill Margarita's request, moreover, did he allow Margarita to express her petition to Frida herself?
Everyone was touched by Margarita's mercy when she asked Woland, almost demanded, so that Frida would stop giving that handkerchief. Nobody expected this request from her. Woland thought that she would ask for the Master, But for this woman there is something that is higher than love.
Love for the Master? combined in the heroine with hatred for her persecutors. But even hatred is not able to suppress mercy in her. So, having destroyed the apartment of the critic Latunsky and frightening the adult inhabitants of the writer's Houses, Margarita calms a crying child,
8) What qualities does the author endow his heroine with? For what purpose does shemade a deal with the devil?
Bulgakov emphasizes the uniqueness of his heroine, her boundless love for the Master, her faith in his talent. In the name of love, Margarita performs a feat, overcoming fear and weakness, conquering circumstances, not demanding anything for herself, she “creates her own fate, following high ideals beauty, goodness, justice, truth.
Sh. The result of the lesson
And I didn’t read it - in history, in a fairy tale, -
May the path of true love be smooth.
W. Shakespeare
M. Bulgakov believed that life is love and hate, courage and passion, the ability to appreciate beauty and kindness. But love... it comes first. Bulgakov wrote the heroine of his novel with Elena Sergeevna, the beloved woman who was his wife. Soon after they met, she took on her shoulders, perhaps most of him, the Master, a terrible burden, became his Margarita.
The story of the Master and Margarita is not one of the lines of the novel, but its main theme. All the events, all the diversity of the novel, converge to it.
They did not just meet, fate pushed them at the corner of Tverskaya and the lane. Love struck both like lightning, like a Finnish knife. “Love jumped out in front of them, like a murderer jumping out of the ground in an alley ...” - this is how Bulgakov describes the emergence of love among his heroes. Already these comparisons foreshadow the future tragedy of their love. But in the beginning everything was very calm.
When they first met, they spoke as if they had known each other for a long time. The violently flared love, it seemed, should burn people to the ground, but she turned out to have a homely and quiet character. In the basement apartment of the Master, Margarita, wearing an apron, hosted while her beloved worked on a novel. The lovers baked potatoes, ate them with dirty hands, laughed. The vase was filled not with disgusting yellow flowers, but with roses beloved by both. Margarita was the first to read the already finished pages of the novel, hurried the author, promised him glory, began to call him the Master. The phrases of the novel, which she especially liked, she repeated loudly and in a singsong voice. She said that in this novel her life. This was an inspiration for the Master, her words strengthened his self-confidence.
Bulgakov very carefully and chastely talks about the love of his heroes. She was not killed by the dark days when the Master's novel was destroyed. Love was with them even during the serious illness of the Master. The tragedy began when the Master disappeared for many months. Margarita tirelessly thought of him, not for a moment did her heart part with him. Even when it seemed to her that her beloved was gone. The desire to know at least something about his fate defeats the mind, and then the diaboliada begins, in which Margarita participates. In all demonic adventures, she is accompanied by the loving look of the writer. The pages dedicated to Margarita are Bulgakov's poem to the glory of his beloved, Elena Sergeevna. With her, the writer was ready to make "his last flight." So he wrote to his wife on a donated copy of his collection "Diaboliad". material from the site
With the power of her love, Margarita returns the Master from non-existence. Bulgakov did not come up with a happy ending for all the heroes of his novel: as it was before the invasion of the satanic team in Moscow, it remains so. And only for the Master and Margarita, Bulgakov, as he believed, wrote a happy ending: they will have eternal peace in the eternal home, which the Master was given as a reward. The lovers will enjoy the silence, those whom they love will come to them... The Master will fall asleep with a smile, and she will forever protect his sleep. “The master silently walked with her and listened. His restless memory began to fade, ”this is how the story of this tragic love ends.
And although in the last words there is the sadness of death, there is also a promise of immortality and eternal life. It comes true today: the Master and Margarita, like their creator, is destined for a long life. Many generations will read this satirical, philosophical, but most importantly, lyric-love novel, which confirmed that the tragedy of love is a tradition of all Russian literature.
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(based on the novel by M. Bulgakov "The Master and Margarita")
What do we remember when we hear the name "Mikhail Bulgakov"? Of course, "The Master and Margarita". Why? The answer is simple: here the question is raised about eternal values - good and evil, life and death, spirituality and lack of spirituality. This is a satirical novel, a novel about the essence of art, the fate of the artist. But still, for me, this is primarily a novel about true, faithful, eternal love. The novels in most cases fully correspond to their title, and the main theme in them is love. In the novel The Master and Margarita, the author touches on this topic only in the second part. It seems to me that Bulgakov does this in order to prepare the reader, for him love is ambiguous, for him it is multifaceted. The whole love story of the Master and Margarita is a challenge to the surrounding routine, vulgarity, a protest against conformism, that is, passive acceptance of the existing order of things, unwillingness to resist circumstances. With its painful nonsense, this "ordinary" brings a person to despair, when it is time to shout, like Pilate: "Oh gods, my gods, poison me, poison!". And it's scary, scary when vulgarity crushes. But when the Master says to Ivan: “My life, I must say, did not turn out quite normally ...”, a fresh, saving stream bursts into the novel, although it is a tragic refutation of the routine that can swallow life.
By completely changing the theme of Faust, Bulgakov forces not the Master, but Margarita to contact the devil and enter the world of black magic. The only character who dares to make a deal with the devil is the cheerful, restless and courageous Margarita, ready to risk anything just to find her lover. Faust, of course, did not sell his soul to the devil for the sake of love - he was driven by a passion for the fullest possible knowledge of life. It is interesting that in the novel, which, at first glance, so strongly resembles Faust, there is not a single hero who would correspond to the protagonist Goethe. Undoubtedly, only the similarity of worldviews underlying these two works. In both cases, we are faced with the theory of the coexistence of opposites, with the idea that a person has the right to make mistakes, but at the same time he is obliged to strive for something that takes him beyond the limits of animal existence, everyday life, obediently stagnant life. There is, of course, another important similarity - both Faust and the Master receive salvation from loving women.
And what is interesting: Margarita, this witch who surrendered to the will of the devil, turns out to be a more positive character than the Master. She is faithful, purposeful, it is she who pulls her beloved out of the oblivion of a madhouse. The master, on the other hand, the artist who opposes society, fainthearted, unable to fully fulfill the requirements of his gift, surrenders as soon as he has to suffer for art, resigns himself to reality, and it is no coincidence that the Moon turns out to be his last destination. The master did not fulfill his duty, he could not continue writing. The master is broken, he has stopped fighting, he only wants peace...
There is no place for hatred and despair in Bulgakov's novel. The hatred and revenge that Margarita is filled with, breaking the windows of houses and drowning apartments, is more likely not revenge, but cheerful hooliganism, the opportunity to fool around, which the devil gives her. The key phrase of the novel is standing right in its middle, noticed by many, but not explained by anyone: “Follow me, reader! Who told you that there is no true, true, eternal love in the world? Let the liar cut out his vile tongue! Follow me, my reader, and only me, and I will show you such love! The author, creating the main characters, endows them with extraordinary sensuality and hearts filled with love for each other, but he also separates them. He sends Woland, Satan, to help them. But why, it would seem, such a feeling as love is helped by evil spirits? Bulgakov does not divide this feeling into light and dark, does not attribute it to any category. This is an eternal feeling. Love is the same force, the same "eternal" as life or death, as light or darkness. Love can be vicious, but it can also be divine, love in all its manifestations, first of all, remains love. Bulgakov calls love real, true and eternal, and not heavenly, divine or heavenly, he correlates it with eternity, like heaven or hell.
All-forgiving and all-redeeming love - Bulgakov writes about it. Forgiveness overtakes everyone and everyone, inevitably, like fate: and the checkered gaer, known as Koroviev-Fagot, and the young page boy - the cat Behemoth, and the procurator of Judea, Pontius Pilate, and the romantic Master, and his beloved. The writer shows that earthly love is heavenly love: appearance, clothes, era, time, place of life and place in eternity can change, but the love that overtook you once strikes you in the heart once and for all. Love remains the same in all times and in all eternities that we are destined to experience. She endows the heroes of the novel with the energy of forgiveness, the energy that Pontius Pilate yearns for in the novel of Master Yeshua and for which Pontius Pilate yearns for two thousand years. Bulgakov managed to penetrate into the human soul and saw that it is the place where earth and sky converge. And then the author invents a place of peace and immortality for loving and devoted hearts: “Here is your home, here is your eternal home,” says Margarita, and somewhere far away she is echoed by the voice of another poet who has passed this road to the end:
Death and Time reign on earth, -
You do not call them masters;
Everything, whirling, disappears into the mist,
Only the sun of love is motionless.
Love ... It is she who gives the novel mystery and originality. Love is poetic, this is the force that drives all the events of the novel. For her sake, everything changes and everything happens. Woland and his retinue bow before her, Yeshua looks at her from his light and admires her. Love at first sight, tragic and eternal, like the world. It is this kind of love that the heroes of the novel receive as a gift, and it helps them survive and find eternal happiness, eternal peace ...
