Tickets for the best performances of the current season. The best theatrical performances in the world (11 photos)

For everyone who has not visited the theater for a long time, of course, it is better to choose a performance in advance, study the reviews of the audience so that the cultural trip does not discourage the coming years. There is a wide variety of genres and types of productions in the capital's theaters. We have collected in the review the best performances of Moscow, which, according to the audience, aroused great interest. The productions involve well-known artists whose performance does not leave anyone indifferent.

Interesting performances in Moscow. "Triptych" (Workshop of Pyotr Fomenko)

True connoisseurs of theatrical art gather in the Pyotr Fomenko Workshop. His large-scale production of "Triptych" once opened at the Maly Hall Theatre. The basis of the performance is Pushkin's literary works "The Stone Guest", "Count Nulin". Scenes from "Faust" are included here. The performance consists of three parts. Two intermissions.

The first part of the production seems light and airy, in the director's spirit: sentimental poems, swings and even anecdotes in poetic form. The second part takes the viewer to a Spanish stone city. Spectators are confused by non-obviousness: prayer, a monastery, tombstones and bars. The third part is unusual in its denouement. The audience plunges into the most realistic sea, and at the end, along with the actors and the stage, silk waves cover them. Such illusions, metaphors will impress, excite the viewer's imagination. Pyotr Fomenko invites those present in the hall to "descend from heaven through the earth to hell."

When choosing the best performances in Moscow, pay attention to this production. In the reviews, the audience emphasizes the talented play of the actors: Galina Tyunina, Kirill Pirogov, Karen Badalov.

"Eugene Onegin" (Vakhtangov Theatre, director - Rimas Tuminasov)

The best performances in Moscow should definitely include the play "Eugene Onegin", which is shown on the stage of the Vakhtangov Theater. The director is the talented Rimas Tuminasov. The director and his production are famous for the fact that on the stage the stereotypes of lyricism, the rhythmic construction of phrases are completely broken. The performance can be called the author's. He reveals to the viewer new facets and sides in the plot and character of the characters. This is a performance-thinking-impression. A foggy haze is constantly present on the stage, so the scene seems to the viewer the most fantastic. Here virtue becomes obvious, and the vices of the Russian soul shine through. Life on stage is more tangible, and its negative aspects are perceived with humor. The main actors make the acting on stage impeccable, this is the backbone - S. Makovetsky, M. Sevrinovsky, V. Dobronravov, Yu. Borisova, V. Vdovichenkov, M. Volkova, I. Kupchenko, L. Maksakova, N. Vinokurova.

"Suicide" by Sergei Zhenovach

The theater arts studio in Moscow is directed by Sergei Zhenovach. Here the theatrical power has a special power, and, of course, the best performances of Moscow are staged in this place. According to the audience's feedback, it is clear that they have already appreciated the performances of "The Seedy Family", "Moscow-Petushki", "The Potudan River". The attention of many was attracted by the performance based on the play by Erdman "Suicide".

The topical plot is daring, funny, ironic in nature. The production is a Golden Mask nominee. The performance is another reflection on the image of the “little man”, in the play it is the unemployed Podsekalnikov. He was tired of being a dependent in the family and decided to end his life. The most interesting thing is that others treat such a decision with sympathy.

The main role is played by Vyacheslav Evlantiev. His performance in this production was awarded the Stanislavsky Prize. Three hours, during which the action takes place on stage, fly by unnoticed. Everyone, leaving the hall, feels a certain "theatrical aftertaste" in their souls.

"Who should live well in Rus'" Kirill Serebrennikov

The rating of performances in Moscow, according to the audience, included the performance, which last season was the premiere in the Gogol Center. This is “Who should live well in Rus'” according to Nekrasov. The head of the center, Kirill Serebrennikov, is distinguished by the spirit of rebellion and freedom, a great love for creativity. All his works evoke genuine, sincere emotions in the viewer. Many people remember the high-profile premiere of his Muller Machine. Its main task - not to leave the viewer indifferent - the theater performs perfectly. In a production based on Nekrasov, the main question is explored - who is happy in Rus'? The play is shown in different genres, stunning choreography and mise-en-scenes, extraordinary female vocals, luxurious costumes, constant dialogue - not a single spectator remains indifferent.

Cavalry by Dmitry Brusnikin

Another masterpiece of the Brusnikin Theater - the performance "Cavalry" - was also included in the rating of performances in Moscow. The director this time was Maxim Didenko. Brusnikin's workshop is an ambitious and young theatre. The performance "Cavalry" was created based on the stories of Babel, the theme is the civil war. It is not easy to talk about the war, especially from the stage of the theater, but the Brusnikins managed to do this beyond all praise.

Maxim Didenko is already known for being constantly in search of something unusual, he experiments with a variety of directions. Cavalry is a ballet-oratorio. The main emphasis in the production is on dance and music. This unusual performance about the war has an impeccable visual part. It perfectly combines music, pictures and stage movement. Each viewer noted the extraordinarily beautiful scenes with the game in scarlet! The actors showed a high-class performance and proved once again that this is one of the most difficult professions in the world.

"Boris Godunov"

The playbill of performances in Moscow also includes an amazing production that took place on the stage of the Lenkom Theater. Pushkin's "Boris Godunov" was interpreted by director Bogomolov in his own way. It turned out to be a topical, at the same time funny and desperate trolling, where modern Russia is shown. It turned out to be a kind of blockbuster in the style of Bogomolov's performances "The Karamazovs", "An Ideal Husband".

The performance received mixed reviews from viewers. On the stage, Alexander Zbruev (Boris Godunov) chews gum, shoots his subordinates at point-blank range. The character of Igor Mirkurbanov - Grigory Otrepiev - turns into a reclined prisoner here. Despite the extraordinary interpretation, the play looks fantastic and funny at the same time. Maria Mironova, Viktor Rakov, Alexander Lazarev, Natalya Schukina also play in the performance.

"Hamlet collage"

All Shakespeare's heroes on the stage are played by one actor Yevgeny Mironov, this production was called "Hamlet Collage". Canadian director Robert Lepage is considered a star in the theatrical field. It was he who managed to combine two arts on stage - theater and circus. His troupe Ex Machina is a modern technological theater. The poster of performances in Moscow presents Hamlet Collage as one of the most fantastic productions. Extraordinary emotions evoke complex scenery. A large cube rotates above the stage, its walls are open on both sides. They close and then open. The protagonist descends along the circus lounges from him to the stage. Mironov miraculously transforms into Shakespearean characters: Gertrude, Hamlet, Claudius, Horatio, Ophelia, Polonius and the Ghost. According to the reviews of sophisticated theatergoers, the performance evokes amazing emotions.

Children's performances in Moscow theaters

For children, the theater is an extraordinary, living world of a fairy tale. Even Stanislavsky said that they need to play even better than for an adult audience. It is not difficult to buy tickets for performances in Moscow, you can organize a theater trip during the holidays with the whole class or with your family. The best children's performances on Moscow stages, as shown by the feedback from young viewers:

• "Peter Pan" by James Barry. The performance takes place on the stage of the Vakhtangov Theatre. Director Alexander Koruchenkov staged a play with young actors - students of "Pike". The performance was a success. Young viewers are delighted.
• "Pippi - Longstocking". Performance at the Cherry Orchard Theatre. For many generations, the red-haired little mischievous girl amuses kids who do not stop believing in miracles.
• "The Wizard of Oz". Staging on the stage of the TCC Meyerhold. The theater is directed by Lev Ehrenburg. Children's performances in theaters in Moscow have always enjoyed great success with the audience. A wonderful, magical performance based on Baum's fairy tale is liked not only by children, but also by many adults who have not lost faith in miracles.

Cinema has been around for a very long time, but that hasn't stopped me from continuing to love the theatre.
TV is not able to convey the feelings that you experience when looking at a live actor.
To your attention the best theaters and theatrical performances from around the world.

Japanese Traditional Kabuki Theater

In modern Japan, kabuki is the most popular type of theatrical art. The performance combines dance, song and drama. In performances, form, color and sound form a unique combination associated with the world's greatest stage traditions.

Theater of the Passion of Christ

The theatrical games "The Passion of the Christ" are held in the Alpine village of Oberammergau (Bavaria, Germany). The show is a colorful performance with an ancient choir, a complex dramatic work, in which not professional actors participate, but amateurs. And yet, the number of spectators who want to watch the performance reaches several thousand.

Black theater in Prague

The Prague Black Theater is something very special and unlike anything you have ever seen. His productions are based on the inability of the human eye to distinguish black on black. Illuminated objects, phosphorescent elements, characters floating in the air - these are just some of the elements of art that originated in ancient China. Spectacular play of shadows and light, colorful costumes, animation and tricks, music and dancing, and most importantly - the complete absence of words create a special magical atmosphere on stage.

Dublin Riverdance Dance Show

The grandiose dance show began with a short performance that preceded the Irish performers at the 1994 Eurovision Song Contest. The 7-minute performance turned into a resounding success and worldwide recognition. Riverdance is a synthesis of national musical instruments, Celtic melodies, acrobatic stunts and elements of Irish step ballet.

Musical "The Lion King"

This musical is based on the Disney cartoon of the same name. It was first shown in Minneapolis in 1997. The production was carried out on a grand scale: special effects, combined with excellent music and texts, provided the musical with an unprecedented success.

Shakespeare at the Globe Theater

William Shakespeare is long dead, but his brilliant plays are still alive. On the stage of the English theater "Globe" all the plays of the outstanding playwright were staged. This theater was also rightly called "Shakespeare's Theatre". In addition, the Globe has a theme park-museum dedicated to the great writer.

Theater company "SteppenWolf" ("Steppenwolf")

The theater company is the "arena" for the most prestigious and successful productions in the United States. Here you can see famous Hollywood actors taking part in various plays.

Opera and ballet at the Bolshoi Theater

The Russian Bolshoi Theater can also be put on a par with the above-mentioned theaters. This is one of the most luxurious theaters in the world of opera.

Theater in the South-West is an author's theater, the productions of which are united by a single tone set by the founder Valery Belyakovich. The action takes place on a surrealistically black space of the stage, rich lighting scenography and music play a special role. An important detail in the relationship between the actors and the audience is the constant effect of presence.

Anton Chekhov Theater 6+

The Anton Chekhov Theater has been delighting Moscow audiences with its performances for almost 30 years. The team was born in 1989, becoming the first non-state theater in modern Russia. Today, as in those days, theater and film stars, leading artists of the capital play on this stage.

Maly Theater
Dramaturgy with an exposure of two centuries

The Maly Theater is one of the oldest in Moscow. Immediately after the decree of Catherine II on the creation in St. Petersburg of the first theater in Russia in 1756, a theater workshop was opened at Moscow University. Students became its actors, and for productions they used the works of authors popular at that time.

Moscow Art Theater named after A.P. Chekhov (MKhT)

The Moscow Art Theater - a theater known throughout the world and considered one of the best in the country - began ... in a cafe. Having met at a table in the Slaviansky Bazaar, the future creators of the Moscow Art Theater - Stanislavsky and Nemirovich-Danchenko - discussed the state of affairs in dramaturgy for a long time, and ended the discussion, determined to create a new folk theater in Moscow.

Moscow Academic Art Theater named after Maxim Gorky (MKhAT)
Nervously played, comprehended by the mind

The theater, which now bears the name of Maxim Gorky, was founded, like the Moscow Art Theater named after A.P. Chekhov, in 1987. Then the artistic director of the theater was the artist Tatyana Doronina, who heads the troupe to this day.

One of the oldest theaters in Moscow: its walls still remember Faina Ranevskaya and Lyubov Orlova. The theater has two stages: the main one - for classical productions, the stage "Under the Roof" - for new forms and creative experiments.

Theater named after Evg. Vakhtangov

Without a holiday, there is no performance. The famous Moscow director Yevgeny Vakhtangov was guided by this motto when creating a production that would later become a classic, a real school of acting art - “Princess Turandot” based on the fairy tale by Carlo Gozzi. Vakhtangov did not change his precepts throughout his entire creative career - his theater was and is to this day as festive and carnival as the legendary performance.

Theater "Lenkom"

"Lenkom" has always been distinguished by its special energy, which influenced the choice of performances, the way they were staged, and even the acting itself. Today, as at the dawn of its existence, the theater venue offers the audience a unique repertoire, consisting of the most spectacular classical and contemporary plays.

Moscow theater "Sovremennik"

Over the years of its existence, the Sovremennik Theater has presented the world with many talented actors and has become one of the most significant in the history of the formation of national culture.

Theatre. M. N. Ermolova

Maria Nikolaevna Yermolova is a symbolic figure for theater figures around the world. The favorite of Stanislavsky, the best actress of the Maly Theater, the oldest in Russia, she set the tone for the development of stage art in the country. The name of the artist has become a guiding star for followers and colleagues.

Russian Academic Youth Theater (RAMT)

RAMT was created in the 20s of the XX century as one of the first children's theaters in the country. Today it is a theater of all generations, which is at the center of the modern theatrical process, experimenting with forms and genres. The theater speaks frankly with the young audience on the most exciting topics.

Theatre. Vl. Mayakovsky

A theater with a rich history, one of the oldest and most honored in Moscow and in Russia, operating since 1922.

Theater "Workshop of P. N. Fomenko"
One of the best theaters in Moscow with its own face and unique style

The performances are constantly sold out, for which it is difficult to buy tickets, since the performances are repeated winners of the most prestigious professional awards: Golden Mask, The Seagull, Nail of the Season, Crystal Turandot.

Moscow Drama Theater named after A. S. Pushkin

The theater, created on the ruins of the legendary Tairov Chamber Theater. The performances are on two stages. The repertoire includes both classics and plays by contemporary authors.

Theater "Satyricon"

A theater that has repeatedly been reborn in a new format, but invariably true to the ideas of its founder, the legendary Arkady Raikin.

Theater on Malaya Bronnaya

One of the best theaters in Moscow was created in the year of the Victory - in 1945. Throughout its history, the theater has experienced ups and downs, difficult situations, but has always remained one of the favorites of the public. Today the theater is directed by Sergei Golomazov.

Moscow theater of Oleg Tabakov

"Snuffbox", "Basement", "theatre-studio" Oleg Tabakov - one of the favorite theaters of Muscovites. Oleg Pavlovich himself described the concept and essence of his theater best of all: “In performances, we are looking for a unique form for the life of the human spirit on stage. Therefore, we choose such literature and dramaturgy, in which the main problem for me is considered - how a person can be a person.

Museum Theatre "Bulgakov House" 12+

"Bulgakov's House" is a unique cultural center founded on the initiative and with the active participation of admirers of the famous Russian writer. This is a whole complex with wide technical and intellectual capabilities for fruitful work.

Theater "Et Cetera" under the direction of Alexander Kalyagin

The Moscow theater under the direction of Alexander Kalyagin was born in 1993, survived the wanderings through the basements and recreation centers, in 2006 it moved to a building specially built for it, and today it has become one of the five most visited theaters in the capital.

Theater of Nations 12+

A unique theater without its own troupe, a prominent participant in the modern world theatrical process. Here they boldly and relevantly interpret the classics, put on author's readings, experiment with the audience's perceptions and turn to the most burning topics.

Theater "Practice"

A team that makes a modern production theater.

"Gogol Center"

The Gogol Center is one of the most high-profile, unusual and impressive projects dedicated to the comprehensive development of contemporary art. It is a theater within a city and a city within a theater.

Moscow Theater for Young Spectators (MTYuZ) 0+

The theater, whose history began in the distant 1920, today offers a very diverse repertoire, and performances for an adult audience dominate in it. But children's performances are invariably of high quality, bright and highly artistic. Today's MTYuZ is a theater of two directors, Henrietta Yanovskaya and Kama Ginkas.

Central Academic Theater of the Russian Army

The Departmental Theater of the Armed Forces: many actors liable for military service served on its stage. Today, the theater's repertoire includes three dozen performances, and a galaxy of well-known artists plays in the troupe.

talents and fans

A.N. Ostrovsky.

Theatre. V. Mayakovsky

Directed by Mindaugas Karbauskis

The young artistic director of Mayakovka, Lithuanian Mindaugas Karbauskis, who took a course to renew the theater entrusted to him, did not rewrite the text, did not move his characters to other eras. "Talents and Admirers" is about the theater, about that fanatical service, which, on the one hand, brings happiness, and on the other, pushes for sacrifices and, perhaps, for betrayal.

Igor Kostolevsky played his prince Dulebov, the stupid suitor of young Negina, an arrogant narcissistic snob, bathing in his every intonation, in every step. Svetlana Nemolyaeva turned her elder Negina into a tragicomic old woman, in whom, behind fussiness and alertness, one can see a not very happy woman, mother, who knows the price of life and grief, trying to realize her unfulfilled dreams in a talented daughter. Negina herself was played by invited Irina Pegova - the star of the film "The Walk", one of the favorite actresses of Karbauskis. Her heroine is not a fatal temptress, but a lively, impulsive, hot girl, a real actress, to whom only the stage brings true happiness. In the finale, she slides around the turning circle, almost taking off with happiness.

Little Tragedies

A.S. Pushkin

Theater "Satyricon"

Directed by Viktor Ryzhakov

Such a familiar text by Pushkin sounds unusual here - they play with it, destroy it and collect it again. The play by Viktor Ryzhakov is played by young people - there are no heroes here, there are common destinies, archetypal situations scattered for everyone - for yard boys and girls in gray coats, gathered in the courtyard of a panel house to dance. Ryzhakov made a real collage from "Little Tragedies" - the "Stone Guest" suddenly invades the "Feast in the Time of Plague", and the "Miserly Knight" suddenly invades it. It seems that those who survived the twentieth century, with its wars and upheavals, are trying to play in Little Tragedies.

Together with the young, Konstantin Raikin plays - his stingy knight does not seem like a stingy, predatory old man, but a driven, confused fragment of a different era - he frightenedly writhes over his wealth, but the soulless hands of boys in gray coats intercept his remarks and move his palm, as if it were a weak-willed puppet. The gloomy and stylish collage of the "Satyricon" is crowned by a scene from Pushkin's "Faust" - the text runs across the screen, and to the energetic music the artists set the table - a long one, for the whole stage. An impeccable banquet without a single soul becomes the main metaphor of the performance.

Uncle Ivan

A.P. Chekhov

Theatre. Vakhtangov

Directed by Rimas Tuminas

Rimas Tuminas staged "Uncle Vanya" in a gloomy Lithuanian way. On the big black stage - the remains of a ruined estate - portals, a worthless cracked statue of a lion - these were usually placed in front of the entrance or in the garden. There is no interior decoration or comfort - there is a workbench on the side, a rusty plow in the center, there is also a crushed, shabby sofa. Uncle Vanya and Sonya are looking at the silent sky through a sooty glass - they are waiting, foreseeing the elements that threaten to sweep away the former life from the earth.

Tuminas did not begin to dissolve in the "Chekhovian" atmosphere, having expelled from the play the sentimentality and significance imposed on it. He added eccentricity to his heroes - that grotesque, which, having enlarged the comic, makes it more poignant and tragic. The handsome and stately Astrov, played by Vladimir Vdovichenkov, suffers from his worthlessness and incomprehensibility no less than Uncle Vanya and has little inclination to casual flirting. Everything is serious with him and any ironic dialogue is given to him through force. Professor Serebryakov, played by Vladimir Simonov, looks like a puffed up turkey, but at some point he becomes not only ridiculous, but also pathetic when his body shudders in gouty convulsions. The bewitching Elena Andreevna is turned into a cold porcelain figurine, and Uncle Vanya himself, in the brilliant performance of Sergei Makovetsky, looks like a child who has never grown up. He goes into the blackness of the stage as if into death with an unnatural smile, which the furious Sonya stretches with her fingers on his face.

F.M. Dostoevsky

Theatre. Evg. Vakhtangov

Director - Yuri Lyubimov

In the performance, Lyubimov explores contemporary Russian life with its superficial politicized excitement and massively corrupting taste. Lyubimov, a master of sharp form, a specialist in grotesque and satire, solves a complex multifaceted novel with a subtle psychological connection unexpectedly: it is a musical composition, in the center of which is a person at the piano. The basis of the performance is the music of Igor Stravinsky and Vladimir Martynov, for some time Maestro Martynov himself is at the instrument. All the heroes of the performance are subject to a musical plot: melodies, sounds set the pace, emotion, plastic drawing, everyone here is a little puppet, a little clockwork puppets. And first of all, Nikolai Stavrogin himself, whom the tall, strange Sergei Epishev plays, rather, a tragic clown than a philosopher of denial.

Lyubimov chose only a few chapters from the novel, without focusing his attention on the relationship of the characters, but much time was devoted to satirical scenes - when would-be socialists, so similar to swindlers, fussily decide the fate of Russia. Lyubimov, in his usual manner, is not shy about journalism - his theater has always been characterized by topical jokes of the areal sense. The phrase “Does Liputin know” is pronounced here, deliberately breaking the last name into syllables, which causes constant laughter in the hall, and instead of “God save the Tsar”, a modern anthem is suddenly sung - as if by an accidental mistake.

Russian man on rendez-vous

I.S. Turgenev

Theater "Workshop of P. Fomenko"

Director - Yuri Butorin. The artistic director of the production is Evgeny Kamenkovich.

The play based on Ivan Turgenev's story "Spring Waters", although staged by the young forces of the theater, in its style is the flesh of the flesh of the famous Workshop. Here they know how to work with the word, here they are attentive to the text, and almost every replica can become an occasion for a game, for an elegant theatrical trick.

At the very beginning, the main character, Dmitry Sanin, played by the young actor Fyodor Malyshev, puts on a coat, glasses, a hat, hunches over and turns into an old man who remembers his youth. Then he throws it all off, straightens his shoulders and becomes an impulsive young man, strolling around Frankfurt, waiting for the stagecoach. Accidentally meeting the young Italian Gemma, he enters her mother's house and quickly becomes a fiancé. Italian life in the performance of "Fomenok" is presented with a playful grotesque - noisy, as befits an Italian matron, the mother inserts a real bunch of grapes into her magnificent hairstyle, and when she is worried, she imperceptibly pinches off a berry. And the elderly took root, temperamental, crafty and touchy, showing the habits of a failed operatic genius. Over time, the performance drifts from major to minor - Turgenev, using personal experience, wrote about the painful slavery of the hero who lost his youthful carelessness. Sanin, entangled in the spell of the predatory Marya Polozova, voluntarily renounces happiness, turning into a shabby, restless loser. True, gloomy pessimism is so out of the nature of the Workshop that here, too, lyrical, with a grin, melancholy, smooths out the tragedy.

F.M. Dostoevsky

Moscow theater for young spectators

Director - Irina Keruchenko

Dostoevsky wrote a story, but it was very much loved in theaters - The Meek is staged quite often, history knows the famous production of Lev Dodin at the Moscow Art Theater with Oleg Borisov in the title role. It would seem that the legend, which many older theatergoers remember very well, should have scared the young away from this work. But no - in the small St. Petersburg theater "Osobnyak" Dmitry Podnozov brilliantly plays "The Meek", and on the small stage of the Moscow Youth Theater it was staged by a student of Kama Ginkas Irina Keruchenko. The hero-narrator was played by one of the best actors of the forty-year-old generation, Igor Gordin.

The small stage of the Youth Theater is a white room, frightening with its laboratory whiteness. The uncomfortable space is filled with antique items - a huge chest, a small desk, behind which a moneylender conducts his business. A pale face without a single blood, a nervous crooked smile, a mask of cold indifference and heavy contempt inside - it seems that he despises people, but very soon it will become clear that, first of all, he despises himself.

"The Meek One" is sometimes staged as a one-man show - after all, the story is told from a single person, and the heroine herself is usually perceived as a victim, a suffering face. Keruchenko came up with a different alignment of forces: here the heroine, performed by Elena Lyamina, although she looks quiet at first, her character, unlike the rushing frightened usurer, is solid and strong.

The windows in the house are boarded up with cardboard, the pawnbroker makes a small hole to spy on the world that has offended him, and the heroine, feeling imminent death, tears the cardboard to shreds and freezes under the stream of light pouring on her.

Three sisters

A.P. Chekhov

Maly Drama Theater

Directed by Lev Dodin

If Chekhov’s early experience contained a lot of jazz, passion, languor, fireworks in The Untitled Play, and piercing, sometimes sentimental, tragedy in the ascetic Uncle Vanya, Dodin staged The Three Sisters harshly and laconically.

On the stage, the facade of the house - behind the large openings of windows, the family is preparing for the holiday, but there seems to be no fun. Gradually, this facade will move forward, towards the proscenium, as if getting rid of people from its space. The Chekhov sisters will be left with only a narrow strip of black stage.

Chekhov's heroes here know in advance that life is lost. The middle-aged Tuzenbach performed by Sergei Kuryshev is touching, absurd, but his philosophical fantasies about the future are not at all optimistic. Natasha here, the traditional opponent of intelligent sisters, energetically and boorishly capturing space, is not at all like that here: she is like another sister. Her young hope for a new life is quickly extinguished, with her nervous amorphous, apoplectic physique, her husband, she seems to be the only support of the family, Andrey is like another child, like Bobik and Sofochka.

The sisters themselves have no illusions at the very beginning - even young Irina, reciting a textbook text about the future, does not at all look like a dreamer. All three of them grit their teeth and live out of stubbornness, repeating the words about Moscow more like a mantra than a hope they believe in.

"Three Sisters" in Dodin's version is perhaps one of the most pessimistic Chekhov's performances, however, to Chekhov the skeptic, such a merciless outlook on life would seem close.

Anna Banasyukevich

Moscow posters are full of various offers: classics and comedy, drama and melodrama, parody and tragedy. What are the best performances in Moscow to choose: high-profile entreprises or scandalous productions of fashionable directors? In what productions are involved the game that you so want to see?

We bring to your attention an overview of modern performances, which are guided not only by the audience, but also by directors, actors and critics. We will help you understand this abundance and present the rating of the best performances in Moscow - a reflection of modern life in the classical repertoire. After all, if the theater limits itself exclusively to classics in its unchanged form, then it runs the risk of becoming “academically dead” (V.I. Nemirovich-Danchenko).

"Triptych" (Workshop of Pyotr Fomenko)

Here are the best Large-scale production of "Triptych" P. Fomenko once opened the Small Hall of the theater. The literary basis of the production is Pushkin's works "Count Nulin", "The Stone Guest", scenes from "Faust". Three movements, two intermissions.

The first part is light, airy, in the spirit of the director: a swing, poetry, "a sentimental anecdote in poetic form." In the second part, P. Fomenko transfers the audience to the stone Spanish city. Tombstones, lattices, monastery, prayer. All this confuses non-obviousness. The third part is the denouement, where the viewer plunges into a completely realistic sea and then, along with the stage and actors, is covered by a silk wave.

All these metaphors, illusions, associations excite and impress: “In this wooden booth, you can, like in the universe, go through all the tiers in a row, descend from heaven through the earth to hell.” This is what P. Fomenko offers to his viewers.

The talented play of Kirill Pirogov, Galina Tyunina, Karen Badalov is a real "paradise" for theatrical "gourmets".

"Eugene Onegin" (Vakhtangov Theatre, director - Rimas Tuminasov)

This performance is worth watching in order to see how the director breaks the stereotypes of poetic flair, lyricism and rhythm in the construction of phrases. The performance is author's, it opens up new facets in the character of the characters and the plot. It is called performance-impression-reflection.

The whole production takes place in a foggy haze. This makes it more like a fantasy that shines through Russian vices and makes virtue obvious. Russian life is presented in a visible and tangible way, its bad sides are shown with humor and sophistication.

But the main thing is a galaxy of actors who make the performance impeccable: S. Makovetsky, V. Dobronravov, M. Sevrinovsky, V. Vdovichenkov, Yu. Borisova, I. Kupchenko, M. Volkova, N. Vinokurova, L. Maksakova.

The Seagull (Satyricon Theatre)

The great eccentric Y. Butusov plays with actors' fates in the play. The heroes of this play are clowns, cheerful cheerful idiots, pensive lunatics and aging beauties who have played in prime. What happens on the stage is inventive and spontaneous. Madame Arkadina, with lined eyes, looks like a witch, in the finale Treplev will try to drown his mother in a rusty bathroom, and Butusov will dance an unknown dance.

Here you will see the bright stars of the "Satyricon" - Polina Raikin, Timofey Tribuntsev, Lika Nifontova. And by the way: "The Seagull" received the "Golden Mask" for directing, for which the best performances in Moscow were nominated.

Anarchy (Sovremennik Theatre)

The untouchable "hooligan" Garik Sukachev is the director of the performance, and Mikhail Efremov in the role of Billy "Miscarriage" is the director of this non-conformist action, based on the play by British Mike Packer. The effect that the performance produced is compared to a "bombshell" - so unusual, entertaining and unlike "Sovremennik". Why is there only a mat on the stage, drunken squabbles and anti-government demagoguery!

The story of elderly punks who team up in the hope of making money is spectacular and compelling. In company with M. Efremov you will see D. Pevtsov, V. Mishchenko, M. Selyanskaya, O. Drozdova

"No. 13D" (Moscow Art Theater, production by V. Mashkov)

Each theatergoer in the capital to the question: "What are the best comedy performances in Moscow?", Invariably answered: "Number thirteen." The production ran for ten years and was accompanied by invariable full houses. But in 2012 it was removed from the theater repertoire.

The play has been revived.

In a new cast and a new fashionable format - this is how the merry performance based on the play of a crazy story returned. Instead of the Vanguard Leontiev, the role of a politician who longs to "indulge in passion" with his secretary is played by Igor Vernik. The role of the "corpse" is portrayed by the unchanging Leonid Timtsunik. The devoted secretary is the "unlucky virgin", who was played by Yevgeny Mironov in the last production, and now he is still madly afraid of his mother and her nurse. Charming Paulina Andreeva (secretary) and touching Irina Pegova (nun) rush around the stage in lacy lingerie.

In number thirteen, everything sparks, falls and explodes. The performance is full of special effects and even full-screen video. In general, there are enough attractions. Apparently, Mashkov invites the viewer to digress from the absurdity in life and watch the absurdity on stage.

The video-comic ending adds pluses to the remake's treasury: the "Chekhov" seagull flies to Kamergersky Lane, managing to hit the Kremlin double-headed eagle and Big Ben along the way. In general, comedy acts on the audience like vitamins: it perfectly raises the tone and improves mood.

Theater for kids

What are the best performances where you can go with small spectators? After all, for them, theater is emotions, surprise and inspiration. Even K.Stanislavsky said: "Children need to play like adults, but only better."

So, the best children's performances in Moscow are the TOP five productions that you must see:

• "Peter Pan" (Vakhtangov Theatre) - director Alexander Koruchenkov involved young actors - students of "Pike" in the play based on the play by James Barry.
• "Pippi Longstocking" (The Cherry Orchard Theatre) is a bright, burlesque production about the famous red-haired mischievous girl. A story told for kids who continue to believe in miracles.
• "The Wizard of Oz" (TKTs named after Meyerhold) - the head of the theater Lev Ehrenburg will present a magical performance based on the work of L.F. Baum.

• "Alice Through the Looking Glass" (P.N. Fomenko Workshop Theatre) is a classic fantasy for children and adults. This is the first debut of director I. Popovski, who turned the play into a fairy-tale performance. Indeed, the best performances of Moscow are held in the Fomenko workshop, not only for adults, but also for children.
• "Cat's House" (Moscow - staged by G. Yanovskaya based on the work of S. Marshak. The performance is notable for the fact that the scenery is made in the form of large cubes that turn to the audience in different directions and, like puzzles, make up pictures. And the children will watch the production on pillows located in the lobby.