Eugene Onegin is a hero of his time. Essay “Onegin and Pechorin: advanced people of their time”

Can you call Eugene Onegin a hero of his time?

Pushkin is a great Russian poet, the founder of Russian realism, the creator of Russian literary language. One of his greatest works is the novel “Eugene Onegin”.

Onegin is a secular St. Petersburg young man, a metropolitan aristocrat.

Describing his hero, Pushkin talks in detail about his upbringing and education. Onegin received what was typical for aristocratic youth of that time home education and the education of a French tutor:

Monsieur I "Abbe, poor Frenchman

So that the child does not get tired

I taught him everything jokingly,

I didn’t bother you with strict morals,

Lightly scolded for pranks

And in Summer garden took me for a walk.

Having become a young man, Onegin leads a life typical of young people of that time: balls, restaurants, visiting theaters. But Evgeny Onegin, by his nature, stands out from the general mass of young people. Pushkin notes his “involuntary devotion to dreams, inimitable strangeness and sharp, chilled mind,” a sense of honor, nobility of soul. This could not but lead Onegin to disappointment in life and interests. secular society.

When Evgeniy is overcome by the blues, he tries to engage in some useful activity. Nothing came of his attempt to write!

Onegin locked himself at home.

Yawning, he took up the pen.

I wanted to write, but it’s hard work

He felt sick; Nothing

It did not come from his pen.

Later, having left for the estate that he received from his uncle, Onegin tries to start organizing the peasants:

He is the yoke of the ancient corvée

I replaced it with a light quitrent...

But all his activities as a landowner were limited to this reform.

Even such strong feelings as love and friendship could not save Eugene Onegin from spiritual emptiness. He rejected Tatyana’s love, since he valued “freedom and peace” above all else.

Onegin killed his friend Lensky, as secular prejudices prevailed in the hesitations that he experienced after receiving a challenge to a duel.

It seems to me that Pushkin condemns his hero: he behaved selfishly towards the people around him, although Onegin later realized this. He can be called a hero of his time, because Eugene, just like the hero of Lermontov’s work Pechorin, was above the society in which he was located. Very few people could understand him. I think that is why Eugene Onegin was the way he is.

Young noble intellectual early XIX century, Eugene Onegin is smart, noble, capable of feeling deeply and strongly. He was able to immediately appreciate Tatyana with her discreet external beauty and rich inner world. Onegin is tactful in his relations with Lensky:

He's a cooling word

I tried to keep it in my mouth

And I thought: it’s stupid to bother me

His momentary bliss.

The repentance of Onegin, who killed a friend in a duel, is deep and sincere: “He could have discovered his feelings, and not bristled like an animal; he should have disarmed the young heart...”

Onegin's intelligence was also manifested in the fact that he early realized the worthlessness of secular society and felt like a stranger and an extra person in high society drawing rooms. It was hard for him and

It's unbearable to see in front of you

There's a long row of dinners alone,

See life as a ritual

And follow the decorous crowd,

Without sharing with her

Neither general opinions, no passions.

But Onegin's wonderful inclinations are suppressed social conditions, the environment in which he grew up and lived. It is no coincidence that Pushkin places in the first chapter of the novel short description life of the main character. From this description we learn who raised Eugene and how, what he was taught, how he spent his time when the time came for his “rebellious youth.”

Onegin's predominant state is boredom. Nothing could dispel his melancholy laziness. The thirst for monotonous pleasures in the absence of a real, living matter has taken root in Onegin’s psychology, and he is unable to overcome it. “He was sick of persistent work,” notes Pushkin. And since, according to the author, only in work could they manifest themselves creative forces personality, then the outcome of Onegin’s life is bleak:

Having lived without a goal, without work

Until twenty-six years old,

Languishing in idle leisure,

Without work, without wife, without business,

I didn't know how to do anything.

Love also passed by, because the hero’s feelings became scarce - he suppressed the involuntary excitement experienced at the sight of Tatyana and upon receiving her letter. Only later, shocked by the murder of Lensky and meeting Tatyana again, Onegin gained the ability to do great and strong feeling. In the very first chapters, Onegin is deprived of the very ability to love. His attitude towards love is entirely rational and feigned. It is maintained in the spirit of acquired secular “truths”, the main objective whom - to charm and seduce, to appear to be in love, and not to actually be one:

How early could he be a hypocrite?

To harbor hope, to be jealous,

To dissuade, to make believe,

Seem gloomy, languish...

This "science of tender passion" - necessary accessory secular salons and living rooms.

And finally, Onegin’s friendship with Lensky ended tragically. In the motivations for Onegin’s behavior, Pushkin constantly pits the impulses of his soul against the usual rules of behavior instilled by the secular environment... No matter how Onegin’s noble mind protested against the duel, social conventions shaped by the world still prevailed. Observing the unspoken law of honor established by secular society, Evgeniy kills Lensky in a duel.

In the novel, Pushkin traces the socio-psychological content of the image of Onegin. Onegin's character was formed in certain social conditions, in a certain historical era. Consequently, Onegin is presented in the novel as a national-historical type of Russian life, ultimately generated by the autocratic-serf system. His skepticism and disappointment are a reflection of the general “illness of modern Russians,” which gripped a significant part of the noble intelligentsia at the beginning of the century. Pushkin condemns not so much the hero as the secular environment that shaped him as a person. Onegins are doomed to inaction. They are no longer capable of selfless love, nor for friendship. This is where the idea of a public court arises and the blame falls not on the hero, but on the socio-historical way of Russian life.
Pushkin is a great Russian poet, the founder of Russian realism, the creator of the Russian literary language. One of his greatest works is the novel “Eugene Onegin”.

Onegin is a secular St. Petersburg young man, a metropolitan aristocrat.

Describing his hero, Pushkin talks in detail about his upbringing and education. Onegin received the home education and upbringing of a French tutor, typical of aristocratic youth of that time:

Monsieur I "Abbe, poor Frenchman

So that the child does not get tired

I taught him everything jokingly,

I didn’t bother you with strict morals,

Lightly scolded for pranks

And he took me for a walk in the Summer Garden.

When Evgeniy is overcome by the blues, he tries to engage in some useful activity. Nothing came of his attempt to write!

Onegin locked himself at home.

Yawning, he took up the pen.

I wanted to write, but it’s hard work

He felt sick; Nothing

It did not come from his pen.

Later, having left for the estate that he received from his uncle, Onegin tries to start organizing the peasants:

He is the yoke of the ancient corvée

I replaced it with a light quitrent...

But all his activities as a landowner were limited to this reform.

Even such strong feelings as love and friendship could not save Eugene Onegin from spiritual emptiness. He rejected Tatyana’s love, since he valued “freedom and peace” above all else.

Onegin killed his friend Lensky, as secular prejudices prevailed in the hesitations that he experienced after receiving a challenge to a duel.

The complexity of the image of E. Onegin can be traced throughout the entire novel. This lies at least in the fact that we see how very different Onegin is at the beginning and at the end of the novel. At the beginning of the novel, he is a young womanizer who goes from ball to ball. But even during this period we observe his complexity: he did not go to the theater to watch magnificent productions, not to see the brilliant Istomina on stage. Onegin - “an honorary citizen of the scenes” - is more interested in meetings and affairs with “charming actresses” than the stage, art, he likes to point “a double lorgnette at the boxes of unfamiliar ladies.” Difficult, controversial nature Onegin does not fit into the usual schemes: the hero is not a model, not a villain, he constantly deceives the reader’s expectations. Without responding to Tatyana’s feelings, he did not, however, become a “fatal seducer”, did not start a complete love game, did not betray her trust. His rebuke was cruel, but it was neither base nor dishonorable. “In that terrible hour, you acted nobly,” Tatyana will tell him. But the same Onegin thoughtlessly insulted Lensky, did not dare to refuse the duel, and killed his friend...

Now I want to express my opinion about the ending of the novel. I think the novel could have been continued. The fact is that Pushkin treated people like Onegin with some degree of contempt. It even seems to me that Pushkin probably loved some girl similar to Tatyana, and this girl was probably conquered by some person similar to Evgeniy. And based on all this, I believe that the end of the novel could not be happy. After all, when the first readers of the novel reproached Pushkin for ending the novel this way, he answered them: “You advise others for Onegin...”

The complexity of Onegin’s image also lies in the fact that he did not fall in love with Tatyana right away, but only later, when she had already married the prince. And why this happened, we read in the novel. Yes, I remember most of all those lines when Pushkin gives an explanation of why Evgeny fell in love with Tatyana:

But an indifferent princess, But an unapproachable goddess.

And especially the following lines:

What is given to you does not attract you, the serpent certainly calls you to himself, to the mysterious tree: the Forbidden fruit Give it to you. And without him, heaven is not heaven for you.

I think that it is Eugene Onegin, and no one else, who is the hero of his time. He is in the novel a man who was killed by upbringing and social life, whom no one could understand.

This is my opinion about Eugene Onegin, the hero of his time.

Essays on literature: Eugene Onegin - a hero of his time A young noble intellectual of the early 19th century, Eugene Onegin is smart, noble, capable of feeling deeply and strongly. He was able to immediately appreciate Tatyana with her discreet external beauty and rich inner world. Onegin is tactful in his relations with Lensky: He tried to keep the cooling word in his mouth and thought: it’s stupid for me to interfere with His momentary bliss. The repentance of Onegin, who killed a friend in a duel, is deep and sincere: “He could have discovered his feelings, and not bristled like an animal; he should have disarmed the young heart...” Onegin’s mind was also manifested in the fact that he early realized the worthlessness of secular society and felt feeling like a stranger and a superfluous person in high society living rooms. It was hard and unbearable for him to see before him just a long row of dinners, to look at life as a ritual, and to follow the orderly crowd, without sharing with it neither common opinions nor passions. But Onegin’s wonderful inclinations are suppressed by social conditions, the environment in which he grew up and lived. It is no coincidence that Pushkin in the first chapter of the novel contains a brief description of the life of the main character. From this description we learn who raised Eugene and how, what he was taught, how he spent his time when the time came for his “rebellious youth.”

Onegin's upbringing, as Pushkin showed, his reading circle, his sphere of interests - all this is devoid of national foundations. It is not for nothing that foreign language vocabulary predominates in the hero’s biography, conveying the peculiarity of high society culture, far from national Russian origins. Onegin's predominant state is boredom. Nothing could dispel his melancholy laziness. The thirst for monotonous pleasures in the absence of a real, living matter has taken root in Onegin’s psychology, and he is unable to overcome it.

“He was sick of persistent work,” notes Pushkin. And since, according to the author, the creative powers of the individual could only manifest themselves in work, the outcome of Onegin’s life is joyless: Having lived without a goal, without work, Until the age of twenty-six, Languishing in the inactivity of leisure, Without service, without a wife, without business, Nothing to do I couldn't. Love also passed by, because the hero’s feelings became scarce - he suppressed the involuntary excitement experienced at the sight of Tatyana and upon receiving her letter. Only later, shocked by the murder of Lensky and meeting Tatyana again, Onegin acquired the capacity for great and strong feelings. In the very first chapters, Onegin is deprived of the very ability to love. His attitude towards love is entirely rational and feigned. It is in the spirit of acquired secular “truths”, the main goal of which is to charm and seduce, to seem in love, and not to actually be one: How early he could be a hypocrite, To harbor hope, to be jealous, To disbelieve, to make one believe, To seem gloomy, to languish. .. This “science of tender passion” is a necessary accessory of secular salons and living rooms. And finally, Onegin’s friendship with Lensky ended tragically.

In the motivations for Onegin’s behavior, Pushkin constantly pits the impulses of his soul against the usual rules of behavior instilled by the secular environment... No matter how Onegin’s noble mind protested against the duel, social conventions shaped by the world still prevailed. Observing the unspoken law of honor established by secular society, Evgeniy kills Lensky in a duel. In the novel, Pushkin traces the socio-psychological content of the image of Onegin. Onegin's character was formed in certain social conditions, in a certain historical era. Consequently, Onegin is presented in the novel as a national-historical type of Russian life, ultimately generated by the autocratic-serf system.

His skepticism and disappointment are a reflection of the general “illness of modern Russians,” which gripped a significant part of the noble intelligentsia at the beginning of the century. Pushkin condemns not so much the hero as the secular environment that shaped him as a person. Onegins are doomed to inaction. They are no longer capable of selfless love or friendship. This is where the idea of a public court arises and the blame falls not on the hero, but on the socio-historical way of Russian life. Pushkin is a great Russian poet, the founder of Russian realism, the creator of the Russian literary language. One of his greatest works is the novel "Eugene Onegin".

Onegin is a secular St. Petersburg young man, a metropolitan aristocrat. Describing his hero, Pushkin talks in detail about his upbringing and education. Onegin received a home education typical of aristocratic youth of that time and the upbringing of a French tutor: ... Monsieur I "Abbe, a wretched Frenchman, So that the child would not be exhausted, Taught him everything in jest, Didn't bother him with strict morals, Scolded him slightly for pranks And walked in the Summer Garden drove. Having become a young man, Onegin leads a typical life for young people of that time: balls, restaurants, visiting theaters. But Evgeny Onegin, by his nature, stands out from the general mass of young people.

Pushkin notes his “involuntary devotion to dreams, inimitable strangeness and sharp, chilled mind,” a sense of honor, nobility of soul. This could not but lead Onegin to disappointment in the life and interests of secular society. When Evgeniy is overcome by the blues, he tries to engage in some useful activity. Nothing came of his attempt to write! ... Onegin locked himself at home.

Yawning, he took up the pen. He wanted to write, but the persistent work was sickening to him; nothing came from his pen. Later, having left for the estate that he received from his uncle, Onegin tries to start organizing the peasants: He replaced the ancient corvée with an easy quitrent with a yoke... But all his activities as a landowner were limited to this reform. Even such strong feelings as love and friendship could not save Eugene Onegin from spiritual emptiness.

He rejected Tatyana’s love, since he valued “freedom and peace” above all else. Onegin killed his friend Lensky, as secular prejudices prevailed in the hesitations that he experienced after receiving a challenge to a duel. It seems to me that Pushkin condemns his hero: he behaved selfishly towards the people around him, although Onegin later realized this. He can be called a hero of his time, because Eugene, just like the hero of Lermontov’s work Pechorin, was above the society in which he was located. Very few people could understand him. I think that is why Eugene Onegin was the way he is. "Eugene Onegin" is the first Russian realistic novel and the only novel in verse in Russian literature.

But even during this period we observe his complexity: he did not go to the theater to watch magnificent productions, not to see the brilliant Istomina on stage. Onegin - an "honorary citizen of the scenes" - is more interested in meetings and affairs with "charming actresses" than the stage, art, he likes to point "a double lorgnette at the boxes of unfamiliar ladies." The complex, contradictory character of Onegin does not fit into the usual patterns: the hero is not a model, not a villain, he constantly deceives the reader’s expectations. Without responding to Tatyana’s feelings, he did not, however, become a “fatal seducer,” did not start a complete love game, and did not deceive her trust. His rebuke was cruel, but it was neither base nor dishonorable. “In that terrible hour, you acted nobly,” Tatyana will tell him. But the same Onegin thoughtlessly insulted Lensky, did not dare to refuse the duel, killed his friend... Now I want to express my opinion about the end of the novel. I think the novel could have been continued.

The fact is that Pushkin treated people like Onegin with some degree of contempt. It even seems to me that Pushkin probably loved some girl similar to Tatyana, and this girl was probably conquered by some person similar to Evgeniy. And based on all this, I believe that the end of the novel could not be happy. After all, when the first readers of the novel reproached Pushkin for ending the novel this way, he answered them: “You advise others for Onegin...” The complexity of the image of Onegin also lies in the fact that he did not fall in love with Tatyana immediately, but later, when she had already married the prince. And why this happened, we read in the novel. Yes, I remember most of all those lines when Pushkin gives an explanation of why Eugene fell in love with Tatiana: But as an indifferent princess, But as an unapproachable goddess. And especially the following lines: What is given to you does not attract you, the serpent certainly calls you To himself, to the mysterious tree: Give you the forbidden fruit. And without him, heaven is not heaven for you.

I think that it is Eugene Onegin, and no one else, who is the hero of his time. He is in the novel a man who was killed by upbringing and social life, whom no one could understand. This is my opinion about Eugene Onegin, the hero of his time.

“Eugene Onegin” is the first Russian realistic novel and the only novel in verse in Russian literature.
The complexity of the image of E. Onegin can be traced throughout the entire novel. This lies at least in the fact that we see how very different Onegin is at the beginning and at the end of the novel. At the beginning of the novel, he is a young womanizer who goes from ball to ball. But even during this period we observe his complexity: he did not go to the theater to watch magnificent productions, not to see the brilliant Istomina on stage. Onegin - an “honorary citizen of the scenes” - is more interested in meetings and affairs with “charming actresses” than the stage, art; he likes to point “a double lorgnette at the boxes of unfamiliar ladies.” The complex, contradictory character of Onegin does not fit into the usual patterns: the hero is not a model, not a villain, he constantly deceives the reader’s expectations. Without responding to Tatyana’s feelings, he did not, however, become a “fatal seducer,” did not start a complete love game, and did not deceive her trust. His rebuke was cruel, but it was neither base nor dishonorable. “In that terrible hour, you acted nobly,” Tatyana will tell him. But the same Onegin thoughtlessly insulted Lensky, did not dare to refuse the duel, and killed his friend...
Now I want to express my opinion about the ending of the novel. I think the novel could have been continued. The fact is that Pushkin treated people like Onegin with some degree of contempt. It even seems to me that Pushkin probably loved some girl similar to Tatyana, and this girl was probably conquered by some person similar to Evgeniy. And based on all this, I believe that the end of the novel could not be happy. After all, when the first readers of the novel reproached Pushkin for ending the novel this way, he answered them: “You advise others for Onegin...”
The complexity of Onegin’s image also lies in the fact that he did not fall in love with Tatyana right away, but only later, when she had already married the prince. And why this happened, we read in the novel. Yes, I remember most of all those lines when Pushkin gives an explanation of why Evgeny fell in love with Tatyana:
But an indifferent princess,
But an unapproachable goddess.
And especially the following lines:
What is given to you does not attract you, the serpent certainly calls you To himself, to the mysterious tree: Give you the forbidden fruit. And without him, heaven is not heaven for you.
I think that it is Eugene Onegin, and no one else, who is the hero of his time. He is in the novel a man who was killed by upbringing and social life, whom no one could understand.
This is my opinion about Eugene Onegin, the hero of his time.

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Evgeny Onegin - a hero of his time

Pushkin is a great Russian poet, the founder of Russian realism, the creator of the Russian literary language. One of his greatest works is the novel “Eugene Onegin”.

Onegin is a secular St. Petersburg young man, a metropolitan aristocrat.

Describing his hero, Pushkin talks in detail about his upbringing and education. Onegin received a home education typical of aristocratic youth of that time and the upbringing of a French tutor:

Monsieur I "Abbe, poor Frenchman

So that the child does not get tired

I taught him everything jokingly,

I didn’t bother you with strict morals,

Lightly scolded for pranks

And he took me for a walk in the Summer Garden.

When Evgeniy is overcome by the blues, he tries to engage in some useful activity. Nothing came of his attempt to write!

Onegin locked himself at home.

Yawning, he took up the pen.

I wanted to write, but it’s hard work

He felt sick; Nothing

It did not come from his pen.

Later, having left for the estate that he received from his uncle, Onegin tries to start organizing the peasants:

He is the yoke of the ancient corvée

I replaced it with a light quitrent...

But all his activities as a landowner were limited to this reform.

Even such strong feelings as love and friendship could not save Eugene Onegin from spiritual emptiness. He rejected Tatyana’s love, since he valued “freedom and peace” above all else.

Onegin killed his friend Lensky, as secular prejudices prevailed in the hesitations that he experienced after receiving a challenge to a duel.