Butusov's age. Famous songs of Vyacheslav Butusov

Vyacheslav Butusov - famous rock musician and vocalist legendary group"Nautilus Pompilius". He is also the founder of the U-Piter group. The biography of Vyacheslav Butusov will be discussed in our article.

Childhood

The biography of Vyacheslav Butusov says that he was born in the Krasnoyarsk Territory, in the small village of Bugach, on October 15, 1961. Since childhood he was interested in music. In the fourth grade, he persuaded his parents to buy him his first guitar, which was very difficult to get at that time. However, the parents, despite the difficulties, wanted to help develop their child’s talent and did everything possible to find a guitar for him. But they could never have imagined that this instrument would become the basis for his famous future.

In his last grades, Vyacheslav Butosov, whose biography is discussed in the article, really wanted to go to his native Krasnoyarsk, but his parents did not let him go, but the musician, without listening to them, collected all the certificates from the school and left. He soon returned from there because he was disappointed in his friends, who began to drink and smoke. He had completely different interests and goals that he could not realize there.

Until the ninth grade, his family often had to move to different cities Siberia. school future musician graduated from Surgut.

Vyacheslav Butusov: biography, youth

Having moved to Sverdlovsk (currently Yekaterinburg), Vyacheslav entered the Institute of Architecture. The singer found it easy to study, he could easily complete any task, he drew and drew wonderfully. During his studies, Butusov was involved in the design of the Sverdlovsk metro station.

At the institute, the musician became friends with Dmitry Umetsky (member of Nautilus Pompilius). They were both interested in music from childhood, and often played together at the institute. There Vyacheslav met the now famous poet and musician Ilya Kormiltsev. It was with them that he began his musical career and released his first professional album.

At the institute, Butusov meets his first love, whom he soon marries.

Music career

The biography of Vyacheslav Butusov told us that in 1983 the future star recorded his first album together with Umetsky called “Moving,” but it did not gain much popularity. Two years after meeting Kormiltsev, they released their second album, “Invisible,” which, unlike “Moving,” was made at a professional level.

Together with the musician, he created another group in parallel with “Nautilus Pompilius” - “Step”. They released the album "Bridge" in 1985, which was re-released in 1999 as solo album Butusova.

In 1986, Vyacheslav, Dmitry and Ilya recorded another record, called “Separation,” which made their group famous. Local newspapers and magazines began to write about Nautilus Pompilius, and cassettes with their work flew off the shelves. They continued their activities for another ten years.

In 1997, Vyacheslav Butusov, biography, personal life which is presented to your attention in the article, began independent musical activity. In the same year, together with the former guitarist of the Kino group, he recorded another album, “Illegitimate.” A year later, in 1998, his solo album, called “Ovals,” was released. At the same time, he recorded a song for the film “Brother-2”, where he also starred in a cameo role.

In 1999, he collaborated with Boris Grebenshchikov and took part in the creation of the Terrarium project.

In 2000, Butusov, together with Dead-ears, released the album Elisobarra-torr, which combined the styles of rock and electronic music. A year later, the musician, together with the Kino group, recorded an album called “Star Puzzle”. Later he formed the group “U-Piter”, which consisted of the guitarist “Kino”, former members"Aquarium" and "Caught Anteaters". The group released their first single in 2001, and in 2003 they released a full-length album. In 2004, the group released another album, called “Biography”

In June 2008, U-Piter released the album “Mantis,” and in 2010, “Flowers and Thorns.”

The group released its latest, fifth album in February 2015. Its name is “Gudgora”.

Writer's career

The biography of Vyacheslav Butusov is rich and interesting. He also tried himself as a writer. His trilogy was released in 2007. The first is “Verika”, this is an everyday fairy tale, then “Conditions”, the so-called guide to everyday conditions, and the last everyday novel is “Virgostan”. The books were published in small editions, but gained great popularity. A couple of months later, the musician, together with Nikolai Yakimchuk, wrote another book called “Antidepressant. Co-Seeking.” Four years later, another book, “Archiya,” was written.

Awards

Butusov received his first award in 1989, it was the Lenin Komsomol Prize for his work “Nautilus Pompilius”.

In 2004, he won the Golden Gramophone thanks to the song “Girl Around the City,” which is still popular today.

In 2005, the singer was awarded the Muz-TV Prize for his great contribution to Russian rock music.

In 2007 creative contribution Vyacheslav receives the Tsarskoye Selo Art Prize.

Movies

In 1987, he starred in the short film “There Was a Different Time Before,” at the same time he was offered a small role in a science fiction film by Vladimir Khotinenko called “Mirror for the Hero.”

A year later, in 1988, Butusov appeared in a cameo role in documentary film“Rock from Russia” and in the film “Sickle and Guitar”.

In 1989, Vyacheslav played in one episode in the short film “Nastya and Egor”, and received the role of a passenger in “Sleeping Car”.

In 1997, the musician was offered a role in the popular film “Brother,” for which he wrote the soundtrack. In 2000, he wrote the music for the second part of the film.

In 2002, he created tracks for the film “War”. Also in 2005, he wrote a song for the film “Zhmurki”, and in 2010 for “Needle Remix”.

In 2008, Butusov starred in the film “Day of Oil”. In all films, the actor played himself.

Vyacheslav Butusov: biography, family, personal life

Butusov first got married during his final years at the architectural institute; his wife was fellow student Marina Dobrovolskaya. Soon, in 1980, they had a daughter, Anya. But for almost the entire marriage, the couple lived separately, she hometown Yekaterinburg, and he was in St. Petersburg, this was the reason for their divorce.

Family, whose personal life is interesting to all his fans, met his second wife, art critic Anzhelika Estoeva, in St. Petersburg. She was eighteen years old when they met. Angelica and Vyacheslav accidentally ran into each other on the street; she recognized him only by his voice. Then the young girl fell in love with the musician almost at first sight. They still live together and are happily married. The couple have three children. In 1991, their daughter Ksenia was born, who recently gave her parents a grandson. After 8 years, Butusov and Angelica gave birth to Sofia, and in 2005 a boy, Daniil, was born.

We have already talked about the heirs Hollywood stars, young grandmothers and like two peas in a pod relatives, and rock stars were bypassed.

Let's fill in the gaps - today our article is dedicated to the heirs of our rock legends.

Anna, Ksenia and Sofia Butusov

The leader of Nautilus is like a fairy-tale king, he has three beautiful daughters. From left to right: senior Anna(from her first marriage), Angelica, middle Ksenia and youngest Sophia.

Anna, 35 years old

Anya was born in July 1980, and then in Moscow there were Olympic Games. The 18-year-old father almost named his first daughter Olympics. What kept him from taking such a step is unknown. At the age of 10, Anya survived her parents’ divorce, and at the age of 16 she began to live independently, moving from her native Yekaterinburg to Moscow.

Anya remembers that her father for a long time considered her a dandelion girl. When they worked on the video together, Anya showed her father new tattoo. Vyacheslav did not expect such a step from his daughter and asked if she was real.

Butusov wanted Anya to receive a diploma from Moscow State University, but upon entering the history department of the University, she gave preference to creativity and became a makeup artist. At first, the father was worried about his daughter’s choice, but then he came to terms with it.

2011, Anya Butusova at work:

Ksenia, 24 years old

In 2012, the father of a noble family officially introduced his middle daughter, a graduate of the Faculty of Arts of St. Petersburg State University, into the world.

At the Tatler Debutante Ball, 21-year-old Ksenia shone in an elegant Elie Saab Haute Couture dress.

Then she shared her dreams: to conquer the capital theatrical stage and “to create the same wonderful family that our parents had.” Presumably, the second dream came true - in December 2013, Ksenia and her husband gave the rock musician a granddaughter, Divna.

Sofia, 16 years old

For a long time, those around her believed that Sophia would follow in her father’s footsteps, but the girl abandoned music school. “I like to listen to music, not create,” she shared.

Serafima Shnurova

The daughter of the Leningrad leader from her first marriage turns 23 this year. Reporters write that she graduated from either the Faculty of Philosophy or Philology of St. Petersburg State University, but judging by the caption on her Instagram, she does not work in her specialty - she is engaged in graphic design.

Several years ago, the media wrote that Seraphim broke off her relationship with her scandalous father. Like, she didn’t want her personality to be associated with her father’s success. But, judging by the photos on social networks, dad and daughter communicate well.

From Cord's page, 2014:

April 2015, Sima on her page congratulates her dad on his birth:

Someone says that Seraphim is a copy of her father. Do you see the similarities?

Especially looking at this “doll” portrait:

Alisa Grebenshchikova

BG's 37-year-old daughter is on her own famous person. She is an actress, constantly busy with theater companies, and acts in TV series and films.

Since childhood, she loves to associate herself with Lewis Carroll's Alice from Wonderland: her personal account is decorated with famous illustrations from this book, and sometimes she tries on the image of her favorite heroine:

Her Instagram is full of photos with her children, colleagues, and friends, but there are practically no photos with her father. Although this does not mean at all that they are not close - it’s just that Alisa Grebenshchikova is an absolutely independent creative unit.

But she shares her own funny childhood photos. For example, at 13 years old with an 80s rock idol hairstyle.

Zhanna Kipelova

35-year-old daughter of Valery Kipelov, founder legendary rock band"Aria" inherited his musical gift.

By training she is a conductor, choirmaster and vocal teacher, her own voice can be heard in some compositions of the “Dynasty of Initiates” project in the gothic metal style, with which her father also collaborates.

Daughter with dad:

Zhanna teaches at the Moscow children's school musical theater"Domisolka", unique educational institution, whose young artists are gladly invited to serious musical projects– they are so professional.

Vera Panfilova

And this brown-eyed beauty is the daughter of Konstantin Kinchev.

Having taken all the best in appearance from her parents, she followed in the footsteps of her grandfather on her mother’s side - theater and film actor, director Alexei Loktev. Vera studied at the Moscow Art Theater School and at the directing department of GITIS and at the age of 24 serves in the theater. Mayakovsky.

While still studying, Vera met Oleg Yankovsky’s grandson Ivan, and now they are beautiful couple, not only on stage, but also in life.

Daria Chigrakova

And another lovely flower with rocker roots – the 23-year-old daughter of Sergei “Chizh” Chigrakov.

Adolescence (17 years):

Youth (photo from 2013; then Daria acted as a model in makeup artists’ projects):

And this is one of the latest photos from 2016 from the official website of the group “Chizh and Co”: a touching duet with his father.

Vyacheslav's childhood was spent in constant moves associated with professional activity head of the family - Gennady Dmitrievich. The boy’s mother, Nadezhda Konstantinovna, devoted herself to raising her son and home. After graduating from ninth grade, Vyacheslav Butusov entered the Sverdlovsk Architectural Institute, where he was involved in the design of the metro.

The first steps to national glory

One of Vyacheslav’s hobbies was music, which allowed him to relax and give free rein to his emotions. A passion for art brought the newly minted student together with fellow student Dmitry Umetsky, who, like Butusov, was interested in music. In their free time, the guys played the guitar, sang original songs, and dreamed of a big stage.

In their last year at the institute, Vyacheslav and Dmitry recorded their debut album, called “Moving”. The record turned out to be a failure, perhaps due to lack of experience. At the same time, Butusov met Ilya Kormiltsev, with whom he began working on the next album. In 1985, the musician’s first professional album, “Invisible,” was presented.

Unfortunately, after graduating from university, Butusov went to work in his profession. For creative people future star Soviet rock these were difficult times, comparable to hard labor.

Only on weekends did Vyacheslav give vent to his emotions at a local rock club, where he performed with Umetsky. A year later, the guys presented their second joint record called “Separation”. This time the album was successful. With their first success, the musicians realized that it was time to put an end to routine, meaningless work and move to a professional level in music.

Vyacheslav and Dmitry chose the name for their group “Ali Baba and the Forty Thieves,” but it turned out to be unsound. Soon the guys renamed the team “Nautilus Pompilius”. There were four participants in total in the group; Andrei Sadnov, Igor Goncharov, and Alexander Zarubin joined the already famous Butusov and Umetsky.

In 1987, the Nautilus Pompilius group went on a tour that lasted for several years. During constant travel and concerts, Vyacheslav decided to disband the team of musicians. A month before this difficult decision, Umetsky left. After some deliberation, Butusov suggested that Dmitry create a new creation, “The Man with No Name,” to which the musician agreed. But the reunion turned out to be short-lived, the friends again went in different directions.

The legendary band's finest hour

Throughout 1990, Butusov was looking for new members of the Nautilus Pompilius team. Having assembled a team of talented like-minded people, the musician began recording new albums: “Wings”, “Titanic”, “Alien Earth”. In March 1995, the rock band performed at the Gorbunov Palace of Culture, where huge amount fans. The performance at the Lennauchfilm film studio was no less successful.

At the end of 1996, Butusov, together with Kormiltsev, recorded the penultimate album “Yablokitai”. Englishman Bill Nelson also took part in the creation of the album. Following this work, the world heard the collection “Atlantis,” which included songs that were in the archive folder.

Unexpected news for fans of Nautilus was the statement of the group leader Vyacheslav about the termination of the project. In June 1997 there was last concert of the legendary group, which took place at the Rossiya State Central Concert Hall.

After him, the musicians went on their last tour. This marked the end of the life of the Nautilus Pompilius group. The hits of the top band of the 90s were heard in the popular film “Brother”. Butusov played in this film cameo role, having tried himself as an actor.

In the second part of the legendary film about the life of Danila Bagrov, played, one of the most popular songs"Nautilus Pompilius" - "Gibraltar - Labrador".

A new round in the musician’s work

In 1997, Butusov went on a solo voyage. A year later, the musician presented the duet album “Illegitimately Born...”, recorded with ex-member of the Kino group Yuri Kasparyan, as well as the solo record “Ovals”. At the beginning of the 2000s, Vyacheslav began active collaboration with the team “Deadushki”, with whom he recorded the electronic-rock album “Elisobarra-Torra”.

The song "Nastasya" from this album for short time became popular, and the clip quickly gained popularity record number views. In 2001, fate brought Butusov together with the musicians of Viktor Tsoi, who died in the 90s. A newly formed team of talented and confident musicians presented their new album “Star Puzzle”. New project Vyacheslav called it “U-Peter”, and it included: Evgeny Kulakov, Oleg Sakmarov, Georgy Kasparyan.

In 2003, Sakmarov decided to leave the project, and a year later “U-Peter” presented the next album, “Biography”. In 2005, Butusov received a personalized plate at the Muz-TV award, winning in the category “For contribution to the development of domestic rock music.” The group's third album was released in 2008 and was called "Mantis".

It took Butusova and the guys from U-Peter two years to record their fourth album, “Flowers and Thorns.” Gradually, the band's popularity faded away, leaving only loyal fans who believed in their once heyday famous group. Five years of painstaking work and fans of Vyacheslav’s work waited for the fifth album of “U-Peter”, called “Gudgora”.

In February 2017, Vyacheslav announced the termination musical activity group "U-Peter". This happened in Chelyabinsk, where Butusov made another statement, admitting large-scale preparations for the celebration of the anniversary of Nautilus-Pompilius, which is turning 35 years old. To do this, he needs to gather new and old musicians to show everyone the power of the legendary band.

Finding Happiness

Vyacheslav met his first wife while studying at the Sverdlovsk Institute. Although Marina studied in a different specialty, she noticed a bright young man from the Faculty of Architecture. Six months later, the young students tied the knot. In 1980 they became parents and their daughter Anna was born.

After 13 years life together, Butusov told his wife that he had met another girl who changed his horizons. The separation was difficult due to the fact that the musician left short letter on the nightstand, where he succinctly explained the situation, rather than confessing it personally. New darling Vyacheslav's name was Anzhelika Estoeva, the young girl had no idea who her man was.

In 1991, Vyacheslav and Angelica had a daughter, Ksenia. Eight years later, Sofia was born, who was born on the same day as her older half-sister Anna - July 31.

In 2005, Butusov became a father for the fourth time, and now he has an heir - his son Daniil. In December 2013, Vyacheslav tried on new status- grandfathers, Ksenia gave her father a granddaughter, who was named Divna.

“became a man whose songs are the anthem of an entire generation, and he himself is a symbol of the end of the USSR era. Vyacheslav Butusov came to Yulia Menshova’s studio with his wife and the mother of his three children Anzhelika Estoeva.

Now Butusov is an exemplary family man, a father of many children: the singer, in addition to Ksenia, Sophia And Daniel, whom Angelica bore to him, there are eldest daughter from her first marriage, Anna. And in 2013, he also became a grandfather. And only now, according to the rock star, holding his granddaughter Divna in his arms, he is thinking about the topic: could he imagine 20 years ago that he would become the head of such a large family.

Butusov’s wife said that she met Vyacheslav without knowing that he was a superstar. She was only 18 years old, and, moreover, she had no idea that the singer was married. However, Angelica explained, her beloved reassured her, a girl who believed, that the spiritual connection with her first wife had long been lost.

“... I saw a man in the detached state of a space alien, wearing glasses. He took off his glasses, I saw a big black eye under his eye...” - Anzhelika Estoeva recalls meeting her future husband.

Angelica was able not only to find common language, but also make friends with the daughter of a rock legend, Anna. The girl, who was nine years old at the time, trusted her with all her secrets.

Vyacheslav Butusov and Anzhelika Estoeva

Butusov openly confesses his love to his wife, saying that he found himself only after meeting Angelica: “By the age of fifty, I realized that throughout the first half, relatively speaking, of this series, I was in some kind of gaseous state and materialized only when the this meeting. And my whole life, it turns out, was prepared for me to materialize at the moment when we met...”

Vyacheslav and his wife were generally open to communication and ready to answer all, even very uncomfortable, at first glance, questions from Yulia Menshova. About how Butusov then, at the peak of his popularity, almost reached the brink. About licentiousness, permissiveness, imaginary freedom and elements that cannot be controlled... It turns out that going on stage in front of a huge crowd of fans, everyone’s attention is, as Butusov calls it, “a disgrace.”

Vyacheslav’s wife said that after ten years of marriage, the singer came to the understanding that due to alcohol addiction he could lose her love, children, and family. And then they, holding hands, went to the temple... As a mystical and deep person, Butusov was always difficult to convince anyone of anything - he himself found the answers to all the questions and came to the truth. Now Butusov helps people suffering from alcoholism...

This time the conversation in the studio “Alone with Everyone” proceeded sedately, without scandals and exchange of barbs, which was observed the other day - in Yulia’s conversation with Lyudmila Maksakova. An atmosphere of prosperity and relative position between the guests and the presenter filled the studio. Only now the audience is already divided in opinion. Some write that the program was not with Butusov, but with Angelica, and that it was boring. Others say that Butusov and his wife are bright and pure, integral and multifaceted people who were very interesting to listen to.

Estoeva, Angelika
Not just the wife of Vyacheslav Butusov

Vyacheslav Butusov’s wife Anzhelika Estoeva and her husband recently visited Minsk, where they attended a rehearsal of the play “Ovals,” which is scheduled to premiere at the end of December in the capital of Belarus. In addition to Vyacheslav Gennadievich himself, a number of Belarusian musicians are also involved in the preparation of the program (it is based on material from the VB album of the same name).

The charming Angelica, despite the seeming certain coldness, reacted to the request for an interview with “Musical Newspaper” with interest, and therefore today you have before you an interview that is not quite usual for “MG”, in which its main character is not a musician... But much more - musician's wife.

I would like to draw your attention in advance to something that you would have noticed anyway: having started talking, Angelica and I imperceptibly switched to “you”. This did not happen because the journalist is very bad mannered (although there is enough of this, let’s be honest...), but it seemed to me that some kind of innate tact and amazing intelligence of Angelica endears people to her so much that after a few minutes it seems to you, that in front of you is a person whom you have known for a long time, you just haven’t seen each other for a long time, and therefore there is something to tell everyone...

A trivial question: is it easy to be the wife of a famous musician?

I think that when you love a person, you no longer ask yourself such a question, you don’t ask yourself external questions, but you look at it more... how to say, from an internal position, perhaps, a human one. The point is not who your husband is, but the relationship between people. That is, if between people there is what we call love, mutual understanding, friendship, harmony, then it will be easy. For me, it is the inner that dominates, when we feel good together, when there is this spiritual unity, and everything else matters the least.

And who was the first to note whom for themselves: Glory to you or you to him?

I can tell you for sure that I lived, freely floating in space, and was never a fan. I knew about the existence of the group NAUTILUS POMPILIUS, I liked it, I listened to it. Our acquaintance was very funny. I lived for a whole month in Germany, in West Berlin. And since childhood, I have had a difficult problem: I’m afraid to be alone at night, and my German friends with whom I lived went to their parents every weekend, and so as not to be scared, I slept with the light on and a record playing. In my friends’ collection there was one record that was acceptable to me - NAUTILUS and BRIGADE C, the same one with NAUTILUS POMPILIUS on one side and BRIGADE S on the other (There was also a Sade record). And these virtual friends of mine accompanied me in night vigils, and I no longer felt so lonely, I was not afraid. And a month later I returned home to St. Petersburg, where, quite by accident, we met Slava on the street. He was with a person who knew me visually, they came up to me and said hello. And we crossed the road together when the light was green, it was during the day. Together we walked along Nevsky Prospekt, the guys went to buy plane tickets. We talked and communicated. That's all, actually... And I once looked at Slava - and something happened, probably some kind of internal sympathy arose. I looked at him through the eyes of a woman, with those eyes with which women look at a man when inner sympathy suddenly arises. I consider myself to be in the category of such women: if I see a person whom I deeply like, I want to communicate with him, and, while communicating with him, I am not disappointed in him, then I certainly begin to experience something from this. But if a hundred people tell me that you have a great authority before you, then this will not be a reason, God forbid, to get married. Something real needs to happen.

I was very young, I was more guided by feelings, even though reason is necessary, but we were intertwined in some kind of ritual, long dance, communicating for two years. Dance with all sacrificial observances, burning. Everything was both difficult and great. This period consisted of the most different things: everything seemed to be fine, we were enjoying ourselves, and then, having a certain internal reserve, we scattered, lived our own lives, in order to again build a path to each other, such a difficult, slow one. I am a less resilient person in this sense; I cannot withstand such difficult relationships for long. And Slava was the first to stop all this... And we just realized that we couldn’t live without each other.

Vyacheslav... What kind of person is he? Difficult to understand for those who don't know him well?

Yes, of course, he is a complex person. But I can tell you - geniuses cannot be judged by philistine standards...

Sorry to interrupt. Do you think Butusov is a genius?

Yes, I consider him a very gifted person, who has enormous potential within him, but this does not mean at all that he should fuss, want to do everything, since each person has his own specific rhythm. He must exist in this rhythm and not be burdened by it, but Slava’s problems often arise due to the fact that he considers himself slow, as if inert. And he often lacks the strength to do something. I’m trying to explain to him that he shouldn’t be burdened by this. Two people are given to each other in order to help, this is unconditional.

And he beautiful words does he tell you that he confesses his love?

Such words do not need to be said often, he speaks very simply and very beautifully, somehow he does it naturally, characteristic of him... Words are often empty, thought, when it comes into contact with reality, loses a lot; if people understand each other, then I can feel the unspoken. And it happens that they tell you many, many times that they love you, but you don’t believe him. Is it true? And sometimes they don’t tell you, but you are sure that everything is fine - they understand you, they love you.

They talk about you as a person who is difficult to dissuade of something. You need 100% proof to prove something to you. They say that Slava really listens to your opinion, that you even influence his creative research in some way. Is that so?

You know what, that's not entirely true. I'm actually a very soft person, doubting somewhere, but in difficult moments I can step up and I can say that yes, I am strong man. But in our relationship there is no imposition, that is, I can say something to Slava, and if he accepts it, then, of course, he will accept it. But everything is not happening in such a way that I am actively instilling something in him, under no circumstances. I believe that love implies delicacy of relationships, without impositions. If I'm convinced of something...

What then is your belief based on? The fact that you have seen a lot of concerts, know them from the inside, know how a person composes something, have you read any specialized books?

No, I only read classical literature, spiritual. Basically, I think this is enough to feel. Then, if Slava trusts me with certain things, it means that he automatically entrusts me with the right to judge, gives me to read what he writes. Accordingly, I speak out. Of course, when people live together, they influence each other: I influence him, he influences me. But in no case did it ever occur to me to speculate on relationships; the influence should be positive. The influence that he has on me helps me when it is difficult for me to understand some things. In the same way, if I want to instill something in him, then I am driven by some sincere convictions and impulses - so that he becomes better, or something, so that he gets rid of some serious problems of his.

Are there people, musicians, from whom you protect Slava, do you advise that for such and such reasons it is better not to work with them?

There should always be an element of caution. I can warn you if I feel something, as a caring person. But I think if a person is strong, who can influence him? Just like alcohol: you allegedly made my husband drunk. To which they object: if he didn’t want to, he wouldn’t drink. Right?

It must be taken into account that creative people very trusting and vulnerable, and often there are such characters, being unclean in their souls, who try to take advantage of these moments.

Have you encountered many such people along the way?

Thank God no. There was one difficult period in life, but we survived it.

How long have you been together?

Eight years, nine this year... You know, for me, our relationship with Slava is developing so well, not down, but up. It’s like a vertical that we climb... I can tell you quite sincerely, honestly, that every year it becomes easier, not more difficult. We get used to each other, we get to know each other better, we become closer, we open up more about ourselves. This is also creativity, perhaps even the most difficult creativity - living together, helping each other, being surprised, never ceasing to be surprised. Well, then, after all, two children - this also brings us very close.

I wonder what Butusov’s father is like...

Good. Unlike other fathers, perhaps, he has his own views on education. Since he is a creative person, he cannot take care of children all day long, be with them, but if he is with children, if he, for example, with Ksyusha, his eldest daughter, goes for a walk or to the workshop, I am completely calm, I know, that this will be a fruitful communication, the two of them will feel good... He doesn’t like to babysit, but he’s not harsh either, Slava is very delicate and careful, he believes that such kind of open squeezing is not of babies, but of children who are already growing up, it went, for example.

How do you feel about this?

You know, I explain to him that there is always that middle line between vulgarity and indifference, there is that golden mean. And Slava is several people of extremes; it is difficult for him to determine this golden mean, although at the same time he is a self-sufficient person, harmoniously sufficient. But he has such internal moments. Therefore, I tell Slava that if you have just arrived, it is already late, that if you have ten minutes there, but if you gave these ten minutes to the child, asked about something, became imbued with something, then this is already enough for so that the child can see you and know that everything is okay.

Was the period when Vyacheslav did not perform the best period for both of you? Or was he still suffering from idleness?

No, he didn't suffer. He is a rather intimate person, creativity for him is a sacrament, such a sacred process, he likes it better, he relishes it more when he is alone in his workshop, where he can write music, a book, he can paint. That’s when he was in free flight, and just going on stage, I would say, even weighed on him.

If we talk about me, then I cannot say that during that period it became easier or more difficult for me. I saw that he felt better, he felt good, so everything suited me. On the other hand, we were accustomed to this form of existence, when he went on tour, I waited for him and met him. Then we often traveled together, but with the birth of our second child, we go out somewhere together less often.

You're in charge of the housework, right?

The house has great importance. In this sense, I am very patriotic. If you read Marquez’s “One Hundred Years of Solitude,” then I have this feeling of a kind of cult of home in me - to create a cozy home so that everyone would feel good, to feel calm, comfortable, so that a person would want to return home, knowing that it is warm there, that they are waiting for him... As a child, I decided for myself such postulate things that I would value this, that and that; Maybe this looks a bit over-the-top to some, but I don’t see that Slava is bothered by it. I really like to settle down, I love the elements of renovation. When we first started living together, our house was decorated with the same colors, but now it is different. We are not burdened by what we have already grown out of, what we have already experienced. And for me, a house is not a household thing. This is some kind of pathological fabrication, we ourselves came up with the idea that raising children is a routine, the house is a household chore. Nothing of the kind. This is all very difficult, taking a lot of energy, but humanity has not come up with anything more ingenious than giving birth to a child. Everything I do, I try to do creatively.

What kind of institute are you studying at?

After children, this is my second pride. This is the St. Petersburg RHGI - Russian Christian Humanitarian Institute. It is located in the center of the city, an absolutely wonderful institution, such a living organism, in which amazing teachers work, they charge you with such optimism and love of life.

My specialization is art historian, but this is not a highly specialized education, but a classical one, when you get completely different things in volume. You can do whatever you want afterwards. I began to know and learn more; Each of us has a lot of questions to which we want answers, in which you, in turn, find confirmation of your thoughts.

How did you end up in Germany?

The thing is, as my mom and grandma say, I'm the one rare specimen, which, despite its softness and flexibility, is very difficult to crush. I've been since early childhood I knew what I could do and how I would do it, although I never exercised despotic power over anyone. I grew up, one might say, in a boarding school, but I don’t complain at all, on the contrary, I remember these years with reverence and love, because the boarding school was special, with the Chinese language...

Ooo! You must like MUMIY TROLL!

You know, Ilya and I know each other, and he seemed like a very nice person to me.

Doesn't he play too much?

Do you mean the image? Even if he plays, he still remains real, and most importantly, he remains kind person. But everyone has weaknesses, and each of us wants to hide under a shell from time to time, like a turtle.

There's no way we'll get to Germany...

I ended up there thanks to my friends. After graduating from school, I was in such a limbo for a long time. There is some kind of hippie burden, under whose influence I fell somewhat. All the time I dealt with very high matters, as my mother and grandmother said - lack of pragmatism and the ability to calculate. And somehow, in one wonderful, international company, I would say, where there were Germans who studied with us (Buddhism also somehow united everyone, although I, of course, was not part of this faith), I went to Czechoslovakia, and then I almost ended up in Germany. And when I told you about how we met Slava, in the same conversation we had with him it turned out that he had recently returned from Germany.

Returning to today. What can you say about the Ovals project?

I really like this idea. I like all the people involved in this project; I see absolutely talented guys who carry life-affirming energy.

If everything works out, the Butusovs can lead to some new level people employed at Ovals. I'm talking here specifically about Belarusian musicians...

Certainly. I will be happy if this helps someone. But they have everything to achieve something without our participation.

So, in your opinion, will we see the premiere before the end of the year?

I have no doubt about this. I see, I feel that Slava likes that he is on fire. I see that such a common organism has already formed. The same "Oval".