In domestic and world literature. The theme of Spanish nature in the creative search for renacimiento
Nature as a source of beauty
(aesthetic impact on a person)
a/ Sample introduction
Man and nature... This is one of the "eternal" themes in the history of Russian and world literature. Nature has always served as a source of beauty that can have a beneficial effect on a person, fills his soul with peace and tranquility, and helps to become cleaner.Nature has its own magic, its own enchanting charm that heals the soul, introducing it to a wonderful moment of awareness of oneself as a particle of the Universe. (56 words)
b/ Approximate reasoning
Many p poets and writers understood that the soul can be awakened only when a person can enjoy every moment of life, can find poetry in any manifestation of earthly joys. In the works of talented authors, pictures of nature reveal to us a delightful world, they excite with their originality, remind readers: do not destroy the beauty around you. (46 words)
c/ Argumentation (examples from the literature are detailed, we indicate exactly the authors and titles of works in quotation marks!)
Let's turn to the works of Russian literature. One of wonderful works, which shows the aesthetic impact of nature on man, is A.S. Pushkin's poem "Winter Morning". The poem opens with a rhetorical exclamation conveying a joyful mood. lyrical hero: “Frost and sun; wonderful day!” And, indeed, thanks to the poetic talent of A.S. Pushkin, we find ourselves in the world winter fairy tale, we see a picture of a wonderful morning:
Under blue skies
splendid carpets,
Shining in the sun, the snow lies ...
The poet creates a very visible picture of nature. Color epithets help him in this: “ blue skies”, “Amber shine”, verbs with the meaning of color: “blackens” (forest), “turns green” (spruce). We understand the state of the poet, who admires the beauty of the winter morning, betrays his admiration for the picture native nature. (103 words)
I'll give you another example. In Leo Tolstoy's novel "War and Peace" there is an episode "Night in Otradnoye". On the way to the Ryazan estate of the son main character Prince Andrei Bolkonsky stops for the night at the Rostov estate. At night, he hears a conversation between Natasha Rostova and Sonya. Natasha admires the beauty of the moon spring night, she leans out of the window, laughs, wakes up Sonya: “After all, such a lovely night has never, never happened.” bright, happy, poetic world beloved heroine of L. Tolstoy, her ability to see the beauty of nature, to admire her, is conveyed by the author in this scene.
The enthusiastic state of the heroine is also transmitted to Prince Andrei, causing "an unexpected confusion of young thoughts and hopes", makes you look at the world around you, at yourself with different eyes. A moonlit spring night in Otradnoye awakens in the hero's soul the desire to live, rejoice, love. (116 words)
Possible arguments:
- Nikolai Petrovich Kirsanov in the novel "Fathers and Sons"
- Olesya in the story of A.I. Kuprin
- E. Baratynsky's poem “Spring, spring! How clean the air is!..” In the poem, E. Baratynsky greets spring with a jubilant, joyful hymn. The poet greets early spring, which with all its power and inherent brilliance comes to replace winter. It also awakens in the poet the impulse towards the ideal, the desire to merge in this single impulse with nature and dissolve in it ... (And other lyrical poems of Russian poets about nature)
Approximate conclusion
Even on the example of these two works, one can judge that
the life of nature has a huge impact on a person, changes him internally, makes him better. (23 words)
Outcome - 344 words
http://mmoruli.rusedu.net/post/7146/98428
There was a time when our distant ancestors not only respected nature, but personified and even deified it. All nature seemed to them, to use the expression of the poet Nikolai Rubtsov, “a holy abode”, where God lives invisibly in every stone, speck of dust or mote.
Much later such a philosophy would be called pantheism. Figuratively speaking, the umbilical cord connecting man with nature had not yet been completely cut: man did not understand much, was afraid, and therefore perceived nature and its forces with reverent awe.
Much has changed radically since the Renaissance. From the worship of nature, man moved on to its conquest, subjugation and change. And here to XXI century we are reaping the fruits of this thoughtless domination, when the environment leaves much to be desired. Could literature be left out? Of course not.
IN western theme the relationship between man and nature is not the key. Still, it is felt that a person of a European warehouse is mainly occupied with himself, his career and self-affirmation by any means. Writers are mainly interested in another question - how does a person manifest himself in a collision with wildlife? That allows him not to lose himself and remain a man. This is narrated in famous novel D. Defoe "Robinson Crusoe", in the book by G. Melville "Moby Dick".
The wild nature of the North comes to life under the pen of the American novelist D. London. A through image of rain is on the pages of E. Hemingway's works (“Cat in the Rain”, “Farewell to Arms!”, etc.). Often the heroes of the works are representatives of the animal world (" White Fang"the same D. London or the stories of E. Seton-Thompson). And even the narration itself is conducted as if from their face, the world is seen through their eyes, from the inside.
But we hardly find Western European literature such captivating landscapes and colorful descriptions, as in the prose of M. Prishvin (“In the land of fearless birds”, “Kashcheev's chain”) or K. Paustovsky (“ Meshcherskaya side"). Just as these two classics loved and knew nature, few people knew and loved it. Moreover, they themselves were inquisitive and inquisitive naturalists, traveled a lot, talked with people. Diverse experiences then, naturally, they settled on the pages of books.
However, Russian poets did not stand aside, starting with F.I. Tyutchev. It was he who first voiced the idea that nature has a language, a soul, and love. This idea was picked up by A. Fet, N. Nekrasov, A. Blok, and in the 20th century by N. Zabolotsky and N. Rubtsov. For a poet, any trifle, any detail is perceived sharply, freshly and unexpectedly. Tyutchev even noticed a thin hair of autumn cobwebs, which by some miracle remained on an already empty field. However, nature almost never interests poets in itself, but always in connection with man, with his thoughts, feelings and experiences.
It is not for nothing that one can often find in verses the technique of syntactic parallelism, when, for example, streams of rain are likened to human tears, or vice versa. Nature seems to shade state of mind a person, heals and heals his soul, helps to regain faith after a period of heavy loss. This is what happens to Ivan Afrikanovich Drynov, the hero of V. Belov's story "A Common Business", who understands that suicide is not an option, children orphaned at home after the death of their wife and leaving them is an even worse sin.
Thus, the relationship between man and nature on the pages of books is diverse. Reading about others, we involuntarily try on characters and situations for ourselves. And, perhaps, we also think: how do we ourselves relate to nature? Shouldn't something be changed in this regard?
Leningrad blockade
woman at war
War without embellishment (non-fiction)
A. Adamovich, D. Granin, Blockade Book (episodes)
On the big factual material- documents, letters, memoirs of Leningraders who survived the blockade - the authors talk about the courage of the defenders of the city, about the heroic and tragic days of the defense of Leningrad during the Great Patriotic War. The book contains the living voices of survivors of the horrors of war. This is the truth of war, without embellishment, without gloss, which is why the book "was torn" through a tough Soviet censorship, its first edition could not be found in libraries.
Taken together, these testimonies are special power and, according to A. Adamovich, “ people's memory, consisting of many true stories, are brought into focus ... "
S. Aleksievich “The war has no female face» (episodes)
Following the authors of the book mentioned above, living testimonies of people who went through the fire of war were recorded by S. Aleksievich. She only turned to those who, it would seem, did not belong at all in the war, to women - former sappers and pilots, nurses and laundresses - to women who, together with men, held the front. This is how the book “War Has Not a Woman’s Face” appeared, which has the power of a special emotional impact, evocative the greatest gratitude and at the same time inescapable guilt before them - sisters, brides, wives who went through the war.
F. Abramov "Jim's Descendant".
Yu. Yakovlev "Girl from Vasilievsky Island".
(The themes formulated on the basis of the indicated problems allow one to reflect on the aesthetic, environmental, social and other aspects of the interaction between man and nature)
General theses on the topic:
Russian classical literature is fertile material for education in a person love relationship to nature. It's hard to find another in the world national literature, in which so much attention would be paid to the topic "Nature and Man". Descriptions of nature in Russian classical literature are not just a background against which the action unfolds, they are important in overall structure works, in the characterization of the character, because in relation to nature, the inner appearance of a person, his spiritual and moral essence, is also revealed.
English writer C. Snow, speaking about the difference English Literature from Russian, he noted: “In almost all works of Russian literature, and above all of Tolstoy, the English reader feels the breath of vast spaces, boundless Russian plains.”
1. Thesis: “Man and nature are a single whole. We are all a product of nature, part of it.”
I.S. Turgenev "Notes of a hunter", "Fathers and Sons"
I.S. Turgenev entered the history of Russian literature as an artist who shows the primordial commonality of nature with man. His words are well known: "Man cannot but be occupied by nature, he is connected with it by thousands of indissoluble threads." The feeling of oneness with all life on earth determines the moral properties of many of his heroes.
Bazarov, rejecting any aesthetic enjoyment of nature, perceives it as a workshop, and man as a worker. Arkady, a friend of Bazarov, on the contrary, treats her with all the admiration inherent in a young soul. In the novel, each character is tested by nature. Arkady, communication with the outside world helps to heal spiritual wounds, for him this unity is natural and pleasant. Bazarov, on the contrary, does not seek contact with her.
M. Prishvin "Pantry of the sun"
In the work “The Pantry of the Sun”, Prishvin expressed his innermost thoughts about the relationship between man and nature: “We are the masters of our nature, and for us it is the pantry of the sun with the great treasures of life.”
"The Tale of Igor's Campaign"
V. Astafiev "Tsar-fish"
In "Tsar Fish" Viktor Astafiev writes about the life-giving beginning of the connection between man and nature. The relationship between man and nature, according to Astafiev, should be based on the principles of harmony. Attempts to "conquer" nature can lead to the death of everything.
The fisherman Utrobin, having caught a huge fish on a hook, is unable to cope with it. To avoid death, he is forced to let her go free. An encounter with a fish that symbolizes the moral principle in nature makes this poacher reconsider his ideas about life.
Thesis: The surrounding nature can change a person, make him happy.
V. Shukshin "The old man, the sun and the girl"
In Vasily Makarovich Shukshin's story "The Old Man, the Sun and the Girl" we see an example of the attitude to native nature. The old man, the hero of the story, comes to the same place every evening and watches the sun go down. To the artist girl who is next to him, he comments every minute on the changing colors of the sunset. How unexpected it will be for us, the readers, and for the heroine, the discovery that the grandfather, it turns out, is blind! For over 10 years! How to love native land to remember for decades her beauty!
F. Abramov "Yes, there is such a medicine"
“... Baba Manya got up. She got up, with difficulty reached the house and took to her bed: she developed bilateral pneumonia. Baba Manya did not get up from her bed for more than a month, and the doctors had no doubt that the old woman would die. There is no cure in the world to raise an old man from the dead. Yes, there is such a medicine! Starlings brought him to Baba Mana…”
Y. Yakovlev "Awakened by nightingales".
The mischievous, restless Selyuzhonok was once awakened by nightingales in a pioneer camp. Angry, with a stone in his hand, he decides to deal with the birds, but freezes, spellbound by the singing of the nightingale. Something moved in the boy's soul, he wanted to see, and then portray the forest wizard. And even though the bird molded by him from plasticine does not even remotely resemble a nightingale, Selyuzhonok experienced the life-giving power of art. When the nightingale woke him again, he lifted all the children from their beds so that they too could hear the magic trills. The author argues that the comprehension of beauty in nature leads to the comprehension of beauty in art, in oneself.
V. Shukshin "Strait"
Sanya Neverov, the hero of V. M. Shukshin's story "Strait", in his words, "lived wrong all his life." But when he fell ill and death knocked on his door, he suddenly passionately wanted to live. To live in order to contemplate the beauty of nature, which I simply did not notice before. “I saw spring forty times, forty times! And only now I understand: well. Let me look at her, for spring! Let me rejoice!” he says.
LN Tolstoy "War and Peace". Episodes "Night in Otradnoye", "Oak".
Can't stop looking at the beautiful moonlit night the heroine of the novel "War and Peace" by Leo Tolstoy Natasha Rostova. She is so fascinated by the night scenery that she can't even think about sleeping. Andrei Bolkonsky, who also admired the beautiful night picture and accidentally overhearing the exclamations of a girl, enchanted by the beauty of the night, will suddenly come to the conclusion that “life is not over at thirty-one” ...
Thesis: It is necessary to take care of nature.
Saint Exupery "The Little Prince"
A very important idea of the fairy tale-parable is simply expressed in the words of the protagonist - Little Prince: "Get up, wash, put yourself in order and immediately put your planet in order." Man is not the king of nature, and if he does not follow its laws, then the eternal world order can be violated, the author believes. Through the lips of another hero of the fairy tale - the Fox - the author reminds us, people: "We are responsible for those we have tamed."
B.Sh. Okudzhava "Mouse"
Thesis: "We are responsible for those we have tamed."
N.D. Teleshov "White Heron".
The theme of consumer attitude to nature. The problem of human responsibility for their actions.
How are people alive?
Themes this direction suggest a reasoning about the value orientations of man and mankind, about the ethical, moral, philosophical, social aspects of being (on the material of domestic and world literature). The wording "How do people live?" implies that people are alive by spiritual values: love for one's neighbor, faith in God, a dream, faith in justice, in friendship...
Theme of love.
nA.N. Ostrovsky "Thunderstorm"
The play "Thunderstorm" is a social and moral drama. The theme of love in A.N. Ostrovsky's play is not the main one. The writer claims (the idea) that to truly love means to sacrifice everything you have for the sake of the loved one.
Katerina's love - The basis of her life is love for God, for her mother, for her beloved. Katerina loves not like the women around her. She is ready to sacrifice for the sake of a loved one. The heroine violates even those concepts of sin and virtue that were sacred to her. Inner purity and truthfulness do not allow her to lie in love, deceive, pretend. “Let everyone know, let everyone see what I'm doing! If I'm not afraid of sin for you, will I be afraid human court? she says to Boris.
The love of Tikhon Kabanov is the love of a slave. Tikhon loves Katerina in his own way, but is afraid of her feelings. He does not protect her, but only silently regrets.
Boris's love is slave love. A weak-willed person, incapable of decisive action, is not ready to take responsibility for the woman he loves. He is the only one who understands Katerina, but is unable to help her. Boris advises Katerina to submit to fate and endure.
Barbara's love is the love of a frivolous woman. She is incapable of big love, despite the fact that he runs away with Vanya Kudryash. I can't believe that Varvara and Kudryash will be able to create strong family because they look at the relationship between men and women the same way.
nI.S. Turgenev "Fathers and Sons"
nV.A. Zhukovsky "Svetlana"
nA.S. Pushkin "K ***" ("I remember wonderful moment...”), “I loved you: love still, perhaps ...”, “Dubrovsky”, “Eugene Onegin”, etc.
M.Yu. Lermontov “No, I don’t love you so passionately ...”, “Hero of our time”
nL.N. Tolstoy "War and Peace"
nF.M. Dostoevsky "Crime and Punishment"
nA.A. Blok, V.V. Mayakovsky, A.A. Akhmatova, M.I. Tsvetaeva
nM.A. Bulgakov "The Master and Margarita" and others.
n Bunin "Lapti", " Clean Monday»
nPlatonov "Yushka"
Pushkin "The Captain's Daughter"
n Solzhenitsyn "Matryonin Dvor", "One Day in the Life of Ivan Denisovich"
Tolstoy "After the Ball"
n Sholokhov " Quiet Don»
n Shukshin "Kalina red"
How are people alive?
What is the basis, the very essence of human life?
Think core values human being and life in the tragic moments of history, in the days of peace and labor, people rely on the moral values that have been developed by mankind. They are alive with the idea of preserving peace and life on earth. They are concerned about the welfare and prosperity of their state and their small homeland within which their lives are carried out. They save space personal life- home, family, children. Simple human joys are not alien to them: manifestations of love, friendship, admiring the beauty of nature and human relations. Regardless of the time and environment of residence, people are united in their pursuit of happiness, sometimes understanding the essence of this most important human condition in different ways. It is also important to note that a person has always sought to determine his place in life, to understand his purpose. Reflecting on what others are alive with, he always strived to realize what he himself is alive with, whether his own fate satisfies him, whether he narrowed the scope of his life to the level of everyday life, leaving others the right to decide eternal questions being. Such questions require a great work of the mind, soul, honesty before oneself from a person. And then a person's life is filled not only with work for the sake of daily survival, but also with spiritual work that ensures the development of a person's personality and, consequently, life in general. Understanding the essence human life, penetration into its most diverse manifestations, of course, contributes to literature - both world and our native - Russian.
Reflecting on the questions of how to fill your life, what to devote it to, the anxious thought of Yevgeny Bazarov, the main character of the novel by I.S. Turgenev "Fathers and Sons". He analyzes various options human destiny, ways of life. “Stuff the day with all sorts of activities, ahami yes ohami” ... so, “that there is no time to come to your senses”? (Bazarov about the life of his mother). To lead a "deaf life, such as the fathers lead here"? It is easy to live, “to see off day after day, slowly and only occasionally worrying,” like Anna Sergeevna Odintsova? Dedicate your life to the struggle for the “last peasant” to have a “glorious, white hut”? “Well, he will live in a white hut, and burdock will grow out of me; well, and then? In the scene "Under the Haystack" the final questions of being, insoluble in their essence, are posed: what is a person and what is a person's life? Why is life needed if it is not eternal? Where is the line between everyday, momentary and eternal? What is the meaning of human life if it is only a grain of sand, a kind of “mathematical point” compared to eternity? How should a person manage his life? What goal should you dedicate yourself to?
L.N. Tolstoy, a great connoisseur of human nature, in the novel "War and Peace" also shows different ways of life. The essence of the life of some people ( secular society in the salon Scherer) are career, wealth, mercenary politicking, power, cruelty. Outwardly, we see elegance, intelligence, tact, high political interests in the salon. And internally these are false people, their conversations and behavior are hypocritical. For example, Prince Vasily, speaking on high political topics, thinks only about the device of his son. Hiding selfish intentions, he says, "like a wound clock", "like an actor says words old play". He refers these people to the "war" party. Tolstoy contrasts them with the "life of the heart" of the Rostovs and the "life of the mind" of the Bolkonskys. All the Bolkonskys are connected by a deep work of thought, high intelligence, a penchant for mental activity, depth peace of mind, pride, aristocracy. The Rostovs live with their hearts - love, friendship. These two families, when the need comes, will show themselves as true patriots and will defend their country, their home, their way of life.
These traditions are inherited by Turbines - the heroes of M. Bulgakov's novel " white guard”, brought up on the books of Pushkin and Tolstoy. Their house is shaken by the "wild, black wind" civil war. And they are ready to defend the City, the House, noble concepts of honor and duty. Defending the House, they defend the way of life that was bequeathed to them by their parents, those ideas of humanism on which they were brought up by Russian classical literature. Outside the windows of the house - cold, darkness, chaos, and in the apartment there is an old clock playing a gavotte, a “lamp under a green shade”, cozy “cream curtains”, a family blue service, a tiled stove on which family members write playful messages to each other. All this creates a feeling of warmth and reliability. "The bronze lamp under the lampshade" symbolizes privacy and home comfort. The struggle of the peaceful light of a home lamp with the advancing darkness reflects the struggle of living life with a sudden deadly blizzard, a “blizzard”.
Here are "the best books in the world with Natasha Rostova," Captain's daughter". Turbin had to endure a lot during the winter of 1918-1919. But at the end of the novel, everyone gathers again in their house for a common meal. “And everything was the same… The commonwealth of people and things survived”, and this is the main thing. Bulgakov and his heroes are sure: “Everything will pass. Suffering, torment, blood, hunger and pestilence. The sword will disappear, but the stars will remain ... ”The house and the stars as eternal moral values, as the fundamental principle of life - this is what a person lives for.
So why are people alive? The interests of peace, friendship, love, the search for one's place in the world, the desire to fill life with meaning and participate in common life people, the struggle for life and what is its essence.
Nadezhda Gennadievna Gorokh
How are people alive? (Based on the works of M. Gorky)
The topics of this direction involve discussion of the value orientations of man and mankind, the ethical, moral, philosophical, social aspects of being (on the basis of domestic and world literature).
The story "Chelkash"
Thesis: “Although more than a hundred years have passed since the writing of the story“ Chelkash ”, it has not lost its significance in our time. Economic crisis, impoverishment of the majority of the population, decline in prestige moral values- all this has led to the fact that many people consider money to be the most important thing in life, and for them it does not matter how they are obtained. It is not easy to overcome the psychology of acquisitiveness, but those who can do it will become higher, cleaner and spiritually richer ”(E.B. Tager)
What does Chelkash value most in life? What kind of life do you dream of?
Find a description of the hero's portrait. What bird does the author compare Chelkash with? Why?
What ideas about freedom does Gavrila have? Do they coincide with Chelkash's idea of freedom?
What drives Gabriel's actions? Why is there a murderous plot in the head of a religious guy?
Which of the heroes, in your opinion, is spiritually higher?
_______________________
Thesis: “M. Gorky entered Russian literature as a writer who, on his own experience, knew life from gloomy and unsightly sides. At the age of twenty, he saw the world in such a variety that it seems incredible his bright faith in man, in his spiritual nobility, in his strength, capabilities. (A.A. Volkov)
What is the ideal of a person, according to M. Gorky? Prove with examples from his works.
In what Gorky images is the idea of \u200b\u200bselfless love for people affirmed?
____________________________
Thesis: “In his work, Gorky solved the questions of how a person should be and how he should live among people” (A.N. Semenov)
Are these questions present in the "Song of the Falcon", the stories of "Chelkash"? How does the author respond to them?
Reflect in the essay on the question of true values person.
The story "Old Woman Izergil"
Thesis: “Life is a never-fading candle. It is something like a miraculous torch that fell into the hands of man for a moment, and it must be made to burn as brightly as possible before being passed on to future generations. (B. Shaw)
What is the ideal of a person in the story "The Old Woman Izergil"? What did the story make you think about?
The heroes embody beauty, strength, energy, youth, love of freedom. Can this be the main thing in assessing a person? Under what condition is all this admirable?
"In life there is always a place for exploits." What is the essence of achievement? Danko's feat is for the sake of people. But the liberated people forgot their savior. Was it worth the sacrifice? What memory did Danko leave about himself? (blue sparks).
Creative work:
Blue sparks fall into the hearts of people and make them burn with the same love for people that lived in Danko. Some people with flaming hearts accomplish feats, others turn their whole life into a feat. Write an essay on the topic "People with flaming hearts."
Who among us has not felt the divine fusion with surrounding nature and that pacifying state in which the soul plunges, as if dissolving in the surrounding world?
Of course, the most subtle comprehension of the spirit of nature is characteristic of our poets and writers, who are distinguished by a special susceptibility to the surrounding world.
Not what you think, nature:
Not a cast, not a soulless face -
It has a soul, it has freedom,
It has love, it has a language...
These heartfelt poetic lines are created Fyodor Ivanovich Tyutchev in 1836 ("Not what you think, nature" ...). Emphasizing that not every person is able to feel the spirit of nature, the poet describes the magical effect that it produces on people who feel it subtly: in their soul "enter" rays, in the chest "spring blossoms", the mysterious world of nature in all its splendor and beauty is revealed before them.
Nature was the source that nourished the work of Sergei Alexandrovich Yesenin; his landscape sketches early lyrics no one can be left indifferent. The beauty of the Ryazan region, the poet's homeland, imbued his poetry with the blue of heaven:
O Rus - raspberry field
And the blue that fell into the river -
I love to joy and pain
Your lake longing...
(“The hewn drogs sang ...”)
The poet cannot imagine himself without his native nature:
I was born with songs in a grass blanket.
Spring dawns twisted me into a rainbow.
(“Mother went to the bathhouse through the forest”)
Sergei Yesenin finds surprisingly accurate poetic words to express that inner rebirth, purification that occurs in his soul upon contact with the natural world:
Forgetting human grief
I sleep on clearings of branches.
I pray for scarlet dawns,
I take communion by the stream.
("I am a shepherd, my chambers...")
With awe and extraordinary love, the poet notices every movement that takes place in the natural world:
Golden foliage swirled
In the pinkish water of the pond
Like a light flock of butterflies
With fading flies to the star.
("Golden foliage swirled")
And he does not get tired of declaring his love to her:
I'm in love tonight
The yellowing valley is close to my heart/.../
It would be nice how willow branches,
To tip over into the pink waters.
("I'm in love with this evening tonight...")
Not only poets, but also prose writers with the help of artistic word convey the amazingly beneficial effects of nature on the human soul. So, for example, in the work Sergei Timofeevich Aksakov "Notes on angling fish", written in 1847, the writer writes that only in the village, not near Moscow, but in the far “One can feel the full life of nature, not offended by people. Village, peace, silence, tranquility! The artlessness of life, the simplicity of relationships! And calls “to run there from restless, external activity, petty, self-serving troubles, fruitless, useless, albeit conscientious thoughts, worries and cares!” And he claims that it is there, on the banks of rivers and lakes, “Imaginary passions will subside, imaginary storms will subside, proud dreams will crumble, unrealizable hopes will scatter!” That is, everything superficial, unnecessary for a person, will disappear imaginary values, the understanding of true beauty will come, the desire for the eternal ideals of love, truth, the absolute truth of moral values. S.T. Aksakov is convinced that thanks to nature, a person can also get rid of aggressiveness in communication, reconcile not only with the people around him, but also with himself: “Together with fragrant, free, refreshing air, you will breathe into yourself serenity of thought, meekness of feeling, indulgence towards others and even towards yourself.”
Moreover, nature, the writer writes, is able to strengthen our faith in our own abilities, relieve us of fettering uncertainty, depressive fatigue, and fill us with life-giving energy. new energy: “Imperceptibly, little by little, this dissatisfaction with oneself will dissipate, this contemptuous distrust of own forces, firmness of will and purity of thought - this epidemic of our century, this black infirmity of the soul, alien to the healthy nature of a Russian person, but looking at us for our sins ".
Thus, a person, being a part of our nature, cannot, without coming into contact with it, gain happiness, health, self-confidence and must draw his strength, both creative and spiritual, mental and physical, in contact with the natural world, not allow himself dissolve for a long time in the noisy space of the city and be isolated from it for too long.
The conference is organized by the department foreign literature Literary Institute named after A.M. Gorky and is carried out within the framework of state project"Year of Ecology in Russia (2017)".
The conference will be held in the building of the Literary Institute on December 7, 2017. Conference proceedings will be published in one of the collections scientific papers Literary Institute.
Conference program
(Thursday)
plenary day
Plenary session (morning)
Time limit for speeches: 10-15 minutes
Welcome speech by the rector of the Literary Institute named after A.M. Gorky Doctor of Philology Professor Varlamov Alexey Nikolaevich
Welcome speech of the projector on creative and scientific work Literary Institute named after A.M. Gorky Ph.D. associate professor Dmitrenko Sergey Fedorovich
Khaltrin-Khalturina Elena Vladimirovna, Doctor of Philological Sciences, Presenter Researcher IMLI RAS
The mental landscape of Wordsworth's work: about the methods and techniques of creation
Gacheva Anastasia Georgievna, Doctor of Philological Sciences, Leading Researcher, IMLI RAS
The image of nature in the philosophical heritage of N.F. Fedorov: religious-philosophical and literary context
Morozova Irina Vasilievna Doctor of Philology, Professor of the Russian State Humanitarian University, Institute of Philology and History, Department of Comparative History of Literature
Nature in the women's text of the Old South
Barkova Eleonora Vladilenova, Doctor of Philosophy Sciences, Professor of the Russian University of Economics named after G.V. Plekhanov Ecophilosophy and fiction in the prospects for the development of world culture
Chekalov Kirill Alexandrovich, Doctor of Philology, Head of the Department of Classical Literature of the West and Comparative Literature, IMLI RAS
The Danube in Jules Verne's novels
Lunina Irina Evgenievna, Doctor of Philological Sciences, Professor, Head of the Department of the History of Foreign Literature, Moscow State University
Nature and Man in Mary Hunter Austin's The Land of Little Rain
Levina Vera Nikolaevna, Doctor of Philological Sciences, Associate Professor of PFUR
Landscape as an ecological marker of a literary text
Evans James, Senior Lecturer foreign languages Literary Institute named after A.M. Gorky (England)
"Bizarre" image of nature in children's literature
Papyan Yury Mikhailovich, Candidate of Philological Sciences, Associate Professor of the Department of Russian Language and Stylistics of the Literary Institute named after A.M. Gorky
About the analysis of the image and about "how the image enters the image"
Salenko Olga Yurievna, Candidate of Philological Sciences, Associate Professor of the Department of Russian classical literature and Slavic Studies of the Literary Institute named after A.M. Gorky
pictorial image and individual style V love lyrics A. Apukhtin, A. Fet, K. Fofanov, A. Blok
Zavgorodnyaya Galina Yurievna, Doctor of Philological Sciences, Professor of the Department of Russian Classical Literature and Slavic Studies of the Literary Institute named after A.M. Gorky
The symbolism of the landscape detail in the poems of A. Tennyson
Plenary session (afternoon)
Leaders: Department of Foreign Literature of the Literary Institute named after A.M. Gorky, Professor Tarasov Boris Nikolaevich, Associate Professor of the Department of Foreign Literature of the Literary Institute named after A.M. Gorky Popov Mikhail Nikolaevich
Kaznina Olga Anatolyevna, Doctor of Philological Sciences, Senior Researcher, IMLI im. A.M. Gorky, Professor of the Literary Institute named after A.M. Gorky
“Nature as a metaphysical environment in the work of S.T. Coldridge
Tarasov Boris Nikolaevich, Doctor of Philological Sciences, Professor, Head. Department of Foreign Literature of the Literary Institute named after A.M. Gorky
Pantheism or Christianity? (image of nature in Tyutchev's lyrics)
Gladkov Alexander Konstantinovich, candidate of historical sciences, senior researcher of the Institute world history Russian Academy Sciences
The Poetics of Nature between Paganism and Christianity: Natural Philosophical Aspects of Western European Latin Literature of the Middle Ages
Fedorov Aleksey Vladimirovich, Candidate of Philological Sciences, Head of the Philological Center of the publishing house "Russian Word"
Hunting in the life and work of A.K. Tolstoy
Gvozdeva Tatyana Borisovna, Candidate of History, Associate Professor of the Department of Foreign Literature of the Literary Institute named after A.M. Gorky
The image of Olympia in ancient literature
Lebedeva Victoria Yuryevna, Ph.D. state university them. I.A. Bunin
On the issue of the "swamp theme" in the Russian-language discourse of V. Nabokov
Arutyunov Sergey Sergeevich, poet, associate professor Literary Institute. A.M. Gorky
On the translations of Robert Frost by Nikolai Rabotnov and on the illusions of 2001
Filin Andrei, poet, playwright
The role of nature in analytical psychology K.G. cabin boy
Zaitseva Elena Alexandrovna, Ph.D., prof. MGIM named after A.G. Schnittke
Predictive rites in Russian calendar folklore
Dubakh Tatyana Mikhailovna, Candidate of Philological Sciences, Associate Professor of the Department of German Philology, Ural State Pedagogical University
The image of nature in the prose of Arthur Schnitzler
Zavershinskaya Elena Aleksandrovna Candidate of Philological Sciences, Associate Professor of the Department of Russian Language, Literature and Teaching Methods of the Kuibyshev Branch of the Novosibirsk State Pedagogical University
Dialogue with Ch. Baudelaire in the poem "Nature" by M. Houellebecq
Litvinenko Ninel Anisimovna, Professor of Moscow State Educational Institution, Doctor philological sciences genre mode romantic image nature in the novel George Sand 1830-1840
Dzhambekov Sharani, Doctor of Philological Sciences, Chechen State Pedagogical University, member of the Writers' Union of Russia
The world of nature in Shima Akuev's novel-dilogue "Red Flowers in the Snow" (to the 80th anniversary of the birth of the Chechen poet and prose writer)
Bochkareva Svetlana Vladimirovna, PhD in Philosophy, teacher in English, Kovanova G.I., teacher of Russian language and literature, MBOU "Gymnasium No. 19", Kurgan
Dialogue between Man and Nature from the point of view of the literature of different peoples
Buzskaya Olga Maratovna, Candidate of Philosophy, Associate Professor
Ecology of the planet in Frank Herbert's novel "Dune"
Byron Society at the Literary Institute named after A.M. Gorky
Leading sections: Leading Researcher, IMLI RAS Khaltrin-Khalturina Elena Vladimirovna, Associate Professor of the Department of Foreign Languages of the Literary Institute named after A.M. Gorky Muratova Yaroslava Yurievna
Shishkova Irina Alekseevna, Doctor of Philological Sciences, Professor, Head. Department of Foreign Languages of the Literary Institute named after A.M. Gorky
Siegfried Sassoon as a Byronic hero
Keshokova Elena Alimovna, Candidate of Philological Sciences, Associate Professor of the Department of Foreign Literature of the Literary Institute named after A.M. Gorky
The image of nature in poetry English sentimentalism XVIII century
Nikola Marina Ivanovna, Doctor of Philological Sciences, Professor, Head. Department of World Literature, Moscow State Pedagogical University
The symbolism of the topos of Colon in the prose of the 20th century: E.M. Forster and A. Bosho
Chernozemova Elena Nikolaevna, Doctor of Philological Sciences, Professor of Moscow State Pedagogical University
Sarah Allen's "Garden Enchantment" and Traditions of Women's Prose
Muratova Yaroslava Yuryevna, Candidate of Philological Sciences, Associate Professor of the Department of Foreign Languages of the Literary Institute named after A.M. Gorky
The point of contemplation of nature in modern British literature: Kathleen Jamie poetry collection "The Bonniest Company" and collections of essays "Sightlines", "Findings"
Dobrosklonskaya Tatyana Georgievna, Ph.D. professor at Moscow State University
"National and cultural specificity of the landscape in the context of literary and artistic creativity."
Lashtabova Natalia Vladimirovna, Candidate of Philological Sciences, Associate Professor of the Department of English Philology and Methods of Teaching English, Orenburg State University
The nature of Ireland in the novel by B. Stoker "The Gorge of the Serpent"
Redina Olga Nikolaevna Candidate of Philological Sciences, Associate Professor of Moscow State University
"Philosophy of landscape in the novels of O. Huxley"
breakout day
Postgraduate Section
Leading sections Associate Professor of the Department of Foreign Literature of the Literary Institute named after A.M. Gorkogo Keshokova Elena Alimovna, post-graduate student Albrecht Olga Viktorovna
Smolyanskaya Alexandra Alekseevna (Master's student at St. Petersburg State University)
“Non-anthropomorphic view of society in literature: textual homonymy” (in the context of the works “Kholstomer” by L. Tolstoy, “Gulliver’s Travels ...” (4th part) by J. Swift, “ Barnyard» J. Orwell, «Bestial rebellion» by N. Kostomarov and «Riot» by V. Reymont
Albrecht Olga Viktorovna ( Literary Institute them. A.M. Gorky)
The image of the garden in the novel by E. Zola "The Misdemeanor of Abbé Mouret"
Sokolov-Purusin Roman Sergeevich (Literary Institute named after A.M. Gorky)
The poetic concept of nature in the poems of A. Pushkin, M. Lermontov, M. Tsvetaeva
Ratnikova Ekaterina Nikolaevna (IMLI named after A.M. Gorky)
Images of sacred and profane spaces in the story of the Strugatsky brothers and "Roadside Picnic"
Kulik Natalia Mikhailovna (MGOU)
The Image of Nature in Jack Kerouac's Dharma Drifters
Gladunov Igor Konstantinovich (MGOU)
The image of the garden in the novel by L. Norfolk "The Feast of John Saturnall"
Gurova Maria Yurievna (Literary Institute named after A.M. Gorky)
Images of edelweiss in military history
Karpova Anna Vadimovna (MGPU)
Functions of the landscape in the work of J. Grak
Semenets Antonina Valerievna (Ukraine) (Literary Institute named after A.M. Gorky)
The symbolism of the image of the desert in the novels of A. Carter
Bogatyreva Ksenia Ramzanovna (Literary Institute named after A.M. Gorky)
"On the multifunctionality of the image of nature in the novel by John Fowles "Magician"
Shuvaeva-Petrosyan Elena Alekseevna (Armenia) (Literary Institute named after A.M. Gorky)
Andrey Bitov in landscape
Visaitova Diana Ramzanovna (MGIM named after A.G. Schnittke)
Subject Spanish nature V creative search renacimiento
Bevz Ivan (Literary Institute named after A.M. Gorky)
Urban space in the novel by V. Kaminer "Russendisco"
He Xing (China) (Literary Institute named after A.M. Gorky)
The Functions of Landscape in Chinese Classical Literature
Ivanov Yury Yuryevich (Literary Institute named after A.M. Gorky)
The image of the city in the works of Stephen King
Klyueva Anzhela Nikolaevna (SFedU)
To the problem of identifying visual images nature in early stories J. Updike
Shevchenko Svetlana Nikolaevna (MSLU)
Pictures of nature in poetic works W.K. Bryant
Zavgorodniy Alexey Mikhailovich (Literary Institute named after A.M. Gorky)
Landscape in N.V. Gogol: the specifics of translation into French
Student Section
Aud. 32, from 16:00 aud. 46
Moderators: Associate Professor of the Department of Foreign Literature of the Literary Institute named after A.M. Gorky Popov Mikhail Nikolaevich, Professor of the Department of Philosophy and Religious Studies of Moscow State Pedagogical University Boris Nikolaevich Bessonov, post-graduate student Sokolov-Purusin Roman Sergeevich.
Bessonov Boris Nikolaevich, Doctor of Philosophy, Professor
Co-evolution of nature, society and man - a way to solve environmental problems
Popov Mikhail Nikolaevich, Candidate of Philological Sciences, Associate Professor of the Department of Foreign Literature of the Literary Institute named after A.M. Gorky
Metaphysics of nature in the works of German expressionists
Nurullaev Alex Davlatovich (Lesosibirsk Pedagogical Institute)
The image of nature in the work of V.P. Astafieva
Bondarchuk Anastasia Andreevna (Lesosibirsk Pedagogical Institute)
The image of the forest in the stories of N. Volokitin
Dykan Alexandra Alenovna (Orthodox St. Tikhon Humanitarian University)
The image of the garden in the lyrics of B. L. Pasternak and in the context of the traditions of modern painting
Balkhina Anastasia Zaurovna (MSU)
The problem of the relationship between man and nature in the work of Jack London
Rusetskaya Elizaveta Sergeevna (Literary Institute named after A.M. Gorky)
Myskin Roman Yurievich (Literary Institute named after A.M. Gorky)
City and nature in the novel "Journey of Lao Price" by Liu E.
Tsareva Anastasia Vladimirovna, Koroleva Maria Sergeevna (Literary Institute named after A.M. Gorky)
The role of nature in the concept of the novel Wuthering Heights by Emilia Bronte
Polina Andreevna Lubnina, Kristina Denisovna Grishina (Literary Institute named after A.M. Gorky)
The symbolism of the landscape in "Salome" O. Wilde.
Ivanova Valeria Sergeevna, Orlova Vasilisa Vladislavovna (Literary Institute named after A.M. Gorky)
Art school and the school of the word among the Pre-Raphaelites
Kazaryan Luiza Kazarosovna, Margolina Sofya Semyonovna (Literary Institute named after A.M. Gorky)
Metaphysics of nature in the poetry of the accursed poets
Gareeva Gulnara Ravilievna (Literary Institute named after A.M. Gorky)
Depiction of nature in the prose of Heinrich Heine
Mironenko Alla Andreevna (Literary Institute named after A.M. Gorky))
The Role of Landscape in Eugene O'Neill's "Beyond the Horizon"
Gromova Anastasia Aleksandrovna (Literary Institute named after A.M. Gorky)
Image Tradition in Persian Medieval Poetry
Kichenko Elizaveta Nikolaevna (Literary Institute named after A.M. Gorky)
Nature in the poetry of F. G. Lorca
Arutyunova Anna Sergeevna (Plekhanov Russian University of Economics)
Ecophilosophical and existential-humanistic meaning of B. Pasternak's poem "It's snowing".
Vakhrilina Alexandra Sergeevna (Plekhanov Russian University of Economics)
The problems of human stupidity, greed, vanity and their opposition to responsibility, selflessness and the struggle for justice on the scale of the Universe in Isaac Asimov's science fiction novel "The Gods Themselves"
Sukora Angelina Alexandrovna (Plekhanov Russian University of Economics)
The philosophical meaning of the images of nature in the novel by M.A. Sholokhov "Quiet Flows the Don"
Kozhevnikova Yulia Olegovna (Plekhanov Russian University of Economics)
Butterfly effect" as a problem of ecophilosophy (on the example of Ray Bradbury's story "Thunder Came").
Tarasyeva Anastasia Ivanovna and Nechaev Alexey Alekseevich (Plekhanov Russian University of Economics)
Problems of connection between man and nature in the short stories of Ernest Hemingway
Savelyeva Yulia Alexandrovna, Medetova Ilmira Adistullaevna (Astrakhan State University of Architecture and Civil Engineering)
Man and nature in domestic literature
Abelyan Vyacheslav and Knyazkova Galina (Literary Institute named after A.M. Gorky)
The image of the sea and the forest in the cycle of novels "Tristan and Isolde"
