Composition based on the painting by I.I. Firsov "Young painter". Ivan Firsov

The painting "Young Painter" was painted in the eighteenth century, when genre painting was not popular and was not recognized by the Academy of Arts. For many years, the authorship of the canvas was not established. And only in the twentieth century it became known for certain that this was the work of the Russian artist I.I. Firsov, who was engaged in the design of performances, including the first Russian opera "The Miller the Sorcerer, the Deceiver and the Matchmaker", magnificent festivities organized by the nobles.

The picture is simple and uncomplicated. The picture is simple and uncomplicated. A young talent, an artist, paints a portrait. The same young person serves as his model. It is difficult for a girl to sit still. Her eyes burn with mischief and slyness. She wants to jump off and see what the boy is doing at the easel. But a strict mother threatens her with a finger, calling for patience and perseverance. And the girl, holding back her impulse, clung to her mother. And the young artist is so passionate about his work that he does not notice anything but his creation.

On the floor next to him is a box of paints. To his left is a sculpture and a bust, paintings are placed on the wall. The room is brightly lit by sunlight from the window. A bright green curtain completes the decoration of the room. On the floor next to him is a box of paints. To his left is a sculpture and a bust, paintings are placed on the wall. The room is brightly lit by sunlight from the window. A bright green curtain completes the decoration of the room.

Firsov writes freely and softly ... Pink, lingonberry (red), white and pale (yellow) colors, prevailing in the first part of the canvas, softly combine with the greenish tint of the boy's camisole on the left. This hue finds its echo in the more deaf green tone of the curtain in the depths. Such a modest, carefully thought-out, colorful gamut works with (h) restrained poetry of the picture and the atmosphere of moral purity poured into it. Firsov writes freely and softly ... Pink, lingonberry (red), white and pale (yellow) colors, prevailing in the first part of the canvas, softly combine with the greenish tint of the boy's camisole on the left. This hue finds its echo in the more deaf green tone of the curtain in the depths. Such a modest, carefully thought-out, colorful gamut works with (h) restrained poetry of the picture and the atmosphere of moral purity poured into it.

I.I. Firsov with amazing skill "clutters up" his creation. There is practically no free space in the picture. But that doesn't make the picture worse. On the contrary, it reveals the life of the people of that time, their private life. Bright colors give the picture an indescribable expressiveness and poetry. I.I. Firsov with amazing skill "clutters up" his creation. There is practically no free space in the picture. But that doesn't make the picture worse. On the contrary, it reveals the life of the people of that time, their private life. Bright colors give the picture an indescribable expressiveness and poetry.

1. Painting by I.I. Firsova is one of the best examples of the domestic genre. 1. Painting by I.I. Firsova is one of the best examples of the domestic genre. 2. Description of the painting. A) the plot of the picture B) description of the characters C) the image of the art workshop D) the color scheme 3. The skill of the artist.

Interior - the interior space of the room Interior - the interior space of the room Mannequin - a wooden doll for depicting human poses by the artist Easel - a canvas stand on a stretcher Palette - a thin board for mixing colors Color scheme - selection of colors for the picture

Depicted, captured, showed, described, created; Depicted, captured, showed, described, created; Painting, art canvas, work of art, household sketch; Artist, painter, Ivan Firsov; Young artist, young painter; A girl, a model, a little mischievous.

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For a long time, A. Losenko was considered the author of the painting “The Young Painter”, a little later, art historians recognized the authorship of the German artist D. Khodovetsky, based on the dissimilarity of the outfits of the characters depicted in the picture with Russian traditional costumes of the middle of the 18th century. Only by 1913, thanks to the activities of the researcher I. Grabar, it was proved that the painting “The Young Painter” was painted by the Russian master Ivan Ivanovich Firsov in 1760.

Firsov can certainly be called the founder of genre painting. Unfortunately, during the life of the artist, this style of art was not popular and was not recognized by the official Academy of Arts for a long time. Perhaps it was precisely in connection with the denial of genre painting by the public of that time that the canvas “Young Painter” is the only painting by I.I. Firsov, which has come down to our days.

It is known for certain that the great artist was a pioneer not only in painting, Ivan Ivanovich was directly involved in the design of the first Russian opera. This respectable, outstanding person was far ahead of the time in which he lived and created his unrecognized masterpieces.

Judging by the surviving historical sources, the painting "Young Painter" was painted by the artist during a trip to France. Even the relatively recently discovered authentic signature of the master is written in French.

The image of a small room, dimly lit by a single window with heavy dark green curtains, immerses the viewer in the creative atmosphere of the workshop of a very young artist. Perhaps a boy of thirteen earns his living by selling portraits, but more likely, he is simply honing the skills he acquired in the gymnasium. It is felt that the young portrait painter devoted quite a lot of time to his painting, he clearly wants to stretch his muscles, stiff from sitting work, and the baby model is clearly tired. A girl in a simple coral dress with a white apron and high hair over a headdress in the tone of the outfit persuades the baby, ready to be capricious at any moment. A girl with wheat-gold hair in a puffy peach-colored dress agrees to pose again, cuddling up to her senior mentor.

The young artist paints a portrait diligently, trying to achieve the greatest similarity, and the visible result of his work is quite good. Judging by the size of the wooden easel, the towel covered in oil-stained fingers, and the open box with art supplies, it can be judged that the young talent is in his studio.

The walls are decorated with two framed portraits, perhaps by a young artist, or by more professional masters, serving as a stimulus and example for him.

Near the window is a table topped with a heavy, plaster or marble mannequin. Often artists use such busts, putting on them luxurious headdresses, popular among wealthy ladies of that time, in order to convey as accurately as possible the grace of numerous laces and folds of expensive fabrics.

Probably, the portrait is very important for the family of the golden-haired baby. For the convenience of the child, even a stand for small legs is brought. The woman, judging by the position of her hand, is clearly saying something instructive, is pregnant, it is definitely hard for her to stand, but despite the inconvenience, she continues to be near the girl, who wants to jump up quickly and see her image on the canvas.

Who knows, maybe Firsov's painting is autobiographical, the artist simply embodied on canvas one of the memories of his creative youth. There is a desire from the bottom of my heart to wish the young painter creative success and public recognition, so that the next picture, which delighted the whole world, belonged to his brush.

The painter's contemporaries claim that most of the works made by Ivan Ivanovich Firsov were made available to churches, cathedrals and theaters. Often the panels of this artist could be found in the interiors of houses of wealthy families. However, literally a few of his works have survived to our times, one of which is the painting “Young Painter”. Moreover, several interesting and mysterious events are connected with its history, as well as with the life of the creator himself.

I. I. Firsov: biography

The exact date of Firsov's birth is not known, but he was born around 1733 in Moscow, in a merchant family. Both father and grandfather of Ivan Ivanovich were directly related to art - they were engaged in artistic woodcarving and jewelry. It was from them that the talent in the field of painting passed to the heir.

As soon as it turned out that young Firsov had a very clear predisposition to this type of activity, the family council decided to send him to work in St. Petersburg. Upon arrival, the future artist was assigned to finishing work, where he was engaged in decorating buildings and palaces.

At the age of 14 (precisely at this age), Firsov entered the service in the Office of Buildings, while learning and developing his talent as a painter. Ivan Ivanovich's talent could not go unnoticed - his work delighted Catherine II herself, and she insisted on his further education, and not just anywhere, but abroad, in France.

In 1756, Firsov entered Paris and already there was largely inspired by the works of French painters. Chardin had the greatest influence on him, painting canvases depicting genre scenes: Ivan Firsov's painting "The Young Painter" is most consonant with the work of this Parisian realist.

Upon his return from France (period 1758-1760), I. I. Firsov became a court painter. He gained fame mainly as a result of decorative design with his own hand-painted panels for various performances and productions. A little later, Ivan Ivanovich becomes one of the main employees of the Directorate of the Imperial Theaters.

Unfortunately, very little is known about the last years of the painter's life. In this regard, comparing some historical data and the dates of the mention of Firsov, experts claim that he died after 1785. According to some facts, the artist could well have ended his days in a lunatic asylum, since at the end of his life he suffered from some mental disorders.

Ivan Ivanovich performed a sufficient number of works both by order of the leadership and for the nobles. However, little has survived to our times. The painting “Young Painter” at the same time tells about the talent Firsov possessed, and in the same way does not allow you to deeply feel all that his creations were imbued with. Undoubtedly, the only thing: this is a real masterpiece in the field of genre painting.

Description of the artwork «Young painter»

The composition on the canvas is simple and at the same time interesting with its everydayness. Three figures are in the center of attention: the youngest painter, a little girl and her mother. A boy in a blue uniform sits on a chair, putting one foot on an easel, and draws a portrait of a baby opposite him. Despite the apparent relaxed posture, he is focused and passionate about his occupation.

As for the youngest model, dressed in a bright bonnet, she looks ready to run away to do more interesting things. Such a trait as shyness also shows through in her posture - she pressed herself against her mother, who affectionately hugged her daughter by the head. The woman herself with one hand simultaneously holds and calms the little fidget, and the other shakes her finger instructively. However, there is not even a shadow of tension here - the seeming severity of the mother is not at all serious.

In addition to the people themselves, in a room filled with soft light, there are also some items inherent in the workshop of each artist: a bust, a mannequin, a box with brushes and paints, a couple of paintings on the wall.

Pastel colors that have not lost their freshness over time, the atmosphere of a cozy and calm everyday life - this is how you can complete the description of the painting “Young Painter”. Its plot is conveyed with incredible cordiality, as evidenced by the fact that the canvas was painted not to order, but “for the soul”, under the influence of certain feelings.

History of the painting

The painting "Young Painter" was completed around 1768 in Paris. This canvas opens a subsequent series of works in a similar genre. At the time of the writing of The Young Painter, in addition to Firsov, some paintings by Shibanov and Eremenev, telling about the life of peasants, can be considered similar works.

By the way, until the beginning of the 20th century, it was believed that this canvas was not created by Firsov at all. "Young painter" - a painting by the artist A. Losenko, as the signature of the same name on the front side tried to testify. However, art critics did not calm down until, in 1913, during the examination, a decision was made to eliminate the aforementioned surname, under which the name of I. I. Firsov was discovered.

At the moment, the painting "Young Painter" is stored in the Tretyakov Gallery, where it got thanks to the founder of the museum - a merchant who bought the painting from a certain collector named Bykov in 1883.

Household painting as a genre and attitude to it

At the time when Firsov was writing his famous work, the Russian Academy of Arts, one might say, did not fully recognize the everyday genre as a kind of painting, considering it base. Perhaps this fact is also the reason that the work spent a long time in the workshop in which Ivan Firsov worked.

The painting “Young Painter”, despite this, nevertheless saw the light and is now considered the most striking example of the everyday genre of the 18th century, and its value only increases from this.

Painting in Russian painting

The main difference of the canvas lies in its some absent-mindedness. It is written with love, not obeying any generally recognized laws of the classics. The image of a scene from ordinary life, without embellishment, excessive rigor and observance of the canons - this is what art historians characterize the painting "Young Painter". People do not pose, they are charming in their simplicity, which was not at all typical for Russian fine art of that time.

That is why for a long time no one had associations with the fact that this work could be made by the hand of our compatriot. Experts in the field of painting confirm that the painted picture is so unrelated to the events in Russia in the 18th century. in spirit, which creates a vivid impression of atypicality and spontaneity.

Other paintings by I. I. Firsov

However, the work in question is not all that Firsov left us as a legacy. “Young Painter” is a painting by this master in its genre, one might say, lonely, but there is one more surviving canvas. It is called "Flowers and Fruits" and represents the previously posted in Both works were written in a completely different style, but nevertheless they belong to the brush of Ivan Ivanovich, testifying to the versatility and originality of his talent.

Composition based on the painting by the young painter of the artist Firsov Grade 4

Plan

1. Acquaintance with the picture

2. The plot of the canvas

3. Feelings that the picture evokes

Recently we were introduced to the work of the Russian artist I.I. Firsov. Among his paintings, I especially liked one - "The Young Painter", written in 1760. It was the first Russian painting depicting ordinary people and not the nobility.

The picture attracts with its simplicity. It doesn't have a big story or an intricate plot. Just a boy painting a portrait of a little girl. Not colorful, not dark. An ordinary picture with ordinary people. They say that everything ingenious is simple. I think that Firsov proved it with his works.

The room is small, the green curtain has been moved on the window to let in more light. The artist is dressed in a dark camisole, short pants and white stockings. In his hand he holds a brush, to his right on the floor of the paint. Pictures hang on the walls of the room. The girl is too small, she doesn’t like to sit and pose for a long time, her mother gently hugging her daughter, asks her not to spin. The girl has a fair face and white curls. She is wearing a pink dress. A bench is placed under her feet so that the child does not get tired.

Soft tonal pinks and yellows, creams and whites, not bright reds work well with greens and browns. And the girl is very similar, the young artist painted her portrait well on his canvas. The picture "Young Painter" makes me smile. I may not be a great critic, but I can appreciate the tenderness and love that the author put into it.

Composition based on the painting Young painter of the artist Firsov Grade 5

Plan

1. Artist Firsov

2.Color range

3. The plot of the picture

4.My opinion

Ivan Ivanovich Firsov - Russian artist of the eighteenth century. In his picture, he depicted not noble persons, as was customary in those days, but ordinary people. It was the painting "Young Painter".

The picture is not distinguished by a riot of colors. The sustained tone, familiar to that time, did not bypass the creator, touching his magic brush. Pink-gray gamma, with dark green color - simple colors so as not to distract the viewer from the main characters. Elegance with simplicity accurately conveys the mood and atmosphere that surrounds the world of the characters in his painting.

Before us is a boy, a teenager who is already quite skillful in his craft. He, sitting on a chair, draws a portrait of a little girl who is hugged by her mother. The little girl can't wait to see the artist's work, but her mother asks her to wait and not fidget. The girl obediently folded her hands in her lap, she smiles slyly. The room is small, bright, with paintings on the walls. There are small sculptures on the table near the artist, paints lie on the floor.

This picture contains various feelings: tenderness, love, warmth. It is they who catch the eye again and again. The work of the young artist turns out to be good, it shows that the girl looks like herself. I like this picture, it's real. The world that the author created suddenly came to life.

Ivan Firsov's painting "Young Painter" is one of the first works of Russian genre painting.
Archival documents testify that the Russian artist Ivan Firsov, decorator of the imperial theaters, lived and worked in Paris in the mid-1760s, where he improved his skills at the Royal Academy of Painting and Sculpture.

There, the painting "Young Painter" was believed to have been painted by Firsov. This is indicated, in particular, by the non-Russian appearance of the characters in the painting.

Upon his return to Russia in 1768, he worked as a decorator for the design of opera performances. Information about this time is extremely scarce, about the last years of I.I. Firsov are absent altogether. But the picture is amazing.

The plot of this picture is simple. In a spacious studio filled with even light, a boy artist sits in front of an easel and enthusiastically paints a portrait of a girl. An adult woman, mother or older sister, persuades the little model to sit still and maintain a pose. At the feet of the artist is an open box of paints, on the table is the usual props of a painting workshop: a marble bust, several books, a papier-mache mannequin depicting a human figure.

The scene written by Firsov seems snatched from life. The artist skillfully conveys the relaxed naturalness of postures and movements. With apt observation, characteristic of a true realist, the calm and affectionate severity of the mother, the cunning and impatience of the little model, the selfless passion of the young painter are depicted.
The true fidelity of the characters creates that sense of poetic charm that permeates the whole picture.

In The Young Painter everything is festive, artistic, unusual; and bright colors of clothes, and a wonderful green curtain, and paintings on the walls, and art attributes on the table. Unusual and beautiful color harmony in general.

The clutter of the scene with objects and figures is also noteworthy: paintings and sculptures are crowded to the left to leave room for the girl with her mother, the easel obscures his model from the artist. There is almost no free space, the interior, which contains the soul of the everyday genre, here ...
And yet, private life at the hearth for the first time in Russian painting appears in this picture.
The painting by I. Firsov, executed in the Sharden style, like the only swallow that does not make spring, did not mark the beginning of everyday painting in Russia - the time has not come yet ..

In terms of artistic skill, Firsov's painting is one of the most perfect works of Russian painting of the 18th century. It is quite obvious that Firsov is a first-class artist, impeccably mastering the means of pictorial expression. His drawing is distinguished by freedom and precision; the space in which the scene unfolds is built with impeccable skill, no deliberate scheme is felt in the composition, it is natural and at the same time rhythmic.

The coloring of the picture, with its pink-gray, silver scale, so well conveys the spiritual atmosphere of Firsov's heroes, is endowed with special poetic expressiveness.
In terms of its content, conception and pictorial form, The Young Painter has no analogies in Russian art of the 18th century. In addition to Firsov, a short list of Russian artists of the 18th century who worked in the field of everyday genre includes the portrait painter M. Shibanov with the paintings "Peasant Dinner" and "The Celebration of the Wedding Contract" and the historical painter I. Ermenev, the author of an amazingly powerful watercolor series dedicated to image of Russian peasants.

The development of genre painting in the 18th century proceeded at a slow pace. She had almost no demand among customers and did not enjoy the patronage of the Academy of Arts. Among Russian artists there were specialists in portraiture, in historical painting, there were decorators, and by the end of the century landscape painters appeared, but there was not a single master who would devote himself entirely to the everyday genre.
Firsov with his "Young Painter" takes chronologically the first place in this list. Almost no information has come down to us about the fate and further work of the artist. The name of this master appeared in the history of Russian art and took an honorable place in it, in fact, quite recently.

In the 19th century, The Young Painter was considered the work of A. Losenko and even had his fake signature “A. Losenko 1756". True, already at the beginning of the 20th century, it was quite clear to art historians that the picture had nothing to do with the work of Losenko. But her authorship remained conjectural. Various assumptions were made, tending to the fact that the author of this picture should be sought among Western European masters. The name of the famous German engraver and painter D. Khodovetsky was even named. Not all the names of Russian painters have come down to our time. Ivan Ivanovich Firsov, to some extent, was lucky. His authorship of the only painting that has come down to us was finally confirmed only at the beginning of the 20th century.<
In 1913, at the initiative of I. Grabar, Losenko's signature was removed and under it was found a genuine, written in French “I. Firsove".

It is also known that in 1771 Firsov made a number of icons and decorative paintings that have not reached us. The "Young Painter" remains alone in the work of the remarkable Russian master. Apparently, Firsov was most gifted precisely in that area of ​​art, which could find so little application in Russian reality in the second half of the 18th century.