Description of the characters from the story fathers and sons. Heroes of the novel fathers and children of Turgenev essay

Turgenev's novel "Fathers and Sons" was written in 1861. He was immediately destined to become a symbol of the era. The author especially clearly expressed the problem of the relationship between two generations.

To understand the plot of the work, we suggest reading "Fathers and Sons" in a summary of the chapters. The retelling was made by a teacher of Russian literature, it reflects all the important points of the work.

Average reading time is 8 minutes.

Main characters

Evgeny Bazarov- a young man, a medical student, a vivid representative of nihilism, a trend when a person denies everything in the world.

Arkady Kirsanov- a recent student who arrived at the estate of his parents. Under the influence of Bazarov, he is fond of nihilism. At the end of the novel, he realizes that he cannot live like this and refuses the idea.

Kirsanov Nikolai Petrovich- landowner, widower, father of Arkady. Lives on the estate with Fenechka, who bore him a son. Adheres to advanced ideas, loves poetry and music.

Kirsanov Pavel Petrovich- Aristocrat, ex-military. Brother of Nikolai Kirsanov and uncle of Arkady. A bright representative of the liberals.

Bazarov Vasily Ivanovich- retired army surgeon, father of Eugene. Lives on his wife's estate, is not rich. Engaged in medical practice.

Bazarova Arina Vlasevna- Eugene's mother, a pious and very superstitious woman. Uneducated.

Odintsova Anna Sergeevna- a rich widow who sympathizes with Bazarov. But he values ​​peace more in his life.

Lokteva Katya- Anna Sergeevna's sister, a modest and quiet girl. Marries Arkady.

Other characters

bauble- a young woman who has a little son from Nikolai Kirsanov.

Victor Sitnikov- an acquaintance of Arkady and Bazarov.

Evdokia Kukshina- An acquaintance of Sitnikov, who shares the beliefs of nihilists.

Matvey Kolyazin- city official

Chapter 1.

The action begins in the spring of 1859. At the inn, the small landowner Kirsanov Nikolai Petrovich is waiting for the arrival of his son. He is a widower, lives on a small estate and has 200 souls. In his youth, he was predicted to have a military career, but a small leg injury prevented him. He studied at the university, got married and began to live in the countryside. 10 years after the birth of his son, his wife dies, and Nikolai Petrovich goes headlong into the household and raising his son. When Arkady grew up, his father sent him to St. Petersburg to study. There he lived with him for three years and returned to his village again. He is very worried before the meeting, especially since his son is not traveling alone.

Chapter 2

Arkady introduces his father to a friend and asks him not to stand on ceremony. Eugene is a simple person, and you can not be shy about him. Bazarov decides to go in a tarantass, and Nikolai Petrovich and Arkady sit down in a carriage.

Chapter 3

During the journey, the father cannot calm down his joy at meeting his son, all the time he tries to hug him, asks about his friend. Arkady is a little shy. He tries to show his indifference and speaks in a cheeky tone. He keeps turning to Bazarov, as if he is afraid that he will hear his reflections on the beauty of nature, that he is interested in the affairs of the estate.
Nikolai Petrovich says that the estate has not changed. Hesitating a little, he informs his son that the girl Fenya lives with him, and immediately hurries to say that she can leave if Arkady wants it. The son replies that it is not necessary. Both feel awkward and change the topic of conversation.

Looking at the desolation that reigned around, Arkady thinks about the benefits of transformations, but he does not understand how to bring them to life. The conversation smoothly flows to the beauty of nature. Kirsanov Sr. is trying to recite Pushkin's poem. He is interrupted by Yevgeny, who asks Arkady to smoke. Nikolai Petrovich falls silent and is silent until the end of the journey.

Chapter 4

No one met them at the manor house, only an old servant and a girl who appeared for a moment. Leaving the carriage, the elder Kirsanov leads the guests into the living room, where he asks the servant to serve dinner. At the door they encounter a handsome and very well-groomed elderly man. This is the elder brother of Nikolai Kirsanov, Pavel Petrovich. His impeccable appearance stands out strongly against the background of the untidy-looking Bazarov. An acquaintance took place, after which the young people went to clean themselves up before dinner. Pavel Petrovich, in their absence, begins to ask his brother about Bazarov, whose appearance he did not like.

During the meal, the conversation did not stick. Everyone spoke little, especially Eugene. After eating, everyone immediately went to their rooms. Bazarov told Arkady his impressions of the meeting with his relatives. They quickly fell asleep. The Kirsanov brothers did not sleep for a long time: Nikolai Petrovich kept thinking about his son, Pavel Petrovich looked thoughtfully at the fire, and Fenechka looked at her little sleeping son, whose father was Nikolai Kirsanov. The summary of the novel "Fathers and Sons" does not convey all the feelings that the characters experience.

Chapter 5

Waking up before everyone else, Eugene goes for a walk to explore the surroundings. The boys follow him and everyone goes to the swamp to catch frogs.

The Kirsanovs are going to drink tea on the veranda. Arkady goes to the affected sick Fenichka, learns about the existence of a little brother. He rejoices and blames his father for hiding the fact of the birth of another son. Nikolai Kirsanov is touched and doesn't know what to say.

The older Kirsanovs are interested in the absence of Bazarov and Arkady talks about him, says that he is a nihilist, a person who does not take principles on faith. Bazarov returned with the frogs, which he carried to the experiment room.

Chapter 6

During a joint morning tea, a serious dispute flares up in the company between Pavel Petrovich and Evgeny. Both do not try to hide their dislike for each other. Nikolai Kirsanov is trying to turn the conversation in a different direction and asks Bazarov to help him with the choice of fertilizers. He agrees.

In order to somehow change Yevgeny's mockery of Pavel Petrovich, Arkady decides to tell his friend his story.

Chapter 7

Pavel Petrovich was a military man. Women adored him, and men envied him. At 28, his career was just beginning and he could go far. But Kirsanov fell in love with one princess. She had no children, but had an old husband. She led the life of a windy coquette, but Pavel fell deeply in love and could not live without her. After parting, he suffered greatly, left the service and traveled all over the world for her for 4 years.

Returning to his homeland, he tried to lead the same way of life as before, but, having learned about the death of his beloved, he left for the village to his brother, who at that time became a widower.

Chapter 8

Pavel Petrovich does not know what to do with himself: he is present during the conversation between the manager and Nikolai Kirsanov, he goes to Fenechka to look at little Mitya.

The story of the acquaintance of Nikolai Kirsanov and Fenechka: three years ago he met her in a tavern, where things were going badly for her and her mother. Kirsanov took them to the estate, fell in love with a girl, and after the death of her mother began to live with her.

Chapter 9

Bazarov meets Fenechka and the child, says that he is a doctor, and if the need arises, they can contact him without hesitation. Hearing Nikolai Kirsanov playing the cello, Bazarov laughs, which disapproves of Arkady.

Chapter 10

In two weeks, everyone got used to Bazarov, but they treated him differently: the courtyards loved him, Pavel Kirsanov hated him, and Nikolai Petrovich doubted his influence on his son. Once, he overheard a conversation between Arkady and Eugene. Bazarov called him a retired man, which offended him very much. Nikolai complained to his brother, who decided to rebuff the young nihilist.

An unpleasant conversation took place during an evening tea party. Calling one landowner "rubbish aristocrat", Bazarov aroused the displeasure of the elder Kirsanov, who began to assert that by following the principles, a person benefits society. Eugene in response accused him of also living meaninglessly, like other aristocrats. Pavel Petrovich objected that the nihilists, by their denial, were only aggravating the situation in Russia.

A serious dispute broke out, which Bazarov called senseless, and the young people left. Nikolai Petrovich suddenly remembered how a long time ago, being just as young, he had quarreled with his mother, who did not understand him. Now the same misunderstanding arose between him and his son. The parallel of fathers and children is the main thing that the author pays attention to.

Chapter 11

Before going to bed, all the inhabitants of the estate were occupied with their thoughts. Nikolai Petrovich Kirsanov goes to his favorite gazebo, where he remembers his wife and reflects on life. Pavel Petrovich looks into the night sky and thinks about his own. Bazarov invites Arkady to go to the city and visit an old friend.

Chapter 12

Friends left for the city, where they spent time in the company of a friend of the Bazarov family, Matvey Ilyin, visited the governor and received an invitation to the ball. An old acquaintance of Bazarov, Sitnikov, invited them to visit Evdokia Kukshina.

Chapter 13

They did not like visiting Kukshina, as the hostess looked untidy, carried on meaningless conversations, asked a bunch of questions, but did not expect answers to them. In conversation, she constantly jumped from subject to subject. During this visit, the name of Anna Sergeevna Odintsova was mentioned for the first time.

Chapter 14

Arriving at the ball, friends get acquainted with Odintsova, a sweet and attractive woman. She shows attention to Arkady, asking him about everything. He talks about his friend and Anna Sergeevna invites them to visit.

Odintsova interested Evgeny with her dissimilarity to other women, and he agreed to visit her.

Chapter 15

Friends come to visit Odintsova. The meeting made an impression on Bazarov and he suddenly became embarrassed.

The story of Odintsova impresses the reader. The girl's father lost and died in the village, leaving his two daughters a ruined estate. Anna did not lose her head and took up the household. I met my future husband and lived with him for 6 years. Then he died, leaving his young wife his fortune. She did not like urban society and most often lived on the estate.

Bazarov did not behave the way he always did, which surprised his friend very much. He talked a lot, talked about medicine, botany. Anna Sergeevna willingly supported the conversation, as she understood the sciences. She treated Arkady like a younger brother. At the end of the conversation, she invited the young people to her estate.

Chapter 16

In Nikolskoye, Arkady and Bazarov met other inhabitants. Anna's sister Katya was shy and played the piano. Anna Sergeevna talked a lot with Yevgeny, walked with him in the garden. Arkady, who liked her, seeing her passion for a friend, was a little jealous. A feeling arose between Bazarov and Odintsova.

Chapter 17

While living on the estate, Bazarov began to change. He fell in love, despite the fact that he considered this feeling a romantic bilebird. He could not turn away from her and imagined her in his arms. The feeling was mutual, but they didn't want to open up to each other.

Bazarov meets his father's manager, who says that his parents are waiting for him, they are worried. Eugene announces the departure. In the evening, a conversation takes place between Bazar and Anna Sergeevna, where they try to understand what each of them wants to get from life.

Chapter 18

Bazarov confesses his love to Odintsova. In response, he hears: “You did not understand me,” and feels extremely embarrassed. Anna Sergeevna believes that without Yevgeny she will be calmer and does not accept his confession. Bazarov decides to leave.

Chapter 19

There was a not entirely pleasant conversation between Odintsova and Bazarov. He told her that he was leaving, he could stay only on one condition, but it was unrealizable and Anna Sergeevna would never love him.

The next day, Arkady and Bazarov leave for Evgeny's parents. Saying goodbye, Odintsova expresses hope for a meeting. Arkady notices that his friend has changed a lot.

Chapter 20

They were received well in the house of the elder Bazarovs. The parents were very happy, but knowing that their son did not approve of such a manifestation of feelings, they tried to be more restrained. During dinner, the father told how he runs the household, and the mother only looked at her son.

After dinner, Eugene refused to talk to his father, citing fatigue. However, he did not fall asleep until morning. In the novel "Fathers and Sons" the description of the relationship between generations is shown better than in other works.

Chapter 21

Bazarov spent very little time at his parents' house, as he was bored. He believed that their attention they interfere with his work. There was a dispute between friends, which almost turned into a quarrel. Arkady tried to prove that it was impossible to live like this, Bazarov did not agree with his opinion.

Parents, having learned about Yevgeny's decision to leave, were very upset, but tried not to show their feelings, especially his father. He reassured his son that if he had to leave, then he had to do it. After leaving, the parents were left alone and were very worried that their son had abandoned them.

Chapter 22

On the way, Arkady decided to turn into Nikolskoye. Friends were greeted very coldly. Anna Sergeevna did not go down for a long time, and when she appeared, she had a displeased expression on her face and from her speech it was clear that they were not welcome.

In the estate of the Kirsans, the elders were delighted with them. Bazarov began to engage in wholesales and his own frogs. Arkady helped his father in managing the estate, but he constantly thought about the Odintsovs. Finally, having found correspondence between his mothers, his own and Odintsova, he finds an excuse to go to visit them. Arkady is afraid that he will not be welcome, but he alone was greeted warmly and cordially.

Chapter 23

Bazarov understands the reason for Arkady's departure and devotes himself completely to work. He retires and no longer argues with the inhabitants of the house. He treats everyone badly, making an exception only for Fenechka.
Once in the gazebo they talked a lot, and, deciding to check their thoughts, Bazarov kissed her on the lips. This was seen by Pavel Petrovich, who silently went into the house. Bazarov felt uncomfortable, his conscience woke up.

Chapter 24

Pavel Petrovich Kirsanov is offended by Bazarov's behavior and challenges him to a duel. They do not want to admit to their family the true reasons and say that they shot themselves because of political differences. Yevgeny wounds Kirsanov in the leg.

Having completely ruined his relationship with the Kirsanov seniors, Bazarov leaves for his parents, but on the way he turns into Nikolskoye.

Arkady is more and more interested in Anna Sergeevna's sister, Katya.

Chapter 25

Katya talks to Arkady and convinces him that without the influence of a friend, he is completely different, sweet and kind. They try to declare their love to each other, but Arkady gets scared and hurriedly leaves. In his room, he finds Bazarov who has arrived, who told him about what happened in Maryino in his absence. Having met with Odintsova, Bazarov admits his mistakes. They tell each other that they just want to be friends.

Chapter 26

Arkady confesses his love to Katya, asks for her hand and she agrees to become his wife. Bazarov says goodbye to his friend, viciously accusing him of being unsuited for decisive matters. Eugene leaves for his parents in the estate.

Chapter 27

Living in the parental home, Bazarov does not know what to do. Then he begins to help his father, treats the sick. Opening a peasant who died of typhus, he accidentally wounds himself and becomes infected with typhus. A fever begins, he asks to send for Odintsova. Anna Sergeevna arrives and sees a completely different person. Before dying, Eugene tells her about his real feelings, and then dies.

Chapter 28

Six months have passed. Two weddings took place on the same day, Arkady with Katya and Nikolai Petrovich with Fenya. Pavel Petrovich went abroad. Anna Sergeevna also got married, becoming a companion not out of love, but out of conviction.

Life went on and only two old people constantly spent time at the grave of their son, where two Christmas trees grew.

This brief retelling of “Fathers and Sons” will help you understand the main idea and essence of the work; for deeper knowledge, we recommend that you familiarize yourself with the full version.

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The problem of the relationship between fathers and children is eternal. Its reason lies in differences in life views. Each generation has its own truth, and it is extremely difficult to understand each other, and sometimes there is no desire. Contrasting worldviews- this is the basis of the work Fathers and Sons, a summary, which we will consider.

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About the work

Creation

The idea of ​​​​creating the work "Fathers and Sons" arose from the writer Ivan Turgenev in August 1860. The author writes to Countess Lambert about his intention to write a new big story. In the autumn he goes to Paris, and in September he writes to Annenkov about the final plan and serious intentions in the creation of the novel. But Turgenev works rather slowly and doubts a good result. However, having received an approving opinion from the literary critic Botkin, he plans to complete the creation in the spring.

Early winter - period of active work writer, within three weeks the third part of the work was written. Turgenev asked in letters to describe in detail how things are in the life of Russia. This happened before, and in order to be initiated into the events of the country, Ivan Sergeevich decides to return.

Attention! The history of writing ended on July 20, 1861, when the author was Spassky. In autumn, Turgenev again goes to France. There, during the meeting, he shows his creation to Botkin and Sluchevsky and receives a lot of comments that push him to make changes to the text.

In the spring of next year, the novel is published in magazine "Russian Bulletin" and it immediately became the object of polemical discussion. The controversy did not subside even after Turgenev's death.

Genre and number of chapters

If you characterize the genre of the work, then "Fathers and Sons" is 28 chapter novel showing the socio-political situation in the country before the abolition of serfdom.

main idea

What is it about? In his creation "fathers and sons" Turgenev describes contradiction and misunderstanding of different generations, and also wants to find a way out of the current situation, ways to get rid of the problem.

The struggle of the two camps is the confrontation of everything established and radically new, era of democrats and aristocrats, or helplessness and purposefulness.

Turgenev tries to show what has come time for a change and instead of people of an outdated system, nobles, active, energetic and young people come. The old system is outdated, and new one has not yet been created. The novel "Fathers and Sons" shows us the turn of the epochs, when society is in turmoil and is unable to live either according to the old canons or the new ones.

The new generation in the novel is represented by Bazarov, around whom the confrontation of "fathers and children" takes place. He is a representative of a whole galaxy of the younger generation, for whom the complete denial of everything has become the norm. Everything old is unacceptable for them, but they can't bring something new.

Between him and the elder Kirsanov, the conflict of worldviews is clearly shown: the rude and straightforward Bazarov and the mannered and refined Kirsanov. The images described by Turgenev are many-sided and ambiguous. Attitude towards the world does not bring happiness to Bazarov at all. Before society, he was designated his purpose - fight against the old ways, but the introduction of new ideas and views in their place does not bother him.

Turgenev did this for a reason, thus showing that before the collapse of something established, it is necessary to find a worthy replacement for it. If there is no alternative, then even what was intended to solve the problem in a positive way will only make it worse.

The conflict of generations in the novel "Fathers and Sons".

Heroes of the novel

The main characters of "Fathers and Sons" are:

  • Bazarov Evgeny Vasilievich. young student, comprehending the profession of a doctor. Adheres to the ideology of nihilism, casts doubt on the liberal views of the Kirsanovs and the traditional views of his own parents. At the end of the work, he falls in love with Anna, and his views of denying everything in the world are changed by love. He will become a rural doctor, due to his own inattention, he will get infected with typhus and die.
  • Kirsanov Nikolay Petrovich. He is the father of Arkady, widower. Landowner. He lives on the estate with Fenechka, a commoner woman, to whom he feels and is ashamed of this, but then takes her as his wife.
  • Kirsanov Pavel Petrovich. He is the older brother of Nicholas. He retired officer, a representative of the privileged stratum, proud and self-confident, shares the ideas of liberalism. Often participates in disputes with Bazarov on a variety of topics: art, science, love, nature, and so on. Hatred for Bazarov develops into a duel, which he himself initiated. In a duel, he will be wounded, fortunately the wound will be light.
  • Kirsanov Arkady Nikolaevich Is the son of Nicholas. PhD at the University. Like his friend Bazarov, he is a nihilist. At the end of the book, he will give up his worldview.
  • Bazarov Vasily Ivanovich He is the father of the main character was a surgeon in the army. He did not leave medical practice. Lives on his wife's estate. Educated, he understands that living in the village, he was cut off from modern ideas. Conservative, religious.
  • Bazarova Arina Vlasevna She is the mother of the protagonist. She owns the estate of the Bazarovs and fifteen serfs. Superstitious, pious, suspicious, sensitive woman. Infinitely loves his son, and worries about the fact that he renounced the faith. She is a follower of the Orthodox faith.
  • Odintsova Anna Sergeevna Is a widow, rich. In his estate he accepts friends who hold nihilistic views. She likes Bazarov, but after his declaration of love, reciprocity is not observed. Puts a calm life in which there are no unrest in the foreground.
  • Katerina. Sister of Anna Sergeevna, but unlike her, quiet and inconspicuous. He plays the clavichord. Arkady Kirsanov spends a lot of time with her, while he is passionately in love with Anna. Then he realizes that he loves Katerina and marries her.

Other heroes:

  • Fenechka. The daughter of the housekeeper of Kirsanov's younger brother. After her mother died, she became his mistress and gave birth to a son from him.
  • Sitnikov Victor. He is a nihilist and an acquaintance of Bazarov.
  • Kukshina Evdokia. An acquaintance of Victor, a nihilist.
  • Kolyazin Matvey Ilyich. He is a city official.

The main characters of the novel "Fathers and Sons".

Plot

Fathers and sons summary is presented below. 1859 - year when the novel begins.

Young people arrived in Maryino and live in the house of brothers Nikolai and Pavel Kirsanov. The elder Kirsanov and Bazarov do not find a common language, and frequent conflict situations force Evgeny to leave for another city N. Arkady also goes there. There they communicate with urban youth (Sitnikova and Kukshina), who adhere to nihilistic views.

At the governor's ball they spend acquaintance with Odintsova, and then go to her estate, Kukshina is destined to stay in the city. Odintsova rejects a declaration of love, and Bazarov has to leave Nikolskoye. He and Arkady go to their parents' house and stay there. Evgeny does not like the excessive care of his parents, he decides to leave Vasily Ivanovich and Arina Vlasyevna, and

Evgeny Vasilyevich Bazarov - nihilist, student, studying to be a doctor. In nihilism, he is Arkady's mentor, protesting against the liberal ideas of the Kirsanov brothers and the conservative views of his parents. Revolutionary democrat, raznochinets. By the end of the novel, he falls in love with Odintsova, betraying his nihilistic views on love. Love turned out to be a test for Bazarov. Dies of blood poisoning at the end of the novel.

Nikolai Petrovich Kirsanov - landowner, liberal, father of Arkady, widower. Loves music and poetry. Interested in progressive ideas, including in agriculture. At the beginning of the novel, he is ashamed of his love for Fenechka, a woman from the common people, but then marries her.

Pavel Petrovich Kirsanov - the elder brother of Nikolai Petrovich, a retired officer, an aristocrat, a proud, self-confident, ardent supporter of liberalism. Often argues with Bazarov about love, nature, aristocracy, art, science. Lonely. In his youth, he experienced a tragic love. He sees in Fenechka Princess R., with whom he was in love. He hates Bazarov and challenges him to a duel, in which he receives a slight wound in the leg.

Arkady Nikolaevich Kirsanov is a recent graduate of St. Petersburg University and a friend of Bazarov. Becomes a nihilist under the influence of Bazarov, but then abandons these ideas.

Vasily Ivanovich Bazarov - Bazarov's father, a retired army surgeon. Not rich. Manages his wife's estate. Moderately educated and enlightened, he feels that rural life has left him isolated from modern ideas. He adheres to generally conservative views, is religious, loves his son.

Arina Vlasyevna is Bazarov's mother. It is she who owns the village of the Bazarovs and 22 souls of serfs. A devout follower of Orthodoxy. Very superstitious. Suspicious and sentimental-sensitive. She loves her son, deeply concerned about his renunciation of the faith.

Anna Sergeevna Odintsova is a wealthy widow who hosts nihilist friends on her estate. He sympathizes with Bazarov, but after his confession does not reciprocate.

Ekaterina Sergeevna Lokteva - sister of Anna Sergeevna Odintsova, a quiet girl, invisible in the shadow of her sister, plays the clavichord. Arkady spends a lot of time with her, languishing in love with Anna. But later he realizes his love for Katya. At the end of the novel, Catherine marries Arkady.

Fenechka is the mother of Nikolai Petrovich's child. Lives with him in the same house. At the end of the work, she marries Nikolai Petrovich.

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Heroes of the work of fathers and children

I.S. Turgenev "Fathers and Sons": description, characters, analysis of the novel

Turgenev's novel "Fathers and Sons" reveals several problems at once. One reflects the conflict of generations and clearly demonstrates a way to get out of it, preserving the main thing - the value of the family. The second one demonstrates the processes taking place in the society of that time. Through dialogues and skillfully crafted images of heroes, a type of public figure that has barely begun to emerge is presented, denying all the foundations of the existing statehood and ridiculing such moral and ethical values ​​as love feelings and sincere affection.

Ivan Sergeevich himself does not take sides in the work. As an author, he condemns both the nobility and representatives of new social and political movements, clearly showing that the value of life and sincere affection is much higher than rebelliousness and political passions.

Of all the works of Turgenev, the novel "Fathers and Sons" was the only one written in a short time. From the moment the idea was born to the first publication of the manuscript, only two years passed.

The first thoughts about the new story came to the writer in August 1860 during his stay in England on the Isle of Wight. This was facilitated by Turgenev's acquaintance with a provincial young doctor. Fate pushed them in bad weather on the railway and under the pressure of circumstances, they talked with Ivan Sergeevich all night. New acquaintances were shown those ideas that the reader could later observe in Bazarov's speeches. The doctor became the prototype of the main character.

In the autumn of the same year, upon his return to Paris, Turgenev worked out the plot of the novel and began writing chapters. Within six months, half of the manuscript was ready, and he finished it after his arrival in Russia, in the middle of the summer of 1861.

Until the spring of 1862, reading his novel to friends and giving the manuscript for reading to the editor of the Russian Messenger, Turgenev made corrections to the work. In March of the same year, the novel was published. This version was slightly different from the edition that was published six months later. In it, Bazarov was presented in a more unsightly light and the image of the main character was a bit repulsive.

The protagonist of the novel, the nihilist Bazarov, together with the young nobleman Arkady Kirsanov, arrives at the Kirsanovs' estate, where the protagonist meets his friend's father and uncle.

Pavel Petrovich is a refined aristocrat who absolutely does not like either Bazarov or the ideas and values ​​​​he shows. Bazarov also does not remain in debt, and no less actively and passionately, he speaks out against the values ​​and morals of the old people.

After that, young people get acquainted with the recently widowed Anna Odintsova. They both fall in love with her, but temporarily hide it not only from the object of adoration, but also from each other. The protagonist is ashamed to admit that he, who spoke vehemently against romanticism and love affection, now suffers from these feelings himself.

The young nobleman begins to be jealous of the lady of the heart for Bazarov, there are omissions between friends and, as a result, Bazarov tells Anna about his feelings. Odintsova prefers him a quiet life and a marriage of convenience.

Gradually, relations between Bazarov and Arkady deteriorate, and Arkady himself is fond of Anna's younger sister Ekaterina.

Relations between the older generation of the Kirsanovs and Bazarov are heating up, it comes to a duel, in which Pavel Petrovich is injured. This puts a bullet between Arkady and Bazarov, and the main character has to return to his father's house. There he becomes infected with a deadly disease and dies in the arms of his own parents.

At the end of the novel, Anna Sergeevna Odintsova marries for convenience, Arkady and Ekaterina, as well as Fenechka and Nikolai Petrovich, marry. They play their weddings on the same day. Uncle Arkady leaves the estate and goes to live abroad.

Bazarov is a medical student, by social status, a simple man, the son of a military doctor. He is seriously interested in the natural sciences, shares the beliefs of nihilists and denies romantic attachments. He is self-confident, proud, ironic and mocking. Bazarov does not like to talk much.

In addition to love, the protagonist does not share admiration for art, has little faith in medicine, regardless of the education he receives. Not referring to himself as a romantic nature, Bazarov loves beautiful women and, at the same time, despises them.

The most interesting moment in the novel is when the hero himself begins to experience those feelings, the existence of which he denied and ridiculed. Turgenev clearly demonstrates the intrapersonal conflict, at the moment when the feelings and beliefs of a person diverge.

One of the central characters of Turgenev's novel is a young and educated nobleman. He is only 23 years old and barely graduated from university. Due to his youth and temperament, he is naive and easily falls under the influence of Bazarov. Outwardly, he shares the beliefs of the nihilists, but in his heart, and further in the story it is clear, he appears as a generous, gentle and very sentimental young man. Over time, the hero himself understands this.

Unlike Bazarov, Arkady likes to speak a lot and beautifully, he is emotional, cheerful and values ​​affection. He believes in marriage. Despite the conflict between fathers and children shown at the beginning of the novel, Arkady loves both his uncle and his father.

Odintsova Anna Sergeevna is an early widowed rich person who at one time married not out of love, but out of calculation in order to save herself from poverty. One of the main characters of the novel loves peace and her own independence. She never loved anyone and never became attached to anyone.

For the main characters, she looks beautiful and inaccessible, because she does not reciprocate with anyone. Even after the death of the hero, she remarries, and again by calculation.

The younger sister of the widow Odintsova, Katya, is very young. She is only 20 years old. Catherine is one of the most endearing and pleasant characters in the novel. She is kind, sociable, observant and at the same time demonstrates independence and obstinacy, which only paint a young lady. She comes from a family of poor nobles. Her parents died when she was only 12 years old. Since then, she has been raised by her older sister, Anna. Ekaterina is afraid of her and feels uncomfortable under the gaze of Odintsova.

The girl loves nature, thinks a lot, she is direct and not flirtatious.

Father of Arkady (brother of Pavel Petrovich Kirsanov). Widower. He is 44 years old, he is a completely harmless person and an undemanding owner. He is soft, kind, attached to his son. By nature, he is a romantic, he likes music, nature, poetry. Nikolai Petrovich loves a quiet, calm, measured life in the countryside.

At one time he married for love and lived happily in marriage until his wife died. For many years he could not come to his senses after the death of his beloved, but over the years he found love again and she became Fenechka, a simple and poor girl.

Refined aristocrat, 45 years old, uncle of Arkady. At one time he served as an officer of the guard, but because of Princess R. his life changed. A secular lion in the past, a heartthrob who easily won the love of women. All his life he built in the English style, read newspapers in a foreign language, conducted business and life.

Kirsanov is a clear adherent of liberal views and a man of principles. He is self-confident, proud and mocking. Love at one time knocked him down, and from a lover of noisy companies, he became an ardent misanthrope who in every possible way avoided the company of people. In his heart, the hero is unhappy and at the end of the novel he finds himself far from his loved ones.

The main plot of Turgenev's novel, which has become classic, is Bazarov's conflict with the society in which he found himself by the will of fate. A society that does not support his views and ideals.

The conditional plot of the plot is the appearance of the main character in the Kirsanovs' house. In the course of communication with other characters, conflicts and clashes of views are demonstrated, which test Evgeny's beliefs for stamina. This also happens within the framework of the main love line - in the relationship between Bazarov and Odintsova.

Contradiction is the main technique that the author used when writing the novel. It is reflected not only in its title and is demonstrated in the conflict, but also reflected in the repetition of the protagonist's route. Bazarov ends up twice on the Kirsanovs' estate, visits Odintsova twice, and also returns twice to his parents' house.

The denouement of the plot is the death of the protagonist, with which the writer wanted to demonstrate the collapse of the thoughts expressed by the hero throughout the novel.

In his work, Turgenev clearly showed that in the cycle of all ideologies and political disputes there is a large, complex and diverse life, where traditional values, nature, art, love and sincere, deep affections always win.

Source:
Heroes of the work of fathers and children
Analysis of the novel by I.S. Turgenev "Fathers and Sons" with a description of the main characters and characters
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Summary of "Fathers and Sons"

Turgenev's novel "Fathers and Sons" was written in 1861. He was immediately destined to become a symbol of the era. The author especially clearly expressed the problem of the relationship between two generations.

To understand the plot of the work, we suggest reading "Fathers and Sons" in a summary of the chapters. The retelling was made by a teacher of Russian literature, it reflects all the important points of the work.

Average reading time is 8 minutes.

Evgeny Bazarov- a young man, a medical student, a vivid representative of nihilism, a trend when a person denies everything in the world.

Arkady Kirsanov- a recent student who arrived at the estate of his parents. Under the influence of Bazarov, he is fond of nihilism. At the end of the novel, he realizes that he cannot live like this and refuses the idea.

Kirsanov Nikolai Petrovich- landowner, widower, father of Arkady. Lives on the estate with Fenechka, who bore him a son. Adheres to advanced ideas, loves poetry and music.

Kirsanov Pavel Petrovich- Aristocrat, ex-military. Brother of Nikolai Kirsanov and uncle of Arkady. A bright representative of the liberals.

Bazarov Vasily Ivanovich- retired army surgeon, father of Eugene. Lives on his wife's estate, is not rich. Engaged in medical practice.

Bazarova Arina Vlasevna- Eugene's mother, a pious and very superstitious woman. Uneducated.

Odintsova Anna Sergeevna- a rich widow who sympathizes with Bazarov. But he values ​​peace more in his life.

Lokteva Katya- Anna Sergeevna's sister, a modest and quiet girl. Marries Arkady.

bauble- a young woman who has a little son from Nikolai Kirsanov.

Victor Sitnikov- an acquaintance of Arkady and Bazarov.

Evdokia Kukshina- An acquaintance of Sitnikov, who shares the beliefs of nihilists.

Matvey Kolyazin- city official

The action begins in the spring of 1859. At the inn, the small landowner Kirsanov Nikolai Petrovich is waiting for the arrival of his son. He is a widower, lives on a small estate and has 200 souls. In his youth, he was predicted to have a military career, but a small leg injury prevented him. He studied at the university, got married and began to live in the countryside. 10 years after the birth of his son, his wife dies, and Nikolai Petrovich goes headlong into the household and raising his son. When Arkady grew up, his father sent him to St. Petersburg to study. There he lived with him for three years and returned to his village again. He is very worried before the meeting, especially since his son is not traveling alone.

Arkady introduces his father to a friend and asks him not to stand on ceremony. Eugene is a simple person, and you can not be shy about him. Bazarov decides to go in a tarantass, and Nikolai Petrovich and Arkady sit down in a carriage.

During the journey, the father cannot calm down his joy at meeting his son, all the time he tries to hug him, asks about his friend. Arkady is a little shy. He tries to show his indifference and speaks in a cheeky tone. He keeps turning to Bazarov, as if he is afraid that he will hear his reflections on the beauty of nature, that he is interested in the affairs of the estate.

Nikolai Petrovich says that the estate has not changed. Hesitating a little, he informs his son that the girl Fenya lives with him, and immediately hurries to say that she can leave if Arkady wants it. The son replies that it is not necessary. Both feel awkward and change the topic of conversation.

Looking at the desolation that reigned around, Arkady thinks about the benefits of transformations, but he does not understand how to bring them to life. The conversation smoothly flows to the beauty of nature. Kirsanov Sr. is trying to recite Pushkin's poem. He is interrupted by Yevgeny, who asks Arkady to smoke. Nikolai Petrovich falls silent and is silent until the end of the journey.

No one met them at the manor house, only an old servant and a girl who appeared for a moment. Leaving the carriage, the elder Kirsanov leads the guests into the living room, where he asks the servant to serve dinner. At the door they encounter a handsome and very well-groomed elderly man. This is the elder brother of Nikolai Kirsanov, Pavel Petrovich. His impeccable appearance stands out strongly against the background of the untidy-looking Bazarov. An acquaintance took place, after which the young people went to clean themselves up before dinner. Pavel Petrovich, in their absence, begins to ask his brother about Bazarov, whose appearance he did not like.

During the meal, the conversation did not stick. Everyone spoke little, especially Eugene. After eating, everyone immediately went to their rooms. Bazarov told Arkady his impressions of the meeting with his relatives. They quickly fell asleep. The Kirsanov brothers did not sleep for a long time: Nikolai Petrovich kept thinking about his son, Pavel Petrovich looked thoughtfully at the fire, and Fenechka looked at her little sleeping son, whose father was Nikolai Kirsanov. The summary of the novel "Fathers and Sons" does not convey all the feelings that the characters experience.

Waking up before everyone else, Eugene goes for a walk to explore the surroundings. The boys follow him and everyone goes to the swamp to catch frogs.

The Kirsanovs are going to drink tea on the veranda. Arkady goes to the affected sick Fenichka, learns about the existence of a little brother. He rejoices and blames his father for hiding the fact of the birth of another son. Nikolai Kirsanov is touched and doesn't know what to say.

The older Kirsanovs are interested in the absence of Bazarov and Arkady talks about him, says that he is a nihilist, a person who does not take principles on faith. Bazarov returned with the frogs, which he carried to the experiment room.

During a joint morning tea, a serious dispute flares up in the company between Pavel Petrovich and Evgeny. Both do not try to hide their dislike for each other. Nikolai Kirsanov is trying to turn the conversation in a different direction and asks Bazarov to help him with the choice of fertilizers. He agrees.

In order to somehow change Yevgeny's mockery of Pavel Petrovich, Arkady decides to tell his friend his story.

Pavel Petrovich was a military man. Women adored him, and men envied him. At 28, his career was just beginning and he could go far. But Kirsanov fell in love with one princess. She had no children, but had an old husband. She led the life of a windy coquette, but Pavel fell deeply in love and could not live without her. After parting, he suffered greatly, left the service and traveled all over the world for her for 4 years.

Returning to his homeland, he tried to lead the same way of life as before, but, having learned about the death of his beloved, he left for the village to his brother, who at that time became a widower.

Pavel Petrovich does not know what to do with himself: he is present during the conversation between the manager and Nikolai Kirsanov, he goes to Fenechka to look at little Mitya.

The story of the acquaintance of Nikolai Kirsanov and Fenechka: three years ago he met her in a tavern, where things were going badly for her and her mother. Kirsanov took them to the estate, fell in love with a girl, and after the death of her mother began to live with her.

Bazarov meets Fenechka and the child, says that he is a doctor, and if the need arises, they can contact him without hesitation. Hearing Nikolai Kirsanov playing the cello, Bazarov laughs, which disapproves of Arkady.

In two weeks, everyone got used to Bazarov, but they treated him differently: the courtyards loved him, Pavel Kirsanov hated him, and Nikolai Petrovich doubted his influence on his son. Once, he overheard a conversation between Arkady and Eugene. Bazarov called him a retired man, which offended him very much. Nikolai complained to his brother, who decided to rebuff the young nihilist.

An unpleasant conversation took place during an evening tea party. Calling one landowner "rubbish aristocrat", Bazarov aroused the displeasure of the elder Kirsanov, who began to assert that by following the principles, a person benefits society. Eugene in response accused him of also living meaninglessly, like other aristocrats. Pavel Petrovich objected that the nihilists, by their denial, were only aggravating the situation in Russia.

A serious dispute broke out, which Bazarov called senseless, and the young people left. Nikolai Petrovich suddenly remembered how a long time ago, being just as young, he had quarreled with his mother, who did not understand him. Now the same misunderstanding arose between him and his son. The parallel of fathers and children is the main thing that the author pays attention to.

Before going to bed, all the inhabitants of the estate were occupied with their thoughts. Nikolai Petrovich Kirsanov goes to his favorite gazebo, where he remembers his wife and reflects on life. Pavel Petrovich looks into the night sky and thinks about his own. Bazarov invites Arkady to go to the city and visit an old friend.

Friends left for the city, where they spent time in the company of a friend of the Bazarov family, Matvey Ilyin, visited the governor and received an invitation to the ball. An old acquaintance of Bazarov, Sitnikov, invited them to visit Evdokia Kukshina.

They did not like visiting Kukshina, as the hostess looked untidy, carried on meaningless conversations, asked a bunch of questions, but did not expect answers to them. In conversation, she constantly jumped from subject to subject. During this visit, the name of Anna Sergeevna Odintsova was mentioned for the first time.

Arriving at the ball, friends get acquainted with Odintsova, a sweet and attractive woman. She shows attention to Arkady, asking him about everything. He talks about his friend and Anna Sergeevna invites them to visit.

Odintsova interested Evgeny with her dissimilarity to other women, and he agreed to visit her.

Friends come to visit Odintsova. The meeting made an impression on Bazarov and he suddenly became embarrassed.

The story of Odintsova impresses the reader. The girl's father lost and died in the village, leaving his two daughters a ruined estate. Anna did not lose her head and took up the household. I met my future husband and lived with him for 6 years. Then he died, leaving his young wife his fortune. She did not like urban society and most often lived on the estate.

Bazarov did not behave the way he always did, which surprised his friend very much. He talked a lot, talked about medicine, botany. Anna Sergeevna willingly supported the conversation, as she understood the sciences. She treated Arkady like a younger brother. At the end of the conversation, she invited the young people to her estate.

In Nikolskoye, Arkady and Bazarov met other inhabitants. Anna's sister Katya was shy and played the piano. Anna Sergeevna talked a lot with Yevgeny, walked with him in the garden. Arkady, who liked her, seeing her passion for a friend, was a little jealous. A feeling arose between Bazarov and Odintsova.

While living on the estate, Bazarov began to change. He fell in love, despite the fact that he considered this feeling a romantic bilebird. He could not turn away from her and imagined her in his arms. The feeling was mutual, but they didn't want to open up to each other.

Bazarov meets his father's manager, who says that his parents are waiting for him, they are worried. Eugene announces the departure. In the evening, a conversation takes place between Bazar and Anna Sergeevna, where they try to understand what each of them wants to get from life.

Bazarov confesses his love to Odintsova. In response, he hears: “You did not understand me,” and feels extremely embarrassed. Anna Sergeevna believes that without Yevgeny she will be calmer and does not accept his confession. Bazarov decides to leave.

There was a not entirely pleasant conversation between Odintsova and Bazarov. He told her that he was leaving, he could stay only on one condition, but it was unrealizable and Anna Sergeevna would never love him.

The next day, Arkady and Bazarov leave for Evgeny's parents. Saying goodbye, Odintsova expresses hope for a meeting. Arkady notices that his friend has changed a lot.

They were received well in the house of the elder Bazarovs. The parents were very happy, but knowing that their son did not approve of such a manifestation of feelings, they tried to be more restrained. During dinner, the father told how he runs the household, and the mother only looked at her son.

After dinner, Eugene refused to talk to his father, citing fatigue. However, he did not fall asleep until morning. In the novel "Fathers and Sons" the description of the relationship between generations is shown better than in other works.

Bazarov spent very little time at his parents' house, as he was bored. He believed that their attention they interfere with his work. There was a dispute between friends, which almost turned into a quarrel. Arkady tried to prove that it was impossible to live like this, Bazarov did not agree with his opinion.

Parents, having learned about Yevgeny's decision to leave, were very upset, but tried not to show their feelings, especially his father. He reassured his son that if he had to leave, then he had to do it. After leaving, the parents were left alone and were very worried that their son had abandoned them.

On the way, Arkady decided to turn into Nikolskoye. Friends were greeted very coldly. Anna Sergeevna did not go down for a long time, and when she appeared, she had a displeased expression on her face and from her speech it was clear that they were not welcome.

In the estate of the Kirsans, the elders were delighted with them. Bazarov began to engage in wholesales and his own frogs. Arkady helped his father in managing the estate, but he constantly thought about the Odintsovs. Finally, having found correspondence between his mothers, his own and Odintsova, he finds an excuse to go to visit them. Arkady is afraid that he will not be welcome, but he alone was greeted warmly and cordially.

Bazarov understands the reason for Arkady's departure and devotes himself completely to work. He retires and no longer argues with the inhabitants of the house. He treats everyone badly, making an exception only for Fenechka.

Once in the gazebo they talked a lot, and, deciding to check their thoughts, Bazarov kissed her on the lips. This was seen by Pavel Petrovich, who silently went into the house. Bazarov felt uncomfortable, his conscience woke up.

Pavel Petrovich Kirsanov is offended by Bazarov's behavior and challenges him to a duel. They do not want to admit to their family the true reasons and say that they shot themselves because of political differences. Yevgeny wounds Kirsanov in the leg.

Having completely ruined his relationship with the Kirsanov seniors, Bazarov leaves for his parents, but on the way he turns into Nikolskoye.

Arkady is more and more interested in Anna Sergeevna's sister, Katya.

Katya talks to Arkady and convinces him that without the influence of a friend, he is completely different, sweet and kind. They try to declare their love to each other, but Arkady gets scared and hurriedly leaves. In his room, he finds Bazarov who has arrived, who told him about what happened in Maryino in his absence. Having met with Odintsova, Bazarov admits his mistakes. They tell each other that they just want to be friends.

Arkady confesses his love to Katya, asks for her hand and she agrees to become his wife. Bazarov says goodbye to his friend, viciously accusing him of being unsuited for decisive matters. Eugene leaves for his parents in the estate.

Living in the parental home, Bazarov does not know what to do. Then he begins to help his father, treats the sick. Opening a peasant who died of typhus, he accidentally wounds himself and becomes infected with typhus. A fever begins, he asks to send for Odintsova. Anna Sergeevna arrives and sees a completely different person. Before dying, Eugene tells her about his real feelings, and then dies.

Six months have passed. Two weddings took place on the same day, Arkady with Katya and Nikolai Petrovich with Fenya. Pavel Petrovich went abroad. Anna Sergeevna also got married, becoming a companion not out of love, but out of conviction.

Life went on and only two old people constantly spent time at the grave of their son, where two Christmas trees grew.

This brief retelling of “Fathers and Sons” will help you understand the main idea and essence of the work; for deeper knowledge, we recommend that you familiarize yourself with the full version.

Do you remember the summary well? Take the quiz to test your knowledge.

IVAN SERGEEVICH TURGENEV

(1818–1883)

NOVEL "FATHERS AND CHILDREN"

IN TABLES

The history of the creation of the novel "Fathers and Sons"

The idea arises in the summer of 1860. In August 1861, the novel is over.

In 1862 it was published as a separate edition. Turgenev dedicates it

V. G. Belinsky. The dedication had a programmatic and polemical tone.

The release of the novel became a social event. Critics reacted vividly to the novel, many articles and reviews appeared, which were of a sharp polemical nature. The most famous reviews are articles

M. Antonovich "Asmodeus of our time", D. Pisarev "Bazarov",

N. Strakhov "Fathers and Sons" by Turgenev. Also wrote about the novel

F. M. Dostoevsky, A. I. Herzen, M. E. Saltykov-Shchedrin, N. S. Leskov.

Romance conflicts

External

Interior

Confrontation of different generations.

It manifests itself in the relationship of Pavel Petrovich and Bazarov, Nikolai Petrovich and Arkady, Bazarov and his parents.

The struggle between the worldview and feelings of Bazarov, the inapplicability of his theory in practice.

The plot of the novel

Chapter 1.

Exposition of the Kirsanovs.

Life story of Nikolai Petrovich, awaiting the arrival of his son Arkady

Chapters 2–3.

Bazarov exposition

A portrait and the first description of the protagonist of the novel, Yevgeny Vasilievich Bazarov, a friend of Arkady, who came with him, are given."Wonderful fellow, so simple" (Arkady about Bazarov)

Chapters 4–11.

Outbreak of external conflict. Action development.

Bazarov meets Arkady's uncle, Pavel Petrovich Kirsanov.

An ideological polemic unfolds between the heroes, the intransigence of their views turns into contempt on the part of Bazarov and hatred on the part of Pavel Petrovich.

Chapters 12–13.

Development preparation

internal conflict.

The struggle of feelings and worldview of Bazarov, a parody image of "provincial nihilists".

Chapter 14

Tie inner

conflict.

At the governor's ball, Bazarov meets Anna Sergeevna Odintsova.

Chapters 15–17.

Development of action

The trip of Bazarov and Arkady to Nikolskoye, Bazarov's unexpected feelings.

Chapters 18–19.

climax

internal conflict.

Explanation of the hero with Odintsova, Bazarov's departure.

Chapters 20–21.

The aggravation of the internal

conflict.

A visit by friends to Bazarov's parental home, a trip to Nikolskoye, a return to Maryino.

Chapters 22–23.

Development of external

conflict.

Bazarov and Pavel Petrovich clash again in their interest in Fenechka, a girl from the people who gave birth to a child to Nikolai Petrovich. Fenechka reminds Pavel Petrovich of his former love - Nelly, Bazarov, through wooing Fenechka, is trying to assert himself after the failure with Odintsova.

Chapter 24

climax

and decoupling of the external

conflict.

A duel takes place between Bazarov and Pavel Petrovich, as a result of which Pavel Petrovich is slightly injured, and Bazarov leaves Maryin. The ideological struggle fades into the background, personal feelings dominate in the relationship between the characters.

Chapters 25–26.

Bazarov travels through the city *** to Nikolskoye.

He breaks off relations with the Kirsanovs, with Arkady, his only friend, with Odintsova.

Chapter 27

aggravation

and resolution of the internal

conflict

In the parental home, where memories of childhood are alive, natural, immediate feelings appear - what Bazarov tried to suppress in himself, armed with "the latest theories." During one of the operations, Bazarov becomes infected with typhus through a cut in his finger. With the death of the hero, an internal conflict is unresolved in life.

Chapter 28

Epilogue.

Six months after the death of Bazarov, the weddings of Arkady with his sister Odintsova, Katya Lokteva, and Nikolai Petrovich with Fenechka took place. Pavel Petrovich went abroad. Anna Sergeevna Odintsova married "not out of love, but out of conviction." Bazarov's grave is visited by his old parents.

Evgeny Vasilyevich Bazarov

Nihilism Bazarov

Bazarov calls himself a nihilist (from lat.nihil - nothing).

Bazarov's complex of beliefs is not an artistic exaggeration; his image reflects the characteristic features of representatives of the democratic youth of the 1860s.

Nihilists deny their contemporary social order, oppose worship of any authority, reject principles taken for granted, deny art and beauty, and explain any feelings, including love, physiologically.

“We guessed that chatting, just chatting about our ulcers is not worth the trouble, that this only leads to vulgarity and doctrinairism; we saw that our wise men, the so-called progressive people and accusers, are no good, that we are engaged in nonsense, talking about some kind of art, unconscious creativity, about parliamentarism, about advocacy, and the devil knows what, when it comes to urgent bread, when the grossest superstition is choking us, when all our joint-stock companies are going bust solely because there is a shortage of honest people, when the very freedom that the government is busy with is hardly going to benefit us, because our peasant is happy to rob himself, just to get drunk dope in a tavern.

“Nature is not a temple, but a workshop, and man is a worker in it.”

"A decent chemist is twenty times more useful than any poet."

"The important thing is that two plus two makes four, and the rest is all nonsense."

"Every person must educate himself - well, at least like me, for example ...".

“We act by virtue of what we recognize as useful. At the present time, negation is most useful - we deny.

"We break because we are strong."

“Yes, it is necessary to build.

- It's none of our business... First we need to clear the place."

“So what? you act, don't you? Are you going to take action?

- Bazarov did not answer.

The dynamics of the image of Bazarov

At the beginning of the novel, Bazarov appears as a person confident in the correctness and indisputability of his view of life. However, gradually living life makes adjustments to his worldview.

Turgenev leads Bazarov through trials of love and death - two ontological situations through which, according to Turgenev, only true knowledge of life is possible. (Ontology (from the Greek.yn ( untos ) - existing andlogos - doctrine) - a branch of philosophy that studies the foundations of being, the world order, its structure).

Bazarov's initial self-confidence disappears, his inner life becomes more and more complex and contradictory.

The "blinders" of nihilism part, life in all its complexity appears before the hero.

Before his death, Bazarov becomes simpler and softer: he does not resist when his father insists on confession before his death, asks Odintsova to “caress” his parents. In the mind of the hero there is a complete reassessment of values:

“And I also thought: I’ll break off a lot of things, I won’t die, where! There is a task, because I am a giant! And now the whole task of the giant is how to die decently.

Critical perception of the image of Bazarov

Two points of view

M. Antonovich (Sovremennik magazine). Articles "Asmodeus of our time", "Mistakes", "Modern novels"

Interpreted the image of Bazarov as a caricature of modern youth in the form of "glutton, talker and cynic"

D. Pisarev "Bazarov"

Reveals the historical significance of the type depicted by Turgenev. He believed that Russia at the present stage of its development needs people like Bazarov: they are critical of everything that is not verified by their personal experience, they are used to relying only on themselves, they have reason and will

The novel's character system

two camps

"Fathers"

Older generation

"Children"

younger generation

    Nikolai Petrovich Kirsanov;

    Pavel Petrovich Kirsanov;

    Bazarov's parents

(Vasily Ivanovich and Arina Vlasyevna)

    Evgeny Vasilyevich Bazarov;

    Arkady Nikolaevich Kirsanov;

    Kukshina Avdotya Nikitishna;

    Victor Sitnikov

Doubles of Bazarov

Sitnikov

Kukshina

He calls himself an "old acquaintance" of Bazarov and his student.

Sitnikov's commitment to new ideas is ostentatious: he is dressed in a Slavophile Hungarian robe, on his business cards, in addition to French, there is also a Russian text in Slavic script.

Sitnikov repeats Bazarov's thoughts, vulgarizing and distorting them.

In the epilogue of Sitnikov“He hustles in St. Petersburg and, according to his assurances, continues Bazarov’s“ cause ”.<…>His father still pushes him around, and his wife considers him a fool .. and a writer.

Lists herself as an "emancipated lady". She is "concerned" with the "women's issue", physiology, embryology, chemistry, education, etc. Cheeky, vulgar, stupid.

In the epilogue:“She is now in Heidelberg and is no longer studying the natural sciences, but architecture, in which, according to her, she has discovered new laws.

She still hangs out with students, especially young Russian physicists and chemists,<…>who, surprising at first the naive German professors with their sober view of things, subsequently

surprise the same professors with their complete inaction and absolute laziness.

Doubles are parodies of Bazarov, reveal the weaknesses of his maximalist worldview.

For Sitnikov and Kukshina, fashion ideas are just a way to stand out.

They contrast with Bazarov, for whom nihilism is a consciously chosen position.

Women's images

Anna

Sergeevna

Odintsova

A young beautiful woman, a wealthy widow.

Odintsova's father was a famous card sharper. She received an excellent upbringing in St. Petersburg, she is raising her younger sister, Katya, whom she sincerely loves, but hides her feelings.

Odintsova is smart, reasonable, self-confident. She exudes calmness, aristocracy.

Most of all, she appreciates peace, stability and comfort. Bazarov arouses interest in her, gives food to her inquisitive mind, but feelings for him do not take her out of her usual balance.

She is incapable of strong passion.

bauble

A young woman of "non-noble origin", whom Nikolai Petrovich loves. Fenechka is kind, disinterested, simple-hearted, honest, open, she sincerely and deeply loves Nikolai Petrovich and her son Mitya. The main thing in her life is her family, so the persecution of Bazarov and the suspicions of Nikolai Petrovich offend her.

Kate

Lokteva

Younger sister of Anna Sergeevna Odintsova.

Sensitive nature - loves nature, music, but at the same time shows firmness of character.

Katya does not understand Bazarov, she is even afraid of him, Arkady is much closer to her. She tells Arkady about Bazarov:"He is predatory, and you and I are tame."

Katya is the embodiment of the ideal of family life, which Arkady secretly aspired to, thanks to her Arkady returns to the camp of his fathers.

In 1862, Turgenev wrote the novel Fathers and Sons. During this period, a final break is outlined between the two social camps: the liberal and the revolutionary-democratic. In his work, Turgenev showed a man of a new era. This is a democrat-raznochinets Bazarov. Throughout almost the entire novel, Bazarov is accompanied by his friend Arkady. By origin, and by social status, they belong to different social classes. According to his convictions, Bazarov is "a democrat to the end of his nails." Friends study together at the university, and they are connected by several years of friendship.

At first, Arkady falls under the influence of Bazarov, he wants to be like Yevgeny, and at the same time he sincerely shares the views of an older and more authoritative comrade. Arkady is forced to join the nihilists by "young courage and youthful enthusiasm." But he is not guided by the ideas of Bazarov in life. They do not become an organic part of him, so he will so easily refuse them later. In the future, Bazarov says to Arkady: "Our dust will eat your eyes out, our dirt will stain you." That is, Arkady is not ready for the "tart, bitter bean life" of a revolutionary.

Bazarov, giving an assessment of the life of a revolutionary, is both right and wrong. Breaking the established foundations, traditions, views always provokes the fierce resistance of the old world, and the advanced fighters have a hard time. The revolutionary-democratic ideal of happiness is revolutionary activity for the benefit of the people, despite personal hardships.

Arkady, of course, is not ready for this, since he is, in the words of Yevgeny, "a soft liberal barich." In the "young fervor" the liberals do not go beyond a noble effervescence, and for Bazarov this is "trifles." The liberals do not "fight", but "think they are good fellows; the revolutionaries want to fight." Giving an assessment of Arkady, Bazarov identifies him with the entire liberal camp. Spoiled by life in a noble estate, Arkady "involuntarily admires himself", he is pleased to "scold himself." Bazarov is bored, he "needs to break others." Arkady only wanted to seem like a revolutionary, there was a lot of youthful posturing in him, but in his heart he always remained a "liberal nobleman."

But Arkady still does not understand this. For the time being, he considers himself a "fighter" and appreciates Bazarov for his willpower, energy, and ability to work. At the Kirsanovs' estate, Bazarov is initially welcomed cordially. Arkady asks his relatives to take care of Bazarov. But the revolutionary democratism of Bazarov absolutely does not fit with the liberal aristocracy of the Kirsanovs' house. He does not fit into their life of idleness. And here, on a visit, Bazarov continues to work. The way of life of friends on the estate is expressed by the author's phrase: "Arkady was a sybarite, Bazarov worked." Bazarov conducts experiments, reads special books, collects collections, treats village peasants. According to Bazarov, labor is a necessary condition for life. Arkady is never shown at work. Here, in the estate, Bazarov's attitude to both nature and the people is also revealed.

Bazarov considers nature not a temple, but a workshop, and the person in it is a worker. For Arkady, as well as for the rest of the Kirsanovs, nature is an object of admiration, contemplation. For Bazarov, this attitude means nobility. He objects to the prayerful contemplation of nature, meaningless from his point of view, enjoying its beauty. It requires an active relationship to nature, to the world around us. He himself. treats nature like a caring owner. Nature pleases him when he sees the fruits of active intervention in it. And here, too, the points of view of Arkady and Bazarov diverge, although Arkady has not yet spoken about this.

The attitude of Bazarov and Arkady is different both to love and to a woman. Bazarov is skeptical about love. He says that only a fool can feel free with a woman. But acquaintance with Odintsova changes his views on love. She impresses Bazarov with her beauty, charm, ability to behave with dignity and tact. A feeling for her arises when spiritual communication begins between them.

Odintsova is smart, able to understand Bazarov's originality. Eugene, despite outward cynicism, discovers in love both an aesthetic feeling, and high spiritual demands, and respect for the woman he loves. But Odintsova is essentially an epicurean lady. Peace is above all for her. Therefore, she extinguishes in herself the emerging feeling for Bazarov. And in this situation, Bazarov behaves with dignity, does not become limp and continues to work.

Arkady's acquaintance with Katya, Odintsova's younger sister, reveals that his ideal is "closer", that is, he is in the family, on the estate. Arkady realized that he was "no longer that arrogant boy", that he still "asked himself tasks that were beyond his power", that is, Arkady admits that the life of a revolutionary is not for him. Yes, and Katya herself says that Bazarov is "predatory", and Arkady is "tame".

Bazarov is close to serfs. For them, he is "his brother, not a gentleman." This is confirmed by Bazarov's speech, in which there are many folk proverbs and sayings, and his simplicity in communicating with ordinary people. Although the peasants on his father's estate treat Bazarov like a gentleman, in all other episodes of the novel for the people he is more "their own" than any of the Kirsanovs. Arkady to a greater extent remains for people a gentleman, a master. True, it also happens that some unfamiliar peasant mistook Bazarov for an eccentric when he wanted to "talk to the people." But this happened infrequently.

In addition, Bazarov is demanding, one might even say, too demanding of himself. He tells Arkady that "each person must educate himself." His commitment to nihilism leads to the fact that he begins to be ashamed of natural human feelings. He seeks to suppress their manifestations in himself. Hence some dryness of Bazarov, even in relation to the closest people. But to the question of Arkady, does Bazarov love his parents, he answers simply and sincerely: "I love you, Arkady!",

However, it should be noted that Bazarov's parents hopelessly "lagged behind" their son. They cannot go not only on a par, but also after him. True, this "backwardness" of the old Bazarovs does not deserve Enyushka's not entirely respectful, and sometimes - and simply indifferent - attitude towards them. Can old people be required to think and act like young people? Isn't it thanks to the efforts of his parents that Bazarov gets an education? In this case, Bazarov's maximalism looks very unattractive, Arkady loves his loved ones, but seems to be embarrassed by this love. Bazarov gives a well-aimed, exhaustive, but at the same time rather evil characterization of Arkady's father and uncle, to which Arkady objects, but somehow sluggishly. By this, he seems to support the point of view of Bazarov, who believes that a nihilist should not express his feelings. Arkady flared up only when Bazarov called his uncle an "idiot" behind his back. Perhaps it was at this moment that the first serious crack appeared in the relationship of friends.

It should be noted that Bazarov's nihilism, unfortunately, leads to the denial of old and new art. For him, "Raphael is not worth a penny, and they (that is, new artists) are no better than him." He declares that "it's stupid to play the cello at forty-four," and to read Pushkin in general "is no good at all." Art Bazarov considers a form of profit. For him, "a decent chemist is more useful than any poet," and art is not capable of changing anything in life. This is the extreme of Bazar's nihilism. Bazarov emphasizes the importance of scientists for Russia, since in science Russia at that time lagged behind the West. But Arkady really loves poetry, and he would read Pushkin if Bazarov was not around.

Arkady and Bazarov seem to oppose each other; at first this confrontation is completely imperceptible, but gradually, in the course of the development of the action, it intensifies and reaches an open conflict and a break in friendly relations. This is one of the aspects of the conflict nature of the novel, expressed by the method of contrast. Note that in this case it is no longer "fathers" and "children" that are in conflict, but, so to speak, "children" with "children". Thus, the break between Bazarov and Arkady is inevitable.

Arkady is not ready for the "tart, bitter bean life" of a revolutionary. Bazarov and Arkady say goodbye forever. Eugene parted with Arkady without saying a single friendly word to him, and to express them for Bazarov is "romanticism",

Arkady finds the ideal of life in the family. Bazarov dies, remaining true to his views. It is before death that the strength of his convictions is tested. Arkady did not instill nihilistic convictions. He understands that the life of a revolutionary democrat is not for him. Bazarov dies a nihilist, and Arkady remains a "liberal nobleman." And at the end of the novel, Arkady refuses to commemorate his former friend at the common table.