Presentation on the topic of fine art painting. Painting, a type of fine art whose works are created using paints applied to any surface

The situation at the front in the spring of 1942

Plans of the parties. The victory near Moscow gave rise to hopes among the Soviet leadership for the possibility of a quick defeat of the enemy and the end of the war. In January 1942, Stalin set the Red Army the task of launching a general offensive. This task was repeated in other documents.

The only one who opposed the simultaneous offensive of Soviet troops in all three main strategic directions was G.K. Zhukov. He rightly believed that there were no prepared reserves for this. However, under pressure from Stalin, the Headquarters decided to attack in all directions. The dispersal of already modest resources (by that time the Red Army had lost up to 6 million people killed, wounded and captured) inevitably led to failure.

Stalin believed that in the spring and summer of 1942 the Germans would launch a new attack on Moscow, and ordered the concentration of significant reserve forces in the western direction.

Hitler, on the contrary, considered the strategic goal of the upcoming campaign to be a large-scale offensive in the southern direction with the goal of capturing the Lower Volga and the Caucasus. In order to hide their true intentions, the Germans developed a special plan to disinform the Soviet military command and political leadership, codenamed “Kremlin”. Their plan was largely successful.

German offensive in the summer of 1942. The beginning of the Battle of Stalingrad

By the spring of 1942, the preponderance of forces still remained on the side of the German troops. Before launching a general offensive in the southeastern direction, the Germans decided to completely capture Crimea, where the defenders of Sevastopol and the Kerch Peninsula continued to offer heroic resistance to the enemy. The enemy's offensive in May ended in tragedy for the Soviet troops: in 10 days the troops of the Crimean Front on the Kerch Peninsula were defeated. The losses of the Red Army here amounted to 176 thousand people, 347 tanks, 3476 guns and mortars, 400 aircraft. On July 4, Soviet troops were forced to leave the city of Russian military glory, Sevastopol.


In May, Soviet troops went on the offensive in the Kharkov region, but suffered a severe defeat: the troops of two Soviet armies were surrounded and destroyed. Losses amounted to up to 230 thousand people, more than 5 thousand guns and mortars, 755 tanks.

The German command once again had the strategic initiative.

At the end of June, German troops rushed to the southeast: they occupied Donbass and reached the Don. An immediate threat was created to Stalingrad. On July 24, Rostov-on-Don, the gates of the Caucasus, fell. Only now did Stalin understand the true purpose of the German summer offensive. But it was already too late to change anything. Fearing the rapid loss of the entire Soviet South, Stalin issued order No. 227 on July 28, 1942. It went down in the history of the war as the order “Not a step back!”

We have much less territory... there are much fewer people, bread, metal, plants, factories... We no longer have a superiority over the Germans either in human reserves or in grain reserves. To retreat further means to ruin ourselves and at the same time ruin our Motherland...

No step back! This should now be our main call... Undoubtedly, eliminate retreating sentiments in the troops and suppress with an iron hand the propaganda that we can... retreat...

Form within the army 3-5 well-armed barrage detachments (up to 200 people each), place them in the immediate rear of unstable divisions and oblige them in the event of panic and disorderly withdrawal of division units to shoot panickers and cowards on the spot...

This order is one of the few whose number every front-line soldier remembers. Why? Give your assessment of the order “Not a step back!” Why can't it be unambiguous?

From the beginning of September 1942, street fighting broke out in Stalingrad, which was completely destroyed. But the tenacity and courage of the Soviet defenders of the city on the Volga did what seemed incredible - by mid-November the offensive capabilities of the Germans had completely dried up. By that time, in the battles for Stalingrad they had lost almost 700 thousand killed and wounded, over 1 thousand tanks and over 1.4 thousand aircraft.

Despite Hitler's daily incantations, the Germans not only failed to occupy the city, but also went on the defensive.

German occupation regime

By the fall of 1942, German troops managed to occupy a huge part of the European territory of the USSR. A brutal occupation regime was established on the occupied lands.

The main goals of Germany in the war against the USSR were the destruction of communist ideology and the Soviet state, the transformation of the Soviet Union into an agricultural and raw material appendage and a source of cheap labor for the so-called Third Reich.

In the occupied territories, all power belonged to the military command of the German army. Death camps were created for prisoners of war and those Soviet people who did not obey the decisions of the German authorities. Arrests, executions, and hangings of party and Soviet activists and underground members became an everyday occurrence.

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Labor mobilization covered all citizens of the occupied territories aged 18 to 45 years. They had to work 14-16 hours a day. Hundreds of thousands of Soviet citizens were sent to forced labor in Germany.

The special master plan "Ost", developed before the war, contained a plan for colonization and Germanization. According to it, in particular, it was supposed to destroy 30 million Russians, and turn the rest into slaves and resettle them in Siberia.

Jews, gypsies and other “inferior” peoples were generally subject to complete extermination. Considering Jews to be the ideological support of the “Judeo-Bolshevik” regime, the Nazis destroyed them along with the commissars without trial or investigation. During the first six months of the war, they destroyed up to 1.5 million Jews, almost every second of them on the territory of the USSR. Those who remained were imprisoned in the ghetto, where they found themselves on the brink of survival.

In total, during the war years in the occupied territories of the USSR, the Nazis killed about 11 million people (including about 7 million civilians and about 4 million prisoners of war). They were shot, burned, gassed, hanged, drowned, and subjected to monstrous torture and torture. But the threat of physical violence did not stop the Soviet people from fighting the enemy not only at the front, but also in the rear.

Partisan and underground movement

The Soviet underground movement emerged in the first weeks of the war. In places subject to occupation, underground party bodies of the All-Union Communist Party of Bolsheviks were created, which acted as coordinators of all underground work. During various periods of the war, illegal Central Committees of the Communist Party (Bolsheviks) of Ukraine and Belarus, 90 underground regional committees and inter-district party centers existed in the occupied territory.

During the war, over 6 thousand partisan detachments operated in the country, in which more than 1 million people fought. Representatives of most peoples of the USSR, as well as citizens of other countries, fought in their ranks. Soviet partisans destroyed, wounded and captured more than 1 million enemy soldiers and officers, representatives of the occupation administration, more than 4 thousand tanks and armored vehicles, 65 thousand vehicles and 1,100 aircraft were disabled. They destroyed and damaged 1,600 railway bridges and derailed over 20 thousand railway trains.

To coordinate the actions of partisan formations, the Central Headquarters of the partisan movement was created in 1942, headed by P.K. Ponomarenko. K.E. Voroshilov was appointed commander-in-chief of the partisan movement.

The underground heroes not only acted against enemy troops, but also carried out death sentences on the bloody executioners of their people. The legendary intelligence officer Nikolai Kuznetsov destroyed the chief judge of Ukraine Funk, the vice-governor of Galicia Bauer, and kidnapped the commander of the German punitive forces in Ukraine, General Ilgen. The General Commissioner of Belarus, Cuba, was blown up by underground member Elena Mazanik right in bed in her own residence.

During the war years, more than 184 thousand partisans and underground fighters were awarded orders and medals of the USSR. 249 of them received the high title of Hero of the Soviet Union. And the legendary commanders of partisan formations S.A. Kovpak and A.F. Fedorov became twice heroes.

Formation of the anti-Hitler coalition

From the very beginning of the Great Patriotic War, Great Britain and the USA announced their support for the Soviet Union.

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FROM A RADIO SPEECH BY THE PRIME MINISTER OF GREAT BRITAIN W. CHURCHILL ON JUNE 22, 1941

Over the past 25 years, no one has been a more consistent opponent of communism than me. I won't take back a single word I said about him. But all this pales in comparison to the spectacle now unfolding. I see Russian soldiers standing on the threshold of their native land, guarding the fields that their fathers have cultivated since time immemorial. I see them guarding their homes, where their mothers and wives pray - yes, for there are times when everyone prays - for the safety of their loved ones, for the return of their breadwinner, their protector and support... The danger for Russia is our danger and danger to the USA...

How did Churchill explain his position in connection with the beginning of fascist aggression against the USSR?

In July 1941, an agreement was signed between the USSR and Great Britain on joint actions in the war against Hitler, and in early August the US government announced economic and military-technical assistance to the Soviet Union “in the fight against armed aggression.”

In September 1941, the first conference of representatives of the three powers was held in Moscow, at which issues of expanding military-technical assistance from Great Britain and the United States to the Soviet Union were discussed.

After the United States entered the war against Japan and Germany (December 1941), US military cooperation with the USSR expanded even more.

On January 1, 1942, in Washington, representatives of 26 states signed a Declaration in which they pledged to use all their resources to fight the common enemy and not to conclude a separate peace. The signed treaty on the alliance between the USSR and Great Britain (May 1942) and the agreement with the United States on mutual assistance (June 1942) finally formalized the military alliance of the three countries.

Results of the first stage of the war

The first period of the Great Patriotic War, which lasted from June 22, 1941 to November 18, 1942 (the date of the Soviet troops' counteroffensive at Stalingrad), was of great historical significance.

The Soviet Union withstood a military blow of such force that no other country could have withstood. The courage and heroism of the Soviet people thwarted Hitler’s plans for a “lightning war.” Despite major military defeats in the first year of the war, the Red Army showed its high fighting qualities.

By the summer of 1942, thanks to the efforts of home front workers, the transition of the country's economy to a war footing was basically completed, which became the main prerequisite for a radical change in the course of the war.

At this stage, an anti-Hitler coalition took shape, possessing enormous military, economic and human resources.

All this made victory over fascism a matter of time.

The main result of the first period of the war was the formation of the prerequisites for a radical change during the Great Patriotic War and the entire Second World War.

Painter

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Painting - writing vividly. In Ukrainian painting, specific signs of this genre have clearly emerged and emerged. See the painting. Here are the famous Ukrainian mysticists. Painting as a warehouse of the cultural decline of Ukraine. Artists delved into the heroic history of the Cossacks (“Watchmen of the Zaporizian Liberties”, “Cossack Picket”). The end of robots, but not the end of mysticism - It’s boundless. - Zhivopis.pptx

Art painting

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Late 20th – early 21st century. Russian painting. Russian painting during 1990-2004. reflects all aspects of Russia during the period of collapse, the transition to a new era of perestroika, while at the same time preserving recognized artistic traditions and styles. Art has become “new” and in demand. I. S. Glazunov. The traditions of originality in Russian fine arts are defended by I. S. Glazunov, who heads the Russian Academy of Painting, Sculpture and Architecture. Umila Novgorodskaya. A. M. Shilov. A. M. Shilov is a portrait painter, works in a realistic manner. Portrait of Dukmasova. Khrabrov. Sergei Andriyaka. - Art painting.pptx

Music and painting

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Music and visual arts. What kind of music is there in works of fine art? “Good painting is music, it’s a melody.” Painting is a type of fine art. What painting can sound like. Where there are more sounds and where they are brighter. I. Levitan "Birch Grove". Answer the questions and compare your answers with those suggested. Zdenek Fibich "Poem". Select the nature of the music and images. A world of colors and melodies. Name the features of the song's melody. Rainbow portrait. The colors began to sound like a song. Our bright world is like a bell. We will find a hundred different colors in the field and in the forest. - Music and painting.ppt

Chinese art

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Ni hao! Chinese national dance. Cooking Chinese dishes. Dragon dance. Yang Chun, a Chinese language teacher at the Jiamusing Institute in China, conducts a master class. CHINESE PAINTING AND CALLIGRAPHY (Han). Calligraphy. Calligraphy (Greek kalligraphia - beautiful handwriting, from kallos - beauty and grapho - writing), the art of beautiful and clear writing. Pictures are scrolls. Painting. "Guohua." Portrait. Scenery. “Hua-nyao.” Flowers. Birds. "Shanshui." Mountain. Water. Drawing lesson. We are drawing a panda. 1 class. Drawing a hieroglyph. 2nd grade. Wall drawings Feng Shui. Grade 11. Wet painting technique. - Chinese painting.ppt

Russian landscape painting

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Russian landscape painting. Landscape has won its place as one of the leading genres of painting. I. Levitan. "Vladimirka". "Quiet Abode" 1890 "In the Crimean Mountains." 1886 “Overgrown Pond” (fragment). 1882 "Evening on the Volga". 1887-1888. "Evening call, evening Bell". 1892 "Savvinskaya Sloboda near Zvenigorod." 1884 "River Valley. Autumn" 1895. V. Serov. “Overgrown pond. Domotkanovo". 1888. “October. Domotkanovo". 1895. “Horses on the seaside.” 1905. Somov. "Landscape with a Rainbow." 1915. “Evening Shadows.” "Arable land." 1900. “Summer Morning.” 1920. K. Korovin. "Kem." 1905. “St. Tryphon’s stream in Pechenga.” 1894. - Russian painting.ppt

Pskov painting

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Pskov painting. The most significant receipts occurred in the 1920s and 1930s, a period of mass church closures. At the same time, it already contains the expressive principle that appeared in the painting of the 14th century. The icon “St. Ulyana” was painted at the end of the 14th and beginning of the 15th centuries. The monumental figure of Ulyana, large, with broad shoulders, is conveyed in a generalized manner, using purely graphic techniques. Ulyana's face is filled with internal burning, as if it has dried up her stern features. The pictorially expressive line in Pskov art remained leading throughout the 15th century. The icon “Paraskeva Friday in the Life” dates back to the first half of the 16th century. - Pskov painting.pptx

Expressive means of painting

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Nonverbal means. Nonverbal means of expression in the paintings of artists. Vasnetsov Viktor Mikhailovich. Bogatyrs. Artist. An episode from the fairy tale about Ivan Tsarevich. Huge tree trunks. Painting "Alyonushka". Thin branch. A means of nonverbal expression. Demon sitting. Symbolic image. The period of Vrubel's creativity. Swan Princess. Russian epic epic. Pan. Character from ancient Greek mythology. Jan van Eyck. Madonna of Chancellor Rolin. Images of real people. Portrait of the Arnolfini couple. Portrait of a man in a red turban. Renoir Pierre Auguste. Rowers' breakfast. Large group portrait. - Expressive means of painting.ppt

Expressive means of painting and graphics

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The main thing is not accidental. Analyze works of art. Studying theoretical material. Search for artistic language. Moonlit night on the Dnieper. Each type of art speaks its own language. Search for artistic expressive means of painting. Search for basic means of depicting space. Different feeling. Finding a point of view. Perspective. Recommendations for research. Job requirements. - Expressive means of painting and graphics.pps

Introducing preschoolers to painting

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Introducing preschoolers to various genres of painting. Thought processes. Perceive beauty. Artist. Methods and techniques. Free viewing of paintings. Questions about the painting. The structure of an art history story. Analysis of the content of the picture by children. Questions about the painting at the second stage of work. Working methods. Formation of creative perception of the picture. What did you like about the picture? Let's drink comparisons. We are drawing. Gold autumn. Winter. The Rooks Have Arrived. March. Apples on a red background. Compose a still life composition. Didactic game. Lotto. Collect a palette. Still life. - Introducing preschoolers to painting.pptx

Composition

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The art of composition is the basis of design and architecture. Content. The art of type. 7.Compositional basics of layout in graphic design. Text and image as elements of composition 8. Variety of forms of graphic design. Design. Unity. Balance. Contrast. Design: main categories. Color. Form. Basic principles. Computer design. The art of type. However, there are abstractions consisting of lines that have a specific meaning. History of the font. Any letter or hieroglyph is first of all an image. The letter traces its origins to the drawing. In ancient times, all information was represented by drawings. - Composition.ppt

Types of composition

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Basic types of composition. Frontal composition Volumetric composition Depth-spatial composition. Frontal composition. Types of frontal composition Techniques and means of construction. Basic principles of identifying the frontal surface. Volumetric composition. Principles for identifying the nature of a volumetric form. Spatial composition. The role of color in spatial composition. The role of light in spatial composition. Visual illusions. The influence of visual illusions on apparent changes in the dimensions of space. Light composition technique. - Types of composition.ppt

Composition Basics

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Composition. Adding parts into a whole. Basic laws of composition. Techniques. Composition techniques. Composition tools. Required format. Composition in decorative and applied arts. Working on the composition. Silhouette decoration. Types of ornament. Striped ornaments. Closed ornaments. Execution sequence. Using the power of composition. - Basics of composition.ppt

Perspective in drawing

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Perspective in drawing. A method for depicting three-dimensional figures. Brick. Brick drawn using perspective. Drawn object. Reverse linear perspective. Aerial perspective. Reverse perspective. Skyline. Items. Perspective horizon. Vanishing point. Draw an alley. - Perspective in the drawing.pptx

Linear perspective

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Perspective. The science that helps to correctly depict objects in space is called perspective. Linear perspective studies the rules of depicting objects using lines. Aerial perspective studies the rules of depicting objects in color. Ivan Shishkin "Rye". 1878 Professor of landscape painting. In his works, the artist skillfully conveys the laws of linear and aerial perspective. Alfred Sisley, Rue Sèvres at Louveciennes. 1873 Vladimir Orlovsky “Summer Day”. 1884 - Linear perspective.ppt

Rules of Perspective

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Rules of linear and aerial perspective. Scenery. An independent genre. Landscape genre. Science that helps to correctly depict objects. Vanishing lines. Summer day. Nearby objects. Look at the images. Imeritinskaya lowland. Autumn day. Practical work. Indoor skating center. Large ships. Ice cube Art. - Perspective rules.ppt

Symmetry in painting

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Symmetry in painting. Art in painting. Painting. The idea of ​​harmony. Let us turn to the words of Aristotle. Symmetry. Basic ideas of symmetry. Human. Artists. The art of ornament. Let's take a look at the portrait collection. Portrait. Borovikovsky. Kiprensky. Portrait of E.A. Arsenyeva. -

Ekaterina Poluyakhtova
Presentation on the topic “Genres of Painting”

Integration of educational regions: "Cognition", "Socialization", "Artistic creativity", "Reading fiction".

Target: Give children the concept of painting as a form of art.

Tasks:

Educational: Tell us about the technique painting: oil, watercolor, pastel.

Developmental: Give an idea of ​​technology painting: decorates the interior of buildings, affects the thoughts and feelings of viewers.

Speech: Develop coherent speech, enrich vocabulary children: landscape, still life, portrait, animalistic, painting, oil paints, pastel.

Educational: To form an aesthetic attitude towards painting.

Demo material: Presentation on the topic: « Genres of painting»

Handout: A4 album sheets, paints and brushes according to the number of children.

Methodical techniques: conversation-dialogue, looking at illustrations and conversations on them, physical exercise “I will paint the whole world!”, productive activity of children, analysis, summing up, targeting to continue studying the material.

GCD move:

Children sit in a semicircle on chairs in front of the teacher. There is a projector hanging on the wall.

Educator: Guys, today we are going to an art gallery. Please tell me, what is in such a gallery?

Children: Paintings

Educator: Right! Various paintings. There are all sorts of pictures. And to go to this gallery, let’s close our eyes and say magic words: Krible, krible, boom.

Children: Krible, krible, boom.

Educator: Here we are in the gallery. And now I will show you what kind of picture is here. Let's look

(After watching presentations The teacher asks questions to reinforce the material).

Educator: Guys, did you like the gallery?

Children: Yes!

Educator: And now it’s time for us to join our group. Close your eyes and say the magic words.

Children: Krible, krible, boom.

Publications on the topic:

Lesson summary “Small genres of folklore. Proverbs and sayings" Lesson outline outline. Certified teacher Dronina Anna Vladimirovna Subject folklore Age of children: 10-11 years Topic of the lesson: “Small genres.

Introduction Currently, there are a huge number of diseases that are inherited. But it also happens that it is transmitted.

Consultation “Music genres” Topic: “Musical genres” “His Majesty the Waltz” Repertoire: - I. Strauss “On the Blue Danube” - Chopin “Waltz” cis – moll Lesson progress M. r. IN.

Directly educational field “Artistic creativity. Drawing Integration of OO: “Cognition”, “Communication”, “Music”, “Reading”.

1 slide. the story of my village. 2 slide. attractions of Izvara The village of Izvara is famous primarily for its location.

VALEOLOGICAL EDUCATION IS A COMPONENT OF THE COMPLEX PROCESS OF EDUCATION, TRAINING AND DEVELOPMENT, WHICH IS AIMED AT ACHIEVEMENT BY PUPILS.

In our preschool institution, work is underway to introduce the International Baccalaureate program. The teacher suggests a topic, leading the children to think.

Genres of painting

Kazakhstan, Karaganda region, Osakarovka district,

With. Ozyornoe


Painting is poetry that is seen, and poetry is painting that is heard. Leonardo da Vinci

Genuine immortal works of art remain accessible and bring pleasure to all times and peoples.

G. Hegel

Art is like a dandelion; although immature, it can be pleasing to the eye. Ripened, with the wind blowing,

spreads around the world... Kirill Zhuravlev


Landscape genre

- (fr. Paystage, from pays- country, locality) - a genre of fine art (as well as individual works of this genre), in which the main subject of the image is pristine nature, or nature transformed to one degree or another by man.

Landscape first appeared as an independent genre in China in the 6th century.


I. Levitan “Quiet Abode”

V.D. Palenov “Pond in Abramtsevo”

A.K. Savrasov “Landscape with pine”

A.N. Benois “Evening landscape with a boat”

I.I. Shishkin “Pine Forest”


Genre still life A

- (fr. NATURE morte- “dead nature”) - the image of inanimate objects in the fine arts.

This genre arose in the 17th century in Holland and


K. Korovin “Fruit Basket”

B.M. Kustodiev “Still life with pheasants”

I.F. Khrutsky “Flowers and Fruits”

I.E.Grabar “Apples and Asters”

K. Petrov-Vodkin “Pink still life”


Portrait genre

- (fr. portrait, “reproduce something to hell”, outdated. parsuna - from lat. persona- “personality; person") - an image or description of a person or group of people who exist or existed in reality.

Self-portrait- a portrait of yourself. Usually we mean picturesque

image.


V. Serov “Portrait of P.A. Mamontova”

O.A. Kiprensky “Poor Lisa”

V.A. Tropinin “The Lacemaker”

A.G. Venitsianov “Portrait of a Mother”

I.E. Repin “Self-portrait”


Everyday genre

A genre of fine art dealing with everyday, private and public life, usually contemporary art. The everyday genre arose in the era of European antiquity. But long before Ancient Greece, scenes of everyday life were reproduced in Africa and Ancient Egypt.


V.G.Perov “Tea drinking in Mytishchi”

I.E.Repin “We didn’t expect”

P.A. Fedotov “Matchmaking of a Hussar”

B.M. Kustodiev “Holiday in the village”

V.M. Maksimov “Family division”


Historical genre

One of the main genres of fine art

art dedicated to historical

events and figures of social significance

phenomena in the history of society. Converted to

mainly to the past, also includes

depictions of recent events whose historical significance is recognized

contemporaries.


K. Makovsky “Boyar Wedding Feast”

A.M. Vasnetsov “Red Square”

K.P. Bryullov “The Last Day of Pompeii”

V.I.Surikov “Boyaryna Morozova”

I.S. Kulikov “Exit of the Nizhny Novgorod militia”


Battle genre

- (derived from fr. bataille- battle) is a genre of fine art that depicts themes of war: battles, military campaigns, glorifying military valor, the fury of battle, the triumph of victory.


A.A.Daineka “Defense of Sevastopol”

V.V.Vereshchagin “At the fortress wall”

M.I.Avilov “Red Guards”

G.K. Savitsky “To War”

N.I.Belov “Battle of Bortenev”


Animalistic genre

- ( Animalism, Animalism)(from lat. animal- animal) is a genre of fine art, the main object of which is animals. The main task of an animalist can be both the accuracy of the image of the animal and artistic and figurative characteristics, including decorative expressiveness or endowing animals with traits, actions and experiences inherent in humans.


V. Vatagin “Indian Leopard”

V.V. Trafimov “Lion’s Head”

S. Lapina “Stallion”

A.S. Stepanov “Moose”

M. Kukunov “Owl”


Fairy-tale-epic genre

A genre of fine art that depicts scenes from epics and folklore. The heroes of epics stood up to defend the Russian land, sought to unite the lands, defended the weak and disadvantaged, and fought against enemies.


I. Bilibin “Ivan Tsarevich and the Firebird”

N. Roerich “Overseas Guests”

M. Vrubel “The Swan Princess”

I.E. Repin “Sadko”

V. Vasnetsov “Warriors of the Apocalypse”


Hippic genre

- (derived from Greek. hippos- horse) is a genre of fine art in which the main motif is the image of a horse. Since ancient times, horses have attracted the attention of artists for their appearance and appearance, speed and grace, intelligence and disposition.


NOT. Sverchkov “Horse delicacy”

P.O. Kovalevsky “A Herd of Horses at Dawn”

T.I.Danchurova “Arab”

N.G. Klenov “Horses at a watering place”

O.D. Chinkovsky “Horses”


Genre "Marina"

- (fr. marine, Italian marina, from lat. marinus - sea) - a genre of fine art depicting a sea view, as well as a scene of a naval battle or other events taking place at sea. It is a type of landscape.

Marine painter (French) marinist) - artist,

writing Marina.


A.P. Bogolyubov “Baltic Sea”

I.K. Aivazovsky “Sea. Koktebel"

A. Milyukov “Dawn at sea”

A.I. Kuindzhi “Sea. Crimea"

M.A. Alisov “Simeiz”


A creation can outlive its creator: The Creator will leave, defeated by nature,

However, the image he captured It will warm hearts for centuries. I live in the hearts of thousands of souls To all who love, and that means I am not dust, And mortal decay will not touch me.

Michelangelo


Sources

Z. Aidarova “Fine Arts”, Almaty, Atamura, 2011.

V.S.Kuzin, E.I.Kubyshkina Fine arts, M.: Bustard, 1997.

http://www.artap.ru/

https://www.google.kz/

http://www.wisdoms.ru/64_2.html

To use presentation previews, create a Google account and log in to it: https://accounts.google.com


Slide captions:

Painting as a form of art. Genres of painting. Teacher of MADOU D\s No. 17 “Shatlyk” Eliseeva Natalya Anatolyevna

Painting is a type of fine art that consists of creating paintings and canvases that most fully and life-like reflect reality. A work of art made with paints (oil, tempera, watercolor, gouache, etc.) applied to any hard surface is called painting. The main expressive means of painting is color, its ability to evoke various feelings and associations enhances the emotionality of the image. The artist usually draws up the color required for painting on a palette, and then turns the paint into color on the painting plane, creating a color order - coloring.

Painting is a very ancient art, which has undergone an evolution over many centuries from Paleolithic rock paintings to the latest trends in painting of the 20th century. Painting has a wide range of possibilities for realizing ideas from realism to abstractionism. Enormous spiritual treasures have been accumulated in the course of its development. The images in the painting are very visual and convincing. Painting is capable of conveying volume and space, nature on a plane, revealing the complex world of human feelings and characters, embodying universal ideas, events of the historical past, mythological images and flights of fancy.

Types of painting decorative painting icon painting miniature theatrical and decorative Each of the types of painting is distinguished by the specifics of technical execution and solution of artistic and figurative problems. Unlike painting as an independent type of fine art, the pictorial approach (method) can be used in its other types: in drawing, graphics and even in sculpture.

Genres of painting Genres are several special features inherent in works of art, by which we distinguish one from the other.

According to the technical methods and materials used, painting can be divided into the following types: Oil Tempera Enamel Adhesive Water-based paints on wet plaster (fresco) Wax (encaustic) Painting can be single-layer, done immediately, or multi-layer, including underpainting and glazing applied to a dried paint layer transparent and translucent layers of paint.

Important means of artistic expression in painting are: The construction of volume and space in painting is associated with linear and aerial perspective, spatial properties of warm and cold colors, light and shadow modeling of shape, and the transfer of the overall color tone of the canvas.

Still life Still life - translated from French into Russian means “dead nature”, that is, something inanimate. In still life, artists depict various objects that surround us in life. These can be household items, for example, dishes, tools. Or what nature gives us - fruits, vegetables, flowers. Very often in still lifes we see both everyday objects and gifts of nature. In the 17th century, still life established itself as an independent genre. It reflected an interest in the material world that originated in the Dutch “painting of things” of the early 15th century. Already by the end of the 19th century, a change in semantic guidelines was taking place in Russian art. The artists who are known to us under the general name “Itinerants”, who do not pay much attention to this genre, are being replaced by a galaxy of young artists in whose work still life occupies a dominant position. Among the works of this period, one can highlight the still life of Kharlamov “Fruit”, Konchalovsky’s “Bread on the background of a tray” and Zhukovsky’s “Snowdrops”.

portrait The first portraits appeared several thousand years ago in ancient Egypt. These were huge stone images of Egyptian pharaohs. When creating a portrait, the main task of the artist is to accurately depict the model. This means not only the banal copying of the person being portrayed’s appearance - clothes, hairstyle, jewelry, but also the transfer of his inner world and character. When creating a portrait, first of all, you should pay attention to the fact that the general shape of the head (face) determines all the shapes of the details (nose, ears, eyes, mouth, etc.) and possible other remarkable features of the person, otherwise the depicted face will be fragmented , not general. This applies to both detail and color. Everything should be subordinated to the overall composition. A portrait (French word portrait) is an image of the appearance of a person, his individuality.

Animalistic genre This genre arose among primitive artists. They depicted scenes of hunting deer, mammoths, and bison. The animalistic genre came to Russia only in the 19th century. The animalistic genre combines natural science and artistic principles. Often the main task of an animal artist is the accuracy of the image of the animal. Animalistic genre (from the Latin animal - animal), a type of fine art in which the leading motif is the image of animals. The animalistic genre itself appeared in China during the Tang (8th century) and Song (13th century) periods. Artists working in the animalistic genre are called animalists.

Battle genre The artist strives to capture a particularly important or characteristic moment of the battle, to show the heroism of war, and often to reveal the historical meaning of military events, which brings the battle genre closer to the historical one. And scenes of military life (in campaigns, barracks, camps) often associate it with the everyday genre. Artists working in the battle genre are called battle painters. The battle genre (from the French bataille - battle), a genre of fine art dedicated to the themes of war and military life. The main place in the battle genre is occupied by scenes of land and sea battles, military campaigns of the past and present. A. Deinek “Defense of Sevastopol”

everyday genre Everyday events introduce us to people's lives, festivals, traditions, scenes of everyday life, work, and social activities. Everyday genre, one of the main genres of fine art, dedicated to depicting the private and public life of a person. Artists working in the everyday genre are called genre painters.

historical genre Historical genre, one of the main genres of fine art, dedicated to the recreation of past and present events of historical significance. The historical genre is often intertwined with other genres - the everyday genre (the so-called historical-domestic genre), portrait (portrait-historical compositions), landscape ("historical landscape"), and the battle genre. The evolution of the historical genre is largely determined by the development of historical views, and it was finally formed along with the formation of a scientific view of history (completely only in the 18th–19th centuries).