Did Oblomov love Olga. The difficult relationship between Oblomov and Olga Ilyinskaya

According to the tradition that has developed in Russian literature, love becomes a test for heroes and reveals new facets of characters. This tradition was followed by Pushkin (Onegin and Tatyana), Lermontov (Pechorin and Vera), Turgenev (Bazarov and Odintsova), Tolstoy (Bolkonsky and Natasha Rostova). This topic is also touched upon in Goncharov's novel Oblomov. On the example of the love of Ilya Ilyich Oblomov and Olga Ilyinskaya, the author showed how a person's personality is revealed through this feeling.

Olga Ilyinskaya is in a positive way novel. This is a smart girl with sincere, devoid of affectation, manners. She did not enjoy much success in the world, only Stoltz managed to appreciate her. Andrey singled out Olga among other women, because “although unconsciously, she followed a simple, natural path of life ... and did not deviate from the natural manifestation of thought, feeling, will ...”

Oblomov, having met Olga, first of all drew attention to her beauty: "Whoever met her, even absent-minded, stopped for a moment in front of this so strictly and deliberately, artistically created creature." When Oblomov heard her singing, love awakened in his heart: “From words, from sounds, from this pure, strong girlish voice, the heart beat, nerves trembled, eyes sparkled and swam with tears ...” The thirst for life and love that sounded in Olga’s voice, echoed in the soul of Ilya Ilyich. Behind the harmonious appearance, he felt beautiful soul capable of deep feelings.

Reflecting on his future life, Oblomov dreamed of a tall, slender woman, with a quiet, proud look. Seeing Olga, he realized that his ideal and she are one person. For Oblomov, the highest harmony is peace, and Olga would be a statue of harmony, "if she were turned into a statue." But she could not become a statue, and, presenting her in his "earthly paradise", Oblomov began to understand that he would not succeed in an idyll.

The love of the heroes from the very beginning was doomed. Ilya Ilyich Oblomov and Olga Ilyinskaya understood the meaning of life, love, family happiness in different ways. If for Oblomov love is a disease, a passion, then for Olga it is a duty. Ilya Ilyich fell in love with Olga deeply and sincerely, idolized her, gave her all his “I”: “He gets up at seven o’clock, reads, carries books somewhere. On the face of no sleep, no fatigue, no boredom. There were even colors on him, a sparkle in his eyes, something like courage, or at least self-confidence. You can't see a robe on him."

In Olga's feelings, a consistent calculation was visible. Having agreed with Stolz, she took the life of Ilya Ilyich into her own hands. Despite her youth, she was able to see in him open heart, kind soul, "pigeon tenderness." At the same time, she liked the very idea that it was she, a young and inexperienced girl, who would revive such a person as Oblomov. “She will show him the goal, make him fall in love again with everything that he fell out of love with, and Stolz will not recognize him when he returns. And all this miracle will be done by her, so timid, silent, whom no one has obeyed until now, who has not yet begun to live! She is the culprit of such a transformation!

Olga tried to change Ilya Ilyich, he also needed feelings that would bring him closer to his native Oblomovka, a blessed corner of the earth where he grew up, where the meaning of life fits into thoughts about food, sleep, in idle conversations: care and warmth, demanding nothing in return. He found all this in Agafya Matveevna Pshenitsyna, and therefore became attached to her as to a dream come true about returning.

Realizing how different their views on life are, Oblomov decides to write a letter to Olga, which becomes real. poetic work. This letter reads deep feeling and the desire for happiness for the girl he loves. Knowing himself, Olga’s inexperience, in a letter he opens her eyes to a mistake, asks her not to make it: “Your real love is not to eat real love, but the future one. This is only an unconscious need to love ... ”But Olga understood Oblomov’s act differently - as fear of misfortune. She understands that anyone can stop loving or fall in love with another person, but she says that she cannot follow a person if there is a risk in this. And it is Olga who decides to end their relationship. IN last conversation she tells Ilya Ilyich that she loved the future Oblomov. Assessing the relationship between Oblomov and Olga, Dobrolyubov wrote: “Olga left Oblomov when she stopped believing in him; she will also leave Stolz if she stops believing in him.”

Having written a letter, Oblomov refused happiness in the name of his beloved. Olga and Ilya broke up, but their relationship had a profound effect on their future life. Oblomov found happiness in the house of Agafya Matveevna, which became for him the second Oblomovka. He is ashamed of such a life, he understands that he lived it in vain, but it is too late to change anything.

The love of Olga and Oblomov enriched the spiritual world of both. But the greatest merit is that Ilya Ilyich contributed to the formation spiritual world Olga. A few years after breaking up with Ilya, she confesses to Stolz: “I love him not as before, but there is something that I love in him, to which I seem to have remained faithful and will not change like others ...” And in this shows the depth of her nature. Unlike Stolz, life goals which have boundaries, people like Oblomov and Olga all their lives do not stop thinking about the appointment of a person and asking themselves the question: “What next?”

Materials about the work of the writer and the novel "Oblomov".

The main characters of the novel by I. A. Goncharov "Oblomov". Despite the difference in characters and worldviews, these two were in love with each other, albeit not for long. The love of the characters is beautifully described by the author. They met through to the best friend Oblomov Andrey Stolz, who, worrying about the future of his friend, asked Olga to get him out of the routine of idleness. The first meeting took place in the spring at a party, where lilacs were blooming in the garden.

Spring itself is conducive to the beginning of a new relationship. The second meeting took place at the dacha near the Ilyinskys. Even then, Oblomov realized that he had found his ideal of harmony and femininity. It is a girl like Olga that he would like to see as his bride. She somehow miraculously managed to influence him beneficially. She became for him a bright angel who managed to pull him out of the "Oblomovism", in which he had long been mired. From the moment they met, he didn’t put on his shabby bathrobe so often, he began to notice dust and cobwebs in his house, he began to spend less time on the couch.

Such transformations in a friend surprised even Stolz. He was sincerely glad that Olga was able to influence the naturally lazy and apathetic Oblomov so well. In his love for her, the hero was sincere and noble. He wished Olga only the best. When Oblomov finally realized that he could not play the role that she handed him for a long time, he honestly confessed to her in a letter. Olga loved in him not the person he was, but rather the future Oblomov, the way she wanted to make him. For her, love was, first of all, a duty, a duty, so these feelings did not last long.

Ilinskaya managed to return Oblomov to real life, "wake up" him, which no one had been able to do before. For this, you could already love her. But she stopped believing in him. Realizing that the “Oblomovism” in this person cannot be defeated so easily, she gradually began to move away. As you know, she soon married the pragmatic Stolz, in whom she saw at least some future. If Goncharov had written a sequel to his cult novel, then perhaps we would have read there that she left Stolz as well. Because, having stopped believing in a person, this girl pulled away.

Oblomov, in turn, found his quiet, modest happiness next to Agafya Pshenitsyna, who did not want to redo him and allowed him to remain in dreams, aimless reflections and laziness. She decided and did everything for him, as for a small, infantile child, and Ilya Ilyich was satisfied with this state of affairs. This woman became for him the second Oblomovka, in which it is cozy, comfortable and warm. He knew perfectly well that his life was aimless and boring. He was even to some extent ashamed of his carelessness and worthlessness, but he could not change anything.

On the one hand, it seems that Olga spent several months with Oblomov in vain. On the other hand, the writer emphasizes that both of them spiritually enriched themselves during this time, discovered new facets for themselves. After all, only in search can you find your way. So the main characters of the work, through trial and error, found their family happiness.

Introduction

Goncharov's novel "Oblomov" can rightly be called a work of love, in which different faces this wonderful feeling. It is not surprising that the leading storyline book is a novel by Olga and Oblomov - an example of a bright, all-encompassing, romantic, but notoriously tragic love. Literary researchers assess the role of these relations in the fate of Ilya Ilyich in different ways: some believe that Olga was a bright angel for the hero, able to pull him out of the abyss of Oblomovism, while others point to the egoism of a girl for whom duty was higher than feelings. To understand the role of Olga in Oblomov's life, consider the story of their love from the very beginning to parting.

The beginning of the relationship between Oblomov and Olga

The love story of Oblomov and Olga begins in the spring, during the flowering of lilacs, the rebirth of nature and the emergence of new wonderful feelings. Ilya Ilyich met a girl at a party, where Stoltz introduced them. At first glance, Oblomov saw in Olga the embodiment of his ideal, harmony and femininity, which he dreamed of seeing in his future wife. Perhaps, the sprouts of a future feeling were born in the soul of Ilya Ilyich already at the moment of meeting the girl: “From that moment, Olga’s persistent gaze did not leave Oblomov’s head. In vain did he lie down on his back to his full height, in vain did he take the most lazy and calm poses - he could not sleep, and that was all. And the dressing gown seemed disgusting to him, and Zakhar was stupid and unbearable, and the dust with cobwebs was unbearable.

Their next meeting took place at the dacha at the Ilyinskys, when Ilya Ilyich accidentally escaped “Ah!”, Revealing the hero’s admiration for the girl, and his accidental movement, which embarrassed the heroine, made Olga herself think about Oblomov’s attitude towards her. And a few days later a conversation took place between them, which became the beginning of the love of Oblomov and Ilyinskaya. Their dialogue ended with a timid confession of the hero: “No, I feel ... not music ... but ... love! Oblomov said quietly. She instantly left his hand and changed her face. Her gaze met his gaze fixed on her: this gaze was motionless, almost insane, it was not Oblomov who looked at it, but passion. These words disturbed the peace in Olga's soul, but the young, inexperienced girl could not immediately understand that a strong wonderful feeling began to emerge in her heart.

The development of the novel by Olga and Oblomov

The relationship between Oblomov and Olga developed as something independent of the heroes, but dictated by the will higher powers. The first confirmation of this was their chance meeting in the park, when both were glad to see each other, but still could not believe their happiness. A fragile, fragrant branch of lilac, a delicate, quivering flower of spring and birth, has become a symbol of their love. Further development The relationship between the characters was swift and ambiguous - from bright flashes of vision in a partner of their ideal (Olga for Oblomov) and a person who can become such an ideal (Oblomov for Olga) to moments of disappointment.

In moments of crisis, Ilya Ilyich despairs, afraid to become a burden for a young girl, fearing the publicity of their relationship, their manifestation is not according to the scenario that the hero dreamed of long years. The reflective, sensitive Oblomov, far from the final parting, understands that Olgino “I love the present is not true love, but the future ...”, feeling that the girl sees in him not real person, but that distant lover that he could become under her sensitive guidance. Gradually, the understanding of this becomes unbearable for the hero, he again becomes apathetic, not believing in the future and not wanting to fight for his happiness. The gap between Oblomov and Olga does not occur because the characters fell out of love with each other, but because, having freed themselves from the veil of their first love, they saw in each other not at all the people they dreamed about.

Why was the love story of Olga and Oblomov obviously tragic?

To understand why the relationship between Oblomov and Olga was doomed to parting, it is enough to compare the characters. The reader gets acquainted with Ilya Ilyich at the beginning of the work. This is already an accomplished man of thirty years, brought up " indoor flower”, from an early age accustomed to idleness, calm and measured life. And if in his youth Oblomov tried to act on a par with the active, purposeful Stolz, then his "hothouse" upbringing and introverted, dreamy character after the first failure in his career led to alienation from the outside world. At the time of meeting Olga, Ilya Ilyich was completely mired in Oblomovism, he was too lazy to even get out of bed or write a letter, he gradually degraded as a person, plunging into a world of unrealizable dreams.

Unlike Oblomov, Olga appears as a bright, purposeful person, constantly developing and striving to discover more and more facets of the world around her. Her friendship with Stolz is not surprising either, who, like a teacher, helps her develop, offers new books and quenches her thirst for immense knowledge. The heroine is beautiful not so much externally as internally, which attracted Ilya Ilyich to her.

The love of Oblomov and Olga is a combination of two opposites that were not destined to be together. Ilya Ilyich's feelings were rather admiration than true love to the girl. He continued to see in her an ephemeral image of his dream, a distant and beautiful muse that would inspire him without forcing him to completely change. Whereas Olga's love in Goncharov's novel Oblomov was aimed precisely at this transformation, the change of her lover. The girl did not try to love Oblomov, the way he is - she loved another person in him, the one she could make of him. Olga herself considered herself practically an angel who would illuminate the life of Ilya Ilyich, only now an adult man wanted a simple, “Oblomov” family happiness and was not ready for drastic changes.

Conclusion

The story of Oblomov and Olga is closely connected with nature - starting in spring, it ends in late autumn, covering the lonely hero with the first snow. Their love did not go away and was not forgotten, forever changing inner world both heroes. Even many years after the breakup, already married to Stolz, Olga tells her husband: “I love him not as before, but there is something that I love in him, to which I seem to have remained faithful and will not change, like others ... ". Perhaps if Oblomov was younger, the girl could change his essence and make her ideal out of him, but true elemental love came into the hero’s life too late, and therefore was doomed to a tragic end - the separation of her beloved.

Using the example of Olga and Ilya Ilyich, Goncharov showed how important it is to love his individuality in another person, and not try to change him in accordance with the distorted, illusory image of the ideal that is close to us.

It will be useful for students of grade 10 to read the chronology of the relationship between the two heroes of Goncharov's novel before writing an essay on the topic "Lyubov Oblomov and Olga in the novel" Oblomov "".

Artwork test

Oblomov, during his lazy dreams, always imagined the image of a tall and slender woman with a quiet and proud look, with her hands calmly folded on her chest, with a quiet but proud look and a thoughtful expression on her face. He never wanted to see in her trembling, sudden tears, languor .. because there is too much trouble with such women.

After Oblomov broke out a declaration of love for Olga, they did not see each other for a long time. Her attitude towards him changed, she became more thoughtful. Stolz, leaving, "bequeathed" Oblomov to Olga, asked to look after him, to prevent him from sitting at home. And ripened in Olga's head detailed plan how she will wean Oblomov from sleeping after dinner, will order him to read books and newspapers, write letters to the village, complete the plan for arranging the estate, prepare to go abroad ... And this she, so timid and silent, will become the culprit of such a transformation! “He will live, act, bless life and hers. To bring a person back to life - how much glory to the doctor when he saves a hopeless patient! And save the morally perishing mind, soul! But this unexpected declaration of love was to change everything. She did not know how to behave with Oblomov, and therefore she was silent when meeting with him. Oblomov thought that he had frightened her, and therefore he expected cold and stern looks, and when he saw her, he tried to move aside.

Suddenly someone is coming, she hears.

"Someone is coming..." thought Oblomov.

And they came face to face.

Olga Sergeevna! he said, shaking like an aspen leaf.

Ilya Ilyich! she answered timidly, and they both stopped.

Hello, he said.

Hello, she said...

They walked along the path in silence. Neither from the ruler of the teacher, nor from the eyebrows of the director, Oblomov's heart has ever pounded as much as it does now. He wanted to say something, overpowered himself, but no words came out of his mouth; only my heart was beating incredibly, as before a disaster ...

Yes, Olga Sergeyevna,” he finally overcame himself, “I think you are surprised ... angry ...

I completely forgot ... - she said.

Believe me, it was involuntary... I couldn't resist... - he began to speak, gradually arming himself with courage. - If the thunder had rumbled then, the stone would have fallen over me, I would still say. It was impossible to keep this by any means... For God's sake, don't think that I wanted to... In a minute God knows what I would give to get back a careless word...

Forget it," he continued, "forget it, especially since it's not true...

Not true? she suddenly repeated, straightening up and dropping the flowers.

Her eyes suddenly opened wide and flashed with amazement.

How not true? she repeated again.

Yes, for God's sake, don't get angry and forget. I assure you, it's only a momentary infatuation... from music.

Only from music!

Her face changed: two pink spots disappeared, and her eyes dimmed ...

He became silent and didn't know what to do. He saw only the sudden annoyance and did not see the reason.

I'll go home," she said suddenly, quickening her steps and turning into another alley...

Give me your hand as a sign that you are not angry...

She, without looking at him, gave him the ends of her fingers, and as soon as he touched them, she immediately pulled her hand back.

No, you're angry! he said with a sigh. - How can I assure you that it was a hobby, that I would not allow myself to be forgotten? .. No, of course, I will not listen to your singing anymore ... If you leave like that, don’t smile, don’t shake hands in a friendly way, I .. pity me, Olga Sergeevna! I will be unwell, my knees are trembling, I can hardly stand ...

From what? she suddenly asked, looking at him.

And I don’t know myself,” he said, “I’m not ashamed now: I’m not ashamed of my word ... it seems to me that in it ...

Speak! she said commandingly.

He was silent.

I want to cry again, looking at you... You see, I have no pride, I'm not ashamed of my heart...

Why cry? she asked, and two pink spots appeared on her cheeks.

What? she said, and the tears flowed from her chest; she waited tensely.

They came up to the porch.

I feel ... - Oblomov was in a hurry to finish and stopped.

She slowly, as if with difficulty, climbed the stairs.

The same music... the same... excitement... the same... chuv... sorry, sorry - by God, I can't control myself...

Mr. Oblomov ... - she began sternly, then suddenly her face lit up with a beam of a smile, - I'm not angry, I forgive you, - she added softly, - just go ahead ...

Oblomov looked after Olga for a long time. He came home happy and radiant, sat down in the corner of the sofa and quickly drew in large letters on the dust on the table: "Olga." Then he called Zakhar, who had recently married Anisya, and ordered him to sweep and wipe off the dust. Then he lay down on the sofa and thought for a long time about his morning conversation with Olga: “She loves me! Is it possible?..” It was as if life had awakened in him again, new dreams had arisen. But it was hard for him to believe that Olga could fall in love with him: “funny, with a sleepy look, with flabby cheeks ...” Going to the mirror, he noticed that he had changed a lot, became fresher. At this time, a man from Olga's aunt came to call for dinner. Oblomov gave him money and went. His heart was good and cheerful, all the people seemed kind and happy. But anxious doubts that Olga was only flirting with him did not give him peace. When he saw her, those doubts were almost dispelled. “No, she is not like that, not a deceiver…” - he decided.

"This whole day was a day of gradual disappointment for Oblomov." He spent it with Olga's aunt - a smart, decent and dignified woman. She never worked, because it did not suit her, sometimes she read and spoke well, but she never dreamed or was clever. She did not trust her spiritual secrets to anyone, and loved to be alone only with the baron, who was the guardian of Olga's small, pledged estate. The relationship between Olga and her aunt was simple and calm, they never showed displeasure to each other, however, there was no reason for this.

The appearance of Oblomov in the house did not make a special impression and did not attract anyone's attention. Stolz wanted to introduce his friend to a little stiff people, where you can't sleep after dinner, where you always have to be well dressed and always remember what you're talking about. Stoltz thought that a pretty young woman would be able to bring some revival to Oblomov’s life - “it’s the same as bringing a lamp into a gloomy room, from which an even light, a few degrees of warmth, will spill into all dark corners, and the room will become more cheerful.” But "he did not foresee that he was bringing in fireworks, Olga and Oblomov - even more so."

The aunt looked through her fingers at Oblomov's walks with Olga, because she did not see anything reprehensible in this. Oblomov talked with Olga's aunt for two hours, and when Olga appeared, he could not get enough of her. She had visibly changed, seemed to have matured. “A naive, almost childish smile never appeared on her lips, she never looked so wide, openly, with her eyes, when they expressed a question or bewilderment, or simple-hearted curiosity, as if she had nothing to ask about ...” She looked at Oblomova, as if she had known him for a long time, joked and laughed, answered his questions in detail. She seemed to force herself to do what needed to be done and what others were doing.

After dinner, everyone went for a walk, and then returned home. Olga sang a romance, but there was no soul in her singing. Oblomov, without waiting for tea, said goodbye, and Olga nodded to him, as to a good friend. In the next 3-4 days, Olga looked at Oblomov simply, without the former curiosity and without affection, and he could only be perplexed: “What is it with her? What does she think, feel? But he couldn't understand anything. On the fourth and fifth days he did not go to the Ilyinskys, he was about to go for a walk, he went out onto the road, but he did not want to go up the mountain. Returned home and fell asleep. I woke up, had lunch, sat down at the table - “again, I don’t want anything and nowhere!” He announced to Zakhar that he was going to move to the city, to the Vyborg side, and when Zakhar left and then returned with a suitcase, he said that he would go abroad one of these days.

The next day, Oblomov woke up at ten o'clock. Zakhar, serving him tea, said that he met Olga Sergeevna at the bakery, she ordered to bow, asked about her health, what she had supper, what she was doing these days. Zakhar, out of his spiritual simplicity, told the truth: he ate two chickens for dinner and lay on the couch all these days, he is going to move to the Vyborg side. Oblomov angrily drove Zakhar out and began to drink tea. Zakhar returned and said that the young lady asked him to come to the park. Ilya Ilyich dressed at once and went to the park, went around everything, looked into the gazebos and found her on the bench where their recent quarrel had taken place.

I thought you weren't coming," she told him kindly.

I have been looking for you all over the park for a long time,” he replied.

I knew that you would be looking for, and purposely sat down here in this alley: I thought that you would certainly pass along it ...

Why haven't you been seen for a long time? she asked.

He was silent...

He vaguely understood that she had grown up and was almost taller than him, that from now on there was no return to childish gullibility, that before them was the Rubicon and the lost happiness was already on the other side: they had to step over.

She understood more clearly than him what was happening in him, and therefore the advantage was on her side ... She instantly weighed her power over him, and she liked this role guiding star, a ray of light that she will pour over a stagnant lake and be reflected in it ...

She celebrated her superiority in this duel in various ways... Her look was expressive and understandable. As if on purpose, she opened a well-known page of the book and allowed her to read the treasured passage.

So, I can hope ... - suddenly, flushing with joy, he said.

Total! But...

She fell silent.

He suddenly resurrected. And she, in turn, did not recognize Oblomov: the foggy, sleepy face instantly changed, her eyes opened; the colors played on the cheeks; thoughts moved; his eyes sparkled with desire and will. She, too, clearly read in this mute play of faces that Oblomov instantly had the goal of life.

Life, life again opens up to me, - he said as if in a delirium, - here it is, in your eyes, in a smile, in this branch, in Casta diva ... everything is here ...

He then with delight, furtively cast a glance at her head, at the camp, at the curls, then he squeezed a branch.

This all is mine! My! he thought thoughtfully, and did not believe himself.

You will not move to the Vyborg side? she asked as he left for home.

He laughed and didn't even call Zakhar a fool.

Since then, Olga has become calmer, "but she lived and felt life only with Oblomov." She felt all the changes taking place in her soul and lived in her new sphere without worries and worries. She did the same thing as before, but in a different way. She often recalled the predictions of Stolz, who said that she had not yet begun to live. And now I realized that he was right - she had just begun to live.

The image of Olga occupied all Oblomov's thoughts. He fell asleep, woke up and walked, thinking about her; day and night he talked to her in his mind. He read books and retold them to Olga, wrote several letters to the village and changed the headman, and would even go to the village if he considered it possible to leave without Olga. He did not have supper and did not go to bed during the day, and in a few weeks he traveled all over the Petersburg environs.

The sympathy of Olga and Oblomov grew and developed, and Olga flourished along with this feeling. Everyone noticed that she got prettier. When they were together, Oblomov looked at her for a long time, unable to look away. She easily read everything that was written on his face, and was proud of the fact that she was able to arouse in him such strong feeling. “And she admired and was proud of this man who was cast down at her feet, by her own strength!” Olga still ridiculed Oblomov's weaknesses, and each time he tried to dodge so as not to fall in her eyes. She deliberately asked him questions that he could not answer, and forced him to look for answers and then explain to her. He ran around bookstores, libraries, sometimes did not sleep at night, read, so that in the morning, as if by chance, answer Olga's question. But Olga's love was different from Oblomov's feelings.

I don’t know,” she said thoughtfully, as if delving into herself and trying to catch what was happening in her. - I don't know if I'm in love with you; if not, perhaps the minute has not come yet; I only know one thing, that I did not love neither my father, nor my mother, nor the nanny so much ...

What's the difference? Do you feel anything special! .. - he sought.

I love differently,” she said, leaning back on the bench and her eyes wandering in the rushing clouds. - I'm bored without you; parting with you for a short time - it's a pity, for a long time - it hurts. Once I knew forever, I saw and I believe that you love me - and I am happy, at least never repeat to me that you love me. I don't know how to love more and better.

"Those are words... as if they were Cordelia!" - thought Oblomov, looking passionately at Olga ...

If you die… you,” she continued haltingly, “I will wear eternal mourning for you and never smile again in my life. Love another - I won’t grumble, curse, but I wish you happiness to myself ... For me, this love is like ... life, but life ...

She was looking for expression.

What is life, according to you? - asked Oblomov.

Life is a duty, a duty, therefore, love is also a duty: it was as if God sent her to me, she said, raising her eyes to the sky, and told me to love.

Cordelia! Oblomov said aloud. And she's twenty-one! So that's what love is, according to you! he added thoughtfully.

Yes, and I, it seems, will have the strength to live and love all my life ...

Thus the same motive was played out between them in various variations. Meetings, conversations - all this was one song, one sound, one light that burned brightly, and only refracted and split its rays into pink, green, pale yellow and trembled in the atmosphere around them. Every day and hour brought new sounds and rays, but the light burned alone, the motive sounded the same ...

Oblomov was at the mercy of his feelings and lived only for meetings with Olga. “I love, I love, I love,” Olga’s recent confession sounded in it. But the next day he got up pale and gloomy, with traces of insomnia on his face and an extinguished fire in his eyes. He drank his tea languidly, did not touch a single book, and sat down on the sofa and thought. He was not drawn to lie down - he had lost the habit, but he nevertheless rested his hand on the pillow. The image of Olga was in front of him, but somewhere in the fog. An inner voice told him that it is impossible to live the way you want. “We must grope, close our eyes to many things and not rave about happiness, do not dare to grumble that it is slipping away - this is life!” He suddenly realized that he needed to part with Olga, his "poetic mood gave way to horrors."

"Isn't this a mistake?" - suddenly flashed through his mind like lightning, and this lightning hit the very heart and broke it. He groaned. "Error! yes... that's it! - tossed and turned in his head.

“I love, I love, I love,” suddenly resounded again in my memory, and my heart began to warm up, but suddenly it became cold again. And this triple “I love” Olga - what is it? The deception of her eyes, the sly whisper of an idle heart; not love, but only a premonition of love! ..

Now she loves the way she embroiders on the canvas: quietly, lazily the pattern comes out, she unrolls it even more lazily, admires it, then puts it down and forgets it. Yes, this is only a preparation for love, an experience, and he is the subject who turned up first, a little tolerable, for experience, on occasion ...

That's it! he said with horror, getting up from his bed and lighting a candle with a trembling hand. - There is nothing else here and never was! She was ready to accept love, her heart waited sensitively, and he met by chance, fell by mistake ... Another will only appear - and she will sober up with horror from the mistake! How she would look at him then, how she would turn away... terribly! I'm stealing someone else's! I am a thief! What am I doing, what am I doing? How blind I am! - My God!

He looked in the mirror: pale, yellow, eyes dull. He remembered those young lucky ones, with a damp, thoughtful, but strong and deep look, like hers, with a trembling spark in their eyes, with confidence in victory in a smile, with such a cheerful gait, with a sonorous voice. And he will wait until one of them appears: she will suddenly flare up, look at him, Oblomov, and ... burst into laughter!

He looked into the mirror again. "They don't like them!" - he said.

Then he lay down and pressed his face against the pillow. "Farewell, Olga, be happy," he concluded.

Oblomov told Zakhar that if they came for him from the Ilyinskys, to say that he had left for the city, but then he decided to write a letter to Olga stating that the feelings she was experiencing were not true love, but only an unconscious ability to love, but himself he consoles himself with the fact that “this short episode will leave ... a pure, fragrant memory ...” Having sent the letter, Oblomov began to imagine what kind of face Olga would have when she read it. At this time, he was informed that Olga asked me to tell him to come at two o'clock, and now she is walking. Oblomov hurried to her, and saw that she was walking along the road, wiping her tears. Olga reproached him for injustice, for deliberately hurting her. Oblomov admitted that this letter was unnecessary and asked for forgiveness. They reconciled, and Olga ran home.

He remained where he was and looked after her for a long time, like a flying angel...

What is it? he said aloud in forgetfulness. - And - love, too ... love? And I thought that she, like a sultry afternoon, would hang over those who loved her and nothing would move or die in her atmosphere: there is no peace in love, and it is moving somewhere forward, forward ... "like all life", says Stolz. And Joshua was not yet born, who would have said to her: “Stop and do not move!” What will happen tomorrow? he asked himself anxiously, and thoughtfully, lazily went home.

Passing by Olga's windows, he heard how her tight chest was relieved in the sounds of Schubert, as if crying with happiness.

My God! How good it is to live in the world!

At home, Oblomov was waiting for a letter from Stolz, which began and ended with the words: “Now or never!” Andrei reproached his friend for immobility and invited him to come abroad, advised him to go to the village, deal with the peasants and start building a new house. Ilya Ilyich began to think, write, even went to the architect and prepared a plan for the house in which he was going to live with Olga.

A secret relationship, invisible to others, was established between Oblomov and Olga: every glance, every insignificant word spoken in front of others had its own meaning for them. They saw a hint of love in everything.

And Olga will sometimes flare up with all her self-confidence when at the table they tell the story of someone's love, similar to her story; and as all love stories are alike, she often had to blush.

And Oblomov, at a hint of this, will suddenly grab in embarrassment at tea such a bunch of crackers that someone will certainly laugh.

They became sensitive and cautious. Sometimes Olga will not tell her aunt that she saw Oblomov, and he will announce at home that he is going to the city, and he will go to the park ...

Summer was moving on, leaving. Mornings and evenings became dark and damp. Not only lilacs - and lindens have faded, the berries have departed. Oblomov and Olga saw each other daily.

He caught up with life, that is, he learned again everything that he had lagged behind for a long time; he knew why the French envoy had left Rome, why the English were sending ships with troops to the East; wondered when they would lay new road in Germany or France. But he did not think about the road through Oblomovka to the big village, he did not testify the power of attorney in the chamber and did not send an answer to Stolz's letters.

He learned only what was in the circle of daily conversations in Olga's house, what was read in the newspapers received there, and rather diligently, thanks to Olga's perseverance, followed the current foreign literature.

Everything else was buried in the realm of pure love.

Despite the frequent changes in this pink atmosphere, the main reason was the cloudlessness of the horizon. If Olga sometimes had to think about Oblomov, about her love for him, if this love left an idle time and an empty place in her heart, if her questions did not all find a complete and always ready answer in his head and his will was silent to the call of her will, and to her cheerfulness and trembling of life he answered only with a motionless, passionate look, - she fell into painful thoughtfulness: something cold, like a snake, crawled into her heart, sobered her from her dream, and warm, fairy world love turned into some kind of autumn day, when all objects seem to be in gray.

But it began to seem to Oblomov that those around him were somehow strangely looking at them with Olga, something began to torment his conscience. He did not answer all Olga's questions, fearing to frighten her away. He suddenly suddenly realized that his behavior could ruin the reputation of an honest girl. “He was exhausted, crying like a child that the iridescent colors of his life had suddenly turned pale, that Olga would be a victim. All his love was a crime, a stain on his conscience. He was aware that from this position there is the only way out: marriage. And he decided that that same evening he would announce his decision to Olga.

Oblomov ran to look for Olga, but he was told that she had left. He saw her walking up the mountain and ran after her. Olga was now cheerful and frisky, then suddenly fell into thoughtfulness. They started talking about their love, but he remembered that he did not come for this.

He cleared his throat again.

Listen... I wanted to say.

What? she asked, turning quickly to him.

He was timidly silent...

Tell me! .. - she pestered.

I just wanted to say,” he began slowly, “that I love you so much, I love you so much that if...

He hesitated...

Imagine, - he began, - my heart is overflowing with one desire, my head with one thought, but my will, my tongue do not obey me: I want to speak, and the words will not leave my tongue. But how simple, how ... Help me, Olga.

I don't know what's on your mind...

Oh, for God's sake, without this you: your proud look kills me, every word, like frost, freezes ...

She laughed.

You're crazy! she said, putting her hand on his head.

So, here I received the gift of thought and words! Olga,” he said, kneeling before her, “be my wife!”

She was silent and turned away from him in the opposite direction.

Olga, give me your hand! he continued.

She didn't. He took it himself and put it to his lips. She didn't take it. The hand was warm, soft and slightly damp. He tried to look into her face - she turned away more and more.

Silence? he said anxiously and questioningly, kissing her hand.

Consent sign! she said softly, still not looking at him.

What do you feel now? What do you think? he asked, remembering his dream of shy consent, of tears.

The same as you, - she answered, continuing to look somewhere into the forest; only the excitement of her chest showed that she was holding herself back.

"Does she have tears in her eyes?" thought Oblomov, but she stubbornly looked down. - Are you indifferent, are you calm? - he said, trying to pull her by the hand to him.

Not indifferent, but calm.

Why?

Because I had foreseen this for a long time and got used to the idea.

For a long time! he repeated in astonishment.

Yes, from the moment I gave you a lilac branch... I mentally called you...

She didn't agree.

Since that moment!

He opened his arms wide and wanted to enclose her in them ...

A strange thought occurred to him. She looked at him with calm pride and waited firmly; and at that moment he would like not pride and firmness, but tears, passion, intoxicating happiness, at least for one minute, and then let the life of imperturbable peace flow!

And suddenly, no impetuous tears from unexpected happiness, no bashful consent! How to understand it!

A snake of doubt woke up in his heart and entered... Does she love or is she just getting married?...

But Olga admitted to Oblomov that she would never want to part with him, and he felt incredibly happy.

Goncharov said: "Love moves the world with the power of the Archimedean lever." These words can be taken as an epigraph not only to Goncharov's novel Oblomov, but to the whole human life generally.

Love in Oblomov, as in other novels, plays a huge role. She can explain many of the actions of heroes, she is the cause of joy and suffering. Love is what is most beautiful in a person, what makes him do wonderful things.

Each hero of the novel, like any of us, perceives love in his own way, each one draws in his imagination his ideal of his beloved or beloved. In the novel, Goncharov shows several love lines: Oblomov and Olga, Stolz and Olga, Oblomov and Pshenitsyna, Zakhar and Anisya. All of them, despite the differences, have common features.

The love of Olga and Oblomov appeared as a result of Stolz's care. This active person cannot come to terms with the apathy of a friend, therefore, he makes attempts to revive him to life. Stolz describes Oblomov's wonderful spiritual qualities to Olga: his tenderness, kindness, intelligence. Olga is trying to "stir up Oblomov." At first, it seems like fun to her, especially since Oblomov begins to revive right before her eyes. He himself lives in love: “... he gets up at seven o'clock, reads, carries books somewhere. On the face of no sleep, no fatigue, no boredom. But even colors appeared in him, a sparkle in his eyes, something like courage, or at least self-confidence. But Olga really falls in love with Oblomov. Now it's not a game anymore. Olga is ready to give a lot to her chosen one, but she also expects selfless bestowal from him. And, alas, it collides with Oblomov's inertia. Love begins to burden Ilya Ilyich. He understands that "even in love there is no peace." The tragic outcome is inevitable, the heroes part. It seems to me that the reason is that both loved the image they created, and not a specific person. Ilya Ilyich understood this and in a letter to Olga writes: “... your present “I love” is not real love, but future love. This is only an unconscious need to love, which, due to a lack of real food ... sometimes expresses itself in women in caresses for a child, for another woman, even simply in tears or hysterical fits ... You are mistaken, you are not the one you were waiting for, oh who dreamed. Wait - he will come, and then you will wake up; you will be annoyed and ashamed of your mistake.” Soon Olga herself realized the illusory nature of her love. In a conversation with Stolz about Oblomov, she created for herself perfect image and loved him. Olga did not love Oblomov as he really is, but her creation, what could happen later, in the future. And Oblomov? He returned to his former life, to the sofa and to the dressing gown. It hurts him to lose Olga. But after all, Oblomov loves not a living person, but an image invented by him. Had he realized Olga's true nature, it would never have occurred to him to place her in his future imaginary world. For Oblomov, an ideal marriage is something else: “... and next to the proudly bashful deceased girlfriend, a carefree person sleeps. He falls asleep with confidence, waking up to meet the same meek, pretty look. And in twenty, thirty years ... "He, who grew up in Oblomovka and learned from childhood only one philosophy: everything should be in a state of rest, will never understand Olga's active nature.

But love, whatever it may be, does not pass without a trace. She awakened in Oblomov his best qualities. Now we sympathize with him, we see in him something more than just an inactive person. Love changed Olga too. Stoltz was the first to notice this. “How ripe she is, my God! How this girl has developed! Who was her teacher? Where did she take life lessons? At the baron? It's smooth there, you won't learn anything from his smart phrases! Not at Ilya’s! .. ”If you figure it out, then Stolz himself wants a calm long love. Only, unlike Oblomov, in love, Stolz, as in life, does not tolerate the slightest uncertainty, understatement. Everything should be sorted out and sorted out so that the contradictions do not accumulate and threaten the lives of the spouses in the future. Stolz is happily married. He achieved what he wanted, and found in Olga what he was looking for: the ability to think like him, to be on a par with him. They are not at different poles, like Oblomov and Olga, they are both advanced people: smart, frank, striving for knowledge. But doubts creep into Olga's soul, it seems to her that something is still missing in her life, she dreams of something unrealizable. Perhaps Olga's ideal is a man who would embody the spiritual qualities of Oblomov and the active nature of Stolz.

Oblomov finds his ideal in Pshenitsyna. It happened quietly and imperceptibly. Lying on the sofa, seeing the diligent Agafya Matveevna in front of him, Oblomov falls in love with her. She is an excellent hostess, kind and faithful wife. But the main thing is that she created for Ilya Ilyich his Oblomovka, to which he aspired. Pshenitsyna's house is Oblomovka. Oblomov again fell into that environment, the memories of which he had preserved from childhood. From the very moment when Ilya Ilyich crossed the threshold of Agafya Matveevna's house, he was doomed to return to Oblomovka, return to his former life, die for those around him and begin to live according to his dream. Pshenitsyna's love does not require anything from Oblomov, moreover, the hostess herself makes sacrifices in the name of this love. “... She did not know what was happening to her, she never asked herself, but went under this sweet yoke unconditionally, without resistance and enthusiasm, without trembling, without passion, without vague forebodings, languor, without play and music, nerves .. She fell in love with Oblomov simply, as if she had caught a cold and caught an incurable fever. Pshenitsyna's love is selfless and devoted. It seems that her whole life has passed in anticipation of a person who could be devotedly loved and cared for. She has taken on the role of sovereign hostess and copes with it perfectly. She cooks Sunday pies, pawns her things, which Oblomov does not know at all, if only the master does not need anything. Such love is very similar to motherly love and care. But perhaps Oblomov needed such a wife who embodied the qualities of a wife and mother at the same time.

There is another line of love in the novel. It can be traced in the relationship between Oblomov's servant Zakhar and Anisya. These people are happy in their own way, they also found their ideal in life. Zakhar considers himself a smart person and pretends not to listen to women's councils, but then he does as his wife tells him. Anisya sees all this, takes it for granted and is happy.

All these completed marriages are different, but it is impossible to say which one is better, which one is worse. The important thing is that in them each of the partners found what he was looking for. Oblomov is happy, because his wife does not require anything from him, while at the same time completely taking care of him. Agafya is also happy, because her daily chores and perpetual motion acquired higher meaning. Stolz also found his ideal woman.

The theme of love is eternal, and as long as there are people on earth, there is love.