Knowledge of Pechorin people. Attitude towards love

Pechorin is an ambiguous personality

The image of Pechorin in the novel "A Hero of Our Time" by Lermontov is an ambiguous image. It cannot be called positive, but it is not negative either. Many of his actions are worthy of condemnation, but it is also important to understand the motives of his behavior before making an assessment. The author called Pechorin a hero of his time, not because he recommended to be equal to him, and not because he wanted to ridicule him. He simply showed a portrait of a typical representative of that generation - " extra person”- so that everyone can see what the social structure that disfigures the personality leads to.

Qualities of Pechorin

Knowledge of people

Can such a quality of Pechorin as an understanding of the psychology of people, the motives of their actions, be called bad? Another thing is that he uses it for other purposes. Instead of doing good, helping others, he plays with them, and these games, as a rule, end tragically. This was the end of the story with the mountain girl Bela, whom Pechorin persuaded her brother to steal. Having achieved the love of a freedom-loving girl, he lost interest in her, and soon Bela fell victim to the vengeful Kazbich.

Playing with Princess Mary also did not lead to anything good. Pechorin's intervention in her relationship with Grushnitsky resulted in broken heart princesses and death at the duel of Grushnitsky.

Ability to analyze

Pechorin demonstrates a brilliant ability to analyze in a conversation with Dr. Werner (chapter "Princess Mary"). He absolutely logically calculates that Princess Ligovskaya was interested in him, and not her daughter Mary. “You have a great gift for thinking,” Werner notes. However, this gift again does not find a worthy application. Pechorin could possibly do scientific discoveries, but he became disillusioned with the study of science, because he saw that in his society no one needed knowledge.

Independence from the opinions of others

The description of Pechorin in the novel "A Hero of Our Time" gives many a reason to accuse him of mental callousness. It would seem that he acted badly towards his old friend Maxim Maksimych. Upon learning that his colleague, with whom they ate more than one pood of salt together, stopped in the same city, Pechorin did not rush to meet him. Maksim Maksimych was very upset and offended by him. However, Pechorin is to blame, in fact, only for not living up to the old man's expectations. "Am I not the same?" - he reminded, nevertheless embracing Maxim Maksimych in a friendly way. Indeed, Pechorin never tries to portray himself as someone he is not, just to please others. He prefers to be rather than seem, always honest in the manifestation of his feelings, and from this point of view, his behavior deserves all approval. He also does not care what others say about him - Pechorin always does as he sees fit. IN modern conditions such qualities would be invaluable and would help him quickly achieve his goal, to fully realize himself.

Bravery

Courage and fearlessness are character traits due to which one could say “Pechorin is the hero of our time” without any ambiguity. They also appear on the hunt (Maxim Maksimych witnessed how Pechorin “went on a boar one on one”), and in a duel (he was not afraid to shoot with Grushnitsky on conditions that were obviously losing for him), and in a situation where it was necessary to pacify the raging drunken Cossack (chapter "Fatalist"). "... worse than death nothing will happen - and you will not escape death, ”Pechorin believes, and this conviction allows him to move forward more boldly. However, even the mortal danger he faced daily on Caucasian war, did not help him cope with boredom: he quickly got used to the buzz of Chechen bullets. It's obvious that military service was not his calling, and therefore brilliant abilities Pechorin was not found in this area further application. He decided to travel in the hope of finding a remedy for boredom "through storms and bad roads."

pride

Pechorin cannot be called conceited, greedy for praise, but he is proud enough. He is very hurt if a woman does not consider him the best and prefers another. And he strives by all means, by any means, to win her attention. This happened in the situation with Princess Mary, who at first liked Grushnitsky. From the analysis of Pechorin, which he himself does in his journal, it follows that it was important for him not so much to achieve the love of this girl as to recapture her from a competitor. “I also confess that an unpleasant, but familiar feeling ran lightly at that moment through my heart; this feeling - it was envy ... it is unlikely that there will be a young man who, having met a pretty woman who riveted his idle attention and suddenly clearly distinguishes another, who is equally unfamiliar to her, I say, there is hardly such a young man (of course, who lived in high society and accustomed to indulge his vanity), who would not be unpleasantly struck by this.

Pechorin loves to achieve victory in everything. He managed to switch Mary's interest to his own person, make the proud Bela his mistress, get a secret date from Vera, and outplay Grushnitsky in a duel. If he had a worthy cause, this desire to be the first would allow him to achieve tremendous success. But he has to give vent to his leadership in such a strange and destructive way.

selfishness

In the essay on the topic “Pechorin - the hero of our time”, one cannot fail to mention such a trait of his character as selfishness. He does not really care about the feelings and fates of other people who have become hostages of his whims, for him only the satisfaction of his own needs matters. Pechorin did not even spare Vera, the only woman whom he believed he really loved. He put her reputation at risk by visiting her at night in the absence of her husband. A vivid illustration of his dismissive, selfish attitude is his beloved horse, driven by him, who did not manage to catch up with the carriage with the departed Vera. On the way to Essentuki, Pechorin saw that “instead of a saddle, two ravens were sitting on his back.” Moreover, Pechorin sometimes enjoys the suffering of others. He imagines how Mary, after his incomprehensible behavior, "will spend the night without sleep and will cry", and this thought gives him "immense pleasure". “There are moments when I understand the Vampire…” he admits.

Pechorin's behavior is the result of the influence of circumstances

But can this bad character trait be called innate? Is Pechorin flawed from the very beginning, or was the living conditions made him so? Here is what he himself told Princess Mary: “... such was my fate from childhood. Everyone read on my face signs of bad feelings, which were not there; but they were supposed - and they were born. I was modest - I was accused of slyness: I became secretive ... I was ready to love the whole world - no one understood me: and I learned to hate ... I spoke the truth - they did not believe me: I began to deceive ... I became a moral cripple.

Finding himself in an environment that does not correspond to his inner essence, Pechorin is forced to break himself, to become what he is not in reality. That's where this internal inconsistency, which left an imprint on his appearance. The author of the novel draws a portrait of Pechorin: laughter with non-laughing eyes, a daring and at the same time indifferently calm look, a straight frame, limp, like a Balzac young lady, when he sat down on a bench, and other "inconsistencies".

Pechorin himself realizes that he makes an ambiguous impression: “Some revere me worse, others better than I really am ... Some will say: he was a kind fellow, others a bastard. Both will be false." But the truth is that under the influence of external circumstances, his personality has undergone such complex and ugly deformations that it is no longer possible to separate the bad from the good, the real from the false.

In the novel A Hero of Our Time, the image of Pechorin is a moral, psychological portrait of a whole generation. How many of its representatives, not finding in others the response of the "soul wonderful impulses”, were forced to adapt, to become the same as everyone around, or to perish. The author of the novel, Mikhail Lermontov, whose life ended tragically and prematurely, was one of them.

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The very title of the novel suggests that Lermontov wanted to delve deeper into public life of his time. the main problem this novel is the fate of the thinker, talented person, which could not find a use for itself in conditions of social stagnation.

In the image of his main character, Lermontov embodied the features inherent in young generation that time. In this way, the author raised the question of the fate of an outstanding human personality in that era. In the preface, he noted that "the hero of our time" is not a portrait of one person, but made up of the vices of the entire generation in their full development.

The main task of the novel is to reveal the depth of the image of Pechorin. There is no apparent plot connection between the stories. Each of them is a separate episode of the hero's life, which reflects different traits of his character.

The deep inner world of Grigory Alexandrovich, his negative traits most clearly revealed in the story "Princess Mary". The plot here is Pechorin's meeting with Grushnitsky, a familiar cadet. And then Pechorin's next "experiment" begins, the purpose of which is to comprehend the truth and human nature. Main character plays the role of an observer and actor simultaneously. It is not enough for him just to observe the behavior of people, he pushes them against each other, forcing their souls to open up and manifest themselves to the fullest: love, hate, suffer. This is what makes the people on whom he "experiments" dislike and even hate him.

This is exactly what happens in the case of Grushnitsky. This young army officer from the petty nobility was placed next to Grigory Alexandrovich not by chance. The image of the junker is very important in the novel, it is a crooked mirror of Pechorin - it sets off the truth and significance of this "suffering egoist", the depth and exclusivity of his nature.

Grushnitsky has a trait that especially irritates Pechorin: he is vain, tends to play the role of a disappointed romantic hero. Pechorin clearly sees his posturing and desire to produce an effect. Having exchanged a coarse soldier's overcoat for a brilliant officer's uniform, Grushnitsky could not hide his delight.

Delving into the plot, the reader understands that the young Princess Ligovskaya was not interested in Pechorin, he seeks her love only to annoy Grushnitsky, without even thinking about what dooms Mary to suffering. Later, this subtle, calculated move of the protagonist becomes clear, on the one hand, it does not decorate him, and on the other hand, it exposes Grushnitsky, who, seized with jealousy and hatred, easily succumbs to the influence of others. He turns out to be capable of low and vile deeds and participates in an intrigue directed against Pechorin. The scene of the duel between Pechorin and Grushnitsky reveals the characters of the heroes. It is written vividly and impressively. Pechorin is cheerful and full of nobility, he is ready to forgive Grushnitsky because he wanted to shoot with an unarmed man, but Grushnitsky could not rise to nobility, plead guilty and ask for forgiveness.

Pechorin can be condemned for his indifferent attitude towards the young princess, but is it worth it? The princess changed after meeting him: she became smarter and wiser. This girl has matured, began to understand people. And we cannot firmly say what would be better for her: to remain that naive girl or to become a woman with a very clearly defined character. I think, the second is better. Pechorin in this case played positive role in her destiny.

The hero always hopes to find in people something for which they can be loved and respected, but he does not find it. I think that's why he despises others or is indifferent to them. This hurts him badly.

Each story has another separate goal - to show the loneliness of the hero, his alienation from people. The author achieves this by placing Pechorin in a different environment. The contrast of the hero against the background of other people, against the background of the highlanders, helps to reveal to us as much as possible many traits of his character. We see that, because of his alienation, the hero is not subject to tradition or moral standards the society in which he enters.

The image of Pechorin "as a hero of his time" is revealed in relationships with other characters who are not similar either in character or in position to Pechorin. Of particular importance is the change of persons leading the story. First, Maksim Maksimych, "a passing officer," tells about Pechorin. Then the author-narrator speaks about him, and then Pechorin reveals himself in his diaries. Already the portrait of Pechorin characterizes him as an outstanding personality.

It is impossible not to note the skill with which Lermontov revealed his main character to us. Throughout the work, the author strives to reveal the inner world of Grigory Alexandrovich Pechorin as fully as possible. The compositional complexity of the novel is inextricably linked with the psychological complexity of the image of the protagonist. The ambiguity of Pechorin's character, the inconsistency of this image was revealed not only in the study of his own spiritual world, but also in the correlation of the hero with other characters. In the first part we see Pechorin through the eyes of Maxim Maksimych. This person is sincerely attached to Pechorin, but spiritually deeply alien to him. They are separated not only by the difference social position and age. They are fundamentally people. various types consciousness and children different eras. For the staff captain, an old Caucasian, his young friend is an alien, strange and inexplicable phenomenon. Therefore, in the story of Maxim Maksimych, Pechorin appears as a mysterious and mysterious person.

There are qualities in Pechorin that attract people with whom he has to communicate. There are situations when it even compares favorably with others. Pechorin, with whomever he communicates, impresses everyone without making much effort. Werner is the only person with whom Pechorin is easy and simple. They understand each other perfectly, and Pechorin values ​​Werner's opinion. The history of their relationship is the history of the failed friendship of people who are spiritually and intellectually similar. Pechorin explains the impossibility of their friendship as follows: “I am incapable of friendship: of two friends, one is always the slave of the other.” Throughout the novel, Pechorin does not have a single friend, but he acquires many enemies. In Pechorin's duel with Grushnitsky, Werner acts as a second, but the outcome of the duel frightens him, and Werner decides to say goodbye to Pechorin.

Already from the first story "Bella" we discover the duality and contradiction of the hero. Maxim Maksimovich described Pechorin as follows: “He was a nice guy, I dare to assure you; just a little weird. After all, for example, in the rain, in the cold all day hunting; everyone will get cold, tired - but nothing to him. And the hero himself wrote in his diary: “I have an innate gift to contradict; my whole life has been only a chain of sad and unfortunate contradictions of heart or mind.

We see the duality of his nature in the fact that he is extraordinary, clever man, but on the other hand, an egoist who breaks hearts, and at the same time a victim or hostage of society, to which he opposes himself.

A passion for contradictions and a split personality are the main character traits of the hero. Contradictions are manifested in the external circumstances of his life; skepticism and unbelief give rise to discord in his soul, feelings and thoughts.

Pechorin is a richly gifted nature, he is eager for action, constantly feeling the need to search for a sphere of his activity. He creates adventures for himself, actively intervening in the fate and lives of those around him, changing the course of things in such a way that it leads to an explosion, to a collision. Adding to people's lives his alienation, his craving for destruction, he acts without regard for the feelings of other people, not paying attention to them.

Grigory Pechorin is an energetic, intelligent person, but he cannot find application for his mind, his knowledge. Possessing effective energy, he directs it to ordinary circumstances, for which it becomes fatal. His life does not correspond to the desire to surpass everyone, to exalt his will and desires, the thirst for power over people. The character of Gregory is manifested in different situations, But special feature for him is the desire for introspection. The hero considers his actions and condemns himself, fighting with himself. His nature needs this inner struggle, it contains the unity of the personality. The hero's reasoning about himself, his conviction that his "appointment is high", suggests that he dreamed of the fate of a person capable of playing great role in the lives of many people. Not wishing harm to anyone, but not doing good, he destroys the established, quiet life surrounding. Pechorin opposes other characters, as movement - peace. He interferes in other people's lives.

Pechorin tries to explain why fate needs him, and comes to an unexpected conclusion, in which something irrational is felt: fate keeps him so that he can drink the “cup of suffering” to the end.

The motive of fate grows towards the end of the novel. In the story "The Fatalist" Pechorin tries his luck and emerges victorious from this clash, but doubts his victory.

He cannot stay in one place, he needs to change the situation, the environment, so he cannot be happy with any woman. Neither deep love, Pechorin does not feel any real affection for any of the women. He treats Bela like a boring toy. Playing on the prejudices and instincts of the highlanders, Pechorin spends his mind, energy on a goal unworthy of a decent person. In his attitude towards Princess Mary, Pechorin looks even more repulsive.

After some time, Grigory Pechorin is overcome by boredom, and he rushes in search of novelty and change. Only the hero's tender relationship with Vera shows the reader that he loves her. This feeling is most strongly manifested at the moment when there is a danger of losing Faith: "Faith has become dearer to me than anything in the world ...".

The plot of the novel indicates to the reader the aimlessness of the life of the protagonist. Although Pechorin is cruel and indifferent, Belinsky called him a “suffering egoist”, because he condemns himself for his actions, and nothing brings him satisfaction. Pechorin has everything to achieve his goal, but he does not see this goal: “Why did I live? why was he born? To find a goal, one must stop, stop being free, give up part of one's freedom. Pechorin does not do this. This, too, is the tragic inconsistency of his nature. lermontov pechorin novel

All the life of G.A. Pechorin can be called a tragedy. Lermontov showed the reader two main reasons for this tragedy. The first is a feature of Pechorin's personality. The fate of the hero is not easy, he experienced a lot, influenced many people's lives, destroyed many human destinies.

The second reason for his tragedy is the unreasonable structure of society. From this point of view, the tragedy of Pechorin is a tragedy of time. He dies, apparently without resolving his contradictions.

Lermontov did not seek to pass a moral judgment. He only with huge force showed all the abysses human soul devoid of faith, imbued with skepticism and disappointment.

Many-sided Pechorin. The novel "A Hero of Our Time" was created by Mikhail Yuryevich Lermontov from 1837 to 1840. The tragic thirties of the 19th century were the result of the suppression of reaction. The fate of the generation of the 30s was vividly reflected by Lermontov in his novel. Realistically drawing his hero with all his contradictions and "vices", the writer at the same time shows in him those inclinations of a truly heroic personality that allow us to talk about the romantic-realistic embodiment in this image of the ideals that the poet nurtured from the time of his romantic youth to the end. his life. The basis psychological portrait his hero, Lermontov put Fourier's "theory of passions", according to which those who did not find a way out in a positive case mental strength distort in general good nature man, his character. It was from the understanding of the contradictions between the needs of the inner world and the imperatives of the outer world that such definitions of Pechorin arose as "egoist involuntarily", "romantic involuntarily". At the beginning of the novel, two heroes tell about Pechorin: a young officer and Maxim Maksimych (the stories "Bela", "Maxim Maksimych"). But neither one nor the other is able to understand this man. Therefore, its character helps to reveal such a form psychological analysis, as a monologue-confession in the form of a diary (the stories "Taman", "Princess Mary" and "Fatalist"). The first in Pechorin's Journal is the story Taman. The main motives of the magazine are already outlined here: Pechorin's desire for active action, curiosity, pushing him to put "experiments" on himself and others, to interfere in other people's affairs, his reckless courage and romantic attitude. Lermontov's hero seeks to understand what drives people, to identify the motives for their actions, to comprehend their psychology. In the story "Princess Mary" the author presents an almost daily record of the life of the protagonist. Interestingly, he almost never writes about events in the country, about Pyatigorsk, he is primarily concerned with thoughts, feelings, and actions. In this story, he is shown in his typical noble environment, whose representatives cause him ridicule, irony, and contempt. Pechorin perfectly understands the deceit and hypocrisy of the "water society" and high society, he sees that life here is either a vulgar comedy or a cheap drama where all the participants play some kind of role. Against the background of this society, the mind and sincerity of Pechorin, his education, the richness of the spiritual world are especially distinguished. The desire for something bright lives in his soul, apparently giving rise to such attractive feature like love for nature. Calm contemplation of the beauty and harmony of nature brings him a feeling of happiness, but Pechorin is an active nature, and he cannot stop there. In the desire for "storms and battles" one can feel the desire for independence and freedom, the inability to be content with what life presents to the hero. No matter how happy the hero is in communion with nature, he needs to participate in the life of society. In relationship with different people more and more new facets of Pechorin's character are revealed, the tragic contradiction between the inner capabilities of the hero and his behavior is exposed more and more deeply. Coldness, spiritual emptiness, selfishness, indifference to people - all these features are undeniable in Pechorin. And yet it is impossible not to notice that he is capable of sincere sympathy, of selfless love. * (Pechorin's soul is "non-stony desert"). The hero is tired of loneliness, but admits this only to himself, and even then rarely. He does not know the purpose, but he feels that he was not born to be bored in life. He regrets that he did not guess his appointment and "lost forever the ardor of noble aspirations." "Immense forces" do not find real application, and a person becomes smaller. Consciousness of the inconsistency of their actions true character leads to a split personality. Two people have long lived in Pechorin's soul: one acts, and the other judges his actions. The hero can no longer fully experience joy and happiness, because he has made himself a constant object of observation. Such constant introspection prevents him from surrendering entirely not only to feeling, but also to action, although in his character one of the leading qualities is activity. Having not received real development, this quality gradually faded away, and Pechorin, in whom the thirst for action and struggle was so strong, travels to Persia with the hope of dying "somewhere along the way." Telling the "history of the human soul", Lermontov, with exceptional depth and penetration, managed to convey to the mind and heart of the reader the tragedy of its spiritual emptiness, which ends in a senseless death.

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The protagonist of Lermontov's novel "A Hero of Our Time" is very interesting and multifaceted. In his journal, Pechorin often speaks of his contradictory duality. Such contradictions are not only the result of the upbringing received by the protagonist, ...

"A Hero of Our Time" is a classic of Russian literature. This work touches upon the theme of the vices of society, which are revealed through the image of an "extra" person. The protagonist of Lermontov's work is a handsome, intelligent officer with a strong, purposeful personality and invariably.

However, despite all his virtues, he cannot find his place, rushing about in different sides, thereby, at times, destroying the fate of the people around him and the women who love him. It is described so vividly and realistically that it evokes sincere emotions.

Portrait of Pechorin in the chapter "Bela"

We get the first impression of the main character through the eyes of Maxim Maksimych, it is he who helps to see how Pechorin appears before us in the chapter "Bela". Grigory Pechorin here is an ardent, passionate man who seeks his beloved Bela, using rather risky and not always honest methods. He destroys the girl's family, kidnaps her by deceit, showing his prudence and some cruelty. At a certain moment, he sincerely believes that this is what will save him from the eternal boredom of life. However, he not only takes the girl to him, but also, although he subsequently loses his feelings for her.

Bela becomes a kind of goal for Pechorin, and having reached it, he cools off. Until the girl's death, he tries to surround her with his feelings, but the heart cannot be deceived, and poor Bela dies with a heavy heart, feeling unloved and unhappy. At the same time, sincere human emotions still live in Gregory, because he suffers for real, though not for very long.

The image of Pechorin in the chapter "Maxim Maksimych"

This story, chronologically, should complete the novel, but, of course, it takes its right place, because the way Pechorin appears before us in the chapter “Maxim Maksimych” shows how much the events that will take place further, but already through the description of the hero himself, influenced his personality.

The character of Gregory noticeably toughens, he becomes rude, harsh and completely indifferent. When meeting with someone whom he has not seen for so long, he does not show any feelings, as if despising all sentimentality.

The character of the protagonist in the chapter "Taman"

The way Pechorin appears to us in the chapter "Taman" differs sharply from his usual state of boredom and disappointment. Having met an unusual beauty smuggler, he, like a child, is drawn to this unusual and like a fabulous person. He turns into a dreamer young man who is looking for adventure and something completely new.

However, after he was deceived, robbed and almost killed, Gregory reproaches himself for this weakness, and the image already familiar to the reader returns to us.

Portrait of Gregory in the chapter "Princess Mary"

Looking at the hero with a superficial glance, it is quite difficult to understand how Pechorin appears before us in the chapter "Princess Mary". Only when we are completely immersed in the story do we begin to notice that it is as if two people live in Gregory. different person that interfere with each other's lives, leading to disastrous consequences.

The passionate, prudent and narcissistic half of the hero makes him fall in love with the pure and innocent Princess Mary. As in the case of Bela, this is just a goal for him, having reached which, he loses all interest in the girl. He is attracted to a game in which he constantly changes masks, never letting him know his true nature. Having taken possession of the girl's heart, Pechorin breaks it and leaves the game, because from the very beginning he did not need this relationship at all.

But the rational, living half of the hero, like conscience, awakens in him sincere feelings compassion, empathy. It is they who encourage him to meet Lera, the only woman who knew him for who he really is, and at the same time loves him with all her heart. When she leaves, we manage to see the real emotions of Gregory, perhaps the only ones in the entire chapter.

The image of the main character in the chapter "Fatalist"

Before us, another facet of the hero's personality is vividly revealed in the way Pechorin appears to us in the chapter "The Fatalist". As we know, life for him is a game, but only at the end we see that Grigory is able to take a swing at the game with death.

He does it for real in order to neutralize a dangerous killer, but he does it not out of good intentions, but in order to once again feel the thrill, test his fate. He risks his life without attaching any value to it.

Grigory Alexandrovich Pechorin has strong spirit and extraordinary abilities, the use of which he never manages to find. In the course of the novel, the realization comes to him that his strong, restless nature brings only misfortune to the people who surround him. And you just think what accomplishments a person with such a mind, physical data and a rich soul was capable of if he could find his place in life.

Even in the preface, Lermontov says that his image is collective, and belongs not to one person, but to the whole society, which makes the reader think about his own destiny.

The image of the "Hero of our time", Grigory Pechorin - this is the image of an "extra" person in society. Outwardly, Pechorin is a healthy, physically developed, attractive man, an officer, moreover sharp mind and well educated. This strong personality: active, purposeful, ardent, brave and courageous. Pechorin strong-willed nature, in inner world which is constantly working, continuous development. And still, Mikhail Lermontov himself, in the preface to the novel, called Pechorin so a bad person that it is hard to believe in the existence of such a thing: “ The hero of our time, gentlemen, is definitely a portrait, but not of one person: this is a portrait made up of the vices of our entire generation, in their full development».

Analysis of the image of Pechorin says that the main drawback of the character of the hero is the constant feeling of boredom. For this reason, he does not value life, either his own or someone else's. The hero, in constant search for new experiences that would dispel his boredom, found him a place in the world. He finds them, but not for long, and seeks to "try his luck" again. He tests her in the war, seeks refuge in the love of the mountain woman Bela, "tickles nerves" in a duel, tracks down smugglers.

In the meantime, in search of thrills, Pechorin breaks human hearts and fate. Women in love with him suffer, Grushnitsky dies, Bela's family is destroyed, she herself dies.

The image of Pechorin in "Bel"

In the chapter "Bela" the author shows the hero in the period love story. Pechorin appears before us as an ardent and passionate person, because in order to take possession of Bela, he takes a huge risk. At the same time, this lover is very cunning and ruthless, seeking Bela, he does not understand the means. He skillfully manipulates the boy Azamat, organizing the forcible abduction of Bela, and brutally destroys her family. Pechorin is not inclined to force a woman by force, but one cannot deny him prudence. To win over her heart, he uses all means, and in the end causes pity for himself. In moments of happiness, the hero even sincerely believes that he has found solace, salvation from longing and boredom for life.

But when the goal is achieved, Pechorin becomes bored again, Bela ceases to interest him. At the same time, he is a real man, brave, courageous: “I will give my life for her ...” and the worst tormentor, because inside this person is cold. When the goal is achieved, the conquest is complete, Pechorin has nowhere to put his energy. Bela was just a target for him.

Compassion, nevertheless, lives in Pechorin's soul, and to the very end he plays the lover, but Bela's heart can no longer be deceived. The girl dies unhappy, feeling unloved, and Pechorin sincerely suffers. human feelings alive in his heart, but self-will takes over in him.

The image of Pechorin in the chapter "Taman"

In the chapter "Taman" Lermontov shows us a dreamy young man who is looking for novelty and adventure. The smuggler girl charms him. Some kind of naive, childish faith in a fairy tale, in something better, unusual, amazing, lives in Pechorin's soul. A strange beauty attracts him, she seems to Pechorin unique, wonderful. Like a child, he is attracted to everything unknown. But, having been cruelly deceived, the hero, who was robbed and almost drowned, abruptly returns to his usual state of a person disappointed in everything. He scolds himself for breaking away from reality and believing in magic.

The image of Pechorin in "Princess Mary"

In the chapel "Princess Mary" we meet in the face of Pechorin, as it were, a bifurcated person. On the one hand, this man of sense, perfectly aware of what he is doing and what consequences it has. On the other hand, it is as if a demon is sitting in him, forcing him to play a dishonest game. With sophisticated methods, this officer achieves the love of a young girl, while making his comrade unhappy. Pechorin absolutely does not need this love, he is attracted by the game itself, the adventure itself, the achievement of the goal - so that the soul of the innocent and inexperienced Mary opens up to meet him. Pechorin wears masks, changing them with ease, without showing his essence to anyone. When Mary falls in love to such an extent that she is ready to connect her life with him, the hero leaves the stage - the goal is achieved.

Pechorin uses people for temporary satisfaction. At the same time, he perfectly understands what he is doing, condemns himself for it, considers it his curse, but continues in the same spirit. Sometimes remorse breaks through him - such is his impulse to see Vera - the only woman who loves him, having recognized him for who he really is, without masks. But these impulses are short-lived, and the hero, absorbed in himself and his boredom, again does not show any warmth to people.

The image of Pechorin in the chapter "Fatalist"

The last chapter of the novel reveals to us another facet of his personality: the hero does not appreciate the gift of life. Even possible death for him - only a game, an opportunity to dispel boredom. Pechorin is trying to test himself, risking his life. He is brave, courageous, nerves of steel, and actually shows heroism in difficult situation when you need to subdue a desperate killer. Involuntarily, you will think about what feats, what accomplishments this person with such abilities, with such a will, was capable of. But, in essence, it all came down to just " thrill", a game of life and death.

Lermontov, in the preface to the novel, called Pechorin sick. He meant not literal physical infirmity, but the soul of a hero. The meaning of the image of Pechorin in the fact that the hero does not find application for his outstanding abilities, no one needs the strength of his spirit. He does not know what really heroic, valuable, useful thing he could do. As a result, his strong, rebellious, restless nature brings people nothing but misfortune. This idea, in the course of the novel, is also affirmed in the mind of the hero himself.