Gypsum hand drawing in pencil. Animation Basics: How to Draw Cartoon Hands

This is a rather difficult lesson, so it may take you quite a lot of effort to repeat it. If the first time you didn’t manage to draw hands, don’t despair and try again. Try your best to complete this lesson. If, however, it still doesn’t work out, you can try to complete the lesson “”. But I believe that you will succeed.

What you need

In order to draw hands, we may need:

Paper. It is better to take medium-grained special paper: it will be much more pleasant for novice artists to draw on this particular paper.
Sharpened pencils. I advise you to take several degrees of hardness, each must be used for different purposes.
Eraser.
Stick for rubbing hatching. You can use plain paper rolled into a cone. She will rub the shading, turning it into a monotonous color.
A little patience.
Good mood.

Step by step lesson

Different parts of the body and human organs should be drawn with a certain degree of realism. This is required academic drawing. Also, he strongly recommends drawing hands from nature or, in extreme cases, from a photograph. This is the only way to achieve high realism and elaboration.

By the way, in addition to this lesson, I advise you to turn your attention to the lesson "". It will help improve your mastery or just give you a little pleasure.

All complex drawings must be created with forward thinking and vision. The subject should not only be a form on a sheet. You must draw it in volume, that is, creating from simple geometric bodies as if they are on top of each other: here is a ball on a cube, and here are two balls side by side. All living and non-living things on earth consist of these primitive forms.

Tip: sketch with as light strokes as possible. The thicker the strokes of the sketch, the more difficult it will be to erase them later.

The first step, or rather zero, is always to mark a sheet of paper. This will give you an idea of where exactly the drawing will be. If you place the drawing on half of the sheet, you can use the other half for another drawing. Here is an example of a sheet layout in the center:

Well-drawn hands always ennoble the whole illustration as a whole. Some artists specifically include hands in their subjects.

Anatomy

Most important fact- the fact that the hands are concave from the side of the palm and convex from the back. The bulges are so arranged around the circumference of the palm that you can even hold liquid in it. hand served primitive man cup, and by cupping his two palms together, he was able to eat food that he could not hold with his fingers alone. large muscle thumb- one of the most important in the brush. This muscle, in interaction with the muscles of other fingers, provides a grip so strong that it allows you to hold in a suspended state. own weight. This powerful muscle can hold a club, a bow, a spear. We can say that the existence of animals depends on the muscles of their jaws, and the existence of man depends on his hands.

It is worth paying attention to the powerful tendon attached to the base of the hand and how the tendons of the fingers are grouped on the back of the hand. These tendons can control both all fingers together, and each individually. The muscles that pull these tendons are located on the forearm. Luckily for the artist, the tendons are mostly hidden from view. In children and young people, the tendons on the back of the hand are not visible, but become more visible with age.

The bones and tendons on the back of the hand are close to the surface, but those around the palm and inside the fingers are hidden from. There is a pad at the base of each finger. It protects the bones lying inside and creates a grip with the object being held.

Proportions of the hand

Next important thing- This is a curved arrangement of fingertips and knuckles. Two fingers lie on both sides of a line drawn through the middle of the palm. The tendon of the middle finger bisects the back of the hand. Also important is the fact that the thumb moves at right angles to the movement of the other fingers. The knuckles are located slightly in front of the folds under them on inside palms. Pay attention to the curves along which the knuckles are located and that the curve gets steeper the closer the knuckles are to the fingertips.

The middle finger is the key finger that determines the length of the palm. The length of this finger to the knuckle is slightly more than a half palm length. The width of the palm is slightly more than half of its length on the inside. Forefinger almost level with the base of the nail of the middle finger. The ring finger is almost the same length as the index finger. The tip of the little finger is almost on the same level with the last joint of the ring finger.

The figure shows how to correctly determine the position of the palm cavity. Also notice the curve of the back of the hand. Hands will not look natural, capable of grasping until the artist has mastered these details. The hands in the figure are depicted as if they were holding some kind of object. The loud sound of applause is produced by a sharp compression of air between the hollows of the two palms. Poorly drawn hands will look incapable of applauding.

Women's hands

Women's hands differ from men's mainly in that they have smaller bones, less pronounced muscles and a large roundness of the planes. If the middle finger is made at least half the length of the palm, the hand will be more graceful and feminine. Long fingers, oval in shape, add charm.

Man's hands

babies hands

Children's hands - on their own good exercise in drawing. The main difference from adult hands is that the palm is much thicker compared to small fingers. The muscles of the thumb and the base of the palm are very voluminous, even small children can support their own weight. The knuckles on the back of the hand are hidden by the flesh and visible through the dimples. The base of the palm is completely surrounded by folds; it is much thicker than the pads under the fingers.

Hands of children and teenagers

The proportions are basically the same. Aged elementary school the difference between the hand and the hand is small, but there are big changes in youth. The boy's arm is larger and stronger, showing the development of bones and muscles. Girls' bones remain smaller, so they never develop as big knuckles as boys. The base of the palms also develops more in boys, in girls it is much softer and smoother. In boys, the nails, as well as the fingers, are slightly wider.

Children's hands are a cross between the hands of a baby and the hands of a teenager. This means that the muscles of the thumb and the base of the palm are proportionately thicker than in an adult, but thinner in comparison to the fingers than in an infant. Fingers in relation to the palm are the same as in adults. The arm as a whole is smaller, slightly fuller, dimpled, and the knuckles are certainly more rounded.

Old people's hands

Having mastered the design of hands, you will enjoy drawing the hands of older people. In fact, they are easier to draw than the hands of young people, because the anatomy and construction of the hand is more noticeable. The fundamentals of the design are still the same, but the fingers are getting thicker, the joints are bigger, the knuckles are protruding more strongly. The skin becomes wrinkled, but this wrinkling needs to be emphasized only in a close-up view.

Hand drawings

Drawings of hands in painting

It's not hard to guess whose pens they are 🙂

In terms of colors, it is worth noting that the fingers and palms are slightly redder than the general skin tone of the hands.

The material was collected from various sources.

Apart from the face, hands are the main transmitter of people's emotions. Human hands are flexible, therefore they are able to transmit emotional condition better than many other parts of the body. If you have a desire to learn how to draw brushes correctly and naturally, then this lesson will teach you how to draw a human hand step by step. The lesson will go from simple elements to complex ones. To be able to depict people's brushes, their portraits, figures correctly and realistically, knowledge of how to correctly depict a hand is required. And in order to learn this, you need to know some rules and train a lot.

Proportions

To be able to draw hands correctly, you first need to know the proportions and apply this knowledge in your work. This is not as difficult as it might seem. By learning a few rules, you will possibly improve your drawing skills. Drawn hands will look natural, giving out emotions. To draw a brush correctly, you need to know a little anatomy, or rather, the structure of the hands.

General similarities

Fun fact - the hands have similarities with the scapula, consisting of the metacarpus and fingers. The length of the fingers is the same as the length of the pastern. This ratio must be remembered and be sure to be able to apply in practice. You can start the drawing with a schematic notation. Draw the diagram in the form of a hand and divide it into two identical parts.

The length of the hand can be depicted in different ways, since people have both long and short fingers; both square and oblong.

Fingers

The fingers are long and flexible due to the joints. The bones of the metacarpus are longer and larger, the knuckles of the fingers are attached to them. Each subsequent phalanx is built more subtly. The proportions of the phalanges in the image should be at a distance of 2/3 from the length of the previous one.

In the image, the first phalanx is marked in red, the second in red, and the third in yellow.

Four fingers (the thumb is excluded) consist of four joints. The thumb is set to the side in relation to the remaining fingers. The length of the finger, as a rule, reaches the first phalanx of the next finger. The length of the little finger reaches the length of the last phalanx of the previous finger.

Directions

If observations are made on different people, you can notice an additional feature that must be applied when drawing. If you draw a line over your fingers, you end up with a semicircle. The top of this semicircle is the middle finger.

It is also worth paying attention to the inner and outer sides of the palms. If you draw a comparative line at the fingertips, you get an arc that starts at the index finger and ends at the little finger.

In the image below, all marks are highlighted in red. You can start the image with a scheme in the form of mittens. Gradually, you need to mark the right directions. Over time you can add additional details turning the diagram into a drawing.

The protrusions on the inside have one direction, namely, they go down from the index finger to the little finger.

Fist

A little additional information about how to draw brushes correctly and naturally. For example, the image should have a clenched fist. Equally bent fingers should also form a semicircle.

Look at the smallest hand in the image. In the diagram, you can see that the width of each subsequent phalanx narrows. It is worth considering this, not forgetting to apply it in your work.

There is a crease in the clenched fist, under the little finger on the outside, which is emphasized by the green line in the image above. By adding this fold to the drawing, you can more accurately convey the image of a hand squeezing something.

Important additional details

The figure below shows an image of a skeleton brush. At the junction, the joints are thicker. You need to know this in order to be able to convey the image more realistically. In particular, this applies to thin or elderly people. At the point of the bend, the finger should always be slightly thicker than the length of the flanks.

Notice how the curved brush is shown in profile. The instructions above show in red how the first phalanx is attached to the metacarpus. in green the membranes that are between are indicated, they are usually considered the beginning of the first phalanx.

If you pay attention to the brush in profile, you can see that the outer side is flat, only the knuckles protrude. The inner one, on the contrary, is soft, protrusions are evenly distributed.

Hand drawing step by step

Before you start drawing, decide on the location of the wrist and forearm. For training, it is advisable to start with your hand. Try to redraw it.

1. First you need to slightly outline the brush scheme. Then you need to highlight the shape of the thumb without adding details. Lines should depict the position of the remaining fingers.
2. First, draw the index finger, then indicate the shape of the rest.
3. Now you can add details: knuckles, pads, nails, etc.
4. With the help of strokes, the drawing can be made voluminous.
5. Optionally, you can add colors and shadow under the brush.

Drawing brushes is constantly in need of improvement and development. Due to the fact that the hands are quite flexible, positions and angles can be completely different.

angles

If the brush is in a difficult angle (unusual location), it is much more difficult to depict it. There are ways to help get rid of possible errors.

most popular and effective option creating a brush in its original position is to mark the lines of each finger separately.

There are times when using lines alone is not enough. The solution to the problem can be additional shapes, such as a cylinder or a parallelepiped. With the help of auxiliary objects, phalanxes can be identified.

If you decide to create an original hand position, then first you should check this position for yourself. Place your hand and position your fingers as they should be in the picture. If the brush looks natural, you can paint it. The hand and fingers are interconnected, so it is worth considering that changing the position of the fingers, you may have to completely change the position of the hands.

For example, you can try to bend the little finger, while trying to keep the brush in a straight position. Is there a result? Hardly. There are a lot of similar examples, so before you start drawing, you need to think carefully and draw up a preliminary image in your head.

In this lesson, I suggest you draw a hand in its classic position - unclenched fingers, palm down. Perhaps you need to draw a hand clenched into a fist or a hand with the palm up. Or draw connecting hands, as in the background image. In any case, this lesson will help you draw hands. Drawing a hand is very convenient, because with one hand you draw, and with the other you can sketch. First, study your hand carefully, pay attention to the length of the fingers, all proportions. You can even outline the outline of the hand if you are going to draw it in full size.

1. Marking the contour of the hand

Indeed, if you need draw a hand on the entire sheet of paper, it is easier to outline the outline of your hand, and then, using some of the tips from this lesson, just add small parts. If you need to draw a hand on a reduced scale, then first put two points for the wrist and five points for the fingers. Please note that not the index, but the middle finger on the hand is the longest.

2. Straight contour lines of the fingers

The length of the fingers is different. They say musicians have very long fingers. The nobles believed that long and delicate fingers emphasize aristocratic origin. Maybe but we will draw normal hand, so divide the segment where the little finger will be in half, and draw a line from it, parallel to the points outlined earlier. For the thumb, draw a rectangular outline.

3. Draw the real contours of the fingers

At this stage, you only need to trace the straight contours of the fingers with a pencil and give them real shapes. Perhaps these preliminary contours turn out to be inaccurate, then the shape of each finger can be specified separately.

4. General shape of the hand

At this step, you can correct the contours of the fingers. Make a deeper "angle" for the thumb, but you can leave the original outline, at your discretion. Make a markup of the phalanxes and remove extra contour lines from the drawing.

5. The drawing is almost finished

First of all, draw nails on the fingers. Highlight the joints of the fingers with a few strokes and you can say hand drawing finished. It remains only to draw a few details in the next step.

6. How to draw a hand. Shadows

In humans, the knuckles of the hands have "wrinkles" or folds that stretch when the fingers are squeezed, make these areas darker. There is an area between the fingers that also needs to be highlighted. To make the hand look voluminous in the figure, you can make some of the contour lines darker and thicker. In this case, decide on which side the light source will be. It may seem that draw a hand quite easy. Try to draw, and then compare your hand with the resulting drawing.

Let's try to draw a hockey player in motion step by step, with a stick and a puck. You may even be able to draw your favorite hockey player or goalkeeper.

This lesson is designed for those who already know how to draw well, since drawing a person is not easy. draw a picture dancing ballerina especially difficult, because in the drawing it is necessary to convey not only the grace of human movements, but also the grace of ballet dance.

When drawing a person, you must see the whole future image from the intended lines and you just have to draw them. It is important not only to accurately "maintain" the proportions of these lines in the drawing, but to accurately draw hands, eyes, lips. They convey the mood and character of a person.

Portraits are the most complex view visual arts. Learn to draw a portrait, even with a simple pencil, requires not only time for training, but also talent.

Human eyes are the most attractive and main part person's face. Since this element of the portrait attracts the most attention, it must be drawn very precisely. In this lesson we will learn how to draw a person's eyes with a pencil in stages.

The nose of each person has unique features, so it is impossible to give accurate advice on how to draw the nose of a girl, child or man. You can only make an abstract or as they say "academic" drawing of the nose. It is this version of the drawing of the nose that I propose to draw for you.

Hands: the basics

Search for joints

Essentially, there is an invisible line that runs through the middle finger and through the center of the wrist. It should be perpendicular to a horizontal line across the wrist.

At the intersection of the lines, a circle is drawn, around which the hand rotates freely.

Depending on the person's hand, the position of the joints on the fingers also varies. However, to give an idea of where the joints should be, you can draw two curved lines coming out of the thumbnail. If you add wrinkles in these places, the hands will look very natural.

moving parts

Now we will look at how the hand moves. Once you understand these basics, you will be able to draw realistic hands.

Each area of the hand will be marked with a color, which will correspond to text of the same color.

Inner side

This area moves towards itself, along with four fingers.

Outer side

This area is not moving - this is very important to remember.

This area moves with the thumb towards the inside of the palm.

This area moves with the little finger, however, the movement is small.

hand drawing

Let's draw the outline of the hand in the shape of an egg. The top of the egg will be the end of the middle finger. Next, draw the continuation of the hand, wrist and circle inside.

Now we outline where the thumb, palm and four fingers will be. For convenience, you can draw vertical line passing through the center of the palm.

Notice how the fingers are connected and how they move.

Make the outline smooth and erase the auxiliary lines.

The size and shape of the hand differs from person to person: wide palm, narrow palm, long fingers, short fingers. This list can be continued - therefore, there are rules in proportions when drawing a hand.

Basically, the length of the hands is approximately equal to the length of the middle finger doubled.

The middle finger is usually the longest. The index and ring fingers are approximately equal, but sometimes the ring finger is longer. The little finger reaches the top joint of the ring finger.

In order to understand how the muscles and skin move, consider the diagram of the bones of the hand.

Note that the bones of the index, middle, ring, and little fingers are mostly connected, which means they cannot move far apart. The thumb has much more wide circle movement.

Between the male and female hand exists a big difference. The human hand looks more masculine if it is given a more angular shape, and more feminine if it is given a soft roundness.

On average, the nail is about half the length from the tip of the finger to the first joint.

Female nails are drawn more elongated and rounded, while male nails are more square and angular.

Let's draw a circle that will match the basic shape of the fist. Then add the lines of the thumb and wrist.

If you find it difficult to imagine where the thumb will be, just make a fist with your hand and take a closer look at the position.

The back and top of the hand does not move, so you just need to pay attention to how the fingers are connected. We mark the upper part of the hand and four fingers, as a rule, the same width.

As for the shadow, you can add it to create more realistic depth.

However, how detailed you will draw the hand is up to you. Find your style that works best for you!

Various drawing options fist

This drawing shows a hand clenched into a fist from the outside. The index finger is much higher than all the others.

In this drawing, three fingers are pressed to the palm, the thumb is pushed back, and the index finger points to a point.

Please note that with the help of shadows and wrinkles, the index finger looks voluminous. The same applies to the fist, despite the fact that only some phalanges are drawn for three fingers, a volume effect is created.

This picture shows a hand clenched into a fist from the inside. The index finger is also higher than all the others.

Exist various ways placement of wrinkles and shadows in order to create the effect of fist volume.

Movement from open hand to clench it into a fist.

If you still find it difficult to draw fingers, imagine them as cylindrical elements that connect with each other to form fingers.

However, sometimes it is necessary to slightly distort the fingers to give more depth.

For example, in the image, you see the index finger curved in an unnatural way, but it looks much more realistic than a direct appeal.

How to draw a hand with a pencil step by step

Step one.

Step two.

Step three.

Step four.

Step five.

1. Marking the contour of the hand

Indeed, if you need to draw a hand on the entire sheet of paper, then it is easier to outline the outline of your hand, and then, using some of the tips from this lesson, just add details.
If you need to draw a hand on a reduced scale, then first put two points for the wrist and five points for the fingers.
Please note that not the index, but the middle finger on the hand is the longest.

2. Straight contour lines of the fingers

The length of the fingers is different. They say musicians have very long fingers. Among the nobles, long and refined fingers emphasized aristocratic origin. Maybe, but we will draw a regular hand, so divide the segment where the little finger will be in half, and draw a line from it, parallel to the points outlined earlier.
For the thumb, draw a rectangular outline.

3. Draw the real contours of the fingers of the hand

At this stage, you only need to trace the straight contours of the fingers with a pencil and give them real shapes. Perhaps these preliminary contours will be inaccurate, then the shape of each finger can be refined separately.

4. General contour line hands

At this step, you can correct the contours of the fingers. Make a deeper "angle" for the thumb, but you can leave the original outline, at your discretion.
Make a markup of the phalanxes and remove extra contour lines from the drawing.

5. The hand drawing is almost finished

First of all, draw the fingernails on the hand. Highlight the joints of the fingers with a few strokes and you can say that the drawing of the hand is finished. It remains only to draw a few details in the next step.

6. How to draw a hand. Shadows

In humans, the knuckles of the hands have "wrinkles" or folds that stretch when the fingers are squeezed, make these areas darker. There is an area between the fingers that also needs to be highlighted. To make the hand look voluminous in the figure, you can make some of the contour lines darker and thicker. In this case, choose from which side you will have a light source.

It may seem that drawing a hand is not difficult at all. Try to draw, and then compare your hand with the resulting drawing.

Anatomy

The most important fact is that the hands are concave on the side of the palm and convex on the back. The bulges are so arranged around the circumference of the palm that you can even hold liquid in it. The hand served the primitive man as a cup, and by placing two palms together in the shape of a cup, he was able to eat food that he could not hold with his fingers alone. The large muscle of the thumb is one of the most important in the hand. This muscle, in interaction with the muscles of other fingers, provides a grip so strong that it allows you to keep your own weight in a suspended state. This powerful muscle can hold a club, a bow, a spear. We can say that the existence of animals depends on their jaw muscles, and the existence of man depends on his hands.

It is worth paying attention to the powerful tendon attached to the base of the hand and how the tendons of the fingers are grouped on the back of the hand. These tendons can control both all fingers together, and each individually. The muscles that pull these tendons are located on the forearm. Luckily for the artist, the tendons are mostly hidden from view. In children and young people, the tendons on the back of the hand are not visible, but become more visible with age.

The bones and tendons on the back of the hand are close to the surface, but those around the palm and fingers inside are hidden from view. There is a pad at the base of each finger. It protects the bones lying inside and creates a grip with the object being held.

Proportions of the hand

The next important thing is the crooked placement of the fingertips and knuckles. Two fingers lie on either side of a line drawn through the middle of the palm. The tendon of the middle finger bisects the back of the hand. Also important is the fact that the thumb moves at right angles to the movement of the other fingers. The knuckles are located slightly in front of the folds below them on the inside of the palm. Pay attention to the curves along which the knuckles are located and that the curve gets steeper the closer the knuckles are to the fingertips.

The middle finger is the key finger that determines the length of the palm. The length of this finger to the joint is slightly more than half the length of the palm. The width of the palm is slightly more than half of its length on the inside. The index finger is almost on the same level with the base of the nail of the middle finger. The ring finger is almost the same length as the index finger. The tip of the little finger is almost on the same level with the last joint of the ring finger.

The figure shows how to correctly determine the position of the palm cavity. Also notice the curve of the back of the hand. Hands will not look natural, capable of grasping until the artist has mastered these details. The hands in the figure are depicted as if they were holding some kind of object. The loud sound of applause is produced by a sharp compression of air between the hollows of the two palms. Poorly drawn hands will look incapable of applauding.

Women's hands

Man's hands

babies hands

Children's hands are in themselves a good drawing exercise. The main difference from adult hands is that the palm is much thicker compared to small fingers. The muscles of the thumb and the base of the palm are very voluminous, even small children can support their own weight. The knuckles on the back of the hand are hidden by the flesh and visible through the dimples. The base of the palm is completely surrounded by folds; it is much thicker than the pads under the fingers.

Hands of children and teenagers

The proportions are basically the same. At the age of elementary school, the difference between the hand of a boy and a girl is small, but in adolescence there are big changes. The boy's arm is larger and stronger, showing the development of bones and muscles. Girls' bones remain smaller, so they never develop as big knuckles as boys. The base of the palms also develops more in boys, in girls it is much softer and smoother. In boys, the nails, as well as the fingers, are slightly wider.

Children's hands are a cross between the hands of a baby and the hands of a teenager. This means that the muscles of the thumb and the base of the palm are proportionately thicker than in an adult, but thinner in comparison to the fingers than in an infant. Fingers in relation to the palm are the same as in adults. The arm as a whole is smaller, slightly fuller, dimpled, and the knuckles are certainly more rounded.

Old people's hands

Having mastered the design of hands, you will enjoy drawing the hands of older people. In fact, they are easier to draw than the hands of young people, because the anatomy and construction of the hand is more noticeable. The basics of construction are still the same, but the fingers are getting thicker, the joints are bigger, the knuckles are protruding more strongly. The skin becomes wrinkled, but this wrinkling needs to be emphasized only in a close-up view.

Let's start ! Start drawing basic shapes and lines. This is useful so that you can keep the shape of the hand and the proportions of the joints.

First, let's draw on the base line of the upper and visible ending of the forearm at the level of the wrist!

Now draw the basic shape of the index finger!

And now, along the base of the thumb, the lines and shapes of it itself. The hand took shape pretty quickly.

And now draw the shape of the middle finger!

The next step is nameless. Fingers become less and less visible. But the joints line up and the proportion and beauty of the lines are noticeable.

And now your last finger in the basic form - a drawing for a small finger - the little finger! And you did everything quickly on the basic shape of the hand from the first step!

Now draw the nails on the fingers, as you can see them on your own or in the photographs.

Draw small details of the folds in the joints and skin folds. They are on both sides. The hand in a relaxed state tends to shrink.

Here are some small details that you also need to draw in order to give the drawing a realistic look/

You did it! Now you have to apply shadows and light yourself.

First, start drawing the hand with anatomical tips! We will try to refresh or replenish our knowledge about the structure of the human body. This is very useful, because most beginner artists can find their hands difficult. Well, let's start with anatomy and you will better understand the drawing of a human hand!

Here is a slightly enlarged anatomy of your fingers so you can get a better look at the bones and remember their main parts. We will always use them for the base of the hand drawing.

Maybe it doesn't seem important, but when you draw larger hands you will need help choosing the type of nails. You can choose the best ones for your character in the picture!

And here extra help in the picture so you can clearly see and compare the difference for your character's age and gender!

Here are some sketches of hands that give an idea for the drawing style of realistic hands! You should start with any style based on their actual appearance.

And now the hand options from the comics or fairy tale characters. These are just a few examples. You won't notice too much of a difference between realistic and comic or fantasy style.

IN cartoon style there are more noticeable differences from realism. It's always helpful if you look closely at that particular detail in the cartoons you watch, and then you can pick a style you like and start creating your own for that part of the drawing.

If you have animal characters, then these examples will come in handy! Basically, when your animal character walks on two legs, his/her front arms or paws are more like real arms and hands, so you should draw them like human arms, only with some animal specificity and style.

And now, the last part preparation for drawing hands. This possible options, angles and positions of the hands and fingers. First, let's look at simpler options and catch the basic principle for the joints and proportions of the fingers and palms. For female hand you can increase flexibility, and for men, increase angularity.

Step 10

Now the drawings are somewhat more difficult, from a different point of view and angle! This is an expression of emotions, gestures accompanying words and actions.

This part of the preparation will already be really difficult, but not impossible! When you start drawing hands harder than these, you will remember with a smile. We're just looking at the tip of the iceberg in terms of bases and shapes, and will start moving towards hatching, shading and color grading and editing. And now we are just warming up!

1. You can fit several options for turning your hand at once. Mark them with a base oval and a guide line.

2. How to draw hands. Start drawing individual fingers.

3. The next step is to draw in more detail the contours.

4. Erase unnecessary lines, mark small skin folds and nails.

5. How to draw hands. With a TM pencil, shade the shadow on the brush, just try not to darken it right away.

6. The next brush is deployed a little differently. This angle can be used quite often in drawings. Outline the general shape.

7. Refine the drawing of the fingertips. How to draw a cat.

8. Draw nails with a sharpened pencil.

9. Use a soft eraser to remove all unnecessary construction lines. How to draw a dragon.

10. Feel free to proceed with the black-and-white study.

11. Now you can try to draw horizontal arms. Just like in the previous sketches, start by laying out the general shape.

12. Work out the contours of the hands in detail.

13. Using soft pencil you can make accents in the picture to make it look natural.

14. With a hard pencil draw a shadow on the lower arm.

15. Do the same with the top.

STEP 3. anime hands
Here is a typical anime/manga hand, as it looks painted with fingers spread. When painted, you should end up with something like this.

STEP 4. anime hands
Let's start this first drawing step by drawing an inverted bell shape for the middle part of the arm. Once this is drawn, add five lines for the fingers. I've added some arrows to show you how far apart each finger should look.

STEP 5.
Now that you've drawn the skeleton of the hand, you can add three circles on each finger. These circles will help you draw the anime/manga finger shapes. Before moving on to the next step, draw a line for the wrist.

STEP 6.
In this sixth step we will start drawing the shape of the fingers and hand. Once that's done, let's add the form right side wrist.

STEP 7. how to draw hands
In this step, we will simply add the lines of the joint and bones of the wrist. Once that's done, start erasing all the instructions and shapes that you've drawn in the previous steps.

STEP 8.
this is what your hand should look like

STEP 10. draw anime hands
Start the clenched fist from the center of the square, this will help you draw the individual fingers

STEP 12. how to draw anime hands
In this next step, you will start adding lines for the fingers and knuckles. Once this is done, add the shaping line for the left side of the wrist.

STEP 14. learn to draw hands
Once you're done it should look like the one in my picture. I hope you enjoyed this lesson.

For starters, pay attention to our hands. They consist of three parts: shoulder, forearm and hand. Each of them can be depicted in the form of ovals, well, or you just need to learn how to draw a hand right away. If you depict a lowered hand, then the tips of the fingers will reach the middle of the thigh, and the elbows will be at the level of the waist.

Here we have considered a method with a simplified form of the hand, now we will improve it so that it looks more natural. When you draw the hands, don't draw them too evenly. We start from the shoulder, it has a smooth bend, near the elbow the arm narrows a little and expands again at the place where the biceps are located.
The elbow will be a little hard to draw, because it's not just a bend, it's a connection, a hinge.

Next is the brush. Imagine each of the segments as a cylinder, and now turn your hand upside down and you will see three almost identical segments on each finger. Well, because all the fingers are different in length, the pads and the folds that are between them do not line up.

Let's start drawing the hand with the knuckles of the fingers from the bones. Joint 1 is the largest of the three. The second joint is located between the two (in the middle), it is smaller and shorter than the first, but longer than the third joint - the tip of the finger. It is not possible to draw all fingers in this way, since each finger has a different length.

On top of the phalanx of the fingers, you need to draw straight lines, and from the side of the palm, rounded.

But let's not forget that the male hand is slightly different from the female. The male hand is more massive and more sinewy. There are three options for drawing a hand: Muscular, toned, and a weakling's hand.

Perhaps For sketching or to see some parts, I don’t know .:

No aspect of drawing is as difficult as . There is very little material on the subject. The biggest difficulties arise precisely with the search for suitable material. Your hands are the most excellent material available for study. Perhaps you have never seen them under the light. In most cases, people learn how to draw hands on their own. Any teacher can only point out the facts that are connected with your hands.

The study of the hands, not including the study of anatomy, mainly consists of comparative analysis measurements. The fingers have a certain length in relation to the palm; the space between the knuckles of the fingers is specifically proportional to the entire finger. The palm is fairly wide compared to the length. The distance between the knuckles on the back of the finger is greater than the similar distance between the folds on the back. The length of the longest finger from its tip to the third knuckle is equal to half the length of the hand from the ball of the finger to the wrist. The thumb in its length almost reaches the second joint of the first finger. The length of the palm is approximately equal to the length of the face from the chin to the hairline. You, like anyone else, can make such comparative measurements.

The most mobile part of the body, it can accommodate objects of considerable shape and weight. Such mobility complicates the work of the artist, because the hand can take a wide variety of positions. Thanks to certain technical parameters, the hands work constantly. The palm can form a kind of hollow, contracting and unclenching. When squeezing the palm, the fingers are directed inward, towards the middle of the palm. The fingers have rather hard nails, which sometimes help a lot if you need to grab something. You take the pin with your fingertips, you take the hammer using your fingers and palm. It is impossible to fully bend back the fingers due to the rigidity of the back of the hand.

This mechanism was invented by nature for pushing movements. As we know, the hand is the most perfect mechanism for performing an almost unlimited number of actions. Added to this perfect tool is the fact that, perhaps more than any other part of the body, this tool depends on the brain to work. Most hand movements occur at the subconscious level. For example, typing on a computer or typewriter, as well as playing the piano.

In a cultural sense, man began to train his hands long before he began to train his brain. A newborn begins to use his hands effectively long before he learns to think. He can grab a burning match, not yet knowing that he can get burned. The history of human progress since prehistory can be closely associated with the development of the hands.

The fact is that hand movements do not require great skill. This may be the reason why there is very little knowledge of hand drawing. Now look at your hands, you will see them differently. Notice that before picking up any object, the hands automatically take on the appropriate shape. To draw a hand, first you need to take it, study its silhouette, look at its changes so that the hand fits under the silhouette. Try picking up a ball, a peach, or an apple, see what shape your fingers will take before you pick up the object. The mechanical principles of how the hands work is a very important part of drawing.

Only by knowing how the hands work can one learn how to draw hands.
The back of the hand is usually drawn in three plans: one is drawn for the thumb and for the lower knuckle of the index finger. The remaining two are for the back of the hand, grabbing the wrist. In most cases, the back of the hand is wavy, and this phenomenon is reduced to these three planes. The palm is usually presented in three blocks that surround the inner space of the palm - the vault, the thin base of the thumb, and small tubercles that are just below the fingers.

When the fingers are bent, the knuckles should be flush with the thumb, when the fingers are extended, the knuckles should not stand out. Care must be taken in aligning the nails because they are on their midline, which intersects with the midline of the finger. In other words, the nail can somehow change its position, we won't even notice it.
Continue to study your hands for the acquisition of general knowledge. Muscles are so deeply located that they are no less important than external forms.

Of the bones accessible to the eye, we are presented on the back of the hand with knuckles and carpal bones. If you involve your hand in different kinds her activities, then the fingers are fairly easy to join. Study the relative length of the fingers and remember that the thumb almost always runs at right angles to the rest of the fingers. Get rid of the idea that hands are hard to draw. It's just hard when you don't know how they work. Once understood, hands become charming.

Remember a very important fact that the palm is sunken, and back side palms - convex. The tubercles on the palm are lined up so perfectly that they can even retain liquid. For ancient man the palm happened to be a cup. He put his two palms together so that he could eat food that he could not grasp with his fingers. The muscle of the thumb is undoubtedly the most important muscle in the palm. This muscle, along with the muscles of the other fingers, gives a person the ability to grip very strongly. Thanks to this, a person can even support his own weight. This muscle gives a person the ability to hold a bat, club, bow, spear, etc. The life of an animal directly depends on the strength of the muscles of the jaws. Man depends on his own hands.

When you perfectly master the features of the structure and proportions of the hand, you can easily use this knowledge to display specific traits, characteristic of female, infant, children's hands, as well as the hands of the elderly.

1. The line that bounds the palm of the hand resembles a "flattened iron" in its shape. This perfect shape to start brush painting. The outlines of a human brush literally amaze the imagination of beauties and the ideality of forms.

2. Drawing a line from the wrist along the BRUSH, we separate the area of the fingers. The auxiliary organ of the hand, the thumb, is bent in relation to the rest of the fingers; without it, the hand of man would be helpless.

3. A horizontal line drawn in the middle between the base of the hand and the end of the longest finger helps to determine the position of the fingers relative to the thumb and the rest of the palm.

4. A curved line drawn above the middle line of the hand shows the base of the fingers. The little finger is the only finger whose base is below the middle line. The rest of the fingers start above this line. Distances 1 - 5 can be considered equal. The middle finger is the longest. Each finger is limited by the oval drawn at the beginning.

5. The length of the middle finger is already known to us. Fingers 1 and 3 can be the same length, but quite often finger 3 is slightly longer. The little finger (4) is shorter than the above fingers, and the thumb (5) ends slightly above the curved line of the base of the other four fingers.

6. The length of the middle finger is already known to us. Fingers 1 and 3 can be the same length, but quite often finger 3 is slightly longer. The little finger (4) is shorter than the above fingers, and the thumb (5) ends slightly above the curved line of the base of the other four fingers.

7. At the base of the fingers there is one feature: small wrinkles are bent from the line of the fingers and go along the line of the arc depicting the base of the fingers.

8. When the hand is straightened and the thumb is placed together with the rest, the palmar wrinkle, shown in the figure above, passes into the line of the upper joint of the thumb. A fold is clearly visible at the base of the thumb, which turns into a line representing the collected skin, similar to an inverted "T".

9. Having determined the location of the joints of the fingers (Figure b), you can depict them in two lines in the first row of joints, if the hand is massive enough. The upper joints are depicted, as a rule, by single lines. If the hand is small, then the first row of joints is depicted by single lines. And on very small hands, the joints may not be visible at all.

10. If you look at the palm from behind, then the fingers will appear longer. The lines of the borders of the fingers will reach the dashes shown in the figure.

11. If you turn the straightened brush the other way around, then part of the thumb will become invisible. Areas of free skin on all joints of the fingers will become visible. They will be in the form of small ROUND areas. On the upper joints, these areas are not as clearly visible as on the rest. The protrusions of the lower joints take the form of ellipses, so the same shape and y areas of free skin over these joints. The bones and tendons of the hand are also visible in these places.

In order to paint a picture, the artist needs a canvas in a stretcher, as well as paints and brushes. The success of his work largely depends on the quality of the latter, so the choice of such tools must be approached responsibly. To choose the right brushes for painting, you need to consider what paints you have to work with, as well as the possibilities of your budget.

In an effort to choose the right brushes for painting, you need to know what they are, what brushes are made of and what colors they are intended for. So, for example, to paint with gouache or watercolor, they use squirrels, columns and synthetics. All of them have their own quality characteristics:

Kolinsky is suitable for all styles of painting, but its price is quite high.
Squirrel is ideal for watercolors, and synthetics for acrylic painting.
The pony brush is a good alternative to kolinsky and squirrel brushes.
A brush made from pig hair is more suitable for oil paints.
A badger brush is used for soft paints.
Sable in its quality has the properties of a column and squirrels, but such bristles can be used to write large works and miniatures.
Synthetics are unsuitable brushes for watercolor, they are more often used for acrylic.

Any brush is made of a handle, a hair bundle and a plinth. The quality of this drawing tool determines whether it will be convenient for the artist to work. In turn, its durability in use depends on the quality of all components of the brush.

To choose the right brush sizes and the tool itself, you need to focus on the following points:

the material from which the brush is made good quality convenient to use;
the brush handle should be smooth;
its length should be user-friendly.

The base of the brush should wrap around the handle as tightly as possible, fixing the hair bundle motionlessly. It should not have a seam so that the tool is comfortable to hold in your hand. The most important part of the product is the hair bundle, which differs in material. Synthetic paint brushes are of poorer quality than natural brushes. Such drawing tools are classified by numbers.

Artists know how to choose brushes and what kinds of brushes are commercially available. On right choice the size of the brush also affects, as well as what paints the specialist plans to paint with artistic creativity. One will use thin brushes, another will need a round one.

brush with good hair has the following qualities:

her hairs are elastic;
when wet, they do not lose their shape;
do not fall out during work;
the glue with which they are fastened does not go beyond the clip.

For all these characteristics need to pay attention to choose a good brush.

On the video: how to choose the right brushes for painting.

Types of brushes and their purpose

For the right choice of brush, focus on the bristles from which the bundle is assembled. You also need to know which brushes are better to use for watercolors, gouache or oil paints:

Squirrel wool brushes. Ideal for watercolor painting. Thin and soft brushes allow you to control the fluidity of the paint, so it is convenient to paint over small details of the picture with them. To make a high-quality squirrel hair brush, the bristles are first degreased, sorted by length, unusable hairs are removed and straightened.

Intended for watercolor paint, the artist can not only comfortably use them, but also save on the price. To choose a brush for children to paint, pay attention to their painting skills.

Sable wool tassel. It is the most expensive tool used by professional artists. The choice of such brushes makes it possible to draw thin lines, they can be used to paint with gouache and watercolor.

Pony wool tassels. Quite elastic and soft, suitable for ink drawing. However, for those who are going to paint with gouache, this is also a worthy option. With the help of such bristles it is easy to apply strokes of paint.

Nylon brushes. Recommended for acrylic paint, there are different shapes, it all depends on the specifics of the artist's work. A sales assistant at an art supply store will help a beginner make the right choice.

Natural brushes are characterized by the fact that the bundle in them is made of animal hair. Made from natural material, which is much better quality than synthetics, these brushes will last much longer.

Suitable brushes for working with oils

For artists who paint with oil paints, it is recommended to purchase the following brushes:

bristle, characterized by special elasticity and quickly absorbing paint;
medium-soft mongoose brushes;
badger hair brushes that are suitable for mixing oils and acrylics;
synthetic brush nylon, which is almost as good as natural ones.

Synthetics are inexpensive, so they paint with such brushes at school on landscape paper. Thanks to the light nylon hairs, children can clearly see the shade of paint on the bristles. With a thin brush it is convenient to outline the contours and boundaries between colors, and with a thick one - to paint large areas of the picture.

Paint by number tools

Brushes by numbers are included in the kit, which is sold together with the paints under the numbers. Drawing by numbers - modern look art, when a non-professional artist has a chance to create a canvas of a famous celebrity.

Made from stretchy nylon fiber, numbered brushes are perfect for this kind of art.

To choose good brushes for painting by numbers, you need to consider that they are divided by purpose, quality of hair and their shape. This choice also depends on the paint used by the artist. A nylon (synthetic) brush is perfect for painting with oil paints. Flat brushes are often used in shape, and everyone chooses sizes individually. The artist needs those brushes that seem to be an extension of his hand.

What are the forms of brushes

All brushes for gouache, watercolors and oil paints can also differ in the shape of the bristles:

Round brushes. These products are suitable for drawing with gouache paint, allowing you to paint over small details of the picture.

Flat brushes. More elastic, so they are used to paint over areas of paintings with close-up images, for example, earth, sky, grass. Their capsule is compressed at the end, forming a flat bun of hair. Artists use them to sketch urban landscapes. The shape of the brush in its outline resembles a cat's tongue.

Flute brushes. Their shape is wide enough to apply broad strokes to the canvas. They are used mainly in watercolors, sometimes with oil paints.

These are round and very long brushes, needed to apply fine lines. They have found their application in graphics.

In all their indicators, they resemble typefaces, differing only in short hair.

Fan brushes. They are one of the varieties flat brushes. They got this name due to their shape in the form of a fan. Their use allows you to soften the color stretching and contrast of the contours.

The final result of the artist's work depends on the correctly chosen tool. But for an experienced painter, such a choice is not a problem. And it is not difficult to purchase all these goods in a specialized art supply store.