You are always with something new. I need Famusov’s monologue “Parsley forever you with new clothes...”, where can I get it? the book is wrong and we must learn

Act II

Phenomenon 1

Famusov , servant .

Famusov

Parsley, you are always with new clothes,

With a torn elbow. Get out the calendar;

And with feeling, with sense, with arrangement.

Just wait. - On a sheet of paper, scribble on a note,

Against next week:

To Praskovya Fedorovna's house

On Tuesday I'm invited to go trout fishing.

How wonderful the light has been created!

Philosophize - your mind will spin;

Either you take care, then it’s lunch:

Eat for three hours, but in three days it won’t cook!

Mark that same day... No, no.

On Thursday I am invited to the funeral.

Oh, the human race! has fallen into oblivion

That everyone should climb there themselves,

In that little box where you can neither stand nor sit.

But who intends to leave the memory on its own

Living a commendable life, here is an example:

The deceased was a venerable chamberlain,

With the key, he knew how to deliver the key to his son;

Rich, and married to a rich woman;

Married children, grandchildren;

Died; everyone remembers him sadly.

Kuzma Petrovich! Peace be upon him! –

What kind of aces live and die in Moscow! –

Write: on Thursday, one to one,

Or maybe on Friday, or maybe on Saturday,

I have to baptize a widow, a doctor's wife.

She didn't give birth, but by calculation

In my opinion: she should give birth...

Phenomenon 2

Famusov , servant , Chatsky .

Famusov

A! Alexander Andreich, please,

Sit down.

Chatsky

Are you busy?

Famusov (servant)

(Servant leaves.)

Yes, we put various things in the book as a keepsake,

It will be forgotten, just look.

Chatsky

Somehow you haven’t become cheerful;

Tell me why? Is my arrival at the wrong time?

What a Sofya Pavlovna!

Did any sadness happen?..

There is a bustle in your face and in your movements.

Famusov

Oh! Father, I found a riddle:

I'm not happy!.. At my age

You can’t start squatting on me!

Chatsky

Nobody invites you;

I just asked two words

About Sofya Pavlovna: perhaps she is unwell?

Famusov

Ugh, Lord forgive me! Five thousand times

Says the same thing!

There is no more beautiful Sofia Pavlovna in the world,

Then Sofya Pavlovna is sick.

Tell me, did you like her?

Searched the light; don't you want to get married?

Chatsky

What do you need?

Famusov

It wouldn't hurt to ask me

After all, I am somewhat akin to her;

No wonder they called him Father.

Chatsky

Let me woo you, what would you tell me?

Famusov

I would say, firstly: don’t be a whim,

Brother, don’t mismanage your property,

And, most importantly, go ahead and serve.

Chatsky

I would be glad to serve, but being served is sickening.

Famusov

That's it, you are all proud!

Would you ask what the fathers did?

We would learn from our elders:

We, for example, or the deceased uncle,

Maxim Petrovich: he’s not on silver,

Ate on gold; one hundred people at your service;

All in orders; I was always traveling in a train;

A century at court, and at what court!

Then it was not the same as now,

He served under the Empress Catherine.

And in those days everyone is important! forty pounds...

Take a bow - they won’t nod at stupid people.

A nobleman in the case - even more so,

Not like anyone else, and he drank and ate differently.

And uncle! what is your prince? what's the count?

Serious look, arrogant disposition.

When do you need to help yourself?

And he bent over:

On the kurtag he happened to step on his feet;

He fell so hard that he almost hit the back of his head;

He was granted the highest smile;

They deigned to laugh; what about him?

He stood up, straightened up, wanted to bow,

A row suddenly fell - on purpose,

And the laughter is worse, and the third time it’s the same.

A? what do you think? in our opinion, he is smart.

He fell painfully, but got up well.

But it happens that who is more often invited to whist?

Who hears a friendly word at court?

Maxim Petrovich! Who knew honor before everyone?

Maxim Petrovich! Joke!

Who promotes you to ranks and gives pensions?

Maxim Petrovich. Yes! You current people are nootka!

Chatsky

And sure enough, the world began to grow stupid,

You can say with a sigh;

How to compare and see

The present century and the past:

The legend is fresh, but hard to believe,

As he was famous for, whose neck bent more often;

As not in war, but in peace they took it head on,

They hit the floor without regret!

Who needs it: those are arrogant, they lie in the dust,

And for those who are higher, flattery was woven like lace.

It was an age of obedience and fear,

All under the guise of zeal for the king.

I'm not talking about your uncle;

We will not disturb his ashes:

But in the meantime, who will the hunt take?

Even in the most ardent servility,

Now, to make people laugh,

Bravely sacrifice the back of your head?

And a peer, and an old man

Another, looking at that leap,

And crumbling into old skin,

Tea said: “Ax! If only I could too!”

Although there are hunters everywhere to be mean,

Famusov is a high-ranking official whose worldview is based on purely material things; for him, the most important thing in a person is his position in society and condition. In his monologue, without meaning to, he shows them.

Heroes are convinced of their own importance and employment. But what is the business of the influential person? “Against the next week.... On Tuesday I am called to the trout... On Thursday I am called to the funeral,” asks Famusov to write the servant down in the calendar.

From this it becomes clear that he was mired in everyday life, in everyday affairs and truly unimportant ones - they filled his life and crowded out everything else. It is also worth noting that Famusov does not mention any meetings or assignments for his position - they are of little concern to him. Paying a visit and making an impression is what matters. Famusov is convinced that in order to gain respect in society, you just need to be socialite and that’s it, doing something in your career or in other areas is stupid. The worst thing is that the character does not understand this; for him, such activity has become the norm.

In this passage, Famusov also introduces the reader to his ideal, which he even sets as an example - this is “a commendable life.”

Heroes highlights his main merits: “rich, and he was married to a rich man” and taught his son to get rich - that’s where the merits end. The hero shows his fixation on material things; he puts wealth at the forefront, forgetting about personal qualities, about man’s contribution to society and science. This position reflects in him spiritual poverty, the vulgarity of his beliefs.

Feigned importance and material security- he simply cannot understand the most important thing in Famusov’s life and other options, the heroes are absolutely sure that this is how you need to live.

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Updated: 2018-10-07

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Act II

Sexton- “a lower church servant can be at the same time a reader and a church singer” (Toll, vol. 3, p. 166).
Chamberlain(German Kammerherr - room nobleman) - senior court rank.
Key- sign of the rank of chamberlain: “a golden key on a blue ribbon at the left coattail on a button” (Academic Dictionary, part 3, p. 41).
The rapid first act, full of unexpected incidents that give rise to tense comedic-dramatic situations, is replaced by the leisurely rhythm of the second act, the beginning of which is drawn to three lengthy “worldview” monologues by Famusov and two monologues by Chatsky; Of the 400 poetic lines of the first five phenomena, half fall on monologues.
Famusov’s first monologue glorifies the stable Moscow life with its Homeric dinners, with the aces living out their days in Moscow, with all the troublesome, but pleasant, non-official, everyday concerns. The chronicler’s focused and important tone (“Yes, we put various things in the book as a keepsake”), surprise at the “complexity of the universe” and the revolutions of life - everything is full of a sense of significance, grandiosity, which is in an obvious comic contradiction with the insignificance of the “cases” themselves.
It is not without reason that dinners are remembered among the most important signs of Moscow life. Eating in the houses of the Moscow nobility was the most important rite, almost a sacred rite, an occasion for intricate surprises.
N. Dubrovin, a historian of Moscow life at the beginning of the 19th century, testifies:
“Vasily Sergeevich Sheremetev had regular breakfasts, after which up to 30 sleighs were served, and the guests drove around all the big Moscow streets; Seats in the sleigh were based on tickets. At Danila Grigoryevich Volchkov's house guests feasted constantly, which is why his house received the name of a cook's meeting. The dinners were the most exquisite and varied. Moscow tax farmer P. T. Borodin, despite the early winter time, fed his guests with greenhouse fruits, pears and apples. Describing one of these dinners, S.P. Zhikharev says: “There are heaps of sweets, there are no refreshments, and there’s no counting, but there’s nothing to say about dinner. What kind of sturgeon, sterlet, what kind of creamy veal and Greek turkeys" (that is, turkeys fed walnuts. - S.F.).
On the day of A. S. Nebolsina’s name day, Count F. V. Rastopchin, knowing that she loved pastes, sent her with Police Chief Broker, a few minutes before dinner, a huge paste, which was placed in front of the hostess. “In admiration for the count’s attention and courtesy, she... asked Broker to open the magnificent paste - and then Misha’s ugly head appeared from it, famous Karl Prince X., and then he came out all with real paste in his hands and a bouquet of living forget-me-nots.”
V. P. Olenina most of she squandered her estate, about a thousand souls, on lunches and dinners. She was a great hospitable person, all of Moscow went to her to eat, and in her old age she lived in extreme poverty” (PC, 1899, No. 2, p. 251).
So, when going “for trout” (a fish from the salmon family, imported and therefore rare), Famusov is not without reason fearing for his stomach, anticipating the usual Moscow feast:

Quit taxes were delivered to Moscow from villages near Moscow and distant villages all year round.
The “News about the state of Moscow 4 years after the enemy entered it” stated, in particular:

Moscow dinners were expensive for serf Russia!
Famusov enters all his “deeds” into Address-calendar, i.e. “a book printed annually, which contains the states of the ecclesiastical, court, civil and guards; all public places with indications of the officials filling them, etc. and so on." (The Interpreter, part 1, p. 45). The address calendars contained notebooks(blank) sheets for notes. Thus, Famusov’s “affairs” seemed to flow into staffing table Russian state.
Among the “court ranks” here was Kuzma Petrovich, who lived out his life in Moscow. But, grieving for this worthy man, Famusov is epically solemn: life goes on - the son of the deceased is also now “with the key.”
Characteristics of various address calendars are contained in the article by M. A. Osorgin “Old calendars”. “In Moscow calendars,” noted Osorgin, “ historical information reported less (than in St. Petersburg. - S.F.), but on the other hand, “reasonings, instructions and exhortations” drawn from the texts of St. scriptures, poetry and prose, with four empty pages left for notes. On these pages it was proposed to write down “about our good and bad deeds” for each day, and for a month to draw up a summary of deeds “to consider and find the reasons why we did a good or bad deed.” Last pages intended to mark birthdays and name days of relatives, friends and benefactors, as well as for short note all sorts of family and local events" (Osorgin M.A. Notes of an old book-eater. M., 1989, p. 271).
The last lines of the monologue gave commentators reason to suspect there was a hint of Famusov’s amorous adventures. I think this is a misinterpretation. According to general meaning and the tone of the narration here notes the indestructibility of the way of life so dear to Famusov: the doctor’s wife is a widow, but is about to give birth to an heir to her late husband, the day of whose death, of course, is marked on the “note sheet” of the calendar. Hence Famusov’s “calculation”.
And Chatsky refuses to worship this established way of life!
We will meet the later Famusov in the comedy by A. N. Ostrovsky “Simplicity is enough for every wise man.” Its hero, Mamaev, at his first appearance on stage, rushes to introduce himself as Famusov. “Why are the servants bad these days? - he thinks. - Because she is free from the obligation to listen to teachings. Previously, it happened that I entered into every little thing with my subjects. He taught everyone, from young to old. I read instructions for two hours each; It happened that you climbed into the highest spheres of thinking, and he stood in front of you, gradually reaching the feeling, with just sighs, it happened that he was exhausted from me. It’s both good for him and a noble occupation for me. And now, after all this...” (Ostrovsky A.N. Complete collection of works. M., 1955, vol. 5, p. 112). Well, of course, this is the new Famusov, who once climbed into the “higher spheres of thinking” before the wordless Petrushka.

From time immemorial- for a long time.

I would say, firstly: don’t be a whim...

bless- “in common parlance it means: fooling around, being naughty, being stubborn” (Academic Dictionary, part 1, p. 234).

“Among the eccentrics who lived in Moscow during Griboyedov’s time, he was known to be named Maxim Petrovich; it was a friend of gr. Rastopchina, a certain Novosiltsev, who was “in the case” under Catherine. By connections and wealth he had strong influence, in terms of his ability to humiliate himself, he knew no rivals. During the reign of Alexander I, Novosiltsev lived secluded in his luxurious, mysterious, unsociable house, did not receive anyone and did not go anywhere; however, sometimes in the orders he would sit on the porch of his house and scare passers-by by throwing firecrackers at them...” (Pylyaev M.I. Wonderful eccentrics and originals. M., 1990, pp. 115-116).
But no matter how intoxicated Famusov is with the measured Moscow life, which shuns change, he is constantly worried about the new trends spread by the “wise men.” Something went wrong in modern life, and therefore he considers the past century to be the “golden age”.
In response to Chatsky’s “baseless” remark, Famusov paints an idyllic picture of the “age of Catherine” so dear to him. The travesty-epic scope of his narration is given by hyperboles (“a hundred people are at the service”, “all in orders”, “everyone is important! Forty pounds”), an idyllic coloring - the tenderness with which he recalls signs and customs that are a thing of the past and have left There are several archaisms in the language:
riding in a train- riding in a carriage drawn by several pairs of horses;
toupee(fr. toupet - forelock, bangs) - a hairstyle in the form of a bun of hair gathered at the back of the head into a tightly twisted and bent upward crest;
kurtag(combination fr. cour - yard and German Tag - day) - reception day at court;
nobleman in case- a favorite close to the empress.
As for the incident at the kurtag, Famusov’s story evoked the early 19th century reader’s memory of Ya. B. Knyazhnin’s comedy “Weirdos” (1790), in which one of the characters recalled:

The panegyric to the “past century” forces Chatsky to express his attitude towards it. Famusov teaches him to live, and Chatsky considers it necessary to prevent further attempts of this kind, expressing his attitude towards life. He is not at all going to “challenge” yet; in fact, there is no sedition in his monologue, and he doesn’t even touch Maxim Petrovich, so as not to irritate Famusov (“I’m not talking about your uncle”). He does not at all paint an idyllic picture of the “present century” in contrast to Famusov’s tenderness for the “past century.” And this century is also far from ideal, but still time moves forward irreversibly. Chatsky is not denouncing yet, he simply does not agree.
Why does Famusov react so violently to his speech, interrupting it at the end at almost every word, indignant at his liberalism?
In deviating from the “testament of the fathers,” Famusov already imagines an attempt on that “Moscow way of life,” which seems to him an unshakable norm. In order to visualize what he hears in Chatsky’s speeches, let us cite in excerpts the curious “Admonition to a Son Entering the World,” written in the tones of well-intentioned satire denouncing “clever people”:
“When entering the world, make your first rule not to respect anyone.
Have no respect for years, or merit, or rank, or merit.
Whatever society you enter, if it is dangerous to show obvious contempt, then at least try to show in all your actions that you despise - this will earn you love and respect from everyone.
Don’t be surprised by anything, show cold indifference to everything, unless somehow the speech touches you and your qualities, then with a gentle smile let them feel that you know your worth.
In conversations, try to prove with clear arguments that people who were born before were worth nothing, did not know how to live, and that refined taste appeared with you and those like you.
Don’t get attached to anything and declare it loudly, but let’s just understand that you adore only the elegant. But don’t tell anyone what it is, and don’t even know it yourself.
Don’t sit at home and do as little useful work as possible; Fulfill the duty assigned to you as if you were knocking a log over a stump - tell everyone that it is unbearable, burdensome and demeans your talents.
Have a library, make the shelves wider; show off the deep-thinking authors in front, put nonsense and absurdities behind them, pull out the latter more often; The first ones will probably save the binding - this is very necessary...
In conversations, let us strongly feel that you are distracted and busy with thoughts of a higher concept, and meanwhile you can think about soap bubbles.
If someone expresses his opinion, do not agree at all: agreeing with the opinion of another is befitting of mediocre minds. Announce it loudly and flatly. If someone makes an objection to you and you don’t have any ready-made thoughts in stock, shrug your shoulders, look sideways - your opponent is an ignoramus.
Judge everything: the military, the civilians, even government affairs; but beware, do not praise anything; condemn everything and let us often feel that all the best is happening in other countries. Hereby you will show your great views and profundity...”

(Son of the Fatherland, 1817, part 38, no. 20, pp. 17-18.)

Disrespect for the moral precepts of the “fathers” is assessed by Famusov as an encroachment on state foundations.
These political accusations take the form of a protest against the revolutionary spirit in general thanks to the usual phraseology of the time.
Famusov calls Chatsky “carbonari,” and in this curse there is a memory of recent revolutionary events in the south of Europe. "Carbonari"(coal miners) - secret society in Italy, which aimed to fight absolutism, unify the country and introduce a constitution. The Carbonari-led uprising in Naples in 1820 was suppressed by the Holy Alliance, which declared the creation of the Neapolitan Revolution constitutional government"incompatible with safety neighboring countries" In the same year, the Carbonari raised an armed uprising in Piedmont, which was also defeated. Finally, at the end of 1820, Silvio Pellico and his friends were arrested and tried in Lombardy on charges of carbonarism, the trial of which was covered in detail in the European press and ended with severe punishments for the conspirators.
Approximately the same content was put into the word "debauchery"(“false teaching, contrary to law, faith or truth” - Academic Dictionary, part 5, p. 815), with which Famusov brands Chatsky, although it is more early origin. Depraved in late XVIII And early XIX centuries, the ideas of revolutionary enlightenment that prepared the revolution in France were called reactionaries. “Young people,” wrote, for example, in the magazine “Friend of Youth,” “having received... a certain degree of enlightenment and philosophy, having an understanding of encyclopedic things, they judge everything boldly, call everyone fools, put no one above themselves, repeating about philosophy and philosophy; under the guise of modesty they get used to debauchery” (Friend of Youth, 1809, January, pp. 62-63).
Let us pay attention to how the “dialogue” between Chatsky and Famusov is structured in this scene. In essence, while shouting his curses, Famusov does not even listen to what Chatsky says, reinterpreting his every word in his own way.
Starting from the first appearance of comedy (remember Lisa’s words: “And they hear, they don’t want to understand”), this farcical device, folk in origin (conversation with a deaf person), is constantly used by the playwright with deep ideological content: Famus’s world is deaf to the truth, to the truth. Exposing the reception, Griboedov in in this case makes Famusov cover his ears (“Good, I covered my ears”) of Famusov, who, guided by his own obscurantist logic, in this very situation foreshadows the “Carbonari” Chatsky’s judicial reprisal (“They’ll put you in jail...”) and is frightened by the servant who comes in (“Huh? riot?"). The meaning of “ speaking names"(see pp. 119-120).

Here they are scouring the world, throwing their hats...

Beat your head- to mess around (literally, a baklusha - a chock for making wooden products).

...well, I’m still waiting for sodom.

Sodom- name of the city, which, according to biblical legend, was destroyed by God for the debauchery and lawlessness that reigned there (Genesis, ch. 19, vv. 24-25). IN figuratively“Sodom” - riot, disorder.

"False Ideas", like “carbonari,” “debauchery,” etc., is a common curse word in the language of political routinists. Recalling the events of 1818, one of Griboyedov’s contemporaries wrote: “The kind and cautious Brusilov somehow privately, without any explanation, advised me to be quieter and not to get too carried away (a common expression of that time about young people who allowed themselves to be liberal)” (RA, 1871, stb. 163). “Dmitriev,” Vyazemsky testified, “sometimes branded the intellectualism and claims of arrogant youth with the comic nickname of deceitful ideas” (Vyazemsky P. A. Complete collection of works. St. Petersburg, 1882, vol. 7, p. 165).

Although among the laws Russian Empire there was also the following: “It is prohibited to designate officials connected by kinship or affinity with the chairman or other members of those places as members of public places” (Zayonchkovsky P.A. Government apparatus of autocratic Russia in the 19th century. M., 1978, p. 278), and the definition entry into service and advancement in it often depended on family and friendly ties. In his notes, S.P. Zhikharev quotes a typical letter from a certain Arkharov with a request to enroll a “native little man” in the office: “He is a big simpleton and did not study well, and therefore he needs patronage. Show your mercy, dear friend, on my fool, write him down in your office and, on occasion, do not leave him to reward him with a repair or two, if you want - we will not be angry. He shouldn’t be given a salary, because he’s not worth it; and his father is rich, and he will be even richer, because he lives as a pig. Based on this recommendation, the undergrowth was accepted into the service and received three ranks at the age of three” (Notes of S.P. Zhikharev. M., 1890, p. 179).
N. Dubrovin testifies that “in most public places there was an excessive number of officials who, however, were only listed, but did nothing. For such persons, a special name was invented “holding different positions.”
- In what different positions, when I do nothing? - S.P. Zhikharev, surprised by this name, asked his colleague on the foreign board V.A. Polenov.
“Yes, and others don’t do anything either,” Polenov answered calmly, “and there are secret and real ones between us.” privy councilors, and there are many cadet chambers.
“I accepted the position in 1808,” writes V.N. Gettun, “offered to me by the Minister of Appanages, Count Guryev, secretary for the general presence of the department of appanages. But, being in this position for about a year, I did almost nothing, because my assistant, without any difficulty, managed to handle everything alone, and I only put my hand where necessary and, having nothing to do, left the department early to wander along the boulevards "(PC, 1899, No. 6, pp. 490-491).
Famusov had such an assistant as a businessman, that is, “skilled in administrative matters” (Academic Dictionary, part 2, p. 326), Molchalin.

On August 3, 1813, no military operations were carried out, since on June 4 of this year the Pleswitz Truce was concluded between the warring parties, which lasted until mid-August. Jaeger regiments(that is, light infantry regiments) were at that time on vacation near Smolensk. However, the playwright is accurate: on August 3, Alexander I met with the Austrian Emperor Franz II in Prague, and this meeting was marked by many awards.
Events Patriotic War were fresh in the memory of Griboyedov’s contemporaries, and therefore exact date, named in the play, could not be accidental. What is important here, obviously, is the proud intonation with which Skalozub pronounces his “for the third of August,” as if we're talking about about some heroic battle.
And one more significant detail. The dignity of orders received on occasion was determined, as a rule, by the rank of the recipient. Obviously, already in 1813 Skalozub had the rank of staff officer (that is, not lower than major), if he was awarded an order “on the neck” (lower orders, IV and III degrees, were worn in a buttonhole, and the order ribbon was tied in a bow around the neck orders of the highest degrees were worn). Since then, he in my own words, “they didn’t bypass ranks,” but, having risen to the rank of colonel, he waited two years for appointment as a regiment commander (“they were in charge of the regiment for two years”), and this appointment was connected, in all likelihood, with one of the striking signs of the established Arakcheev regime, when Officers of the Skalozubov type went up the hill. “In the army,” writes M.V. Nechkina, “Arakcheevism was reflected... in the systematic change of regiment commanders infected with the free spirit after foreign trips... The notorious Colonel Schwartz in the spring of 1822 replaced the popular commander of the Life Guards Semenovsky Regiment, Potemkin. When he was appointed, Arakcheev set a goal for him: “We need to knock the crap out of these guys’ heads.” Instead of the beloved commander of the Life Guards Preobrazhensky Regiment Rosen, Colonel Karl Pirkh was appointed... In the Life Guards Izmailovsky Regiment, the regimental commander Major General S.S. Strekalov in November 1821 was replaced by the hated P.P. Martynov, who... met... in P. Semenov's parody of Derzhavin's ode "God" ("... whose cry the company yard resounds, the right hand crushes teeth, who is called Martynov")... In 1821, Major General V. N. Shenshin took command of the Life Guards Finnish Regiment, and the regimental historian Rastakovsky vaguely hints at the connection of this appointment with the “then big changes as part of the commanding officers of the guard“... Similar examples can be given from the life of non-guards - “army” units. In the Odessa infantry regiment, the commander was also changed and the rude front-line soldier Yaroshevitsky was appointed. Lieutenant Colonel Gebel, who appeared in the Chernigov infantry regiment around the same time, was also Arakcheev’s protege. Gebel’s son directly writes in his memoirs about his father that he was specially appointed so that he “pulled up the regiment. It was for this pull-up that they disliked him.’” (Nechkina, pp. 304-305).
Contemporaries named many prototypes of Colonel Skalozub, more than for any other comedy character, and not by chance. “At every step,” the Decembrist Yakushkin testified, “we met Skalozubs not only in the army, but also in the guard, for whom it was incomprehensible that it was possible to turn a Russian person into a fit soldier without breaking several cartloads of sticks on his back” (Selected Socialists) political and philosophical works Decembrists. M., 1951, vol. 1, p. 109). Book

The publication is based on a fundamentally new theoretical concept of speech culture. The book teaches you to speak not only correctly, but also expressively, using different speech styles skillfully and appropriately.

In the section on the question you need Famusov’s monologue “Parsley, you’re always wearing new clothes...” where can I get it? There’s just no book, but you need to learn the one given by the author Yoanka the best answer is Almost everything is available on the Internet. As Griboedov said, “why search for intelligence and travel so far” (that is, to the library where they send you). Learn to find the works you need online.
Parsley, you are always with new clothes,
With a torn elbow. Get out the calendar;
Don't read like a sexton
And with feeling, with sense, with arrangement.
Just wait. - On the sheet of paper, scribble on your note,
Against next week:
To Praskovya Fedorovna's house
On Tuesday I'm invited to go trout fishing.
How wonderful the light has been created!
Philosophize, your mind will spin;
Either you take care, then it’s lunch:
Eat for three hours, but in three days it won’t cook!
Note, on the same day... No no.
On Thursday I am invited to the funeral.
Oh, the human race! has fallen into oblivion
That everyone should climb there themselves,
In that little box where you can neither stand nor sit.
But who intends to leave the memory on its own
Living a commendable life, here is an example:
The deceased was a venerable chamberlain,
With the key, he knew how to deliver the key to his son;
Rich, and married to a rich woman;
Married children, grandchildren;
Died; everyone remembers him sadly.
Kuzma Petrovich! Peace be upon him! -
What kind of aces live and die in Moscow! -
Write: on Thursday, one to one,
Or maybe on Friday, or maybe on Saturday,
I have to baptize a widow, a doctor's wife.
She didn't give birth, but by calculation
In my opinion: she should give birth...

We bring to your attention musical composition from the performer - A.S. Griboedov “Woe from Wit”, entitled Famusov’s monologue “Petrushka, you’re always wearing new clothes...”. On this page you can not only read words or lyrics of a song by A.S. Griboedov “Woe from Wit” – Famusov’s monologue “Petrushka, you’re always wearing new clothes...”, but also take advantage of the opportunity to listen online. In order to download A.S. Griboedov “Woe from Wit” – Famusov’s monologue “Petrushka, you’re always wearing new clothes...” on your personal computer, click on the appropriate button located to the right of this text.

A.S. Griboyedov "Woe from Wit" - Famusov's monologue "Petrushka, you're always wearing new clothes..."

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Words by A.S. Griboedov “Woe from Wit” - Famusov’s monologue “Petrushka, you’re always wearing new clothes...”

Parsley, you are always with new clothes,
With a torn elbow. Get out the calendar:
Read not like a sexton;
And with feeling, with sense, with arrangement.
Just wait. - On the sheet of paper, scribble on your note,
Against next week:
To Praskovya Fedorovna's house
On Tuesday I'm invited to go trout fishing.
How wonderful the light has been created!
Philosophize, your mind will spin;
Either you take care, then it’s lunch:
Eat for three hours, but in three days it won’t cook!
Mark that same day... No, no.
On Thursday I am invited to the funeral.
Oh, the human race! has fallen into oblivion
That everyone should climb there themselves,
In that little box where you can neither stand nor sit.
But who intends to leave the memory on its own
Living a commendable life, here is an example:
The deceased was a venerable chamberlain,
With the key, he knew how to deliver the key to his son;
Rich, and married to a rich woman;
Married children, grandchildren;
Died; everyone remembers him sadly.
Kuzma Petrovich! Peace be upon him! -
What kind of aces live and die in Moscow! -
Write on Thursday, it’s one to one,
Or maybe on Friday, or maybe on Saturday,
I have to baptize a widow, a doctor's wife.
She didn't give birth, but by calculation
In my opinion: she should give birth. -