Creative fate of the master. Composition on the theme of Love and the fate of the master in the novel by M.A

Love and fate of the master

The novel "The Master and Margarita" is rightfully considered the pinnacle of M. A. Bulgakov's work. This work is unique, if only because so far no critic has fully revealed its true creative idea. Each reader has their own vision. The protagonist of the novel is a gifted writer in the prime of his life, called the Master. After he won a certain amount of money in the lottery and left his job, the Master took up what he loved. He wrote a fascinating historical novel about the reign of the procurator Pontius Pilate and about the last days of the itinerant philosopher Yeshua Ha-Notsri. The master put his whole soul into this work.

At this stage in his life, he met Margarita, a young Moscow housewife whose husband was a military engineer. Love between the Master and Margarita broke out instantly, as soon as their eyes met, full of loneliness. Margarita became not just a lover brilliant writer but also his assistant. She was able to appreciate his book, which she re-read many times. Feeling that the Master could not cope without her, she left her husband.

When the time came to give the novel to print, the Master knew that his whole life depended on it. Unfortunately, the publishing house employees in those days did not always say what they thought and were often hypocritical. Despite the fact that the novel was more than worthy, they refused to publish it. And the critic Latunsky even wrote a harsh criticism of the novel. This article finally broke the Master, and he decided to set fire to his manuscript. After that, he spent some time in a mental hospital. There he met the failed poet Ivan Bezdomny, who became his follower.

Desperate, Margarita at that time agreed to sell her soul to the devil for the well-being of her lover and the salvation of his work. Having resorted to the help of Satan, this couple lost their light, but found peace. Woland, as promised, returned the Master to Margarita, and to the Master a copy of his manuscript. Then he decided to transfer them to another dimension, since on earth they were surrounded by miserable, insignificant and hypocritical people.

The tragedy of the Master was that he was looking for recognition in the wrong circles. The fate of this hero is closely connected with the fate of the author himself. It is known that M. A. Bulgakov himself was also a historian by education and worked for some time in the museum. Many of his works were also rejected by publishers, and the novel The Master and Margarita was only published at all twenty-six years after the writer's death. Many writers who freely expressed their opinion in those days ended up in psychiatric clinics, died in poverty, and did not receive recognition during their lifetime. But, as you know, "manuscripts do not burn" and true creativity immortal.

1. The versatility of the work.
2. Gospel motives.
3. The continuity of good and evil.
4. The universal values ​​of the novel.

What would your good do if there were no evil?
M. A. Bulgakov

M. A. Bulgakov is the greatest Russian writer with a very, very difficult literary destiny. It so happened that most of his works became known to readers only after the death of the author. The novel "The Master and Margarita" became the main work of the writer's entire life.

The novel "The Master and Margarita" is the most complex multifaceted work. It affects the most different questions, the answer to which the reader must find himself. A special place in the novel is occupied by chapters that tell about the last days of the earthly life of Jesus Christ. This is an interpretation of the Gospel of Matthew. Questions of religious and universal morality are raised in these chapters. We learn about Yeshua. This is a very special person, a real saint. Yeshua believes in the kindness of people, believes that everyone has a divine spark and a desire for light. But the righteous person does not idealize those around him. He is aware that people have not only positive qualities They also have vices. This dualism is essentially eternal struggle good and evil. In every person there is good and evil. This is the eternal course of things, and mortals cannot break it. Throughout the novel we see the struggle between good and evil. This struggle is beyond time and space. Good and evil are inextricably linked, without evil there can be no good. The reader comprehends these truths thanks to the extraordinary characters of the novel. Very great importance has Professor Woland. It is easy to guess that this is Satan himself.

The novel The Master and Margarita raises important universal questions about the meaning of life, about the soul, about God. On the very first pages, it turns out that atheism is powerless before something higher. Bulgakov appears in this novel as a mystic. And mystical motives cannot leave readers indifferent. However, mysticism in the novel is not an end in itself, although it is beautiful. The peculiarity of the work is that it is built like a novel within a novel. The action takes place in two times - in Moscow in the 1930s and in ancient city Yershalaim (Jerusalem). Satan appears in Moscow, who intends to arrange, according to ancient traditions, a full moon spring ball. In the ancient city of Yershalaim, the Roman procurator Pilate judges wandering philosopher Yeshua sentences him to death. These stories are connected thanks to the Master. It is he who acts as the author of the work about Yeshua. The master appears as a person who has discovered the truth, unknown to others. The Master himself lives in Moscow in the 1930s.

Mystical motifs are organically woven into the canvas of the work, forcing the reader once again to think about something very, very important, in particular about spirituality. Already at the very beginning of the work, we see a conversation between a militant atheist and the devil. Alas, it never occurs to Berlioz that there are forces in the world more powerful than he can imagine. How does his confidence in absolute reason end? Tragedy. The death of Berlioz is essentially justified. A person cannot and should not live without spirituality, without faith in God and the devil, because human life, in fact, is so fragile and vulnerable. And without faith that there are powerful forces, this life has no meaning.

In The Master and Margarita, everyone is responsible for their actions. The might of Pontius Pilate cannot save him from punishment for having so ordered the fate of Yeshua. In fact, his power turns out to be imaginary, however, like everything that a person can own.

In the work, Bulgakov will allow himself a sharp and evil satire on Soviet reality. Issues faced by people in Everyday life, in particular housing problem, so spoiling people, are very relevant at all times. Bulgakov masterfully depicts life Soviet Russia, the morals of the people. The writer ironically notes all the shortcomings of Soviet reality. He embellishes nothing, shows everything as it is.

The theme of love occupies a special place in the novel. Bulgakov talks about eternal love and promises to show it to the reader. This deep feeling represents Margaret. She finds the strength to protect her love from everyone and everything. And finds happiness and eternal peace with his beloved.

The novel also raises the theme of the fate of the artist. The fate of the Master is in many ways similar to the fate of the writer himself. The tragedy of the Master is that he is broken by circumstances, he is powerless, unable to fight. The master put all the strength of his soul into his work. But, alas, society not only did not appreciate the result of his labors, but even ridiculed them. This turned out to be a heavy blow for the Master. mental illness overtook him. However, the spiritual wealth and crystal honesty of the Master saved him. He received as a reward eternal rest with his beloved. Now no one and nothing will separate them. The loftiness and tragedy of the finale of the novel makes one think that all earthly values ​​are transient. And in the face of eternity, nothing really matters. But in other way, human values are still relevant as long as people love, suffer, strive for something, dream of something.

The tragic fate of the Master is not accidental. Bulgakov says that in those tragic years fate creative personality was unenviable. The novel "The Master and Margarita" reached readers more than a quarter of a century later. The novel was first published in 1966 in the Moscow magazine. This became possible thanks to the efforts of the writer's widow E. S. Bulgakova and the support of K. M. Simonov. The novel made a shocking impression on readers. No wonder, because it is a unique work. It cannot be said about amazing language by which the work was written. It cannot leave anyone indifferent. Currently, the novel "The Master and Margarita" is one of the favorite works of our contemporaries.

The Master and Margarita is one of the recent novels M.A. Bulgakov. It was the result of the life of the author himself, whose fate was similar to the fate of his hero. In his work, Bulgakov organically combined the tragic-pathetic story about Yeshua and the satirical narration of the life of Moscow in the 1920s and 1930s. Bulgakov understood that the novel would not be published, but stubbornly continued to work on it. Once, having become like his hero, he even burned the manuscript, but then restored it from memory. The writer's novel all-conquering force love and creativity was first published only in 1966-1967. with big cuts full text novel appeared only in 1973.

Who is the Master main character novel? He does not appear at the beginning of the story, but only in the 13th chapter. From the story told in psychiatric clinic to Ivan Bezdomny himself, the reader will learn about the fate of this man. In their dialogue, for the first time, a word is heard that replaced the name of the hero and was placed in the title of the novel. "Are you a writer?" the poet asked with interest. The guest darkened his face and shook his fist at Ivan, then said: “I am a master ...” “Master”, and not a writer, because writers claiming to be “engineers human souls”, sought not to be creative, but to extract personal benefits, having MASSOLIT membership cards, which gave privileges: visiting the Griboyedov restaurant, receiving cottages and apartments. To do this, they are ready to reserve for malicious mutual revelations and write everything that higher authorities demanded of them. In a mental hospital, the reader sees the Master broken, reconciled to his fate, depressed, renounced his creativity and love. What happened to him? The vocation of the Master was the activity of the artist. By education, he was a historian, but, having no means of subsistence, "he worked two years ago in one of the Moscow museums and, in addition, was engaged in translations." The master knew five languages, including Greek and Latin. And then fate gave him a chance to change his life: he won one hundred thousand rubles on a bond. Now he could leave the service to start creating great work in which he could express himself and his time. He used his winnings to create the conditions for creativity. He bought books, which he mentions in his story to Ivan Bezdomny: "in the second, very small room ... books, books and a stove." It is not surprising that such a serious preparation of the Master for the creation of a novel about Pontius Pilate strikes the poorly educated Ivan Bezdomny and that a turning point occurs in him: he decides not to write poetry anymore. For his novel, the Master chose historical theme- the crucifixion of Christ. In the events of the past, the Master was looking for an analogue of the era in which he had to live. Talking about the sunset ancient culture, he wanted to point out to his contemporaries the shortcomings and vices public life 30s. In the words of the Master, "and I went out into life holding it (the novel) in my hands, and then my life ended." Criticism not only condemned the novel, but began to persecute the author. Unable to bear the slander and humiliation, the Master burned the manuscript of the novel and was arrested the same evening on the denunciation of Aloisy Mogarych. Now nothing made him happy. He was so depressed that he said to Margarita: “I don’t want anything else in life. Except to see you. But again I advise you - leave me. You will disappear with me." After several months of arrest in such a depressed state, he voluntarily entered a psychiatric hospital. He wanted nothing more: neither to write, nor to love. Complete disillusionment and apathy took possession of him. He isolated himself from life, showing cowardice and weakness. It can be understood, because not all people are fighters. The master lost faith in everything and resigned himself to the circumstances. And without faith, according to Bulgakov, a person will never achieve justice and will not be happy. So Margarita believed in the Master, in his romance, in love, so she found the strength to return her beloved and convince him not to renounce life. Believing in goodness and justice, Margarita realized that Woland would help her save the Master: “The hope that she would be able to achieve the return of her happiness there made her fearless.” And Margarita is rewarded. She is with her lover again in the very apartment where she was happy with the Master. And Woland returned the burnt copy of the manuscript to the Master. In the words of the hero of the novel, Bulgakov claimed that "manuscripts do not burn." B. Sarnov explained this expression in the best possible way: “... the manuscript of the novel written by the Master is only the outer shell of the work he created, his body ... But in addition to the body, the manuscript also has a soul. And she is immortal." Therefore, Woland gave the Master the opportunity to finish his work in order to free the hero, Pontius Pilate, from the pangs of conscience, since he sees the same thing - the lunar path, and wants to go along it and talk with the prisoner Ga-Notsri, because "... he I didn’t finish something then ... on the fourteenth day of the spring month of Nisan ... ”. And the Master, shouting one word "free", completed his novel and his story. Woland gave the Master and Margarita eternal peace, which the artist longed for. The master and his girlfriend headed along the sandy road "to their eternal home ... Someone released Ma

The novel "The Master and Margarita" is one of the last novels by M.A. Bulgakov. It was the result of the life of the author himself, whose fate was similar to the fate of his hero. In his work, Bulgakov organically combined the tragic-pathetic story about Yeshua and the satirical narration of the life of Moscow in the 1920s and 1930s. Bulgakov understood that the novel would not be published, but stubbornly continued to work on it. Once, having become like his hero, he even burned the manuscript, but then restored it from memory. The writer's novel about the all-conquering power of love and creativity was first published only in 1966-1967. with large cuts, and the full text of the novel appeared only in 1973.

Who is the Master, the protagonist of the novel? He does not appear at the beginning of the story, but only in the 13th chapter. From the story told in a psychiatric clinic by himself to Ivan Bezdomny, the reader learns about the fate of this man. In their dialogue, for the first time, a word is heard that replaced the name of the hero and was placed in the title of the novel. "Are you a writer?" the poet asked with interest. The guest darkened his face and shook his fist at Ivan, then said: “I am a master ...” “Master”, and not a writer, because writers claiming to be “engineers of human souls” did not seek creativity, but to extract personal benefits, possessing MASSOLIT membership cards, which gave privileges: visiting the restaurant "Griboedov", receiving cottages and apartments. To do this, they are ready to reserve for malicious mutual revelations and write everything that higher authorities demanded of them. In a mental hospital, the reader sees the Master broken, reconciled to his fate, depressed, renounced his creativity and love. What happened to him? The vocation of the Master was the activity of the artist. By education, he was a historian, but, having no means of subsistence, "he worked two years ago in one of the Moscow museums and, in addition, was engaged in translations." The master knew five languages, including Greek and Latin. And then fate gave him a chance to change his life: he won one hundred thousand rubles on a bond. Now he could leave the service in order to start creating a great work in which he could express himself and his time. He used his winnings to create the conditions for creativity. He bought books, which he mentions in his story to Ivan Bezdomny: "in the second, very small room ... books, books and a stove." It is not surprising that such a serious preparation of the Master for the creation of a novel about Pontius Pilate strikes the poorly educated Ivan Bezdomny and that a turning point occurs in him: he decides not to write poetry anymore. For his novel, the Master chose a historical theme - the crucifixion of Christ. In the events of the past, the Master was looking for an analogue of the era in which he had to live. Talking about the decline of ancient culture, he wanted to point out to his contemporaries the shortcomings and vices of public life in the 30s. In the words of the Master, "and I went out into life holding it (the novel) in my hands, and then my life ended." Criticism not only condemned the novel, but began to persecute the author. Unable to bear the slander and humiliation, the Master burned the manuscript of the novel and was arrested the same evening on the denunciation of Aloisy Mogarych. Now nothing made him happy. He was so depressed that he said to Margarita: “I don’t want anything else in life. Except to see you. But again I advise you - leave me. You will disappear with me." After several months of arrest in such a depressed state, he voluntarily entered a psychiatric hospital. He wanted nothing more: neither to write, nor to love. Complete disillusionment and apathy took possession of him. He isolated himself from life, showing cowardice and weakness. It can be understood, because not all people are fighters. The master lost faith in everything and resigned himself to the circumstances. And without faith, according to Bulgakov, a person will never achieve justice and will not be happy. So Margarita believed in the Master, in his romance, in love, so she found the strength to return her beloved and convince him not to renounce life. Believing in goodness and justice, Margarita realized that Woland would help her save the Master: “The hope that she would be able to achieve the return of her happiness there made her fearless.” And Margarita is rewarded. She is with her lover again in the very apartment where she was happy with the Master. And Woland returned the burnt copy of the manuscript to the Master. In the words of the hero of the novel, Bulgakov claimed that "manuscripts do not burn." B. Sarnov explained this expression in the best possible way: “... the manuscript of the novel written by the Master is only the outer shell of the work he created, his body ... But in addition to the body, the manuscript also has a soul. And she is immortal." Therefore, Woland gave the Master the opportunity to finish his work in order to free the hero, Pontius Pilate, from the pangs of conscience, since he sees the same thing - the lunar path, and wants to go along it and talk with the prisoner Ga-Notsri, because "... he I didn’t finish something then ... on the fourteenth day of the spring month of Nisan ... ”. And the Master, shouting one word "free", completed his novel and his story. Woland gave the Master and Margarita eternal peace, which the artist longed for. The master and his girlfriend headed along the sandy road "to their eternal home ... Someone released Ma

The novel "The Master and Margarita" is rightfully considered the best work Mikhail Afanasyevich Bulgakov. Undoubtedly, this is one of the most interesting and exciting works of literature of the 20th century. The novel can be called a satirical chronicle of the life of Moscow in the 1920s and 1930s. It touches upon, among other issues, the issue of choice and personal responsibility. Bulgakov forces his characters to choose, and with the help of this choice reveals the personality of the character.
One of the main characters of the novel "Master and Margarita" is a man who wrote a brilliant novel about the procurator of Judea, Pontius Pilate, who executed Yeshua Ha-Notsri. The most surprising thing in the novel is that the author does not name the master throughout the entire work. This is probably because, according to literary critics MASSOLIT, he, the master, is a small man, unworthy of reckoning Soviet writer, because he wrote an ideologically dubious thing - a novel about Pilate and Christ. Masters begin to criticize, articles by Latunsky appear. And as a result, the fate of the master is decided: he ends up in a psychiatric hospital. The motive for this outcome was the failure of the novel about Pilate. By burning the manuscript, the master renounces not only his creation, but also love, life, and himself. Thinking that his choice is the best for Margarita, he involuntarily dooms her to suffering. Instead of fighting, he runs away from life. He just freaked out.
Unlike the master, Margarita is a strong nature. She deliberately became a witch to help bring back the master. Margarita has no faith, but faith replaces her strong love. Love serves as her support in her decision. And probably, her choice is correct because it does not bring grief and suffering to anyone. And her willingness to sell her soul to the devil proves her true love to the master. After all, if not for Margarita, then perhaps the master would have remained in psychiatric hospital, living out their last days. But everything changed dramatically: Margarita brings the master back to life with the help of Woland. And once messire said to the master a "golden" phrase: "Manuscripts do not burn." After that, the master realized what real creativity is, that you have to fight for your works, that real art will never disappear without a trace. The main thing is to hope and believe.
Through the whole novel, Bulgakov carried the idea that a person can always choose his own path. The Master and Margarita chose their path: they left this vile, cruel world and find eternal rest.
But Bulgakov's main idea is what to do right choice impossible without faith. It doesn't matter what you believe, the main thing is faith. A person should not obey anyone. Personality is at the center of everything. Therefore, a person has complete freedom of choice, but all responsibility lies only on him.