Comparative characteristics of Eugene Onegin and Grigory Pechorin. Comparative characteristics of Eugene Onegin and Grigory Pechorin: similarities and differences, comparison, comparison

In the literature of every nation there are works whose heroes, positive or negative, a person remembers all his life, and there are characters that are erased from human memory. If we talk about Russian literature, then the works of M. Yu. Lermontov "A Hero of Our Time" and A. S. and "Eugene Onegin" are outstanding novels, the main characters of which Grigory Pechorin and Eugene Onegin remain in our memory until the end of their lives. These are rather controversial characters with bright characters, which everyone knows who is at least a little familiar with Russian literature.

The heroes of the novels of A. S. and M. Yu. Lermontov share less than ten years. Whether they real people, they could easily meet at a reception in one of the drawing rooms, at one of the balls, or in the box of one of the beauties at the premiere of some performance.

However, let's try to figure out what is more in Onegin and Pechorin - differences or similarities. After all, differences in characters, lifestyle and behavior sometimes separate people more than a whole century.

From the first chapter of the novel, Eugene Onegin appears before us in the form of an established secular young man, no worse and no better than his other contemporaries. Good home education, a solid inheritance, an easy and pleasant mind, secular gloss, the ability to gracefully express themselves and find with anyone mutual language. In addition to this, a thorough knowledge of fashion issues and the ability to organize bachelor dinners - that's all that Eugene Onegin lives for. A. S. describes in detail one day in the life of Onegin - getting up, breakfast, toilet, dinner, theater and sleep. And this description is quite enough, because Onegin's life passed calmly and evenly, and each new day was similar to the previous one.

"Until the morning his life is ready,

Monotonous and variegated

And tomorrow is the same as yesterday...

Such a regularity of his life, the repetition of the same thing, hidden behind external diversity and brightness, is a senseless waste of time, a void in which the hero of the novel does not realize himself. He tries to give all his life force to women, but where there is no love, passion very quickly turns into a habit.

Only a little revives Onegin's move to the village, he tries to change something there, to put progressive knowledge into practice, but nothing comes of it and he soon becomes discouraged. However, the sky character is still different from his peers, from the typical playboys with whom secular society was then filled. He has

"Dreams of involuntary devotion,

inimitable oddity

and a sharp, chilled mind."

Looking closely at Onegin, you can see that this is an outstanding personality with inclinations strong man with a bright character, which is confined within the boundaries of the givens of that time and which lacks strength, but rather lacks the desire to escape from there. All his aspirations are impulsive, he does not understand that only "hard work" will allow him to build real life. Being led by easy decisions, he unwittingly becomes a seducer and a murderer. But at the same time, the decency and nobility that he shows to Tatiana are somewhat encouraging and make you believe that Onegin, although he leads an empty life, is not empty in his soul. And the poet gives him a chance for resurrection. Onegin wakes up all human thanks to true love who showed him what is true on earth and what remains a lie. We part with Onegin, seeing him not yet revived, but still not fallen and not lost. gives us the opportunity to think for ourselves whether Onegin will become a spiritually rich person and whether he will truly live, or will remain until the end of his days a soulless burner of life.

As for Grigory Pechorin, he is somewhat younger than Onegin. He is young and very fresh - this is how Lermontov presents him to us. He is very good and stands out in the surrounding society. But already from the first minutes of acquaintance with this character, we see his endless fatigue and lethargy, inherent only in old people who have lived a long and hard life. And if the author of the novel talks about Onegin, then we learn more about Pechorin from his diary. We do not know anything about his childhood and youthful years. But having matured, he became a man who soberly assesses his strengths and weaknesses, his strengths and weaknesses. Pechorin knows, but rather feels, that “after all, it’s true that I had a great appointment, because I feel immense strength in my soul.” However, he wasted his strength, his vital energy in vain, "carried away by the lure of empty and ungrateful passions." And if Onegin is looking for the meaning of life, then Pechorin is sure that it does not exist. The strength of his personality, his influence on others is so great that he can easily control situations and people, he can easily get whatever he wants. But having received what he wants, he instantly cools down, realizing that he needs something completely different. Such impulsiveness of Pechorin is very similar to the behavior and actions of Onegin.

Pechorin is not afraid of death, he is indifferent to life. And if Onegin, having become an unwitting killer, was dejected and shocked, then Pechorin is a surprisingly cold-blooded killer, for whom people are nothing more than shadows. You can very easily hurt his pride, but not his soul and heart, because Pechorin believes that his soul is dead. Two times, two heroes who are very similar to each other. But if they happened to meet, then, despite their similarities, they would rather become enemies than turn into friends. Each of them is looking for the meaning of life, but they are looking for it alone, neglecting other people and not seeing the world around them.

Comparative characteristics Onegin and Pechorin
What a short period separates Pushkin's Onegin and Lermontov's Pechorin! First quarter and forties XIX years century. And yet these are two different eras, separated by an unforgettable event in Russian history - the uprising

Decembrists. Pushkin and Lermontov managed to create works that reflect the spirit of these eras, works that touched upon the problems of the fate of the young noble intelligentsia, who were unable to find application for their forces.
Herzen called Pechorin "Onegin's younger brother", so what do these people have in common and how do they differ?
Onegin, before becoming a "young rake", received traditional education and extensive but rather superficial education. Because he ended up being able to “perfectly” speak French, dance the mazurka easily, and “bow casually,” “the world thought he was smart and very nice.” However, quickly fed up with the fruitless fuss of secular life, Onegin begins to be weary of it, but finds nothing in return. Realizing the futility of existence secular people, Onegin begins to despise them, withdraws into himself, indulges in the “Russian melancholy”. Living only by himself, not taking into account the feelings and experiences of other people, Onegin commits whole line unworthy deeds. By the time he met him, Pushkin noted in Onegin “an inimitable strangeness”, “a sharp, chilled mind”, “an involuntary devotion to dreams”, an internal gap and misunderstanding between him and the people around him. Despite deep contempt for the “light”, Onegin remains dependent on public opinion, and as a result, he kills his friend Lensky. Selfishness leads the "rake of the ardent" to severe emotional drama and discord with myself.
We do not know much about Pechorin's past, mainly from the pages of his own diary, from his conversations with other people. We learn that Pechorin’s “soul is corrupted by light”: “From childhood, everyone read signs of bad properties on my face that were not there; but they were supposed - and they were born. Now, people around often do not understand either Pechorin's thoughts or his actions, and he (and often quite justifiably) considers himself head and shoulders above those around him. Unlike Onegin, Pechorin does not shy away from people, does not avoid contact with them, but, on the contrary, becomes an extremely subtle psychologist, able to understand not only other people's actions and thoughts, but also feelings. Unfortunately, communication with him most often brings people and even himself only suffering and dissatisfaction. Unlike Onegin, Pechorin is not yet tired of life, he interferes in everything, is interested in many things, but he is not able to truly love and be friends. And if only Tatyana suffers from Pushkin's love for Onegin (and after - from Onegin's love), then Pechorin brings misfortune to all the women he encounters: Bela, Vera, Princess Mary, even the smugglers' friend.
Onegin's problem is in his inability to make his life interesting, bright, to fill it with significant events. Pechorin is concerned about the question of purpose own life, its meaning. The consciousness of lost opportunities constantly haunts him, because his belief in his “high purpose” does not find real, confirmation. Both one and the other value their freedom, liberty, but it turns out that they too often sacrifice to her what is really dear to them.
Differences in the fates and characters of the heroes are explained by differences in eras: the life of Russia on the eve of the December uprising (Onegin) and the severe political reaction after the defeat of the Decembrists (Pechorin). Both Onegin and Pechorin belong to the “ extra people”, i.e., such people for whom there was neither place nor business in the society surrounding them. And yet, even despising the environment, Onegin and Pechorin were the children of this society, that is, the heroes of their time.

"Their dissimilarity among themselves is much less than the distance between Onega and Pechora ... Pechorin is the Onegin of our time."

V. G. Belinsky.

Onegin and Pechorin are representatives of a certain historical era. In their deeds and deeds, the authors reflected the strength and weakness of their generation. Each of them is a hero of his time. It was time that determined not only them common features but also differences.

The similarity of the images of Eugene Onegin and Grigory Pechorin is indisputable. Origin, conditions of upbringing, education, formation of characters - all this is common to our heroes.

They were well-read and educated people which put them above the rest of the young people of their circle. Onegin is a capital aristocrat with a rich inheritance. This is a man with a very complex and controversial nature. He is talented, smart and educated. Evidence of Onegin's high education is his extensive personal library.

Pechorin is a representative of the noble youth, a strong personality, there is a lot of exceptional, special in him: an outstanding mind, extraordinary willpower. Possessing significant abilities, spiritual needs, both failed to realize themselves in life.

In their youth, both heroes were fond of carefree secular life, both succeeded in the "science of tender passion", in the knowledge of "Russian young ladies". Pechorin says that when he met a woman, he always accurately guessed whether she would love him. It only brings misfortune to women. And Onegin left a not too good mark on Tatyana's life, not immediately sharing her feelings.

Both heroes go through misfortunes, both become the perpetrators of the death of people. Both Onegin and Pechorin value their freedom. The indifference to people characteristic of both, disappointment and boredom affect their attitude towards friendship. Onegin is friends with Lensky because there is nothing to do. And Pechorin says that he is not capable of friendship, and demonstrates this in his cold attitude towards Maxim Maksimych.

It becomes clear that there are differences between the heroes of Pushkin's and Lermontov's novels. Onegin is an egoist, which, in principle, is not his fault. The father almost did not pay attention to him, giving his son to tutors, who only praised the guy. So he grew up into a person who cared only about himself, about his desires, not paying attention to the feelings and suffering of other people. Onegin is not satisfied with the career of an official and a landowner. He never served at all, which distinguishes him from his contemporaries. Onegin leads a life free from official duties.

Pechorin is a suffering egoist. He understands the insignificance of his position. Pechorin considers himself one of their pitiful descendants who roam the earth without pride or conviction. Lack of faith in heroism, love and friendship deprive his life of values. He does not know why he was born and why he lives. Pechorin differs from his predecessor Onegin not only in temperament, willpower, but also in the degree of his attitude to the world. Unlike Onegin, he is not just smart, he is a philosopher and thinker.

Both Onegin and Pechorin, disappointed in the life around them, go to a duel. However, everyone has their own reason. Onegin is afraid of public opinion, accepting Lensky's challenge to a duel. Pechorin, shooting with Grushnitsky, takes revenge on society for unfulfilled hopes.

Fate sends Lermontov's hero test after test, he himself is looking for adventure, which is important. It attracts him, he just lives in adventure. Onegin, on the other hand, accepts life as it is, goes with the flow. He is a child of his era, spoiled, capricious, but obedient. Pechorin's disobedience is his death. Both Onegin and Pechorin are selfish, but thinking and suffering heroes. Because by hurting other people, they suffer no less.

Comparing the description of the life of the heroes, one can be convinced that Pechorin is more active personality. Onegin, as a person, remains a mystery to us.

But for us, these heroes remain interesting and important, as holders of high human dignity.

Eugene Onegin from novel of the same name in the poems of A.S. Pushkin "Eugene Onegin" and Grigory Pechorin from "A Hero of Our Time" by M.Yu. Lermontov, although the heroes are absolutely various works. have similar looks. No wonder VG Belinsky remarked: "Pechorin is the Onegin of our time." Eugene Onegin appears as a reflection of the era of the 20s, the period of the Decembrists and social upsurge, Pechorin is a representative of the third decade of the 19th century, called "cruel". Time has determined both the common features of the characters and their differences.

Both Pechorin and Onegin are representatives high society. The formation of their characters, education and upbringing took place in the same conditions. In their youth, both heroes were fond of a carefree secular life, they led it idly. They could not realize themselves in life, despite their outstanding abilities. The heroes are not capable of true love, thus they bring only suffering to the ladies in love with them.

Onegin and Pechorin stand out among the surrounding secular society. They both make friendship out of boredom. From a duel with former friends to which fate leads both, they come out victorious. M.Yu. Lermontov himself, when he gives his hero the surname Pechorin, as if hints at his resemblance to Onegin: Onega and Pechora are rivers flowing in Russia. V. G. Belinsky notes: "Their dissimilarity among themselves is much less than the distance between Onega and Pechora. Sometimes in the very name that a true poet gives to his hero, there is a reasonable necessity, although, perhaps, invisible by the poet himself ..."

But we find significant differences in the characters of the characters, their attitude to life and values. Onegin is bored, he is tired of life. The young man does not seek to change anything, disappointed in this world. Pechorin is somewhat different. He is not indifferent, active, "furiously chasing life, looking for it everywhere." Pechorin is a deep, passionate nature, he is a philosopher and thinker. He is interested the world in all its manifestations, he thinks a lot. analyzes, conducts diary entries. The hero is inspired by nature and in his diaries often notes its beauty, which Onegin is simply not able to see due to his character. The attitude of the characters towards society is also different. Onegin fears the condemnation of others and therefore decides to participate in a duel. Although Eugene understands that he must refuse, public opinion becomes more important to him than friendship. Onegin does not enter into open conflict with society, he avoids people. What about Pechorin? He neglects the opinions of others, always does what he considers necessary. Gregory puts himself above society, treating it with disdain. Pechorin is not afraid to go into direct conflict with others. As for the duel with Grushnitsky, he agrees to it solely out of noble intentions, wanting to protect the honor of Princess Mary and his own name.

Onegin is "an egoist involuntarily." it was his dependence on the conventions of a society he despised and his inability to abandon them that made him so. Pechorin has a contradictory nature, his egoism stems from his own convictions and judgments about the world. Public opinion, the established order does not affect his worldview in any way.

Eugene Onegin and Grigory Pechorin are among the most bright characters literature of the 19th century. Comparing the heroes, you can find many similarities and differences in their characters, beliefs and destinies. Each of them is a hero of his time. Both novels were enthusiastically received by the public, widely discussed and criticized. It is also important to note the artistic skill of the writers, who extremely accurately reflected the nature of each of the eras in their works.

Effective preparation for the exam (all subjects) -

COMPARATIVE CHARACTERISTICS OF ONEGIN AND PECHORIN
(Advanced people XIX century)
My life, where are you going and where?
Why is my path so obscure and mysterious to me?
Why do I not know the purpose of labor?
Why am I not the master of my desires?
Pesso

Pushkin worked on the novel "Eugene Onegin" for many years, it was his favorite work. Belinsky called in his article "Eugene Onegin" this work "an encyclopedia of Russian life." Indeed, in this novel a picture of all layers of Russian life is given: both high society, and the small nobility, and the people - Pushkin studied the life of all strata of society well early XIX century. During the years of the creation of the novel, Pushkin had to endure a lot, lose many friends, experience the bitterness of death the best people Russia. The novel was for the poet, in his words, the fruit of "the mind of cold observations and the heart of sad remarks." Against a broad background of Russian paintings of life is shown dramatic destiny the best people, the advanced noble intelligentsia of the Decembrist era.

Lermontov's "Hero of Our Time" would have been impossible without Onegin, because the realistic novel created by Pushkin opened the first page in the history of the great Russian novel XIX century.

Pushkin embodied in the image of Onegin many of those features that were later deployed in individual characters Lermontov, Turgenev, Herzen, Goncharov. Eugene Onegin and Pechorin are very similar in character, both of them are from a secular environment, received a good upbringing, they are at a higher stage of development, hence their melancholy, spleen and dissatisfaction. All this is characteristic of more subtle and more developed souls. Pushkin writes about Onegin: "The blues was waiting for him on guard, and she ran after him, like a shadow or a faithful wife." The secular society in which Onegin moved, and later Pechorin, spoiled them. It did not require knowledge, a superficial education was enough, knowledge was more important French and good manners. Eugene, like everyone else, "danced the mazurka easily and bowed at ease." Their best years he spends, like most people of his circle, on balls, theaters, and love affairs. Pechorin leads the same way of life. Very soon, both begin to understand that this life is empty, that nothing is worth anything behind the "external tinsel", boredom, slander, envy reign in the world, people spend internal forces souls for gossip and malice. Petty fuss, empty talk of "necessary fools", spiritual emptiness make the life of these people monotonous, outwardly dazzling, but devoid of inner "content" Idleness, lack of high interests trivialize their existence. A day is like a day, there is no need to work, there are few impressions, so the smartest and best fall ill with nostalgia. They essentially do not know their homeland and people. Onegin "wanted to write, but hard work was sickening to him ...", he also did not find an answer to his questions in books. Onegin is smart and could benefit society, but the lack of need for work is the reason that he does not find something to his liking. He suffers from this, realizing that upper layer society lives off the slave labor of the serfs. Serfdom it was a shame tsarist Russia. Onegin in the village tried to alleviate the situation of his serfs ("... he replaced the corvée with an old dues with a light yoke..."), for which he was condemned by his neighbors, who considered him an eccentric and a dangerous "freethinker". Pechorin is also not understood by many. In order to reveal the character of his hero more deeply, Lermontov places him in a variety of social spheres, collides with a wide variety of people. When it came out separate edition"Hero of Our Time", it became clear that before Lermontov the Russian realistic novel did not have. Belinsky pointed out that "Princess Mary" is one of the main stories in the novel. In this story, Pechorin talks about himself, reveals his soul. Here, the features of the "Hero of Our Time" were most pronounced as psychological novel. In Pechorin's diary, we find his sincere confession, in which he reveals his thoughts and feelings, mercilessly scourging his inherent weaknesses and vices: Here is a clue to his character and an explanation of his actions. Pechorin is a victim of his hard time. The character of Pechorin is complex and contradictory. He talks about himself; “There are two people in me: one lives, in the full sense of the word, the other thinks and judges him.” In the image of Pechorin, the character traits of the author himself are visible, but Lermontov was wider and deeper than his hero. Pechorin is closely associated with advanced social thought, but he considers himself among the miserable descendants who roam the earth without conviction or pride. "We are not capable of greater sacrifices, either for the good of mankind or for our own happiness," says Pechorin. He lost faith in people, his disbelief in ideas, skepticism and undoubted egoism - the result of the era that came after December 14, the era of moral decay, cowardice and vulgarity of the secular society in which Pechorin moved. The main task that Lermontov set himself was to sketch the image of a contemporary young man. Lermontov poses the problem strong personality, so unlike noble society 30s.

Belinsky wrote that "Pechorin is the Onegin of our time." The novel "A Hero of Our Time" is a bitter reflection on the "history of the human soul", a soul ruined by the "brilliance of a deceitful capital", seeking and not finding friendship, love, happiness. Pechorin is a suffering egoist. About Onegin, Belinsky wrote: "The forces of this rich nature were left without application: life without meaning, and the novel without end." The same can be said about Pechorin. Comparing the two heroes, he wrote: "... There is a difference in the roads, but the result is the same." For all the difference appearance and the difference in characters and Onegin; both Pechorin and Chatsky belong to the gallery of "superfluous people for whom there was neither place nor business in the surrounding society. The desire to find one's place in life, to understand the "great purpose" is the main meaning of the novel of Lermontov's lyrics. Are not these reflections occupied by Pechorin , lead him to a painful answer to the question: “Why did I live?” This question can be answered with the words of Lermontov: “Perhaps, by heavenly thought and fortitude, I am convinced that I would give the world a wonderful gift, and for that - immortality he ... "In Lermontov's lyrics and Pechorin's thoughts, we meet the sad recognition that people are skinny fruits that have ripened before time. in "A Hero of Our Time" we so clearly hear the voice of the poet, the breath of his time. Depicted the fate of his heroes, typical of their generation? Pushkin and Lermontov protest against reality, which forces people to waste their strength for nothing.