Cheat sheet: The Golden Rose and writing in the story Precious Dust. Composition "K. G. Paustovsky "Golden Rose"
The language and profession of the writer - K.G. writes about this. Paustovsky. " Golden Rose"(summary) is about this. Today we will talk about this exceptional book and its benefits for both the average reader and the aspiring writer.
Writing as a vocation
"Golden Rose" is a special book in the work of Paustovsky. She came out in 1955, at that time Konstantin Georgievich was 63 years old. This book can be called a "textbook for beginner writers" only remotely: the author lifts the veil over his own creative kitchen, talks about himself, the sources of creativity and the role of the writer for the world. Each of the 24 sections carries a piece of wisdom from a seasoned writer who reflects on creativity based on his many years of experience.
Unlike modern textbooks "Golden Rose" (Paustovsky), the summary of which we will consider further, has its own distinctive features: Here more biography and reflections on the nature of writing, and there are no exercises at all. Unlike many contemporary authors Konstantin Georgievich does not support the idea of writing everything down, and a writer for him is not a craft, but a vocation (from the word "call"). For Paustovsky, the writer is the voice of his generation, the one who must cultivate the best that is in man.
Konstantin Paustovsky. "Golden Rose": a summary of the first chapter
The book begins with the legend of the golden rose (" Precious Dust"). She talks about the scavenger Jean Chamet, who wanted to give a rose of gold to his friend - Suzanne, the daughter of a regimental commander. He accompanied her, returning home from the war. The girl grew up, fell in love and got married, but was unhappy. And according to legend, a golden rose always brings happiness to its owner.
Chamet was a scavenger, he had no money for such a purchase. But he worked in a jewelry workshop and thought of sifting the dust that he swept out of there. Many years passed before there were enough grains of gold to make a small golden rose. But when Jean Chamet went to Suzanne to give a gift, he found out that she had moved to America...
Literature is like this golden rose, says Paustovsky. "Golden Rose", a summary of the chapters of which we are considering, is completely imbued with this statement. The writer, according to the author, must sift a lot of dust, find grains of gold and cast a golden rose that will make the life of an individual and the whole world better. Konstantin Georgievich believed that a writer should be the voice of his generation.
The writer writes because he hears the call within himself. He cannot write. For Paustovsky, a writer is the most beautiful and most difficult profession in the world. The chapter "The Inscription on the Boulder" tells about this.
The birth of the idea and its development
"Lightning" is chapter 5 from the book "Golden Rose" (Paustovsky), the summary of which is that the birth of an idea is like lightning. Electric charge builds up for a very long time to hit with full force later. Everything that the writer sees, hears, reads, thinks, experiences, accumulates in order to become the idea of a story or book one day.
In the next five chapters, the author talks about disobedient characters, as well as about the origin of the idea of the stories "Planet Marz" and "Kara-Bugaz". In order to write, you need to have something to write about - main idea these chapters. Personal experience very important for a writer. Not the one that was created artificially, but the one that a person receives while living active life working and interacting with different people.
"Golden Rose" (Paustovsky): a summary of chapters 11-16
Konstantin Georgievich reverently loved the Russian language, nature and people. They delighted and inspired him, forced him to write. The writer attaches great importance to knowledge of the language. Everyone who writes, according to Paustovsky, has his own writing dictionary, where he writes out all the new words that impressed him. He gives an example from his own life: the words "wilderness" and "sway" were very unknown to him. for a long time. He heard the first from the forester, the second he found in Yesenin's verse. Its meaning remained incomprehensible for a long time, until a familiar philologist explained that sway are those "waves" that the wind leaves on the sand.
You need to develop a sense of the word in order to be able to convey its meaning and your thoughts correctly. In addition, it is very important to correctly punctuate. cautionary tale from real life can be read in the chapter "Cases in Alschwang's shop".
On the Benefits of Imagination (Chapters 20-21)
Although the writer seeks inspiration in the real world, imagination plays a big role in creativity, says The Golden Rose, whose summary would be incomplete without it, is replete with references to writers whose opinions about imagination differ greatly. For example, it is mentioned verbal duel with Guy de Maupassant. Zola insisted that the writer does not need imagination, to which Maupassant replied with a question: "How then do you write your novels, having one newspaper clipping and not leaving your house for weeks?"
Many chapters, including " night stagecoach"(chapter 21), written in the form of a story. This is a story about the storyteller Andersen and the importance of maintaining a balance between real life and imagination. Paustovsky tries to convey to the novice writer very important thing: in no case should you refuse the real, full life for the sake of imagination and fictional life.
The art of seeing the world
Can't feed creative vein only literature - the main idea recent chapters book "Golden Rose" (Paustovsky). Summary boils down to the fact that the author does not trust writers who do not like other forms of art - painting, poetry, architecture, classical music. Konstantin Georgievich expressed an interesting idea on the pages: prose is also poetry, only without rhyme. Every writer from capital letter reads a lot of poetry.
Paustovsky advises to train the eye, to learn to look at the world through the eyes of an artist. He tells his story of communication with artists, their advice and how he himself developed his aesthetic sense by observing nature and architecture. The writer himself once listened to him and reached such heights of mastery of the word that he even knelt before him (photo above).
Results
In this article, we have analyzed the main points of the book, but this is not full content. "Golden Rose" (Paustovsky) is a book that should be read by anyone who loves the work of this writer and wants to learn more about him. It will also be useful for novice (and not so) writers to gain inspiration and understand that the writer is not a prisoner of his talent. Moreover, the writer is obliged to live an active life.
Korsun N. Essence of writer's work (based on the "Golden Rose" by K. G. Paustovsky)
NINA KORSUN,
artist, writer, director of a children's studio visual arts"Pearl"
(city of Smela, Cherkasy region)
THE ESSENCE OF WRITING
(based on the "Golden Rose" by K.G. Paustovsky)
Once Stephen King was asked how to become a writer? And he replied that for this you need a table, paper and a pen. Sit down and write. All.
Is that all? Yes. If you are endowed with writing talent. But still, it is necessary to know some points. We understand them by reading The Golden Rose by Konstantin Paustovsky.
Konstantin Georgievich realized himself as a writer quite early. At the age of eighteen, he decided: “I will be a writer.” He already had several notebooks filled with poems and stories. At this age, he guessed that only that person can become a writer who lives a full life. important events life. “Thinking about what I would write about, I suddenly realized with horror how poor my stock of life observations was. The realization that I know life insultingly little made me quit writing and go to the people, to the "Gorky universities". In "people" he walked for ten years, accumulating life experience.
The story "Golden Rose" marked the beginning of a whole series of books about writing - "Not a day without a line by Y. Olesha," Postal Prose "by A. Beck," My Dagestan "by R. Gamzatov," Notes of a Writer "by V. Panova," I read story” by S. Antonov and others.
"The main character of the story by Konstantin Paustovsky - creative imagination an artist capable of awakening the reader's imagination. . “This book is not a theoretical study, much less a guide. These are just notes about my understanding of writing and my experience. In this book, I have told so far only what little I have been able to tell. But if I, at least in a small part, managed to convey to the reader an idea of the beautiful essence of writing, then I will consider that I have fulfilled my duty to literature. .
According to Paustovsky, among all the creations of the mind and human hands, it is the art of the word that is immortal, because it selflessly goes into life with all its roots, greedily absorbs all its colors, its hopes, suffering, struggle and love. Along with rough, unvarnished reality, light romantic fiction sparkles. Such is the nature of creativity.
“Writing is a calling. There is a calling holy rule: pass everything through yourself ...
In the sea near the village lies a large granite boulder. On it ... the inscription: "In memory of those who died and will die at sea." When I found out about this inscription, it seemed to me sad, like all epitaphs. But the Latvian writer who told me about her did not agree with this:
- Vice versa. This is a very courageous inscription. She says that people will never give up and, no matter what, they will do their job. I would put this inscription as an epigraph to any book about human labor and perseverance. For me, this inscription sounds something like this: “In memory of those who overcame and will overcome this sea.”
I agreed with him and thought that this epigraph would also be suitable for a book about writing. .
Saltykov-Shchedrin said that if literature falls silent even for a minute, it will be tantamount to the death of the people. “Writing is not a craft or an occupation. Writing is a calling. The word "calling" was born from the word "call". A person is never called to handicraft. They only call him to do his duty and difficult task. What compels the writer to his sometimes painful, but wonderful work? First of all, the call of your own heart. The voice of conscience and faith in the future…”.
In the “First Story”, the author told, “how he was struck by the tragic love story of Yoska and the beautiful Christi. But the first attempt at a story was "languid and pale." I guessed: “Firstly, ... the story was written from other people's words; and, secondly... I was carried away by the love of Christ and left aside the savage life of the town. . The story was rewritten again, but the editor of the magazine where he was sent again did not accept the work. And only a year later the writer realized: "... the author does not feel in the story - neither his anger, nor thoughts, nor admiration for love." . And he comes to the conclusion: “... during work, one must forget about everything and write as if for oneself or for oneself dear person in the world". .
Notes
1. Paustovsky K.G. calling and work. // Questions of Literature. 1961 No. 1, pp. 167-168
2. We quote from the edition
Paustovsky K.G. Golden Rose. M., 1991
3. Petrovsky A.V. Foreword // Paustovsky K.G. Golden Rose. M., 1991, p. 5.
extracurricular activity
Reader's Conference
Based on the story by K.G. Paustovsky
"Golden Rose"
The purpose of the conference was to attract students' attention to the book and reading as important factors conservation and development national culture, strengthening the living connection between generations, mutual understanding of citizens and their success in society.
Main goals :
development of students' motivation to read;
fostering respect for the book and the inclusion of reading in the structure of the priority cultural needs of students;
development of a culture of oral and written speech;
the formation in children and adults of the need for cooperation and co-creation based on general interest to the book;
positioning the school library as an intellectual and information and leisure center of the school;
consolidation of the efforts of the class team, parents, representatives of the school administration to support the school library and popularize reading.
Equipment:
portrait of K. G. Paustovsky;
the story "Golden Rose";
illustrations of children to the story;
book cover illustration;
reproductions of paintings by impressionist artists.
Jury members: school psychologist, social educator, leading librarian, parents.
Guests: students of the eighth - tenth grades, head of the academic unit for science, head of the academic unit for educational work, teachers, parents.
Preparatory work.
With the assistance of the leading librarian of the school, Mekta L.S., the form of the event, a book for discussion, and the topic of the conference were chosen.
Were formed creative groups. The Researchers group (Poruchikov Vyacheslav, Bochkareva Elena, Zverev Zakhar) collected material and prepared presentations of the biography of the writer and a tour of the museum of K. G. Paustovsky.
The group "Public Relations" (Shvets Nastya, Poruchikov Vyacheslav, Strukova Anastasia), with the assistance of a teacher of fine arts, prepared a poster, a poster with photographic material on the preparation of the conference, invitations.
The Theater group (Maxim Kravchenko, Nastya Samylina, Zakhar Zverev) staged a fragment from the story Gold Dust.
The group "Scriptwriters" (Kolesnik Ksenia, Kravchenko Maxim) together with the teacher developed the script for the conference.
Acquaintance with the rules of the reader's conference.
Conference stages.
Teacher's word.
Dear children, dear guests, the BibliObraz festival is held every two years. In 2003, the first festival dedicated to the school library took place. It had an all-Russian status, but writers from Great Britain, Bulgaria, the USA and Poland also took an active part in its work. "BibliObraz 2005" became an international festival in which 11 countries participated. 20 countries were invited to participate in the BibliObraz 2007 festival. This festival aims to support and develop school libraries, on the formation of a reader at the age of 10 to 17 years of interest in reading and books. Venue of the festival: Central showroom"Manege" at the address: Moscow, Manezhnaya Square, 1. Within the framework of international festival"BibleImage" in educational institutions a range of activities, including our reader's conference. I hope that she will not leave anyone indifferent. And now I give the floor to the leaders.
1st leader - Maxim.
2nd - Ksyusha.
1st leader. Z hello dear guests. Today we want to present you the story of K. G. Paustovsky "Golden Rose". We chose this story, firstly, because we were attracted by the title, then, when we read the annotation to it, we were intrigued by the content, because it is not simple book, but a book about books, a book about creativity and about creative people, Very complicated book. And we love to overcome difficulties.
2nd host. We will try to reveal its artistic merits, intrigue you, so that each of those present wants to read this wonderful book, so that it takes its rightful place of honor on the "Golden Shelf" of the school and your family.
Presentations
1st host. The program of the conference is on everyone's tables. First, we want to introduce you to the author of the story, so Poruchikov Vyacheslav and Zverev Zakhar will be the first to speak with biography presentation and creative way writer. The children prepared a story about the main stages of the life and creative path of the writer. The message was accompanied by a slide show of photographs of the writer, including some that are not known to many readers.
2nd leader. And now L. Bochkareva will take us on an excursion to the museum of K. G. Paustovsky. Presentation "Journey through the Museum of K. G. Paustovsky"
Lena B. prepared interesting story about the literary museum-center of K. G. Paustovsky. She spoke about the amazing fate of the building in which the museum is located. This building is located in Moscow, in former estate Prince S. M. Golitsyn. He ordered a botanist from Germany to work in the garden and greenhouse and built a house for him. It was about such a house that the writer dreamed of: "... necessarily wooden, small, cozy, surrounded by a garden." All those sitting in the hall after Lena go to the writer's house, see portraits on the walls, unique photographs of the writer's mother, sister. A special place is occupied by a photograph of his grandmother, with whom he was friends and loved her more than all his relatives. They read I. Bunin's letter, in which he admires Paustovsky's stories. And the last portrait. A stern, demanding look through the glasses. A look-reminder, a covenant: “We lived on this earth. Do not give it into the hands of the devastators, the vulgar and the ignorant."
Presentation of a favorite chapter of the story
1st host. We have all read the book The Golden Rose. It consists of separate chapters, which are independent stories, but they are united by one theme - the theme of creativity. Each of us is individual, each has his own favorite pages of the story. The following conference participants will present their favorite story. The sequence is in program.
Despite rough plan chapter presentations, performances were completely different. Nastya S., as a creative nature, was carried away by the plot of the chapter "First Story" its romantic and tragic love, with its unusual compositional technique story within a story. In it, the author told about his first literary experience, spoke about his first failure, about its causes, as if warning future writers from possible errors.
Masha B. prepared her speech in the form of a presentation on the story "The inscription on the boulder", in which she presented to the audience paintings by impressionist artists, whose fate is akin to the fate of the Dutch writer Eduard Dekker. They all lived and fought as best they could, but "overcame the sea." A sea of misunderstanding and non-recognition during life. On the screen, one bright after another, full of joy and happiness paintings by Vrubel, Borisov-Musatov, Gauguin, Van Gogh. Nothing in them was reminiscent of the difficult life full of deprivation of great artists. That's who you need to learn to live with, such is Masha's conclusion.
Nastya Sh. told us that, it turns out, heroes often disobey their creators, that is, writers, that in the process of working on a story, many heroes behave completely differently than the writers planned. For example, one of Leo Tolstoy's guests accused him of being cruel to A. Karenina, forcing her to throw herself under a train. Tolstoy smiled and said that this reminded him of the case with Pushkin. He said to some friend: “Imagine what a thing Tatyana ran away with me. She got married. I never expected this from her." Tolstoy could have said the same about his Anna Karenina. According to Nastya and K. G. Paustovsky, the work and, therefore, the characters really, with all their might, begin to live in the mind of the writer only in the process of working on them (“Story "Rise of Heroes").
Ksyusha K. from the story "Accident at Alschwang's Store" endured a lot, but most importantly - what a huge role in organizing the entire narrative have punctuation marks. Without them, the story turns into nonsense.
V. Gasparyan was more attracted by the verbal material of the story "Diamond Language". Let's take a closer look at his story.
"Diamond Language".
I was struck by an excerpt from the story "Diamond Language", where Paustovsky talks aboutrain. There are many signs associated with it. The sun sets in clouds, smoke falls to the ground, swallows fly low without time, roosters crow in the yards, clouds stretch across the sky in long strands - all these are signs of rain. And shortly before the rain, although the clouds have not yet pulled, a gentlebreath of moisture . It must be brought from where the rains have already fallen. But here they startmottle first drops. folk word speckling well conveys the occurrence of rain, when still rare drops leave dark specks on dusty roads and roofs. Then the raindiverges. It is then that a wonderful cool smell of the earth, first wetted by rain, arises. He doesn't last long. It is replaced by the smell of wet grass, especially nettle. It is characteristic that no matter what kind of rain it is, as soon as it starts, it is always called very affectionately -rain. “The rain has gathered”, “the rain has let go”, “the rain washes the grass”.
Let's look at several types of rain to understand how the word comes to life when direct impressions are associated with it and how this helps the writer to use it accurately. What, for example, is different spore rain from mushroom? The word fast means fast, speedy. disputed the rain is pouring heavily. He always approaches with an oncoming noise. Particularly good is the spore rain on the river. Each drop of it knocks out a round depression in the water, a small water bowl, jumps, again falls, and a few moments before disappearing, is still visible at the bottom of this water bowl. A drop glitters And looks like a pearl. At the same time, all over the river stands glass chime. By the height of this ringing you can guess is the rain picking up or subsides.
And small mushroom rain sleepily pouring in from low clouds. The puddles from this rain are always warm. He does not ring, but whispers something of my own soporific, and a little noticeable fiddling in the bushes, as if touching with a soft paw one sheet, then another. After it, mushrooms begin to climb - sticky boletus, yellow chanterelles, mushrooms, ruddy mushrooms, honey agarics.
ABOUT blind rain walking with the sun, the people say: "The princess is crying." Glittering in the sun drops of this rain are like large tears. And who should cry with such shining tears, if not the princess!
You can follow the play of light during the rain for a long time, the variety of sounds - from the measured knock on the plank roof and the liquid ringing in the drainpipe to the continuous, intense rumble when the rain pours, as they say, wall.
All this is only a tiny part of what can be said about the rain.
And in the story "Diamond Language" K. G. Paustovsky writes about the many words of the Russian language, which he did not attach importance to before, and in one summer they opened for him in all their sound and beauty. Truly, we have a diamond language, consisting of precious sparkling diamonds!
This message was interesting because the text large print projected on a screen so that the listeners could see these "diamond words" to which they, perhaps, have never attached much importance until now.
Many of us have read Paustovsky's story "Telegram", but no one, at least from those present in the hall, as it turned out later, knew that main character there was a prototype, it was a friend of K. G. Paustovsky, very interesting woman With amazing fate. Oksana Skakovskaya accompanied her story with a slide show with paintings by A. Kostovsky “Klavdia Osipovna”, V. Popkov “October”, I. Glazunov “Mountains” and ended with very simple but important words that affected everyone: “We must never forget our relatives and friends and, first of all, parents, K. G. Paustovsky and the poet V. Berestov very simply said this in this story in their poem: / They loved you without special reasons./ Because you are a grandson, / Because you are a son, / Because you are a baby, / Because you are growing up, / Because you look like mom and dad. / And this love until the end of your days / Will remain your secret support ... / You should never forget about it, otherwise we will lose support in life.
Nastya Karamsakova, presenting the story " The old man in the station canteen, caused a real controversy. The conversation turned to mutual understanding, mercy, conscience, pride and human dignity. The story is very short, but made a big impression on the guys. Why? What helped the writer to cause a storm of indignation in response to the words of young people? Why did we develop such love and compassion for the little dog and the old man? Truth is revealed in a dispute. The truth this time was the skill of the writer, namely the skillful use of details. If not for a few details (the red heads of young people, the front paws of a dog that touched a wet stomach when they sank from fatigue, rubbish stuck to small coins, and most importantly, when Petya went up to the old man and sat down with her tail between her legs, not even looking at the sausage), the story would not have had such resonance. The guys enthusiastically looked for details in their memory and argued, proving their case.
But the most a large number of scored a story "Gold Dust". It was called the most interesting by almost everyone. A discussion ensued. Artistic retelling Prepared by Julia P.
The KVN quiz was conducted by Ksenia K., Nastya Elizarova prepared the report “Color semantics of the story “Gold Dust”. (We will give a fragment of the speech, as it is interesting in terms of analysis).
Color semantics of the story "Golden Rose".
1. The story begins with a description of the outskirts of Paris where Chamet lived: an old rampart on which the huts of the poor huddled, but this rampart was covered with flowering bushes of honeysuckle and hawthorn. There are no color epithets, but these shrubs bloom very luxuriantlywhite Andyellow flowers. Can you imagine this beauty! But then you think: poor shacks and beauty surrounding nature. There is only one conclusion: the writer wanted to show the lack of harmony in the world.
2. During the return of Chamet to France, heat smoked over the ocean. There is an association with hazy yellow color. pure light yellow- this is the color of the sun, gold, symbolizes warmth, wealth, prosperity, and this - suppresses the psyche, expresses stressful condition. Therefore, the girl was silent all the time. Even at the fish flying out of the water, she looked without smiling.
3. The next encounter with color semantics occurs when Shamet has a vague memory of what he saw in the house of an old fisherwoman rough a golden rose forged from blackened gold. She gleamed, although there was no sun outside the windows, and a gloomy storm roared over the strait. Everyone was surprised that the old woman did not sell her jewel, only Shamet’s mother knew that it was a sin to sell the rose, because her lover “gave her for happiness” when the old woman was still a laughing girl. Therefore, gold now does not burn with fire, but only gleams in the dark, reminding the old woman of happiness. Everyone who has such a rose will be happy, and even those who touch it. We see that the prediction is coming true.
4. Metaphor " the ocean is on fire”from Shamet’s story makes us, together with Susanna, see the ocean engulfed in the flames of the setting sun, see the fabulously rich beauty of the east, understand that Shamet was a poet at heart, that he wanted to warm the girl with his warmth.
5. Aunt Susanna Paustovsky dressed in a dress decorated with black bugle. She was all like a circus snake, in addition to her "pursed yellow mouth." Therefore, the girl clung to Shamet's burnt overcoat.
6. Remembered by all of us blue crumpled ribbon from Susanna's braid, which smelled violets. This color symbolizes both the purity and purity of heaven, and a full-blooded life, and for some writers it is associated with separation, like A. Blok in the poem "The Stranger". I don't think that's the meaning of blue here.
8. And nearby again appears before the inner gaze of Shamet, as pink cloud, Suzanne's old dress. He smelled spring freshness, as if he, too, was kept in a basket with violets.
9. When Chamet met Suzanne on the parapet, he was foggy dawn. Not clear, sunny. Immediately the word is alarming: dim, dim light. It becomes sad and restless in the soul. She was wearing lilac dress with black lace. This is also symbolic: she was about to throw herself off the bridge, these colors emphasize mental anxiety, depression, grief.
10. Again we meet with the word "gold", when Shamet collects jewelry dust. Yes, while this gold is mixed with mud, but at the end of the story they forge a golden rose, beautiful and delicate, which he was going to give to Susana so that she would be happy. It was the thinnest rose and next to it, on one branch, a small sharp bud.
11. But who needs an old beggar with gray face and piercing eyes?
12. And all his expectation of an easy meeting with Suzanne turned inexplicably into rusted iron shard. Rusted shard: it is black in color, covered with brown scale. This color symbolizes grief, fear and death.
13. Shamet was gone, he never saw Suzanne, did not give her golden rose, but it was bought by an old writer, to whom the jeweler told this story, and we were able to read it. So Susanna's story did not go unnoticed. We, modern readers, thanks to her, they also touched the "golden rose", beauty, creativity.
A dramatization of a fragment from the story "Gold Dust":
"Suzanne's Farewell to Chamet"
2nd leader. And now research group"Theater" will show a staging of a fragment from the story "Gold Dust": "Suzanne's Farewell to Shamet."
Book illustration competition
1st leader. A word to graphic designers . Protection of drawings.
(The guys talked about the idea of the drawing, about working on it, about the purpose of the illustration).
Conversation on questions
Teacher. Guys, from the silence in the hall, from your eyes, I realized that the book had made you good impression. Now let's sum up.
What was the Rose of Shamet?
(She was forged with jewelry dust, which Shamet collected with great difficulty. He thought that she would bring Suzana happiness. It was the thinnest rose and next to it, on the same branch, a small sharp bud - Suzy and Shamet).
Why did the elderly writer end up with a rose, because, according to the jeweler, he was not rich enough to have such a precious thing?
(Apparently, the story of the golden rose, told by the jeweler to the writer, played a decisive role in the purchase).
Why does the story end with the writer's reflections?
(In the finale, the writer seems to sum up the whole book, saying that writers are like Shamet, who forged a rose from millions of golden grains of sand for Susanna's happiness. They are from millions of grains life situations, casual glances, imperceptible movements human heart, the flying fluff of a poplar or the fire of a star in a night puddle forge a living stream of literature).
Now read the last paragraph of the story again. What questions does the writer ask in this work?
(Question about true sense life, the question of creativity and the creator, of life-feat for the sake of creating your own “golden rose”).
Summarizing.
2nd leader: Jury word.
The jury members commented on the performances of all the guys, noted good level training, the largest number points were awarded to O. Skakovskaya
(presentation, good speech, correct output), Slava Poruchikov (participation in the preparation, design, originality), Ksyusha Kolesnikova (participation in preparation, competent expressive speech) and Maxim Kravchenko (participation in the discussion, good literate speech and best performance roles).
Reflection.
The conference aroused great interest among schoolchildren and adults, gave interesting stuff for pedagogical observation and analysis, for monitoring reader interest, aroused research interest, contributed to the disclosure creativity children, contributed to the creation of the "golden shelf" of the class and family.
Application No. 1
PROGRAM OF READERS' CONFERENCE
ACCORDING TO THE STORY OF K. G. PAUSTOVSKY
"GOLDEN ROSE"
Presentation of the biography of K. G. Paustovsky:
V. Poruchikov, Z. Zverev.
Journey through the museum of K. G. Paustovsky:
L. Bochkareva.
Presentation of the favorite chapter of the story:
N. Strukova - "The First Story"
M. Blinkova - "Inscription on a boulder"
N. Shvets - "Revolt of Heroes"
K. Kolesnik - "The Incident in Alschwang's Store"
V. Gasparyan - "Diamond Language"
O. Skakovskaya - "Notches on the Heart"
N. Karamsakova - "The old man in the station buffet"
Y. Politanskaya - "Gold Dust"
N. Elizarova - "Gold Dust"
Book illustration competition:
M Kravchenko, N. Strukova,
Poruchikov, G. Chebanu, T. Popova
Dramatization of a fragment from the story "Gold Dust"
Kravchenko M., Samylina A., Zverev Z.
Summarizing.
Application №2
EXAMPLE PLAN
CHAPTER REPRESENTATIONS
K. G. PAUSTOVSKY "GOLDEN ROSE
Time and place of action.
What is the conflict? To what extent did it seem interesting, important for modern life?
The plot of the story. Which episode is the most memorable? Why?
Main characters. Which ones seemed the most interesting? Which of the characters did you like more? Why?
What phrases do you remember?
Your reader's feelings, thoughts? What did reading this story give you?
It would seem that "Precious Dust" is a story about simple human happiness. But this story has another interpretation. In his story, Paustovsky associates the golden rose with an art form - literature.
So, in the short story Precious Dust, the author describes to us the story of the Parisian garbage man Jean Chamet. We meet him during his military service. Without participating in any battle, Jean Chamet, for health reasons, is sent to his homeland. His regimental commander, taking advantage of the opportunity, instructs him to take his little daughter Susanna to France. Wanting to entertain the girl main character talks about himself, and we learn about him, about his life in great detail. For the same purpose, he composes stories, and one of them is connected with a golden rose, which brought happiness to its owner. The girl left a deep mark on Shamet's soul for the rest of his life, and later, after their chance meeting, Shamet decided to give Susanna a golden rose for good luck, which he told about in one of his stories.
It is the golden rose that is the main element of the story, its idea and the basis of the plot.
It is the golden rose that is the jewel that literature is for any person. It elevates us above the ordinary and the bustle, opens the world of beauty and the human soul to us, directs us to high ideals.
The book "Golden Rose" was written by Konstantin Georgievich Paustovsky in adulthood, when each person in most cases has already experienced the most wonderful moments of his life, when the stupid mistakes of youth are left behind, when mispronounced words are rethought, thoughtless actions are revised, finally, when he just can say: "I have known life!" But at the same time, a saving thought flashes through his head: “Maybe this is not the end? Maybe the best is yet to come? What if we start now? new life? .. A life full of happiness, without mistakes and blunders ... "
What is needed for this? You just need to look back, rethink everything lived, weigh all the pros and cons and be sure to draw a conclusion, even if for yourself. The result of this rethinking different people expressed in different ways: some begin life anew, others write memoirs, and someone reflects on life in general. So, in his beautiful and surprisingly profound book The Golden Rose, Paustovsky not only revealed the problem of ideological justification literary creativity and expressed his “understanding of writing”, but also revealed to us some meaning of life. After all, it is in books that we eagerly read about what we pay attention to in life. Let's take a closer look at the work. I am sure that everyone will find in it answers to many questions that arise.
In one of the stories in his book - "Precious Dust" - the author tells us "the story of the Parisian garbage man Jean Chamet". But it is not at all the initial story about the difficult life of a poor person. No, such a story would hardly interest the reader, it would only evoke a feeling of compassion for a difficult fate. little man". Such a work would not create special fame for the author's work. The genius of Paustovsky lies in the fact that he depicts a scavenger deprived of life, forgotten by everyone even in his dying hour, as the creator of human happiness, even if it is fabulously superstitious, a person who is able to love and live with dignity, and not exist.
The author introduces us to Chamet during his service in the army of "Little Napoleon". He points out that they were better times his life, And luck was on his side: “having not been in a single real shootout,” Shamet was sent home for health reasons. He was instructed to take the daughter of the regimental commander Suzanne to France. It is in the process of meeting Shamet with Suzy that we learn the whole life of the hero of the story to the smallest detail. And although she was not so sweet, the memories of the former soldier are full of some kind of secret enthusiasm. However, there is no secret in this. Any person with a certain spark in his eyes and a smile on his lips recalls his golden childhood and promising youth, when he has not yet experienced the full complexity of life, has not faced the inevitable disappointment, grief and deceit. Most often, memories are associated with the stepfather's house, native land, with their local stories, epics, legends, fairy tales.
One of these stories is told by Shamet to the girl. This “vague memory of a golden rose”, which, according to legend, brought happiness to its owner, brought into the lives of two people a dream of unrealizable prosperity, the hope for the realization of this beautiful legend and to a better future, tied two creatures together with a golden thread of faith in beauty. The golden rose runs through the entire work and is the main, if not the most important, detail of it. The whole story is based on it. It is only thanks to her that the story of a poor Parisian garbage man is brought to the attention of the reader. The golden rose is not a symbol of wealth and power. She animates and turns into something eternal and bright, personifying happiness. After all, a person lives on earth not in order to become rich, but in order to become happy. The meaning of the life of our hero is not in the thirst for love, praise, not in the satisfaction of ambition and selfish needs, but in giving Suzanne happiness, creating it with her own hands. He wove this fragile perfection from the smallest grains of sand, recreated the legendary golden rose from dust. From this ordinary dust that surrounds us all, but only a few are able to discern in it those grains of gold from which the most cherished dreams and bright dreams are woven. And only for them this dust will be called precious. Usually, the category of masters and jewelers of happiness includes only those who know the price of life, who were not initially lost in this world, did not get lost in many roads, but found their only one, and finally, who, instead of complaining about the sharp thorns of a rose, rejoices that that a treasured flower grows among these thorns. Yes, it is difficult to find the truth among thousands of delusions and disappointments. But that is the whole point of life.
Why is Shamet dying? Does he, who found that very truth, not deserve better share? Here is the problem of the story, I am sure that these are the questions that concern readers, it is this unexpected death incomprehensible to them. Let's try to figure it out.
The life cycle, according to the legend of the ancients, does not accidentally involve old age. Just when a person already knows everything, he becomes uninteresting to himself. This unattractiveness is manifested even in appearance. Shamet could not see himself in the mirror - "this clumsy image, hobbled on rheumatic legs." When the goal, which Shamet had been striving for so long and hard for, was achieved, it became known that Susanna left for America forever. The world around collapsed completely and irrevocably, and life lost its meaning. But it is not main reason death of the hero of the story. Chamet leaves this world with a smile on his lips, he is no longer needed in earthly life, Jean has learned its meaning, comprehended the secret of being. This is his happiness. What he forged not for himself turned out to be his forever.
The work we analyzed does not have dizzying and exciting adventures, intricate intrigues, or a romantic halo of struggle. But it really induces high feelings and thoughts, beckons to itself with its purity. It seems that, acting as a reviewer, I had to critically evaluate the work, find negative sides Paustovsky's work. But the surprising thing is whether I bad person, or I'm biased about the story, but I liked it so much that I did not find in it a single writer's mistake, not a single wrong writer's thought. And can I judge literary work writer, perhaps of his whole life, to criticize the story of simply human happiness.
