Strauss biography summary. Johann Strauss: a short biography and creativity

THE UNRIVALED WALTZ KING JOHANN STRAUSS

TO dance tunes, who called music for the feet, were treated indulgently in any era. Operas, oratorios and symphonies have always been considered noble genres, but all sorts of quadrilles, waltzes and polkas were classified as second-rate creations due to their entertaining nature. And only one Austrian composer managed to change this musical hierarchy, raising melodies for dancing to previously unattainable symphonic heights. His name is Johann Strauss. He wrote almost half a thousand works. The compositions of the talented Strauss Jr. were heard in all corners of the world and continue to occupy a leading place in the repertoire of many theaters.

rival son

The founders of the "waltz dynasty" are considered to be Joseph Lanner and Johann Strauss Sr. Their art seemed inaccessible to many. But that was until their main rival appeared on the horizon. Ironically, he became son of Strauss Johann Strauss Jr. who was born in Vienna in 1825.

For the eldest son Johann, the father predicted a future in the commercial sphere, while the second - Josef - was determined to military service. Everything went according to plan, until the father discovered the seditious (in his opinion) passion of the offspring for music. It took a lot of effort for his wife to persuade him to allow his sons to play the piano.

Johann fascinated his friends with his ability to improvise on a musical instrument. And later, the father found out that the eldest son secretly learns to play the violin. And besides, Franz Amon himself gave him lessons, who was one of best musicians Strauss Sr. Orchestra. Johann taught the neighboring children to play the piano and thus earned himself Amon's lessons.

The best teachers

Soon the Strauss family was overtaken by a serious test - the father went to one of his young admirers, and Johann Jr. had to shoulder the maintenance of his relatives. That's how he is became the head of the family at the age of 18. Fortunately, the mother supported her son in everything and, most importantly, took care of his musical education, despite financial difficulties. Mother carefully kept the notes of Strauss's first waltz, which he wrote at the age of 6. Thanks to the efforts of Anna, Johann studied with a Viennese ballet tutor. opera house and the leading teacher of the conservatory in the class of composition. But Johann considered the bandmaster of one of the Viennese churches, Abbot Joseph Drexler, who was an expert in counterpoint and harmony, to be his main teacher. It was he who forced the young composer to compose spiritual works. Strauss Jr. at that time dreamed of "earthly" music, but the teacher did not disobey, and soon his cantata was publicly performed in one of the temples of Vienna.

The wise Drexler found an incentive for Johann to work church music. He allowed him to play the organ and violin in the church where he was regent.

Good morning Strauss son

Once the abbot heard a waltz on the organ performed by Strauss when he entered an empty temple. Johann firmly stood his ground - he wanted to lead a dance chapel and compose dance music. It was a matter of "small" - young man It remained to find qualified musicians. He could not allow his team to be worse than his father's. And here in one of Sundays October 1844, posters and the city press announced upcoming concert young Johann Strauss. The audience was intrigued, because Strauss Sr. was barely 40 years old, he was still full of creative energy, and then his son was already stepping on his heels. After the concert, the newspapers were full of rave reviews. Critics wrote: Good night, Lanner, good evening, Strauss-father, good morning, Strauss son!».

Revolutionary sympathies

The young composer not only took, but snatched the baton from the hands of his predecessors. And although his first works differed little in form from the melodies of his father and Lanner, but they already felt the power of talent.

When the revolutionary year of 1848 came, Johann warmly responded to political events and supported the people. He created the "March of the Revolution", which sounded like a call to fight. This music quickly became the most popular work of the rebels, receiving a second name - "Viennese Marseillaise". However, the Vienna uprising was crushed, and new government did not forget Strauss Jr. for his revolutionary sympathies. Johann was not invited to the court for a long time, and his waltzes did not sound at the emperor's balls.

Family contract

In 1849, Johann Strauss Sr. died of scarlet fever. IN Lately the popularity of his son was not easy for him, he experienced the loss of his former glory very hard. He died alone, but the composer's funeral was held with all honors.

The father's orchestra lost its leader, and the same family friend, violinist Franz Amon, insisted that his son take the place of Strauss Sr. All the orchestra members came to Johann and solemnly handed him his father's conductor's baton. Since then Strauss Jr. daily intense concert and composing activities began.

Such intense work quickly undermined health young musician. From overwork, he became seriously ill. Colleagues knew what exhausting work it was to lead a chapel. Johann handed over the management of the team to his brother Joseph, and when he fell ill, another brother, Eduard, came to the rescue. The Strauss family became the idol of all Vienna. The satirists of the time called them music wholesalers and retailers.

New Viennese Waltz

waltzes early period Strauss's works resembled the works his father at the height of his career. But very quickly, the son felt constrained by the form of the traditional Viennese waltz and directed his energy to create a new type of melody, showing all his talent. He decided to take a bold step and doubled the volume of the waltz from 8 and 16 measures to 16 and 32, turning it from ordinary dance music into independent genre, which sounded now at concerts.

Strauss' tours cemented his international fame and contributed to the spread of the Viennese waltz. In St. Petersburg, he was offered an engagement for the entire summer of 1856, which he could not refuse. Strauss spent in Russian Empire with short breaks for a whole decade.

During one of the walks around the city in 1858, Johann was introduced to the 21-year-old Olga Smirnitskaya, who captured the composer's heart. But the girl's mother opposed their relationship. Strauss devoted several works to his beloved, wrote touching messages, but separation was inevitable. In 1862, Olga married a military man, and Johann decided to connect his life with opera singer Henrietta Chalupetskaya, who was older than him and had seven children from previous marriages.

Blue Danube by Johann Strauss

The mid-1860s is considered the heyday of creativity Strauss Jr.. He wrote the waltzes "On the Beautiful Blue Danube", "Tales of the Vienna Woods", "The Life of an Artist", "New Vienna". Any of these works could do his name is immortal. Thanks to these waltzes, dance music climbed to the highest level of poeticization. New dance Johann Strauss resembles a symphonic miniature, which is combined with the ultimate romanticization dance genre. The composer's waltzes are characterized by a sublime mood, grandiloquence is alien to them, they are cordial and simple.

When "On the Beautiful Blue Danube", much to the surprise of the author, became the most popular of his waltzes, Strauss decided to thank the conductor Johann Gerbeck. To him he owed the success of this work. The composer dedicated the waltz "Wine, Love and Song" to Herbeck, while "Viennese Blood" and "New Vienna" only secured Johann Strauss Jr. knowledge of the "king of the waltz".

Pearls in the composer's crown

Strauss' creative flowering continued with operettas, "Prince Methuselah", "Carnival in Rome", "Night in Venice", "Gypsy Baron" and other works, which became pearls in the composer's crown. By the way, Strauss turned to operetta after meeting the founder of the genre, Jacques Offenbach. However, Johann did not follow the path of his French colleague. Strauss' first steps in this field underlined his innovative approach to everything he undertakes. Johann created new type dance operetta. This genre was entirely subject to the elements of dance, of course, the Viennese waltz. The classic of this genre is Bat"(first staged in the spring of 1874), which still does not leave the theater scenes and popular with a wide range of audiences.

From dance to opera

Strauss was widowed in 1878. The shocked composer, who had been terribly afraid of death all his life, left the house, instructing his brother to take care of his wife's funeral. Johann left for Italy. Soon he met a young singer from Germany, Angelica Dietrich, and married her, but this marriage was extremely unsuccessful. Strauss' favorite work helped him survive the breakup with the woman who had betrayed him.

His new operetta, The Queen's Lace Handkerchief, was a success. past On October 1, 1880, the premiere made the Theater an der Wien a box office success that it had not seen in many years.

During the creation of the operetta Night in Venice, Johann became interested in the widow of his longtime friend of the same name. Adele reciprocated his feelings. This time, the waltz king was not mistaken in his choice, Adele became a caring and devoted wife, who was appreciated by all his friends.

In time another dream came true Johann Strauss- he proved to the world that, along with dance music, he can also write serious music. In 1892, he presented to the public the opera Pasman the Knight. And after another 6 years, he completed the preliminary version of the ballet Cinderella, until the premiere of which the composer, unfortunately, did not live to see. In 1899 he died of pneumonia. He was buried near the graves of Brahms and.

DATA

The operetta "Gypsy Baron" impressed the fans Johann Strauss. German composer Johannes Brahms said that after magic flute"Not a single musician has reached the heights to which Strauss soared in the comic opera.

For a single trip to the United States of America Johann Strauss broke the contract with the Russian Tsarskoye Selo railways. It was assumed that the composer would also hold the eleventh summer season in Pavlovsk. However, Strauss headed to Boston to participate in grand concert. There he was given the opportunity to conduct an orchestra of a thousand musicians!

Strauss Waltzes

"King of the Viennese Waltz" sounds proud! That is how the great composer was majestically named, whose name is Johann Strauss-son. He inspired this genre new life, gave him a "poemic interpretation." A lot of interesting and surprising lies in the waltzes of Strauss. So let's look into the mysterious world Viennese music, the door to which the king himself opened for us!

About the composer and his waltzes

Few people know, but the composer Johann Strauss, the father, was categorically against his son continuing his business and becoming a musician. If it were not for the stubbornness and wild desire of the young man, then we would never be able to listen to waltzes Strauss filled with lyrics and poetry.

Within two days, sign up for vinyl records The Blue Danube sold 140,000 copies. Music lovers stood in the store for hours to get an audio recording.
Everyone knows that Wagner was a complex person and had a bad attitude towards the work of other composers. Picky to the point of madness, Richard adored Strauss's work, which was called "Wine, Women, Songs." Sometimes if opera classic was in the hall, he asked especially for him to repeat this composition.
"Spring Voices" favorite work Leo Nikolaevich Tolstoy. The writer liked to listen to Strauss waltzes, but especially often put on a record with this particular composition.
The work "Farewell to St. Petersburg" is dedicated to Olga Smirnitskaya, with whom during her stay in northern capital The composer had a long romance in Russia. Strauss wanted to marry the girl, but her mother was against such a marriage. They corresponded for a long time until Strauss found out that Olga was marrying the composer Anton Rubinstein.
A fragment of "Spring Voices" can be heard from the legendary Queen. On the album A Day at the Races.
Banking education played its own role in organizing the composer's concerts. In order not to miss profitable offer, the genius of composition gathered several orchestral groups and learned with them the most popular works. Then the orchestras performed the pieces at the same time, in different places, and as a result, the profit only increased. The composer himself managed to conduct only one work, after which he left for the evening in another house.
The waltz "The Life of an Artist" is a kind of autobiography of the composer, it reveals the ecstasy of life.
In Boston, the waltz "On the Beautiful Blue Danube" was performed by an orchestra of two thousand people.
In Europe, the waltz "Voices of Spring" is a symbol of the celebration New Year .

Movies

The popularity of Strauss waltzes is hard to underestimate. It goes without saying that many film directors and producers have used music in their own films.

So Jean Renoir at the beginning of his film "The Great Illusion" used the waltz "Voices of Spring".
There is a wonderful cartoon about a mouse named Johann, the waltz "Blood of Vienna" often sounds in it.
The world-famous Alfred Hitchcock also did not refuse to insert musical compositions into his own masterpiece, moreover, he created interesting movie « viennese waltzes". The story of the creation of one of the works of Strauss.
The popular cinematic picture "Space Odyssey" is complemented by the waltz "On the Beautiful Blue Danube". Moreover, the director specially edited the footage for musical accompaniment.
The soundtrack of the film "Sherlock Holmes. Shadow Play" contains a fragment of the work "The Blood of Vienna" in a slightly modified form. The idea was proposed by Guy Ritchie himself.
"Farewell to Petersburg" - this picture is filled with several masterpieces of the composer's work at once. Moreover, the film tells a biographical excerpt from the life of a musician during his residence in St. Petersburg.

Also waltzes by Johann Strauss can be heard in films:

Waltz	Movie
"On the beautiful blue Danube"	The new Spiderman. High voltage (2014)
	Goodbye, Lenin! (2003)
	The Jungle Book (1994)
	Farewell Quartet (2012)
	Rango (2011)
"Spring Voices"	Thin Ice (2011)
	Devil's Property (1997)
	Killer Beauties (1999)
	Wild Cane (1994)
"Tales from the Vienna Woods"	Titanic (1997)
	Age of Innocence (1993)
	Siberian Barber (1998)
"Imperial Waltz"	Taste sunlight (1999)
"Imperial Waltz"	The last Emperor (1987)

To date, the music has been used in several short films:

An Evening of Civil Twilight in the Empire of Tin (2008);
Radiant (2007);
An Unforgettable Romance (2004).

Strauss, Joseph

(Strauss, Joseph) (1827–1870), the younger brother of Johann, was born on August 22, 1827 and became famous as the author of a number of delightful waltzes - for example, Madness, My life is joy and love, watercolors, Swallows of the Austrian villages. Joseph initially did not expect to become a musician: he studied at the Vienna Polytechnic Institute, received the specialty of a civil engineer and architect, and made a number of inventions. In the spring of 1853, brother Johann, feeling overtired, asked Josef to look after the orchestra for a while. He reluctantly agreed, but eventually devoted the rest of his life to music. Josef was a romantic, a poet, he loved solitude and suffered from bouts of melancholy. During a concert in Warsaw, he became ill, he was transported to Vienna, where he died on July 21, 1870.

Strauss, Edward

(1835-1916), the youngest of the brothers, was born on February 14, 1835 and conducted the Strauss Chapel for three decades, until its dissolution in 1901. Edward did not have any noticeable creative talent, however, he composed about two hundred dance pieces. In 1906 he published his memoirs, a highly subjective, vindictive, and unreliable chronicle of the Strauss family. Before his death, he burned the archive of the Strauss Chapel. Eduard died on December 28, 1916. His son Johann Strauss (1866–1939) tried to resurrect family tradition and toured Europe before the First World War.

Johann Strauss son was born in Vienna in 1825. His father, also Johann, tried several professions before becoming a violinist, and in the end it was on musical field achieved great success. Having married, Strauss-father organized his own orchestra, which played dance music to amuse the wealthy inhabitants of Vienna, if necessary he composed himself, became famous and received the title of "king of the waltz". Strauss-father toured a lot with his ensemble - speaking in Berlin, Paris, Brussels, London. With his waltzes, he had a magical effect on the audience - even such maestros as Liszt and Berlioz expressed their admiration for him.

For almost 10 years, the family of Johann Strauss wandered from one Viennese apartment to another, and in almost each of them a child was born - a son or daughter. Children grew up in an atmosphere rich in music, and everyone was musical. His father's orchestra often rehearsed at home, and little Johann closely followed what was happening. He began to study the piano early, sang in church choir. Already at the age of six he was playing his own dances. However, neither father nor mother wanted a musical future for their children.

In the meantime, the cheerful father began to live in two families, and to the seven children from his first marriage he had seven more. His father was an idol for Johann, and yet the young man cherished the dream of someday rising even higher. Officially, he was listed at the Polytechnic School, but secretly continued to study music: earning money by teaching the piano, he gave them for violin lessons. Attempts by his parents to attach him to the banking business were not successful.

Finally, at the age of nineteen, Johann Strauss gathered a small ensemble and received the official right from the Vienna magistrate to earn a living by conducting. His debut took place on October 15, 1844 as a bandmaster and composer at the famous casino on the outskirts of Vienna. Public speaking young Strauss with his own orchestra was a real sensation for the Vienna public. It goes without saying that everyone saw the ambitious son as a competitor to his father.

The next morning the papers wrote: Good evening, Strauss-father. Good morning, Strauss-son. "The father at that time was only forty years old. The act of his son enraged him, and soon for his son, still reveling in his triumph, cruel everyday life began - the struggle for survival. The father still played at social balls and at court, the son had only two small establishments in all of Vienna - a casino and a cafe. divorce proceedings with his first wife - this story was savored in every way by the press, and the offended son could not resist public attacks on his father. This story had a sad end - the father, using his connections, won trial, depriving his first family of the rights to the inheritance and leaving it without a livelihood. The father also won on the concert stage, and the son's orchestra eked out a rather miserable existence. In addition, the son was in bad standing with the Vienna police, having a reputation as a frivolous, immoral and wasteful person. However, in the fall of 1849, his father died unexpectedly, and everything changed for his son at once. The famous orchestra of Strauss-father, without further ado, chose Strauss-son as its conductor, and almost all entertainment establishments in the capital renewed their contracts with him. Showing remarkable diplomatic skills, knowing how to flatter strong of the world of this, Strauss-son soon rapidly went uphill. In 1852, he was already playing at the court of the young emperor.

In the summer of 1854, representatives of the Russian railway company, which owned a suburban line connecting St. Petersburg with Tsarskoye Selo and Pavlovsky. The maestro received an invitation to perform with his orchestra in the luxurious Pavlovsky railway station and in the park where the palaces of the Tsar and Grand Duke Konstantin were located. Considerable money was offered, and Strauss immediately agreed. May 18, 1856 began his first season under the Russian sky. The audience was immediately captivated by his waltzes and polkas. Members attended his concerts imperial family. In Vienna, Strauss was replaced, not without success, by his brother Joseph, also a talented conductor and composer.

In Russia, Strauss experienced many novels, but found marital happiness in Vienna, having married in August 1862 Etti Trefts, who already had three daughters and four sons before him. This did not prevent her from becoming not only his lover, but also a muse, nurse, secretary, business adviser. With her, Strauss ascended even higher and became even stronger in spirit. For the summer season of 1863, Etty and her husband went to Russia ... Trying to keep up with Joseph, who by that time had become in Vienna famous composer, Johann Strauss creates his masterpieces - the waltzes "The Blue Danube" and "Tales of the Vienna Woods", which expressed the musical soul of Vienna, woven from the melodies of the most different nations, its inhabitants. With his brother, Johann performs in Russia in the summer of 1869, but the days of that are numbered - extreme overwork leads to incurable disease and in July 1870, forty-three-year-old Josef dies. Like his father, he seemed to give Johann a wreath of his own glory.

In 1870, the Viennese newspapers reported that Strauss was working on an operetta. This was inspired by his ambitious wife. Indeed, Strauss was tired of the "peeping" of waltzes and he refused the post of "conductor of court balls." This position will be taken by his third brother - Eduard Strauss. Strauss's first operetta, titled "Indigo and the Forty Thieves", was accepted by the public with a bang. The third operetta of the composer was the famous "Die Fledermaus". Placed in the spring of 1874, the Viennese immediately fell in love with it. The composer overcame another Olympus. Now he's been recognized in everything music world, however, continued to work at a feverish pace and with great stress. Success and fame did not rid him of the fear that one day the muse would leave him, and he would not be able to write anything else. This minion of fate was forever dissatisfied with himself and full of doubts.

The rejection of court conducting did not prevent Strauss from continuing to tour countries and villages, successfully performing in St. Petersburg and Moscow, Paris and London, New York and Boston. His income is growing, he is included in the elite of Viennese society, he is building his "city palace", he lives in luxury. The death of his wife and an unsuccessful second marriage knocked Strauss out of his usual rut of success for a while, but a few years later, already in his third marriage, he was back on horseback.

After the operetta "Nights in Venice" he writes his " gypsy baron". The premiere of this operetta on October 24, 1885, on the eve of the composer's sixtieth birthday, was a real holiday for the Viennese, and then her triumphal procession began throughout major theaters Germany and Austria. But even this was not enough for Strauss - his soul demanded a different musical space, a different stage - an operatic one. He closely followed the musical trends of his time, studied with the classics, and made friends with such maestros as Johann Brahms and Franz Liszt. He was haunted by their laurels, and he decided to overcome another Olympus - the opera. Brahms dissuaded him from this venture not without difficulty, and, perhaps, he was right. But something else follows from here - Johann Strauss, as a real artist, could not help looking for new ways for himself, new points of application for his remarkable talent.

And yet for Strauss it was the collapse of some dream. After that, the composer's work sharply went downhill. His new operetta "Viennese Blood" was not liked by the public and withstood only a few performances. In October 1894, Vienna solemnly celebrated the 50th anniversary of the conductor activity of the "King of Waltzes". Strauss himself was well aware that this was just nostalgia for the old good times, of which there is almost nothing left in the air. The harsh twentieth century was knocking on the door.

Last years Strauss spent his life in seclusion, hiding in his mansion, where from time to time he chased billiard balls with friends. On the occasion of the 25th anniversary of the operetta Die Fledermaus, he was persuaded to conduct the overture. Last performance Strauss was fatal for him - he caught a cold and fell ill. Pneumonia started. On June 30, 1899, Strauss died. As once to his father, Vienna gave him a grand funeral.

Johann Strauss (son) - king of the waltz

Every composer who has ever created for children has tried to do it in his own way. distinguished by the desire to make his works instructive, useful for musical development. Mozart sought to smooth out the differences between music for children and adults, believing that the young mind perceives the mystery of sound just as well. created melodies, as if opening invisible fairy-tale kingdoms, not only close to children's hearing, but also allowing adults to feel like children again.

How children's composer Johann Strauss (son), perhaps, did quite a big thing for the children of his time, and for future generations. Strauss - the king of the waltz, the inspirational creator of dance music, he made dance music contemporary to him true work art.

Until now, Strauss waltzes occupy the main places at balls and other classical dance events. For children, he did the same as for adults - he created music that allowed you to ideally immerse yourself in the atmosphere of the dance, feel the joy, lightness, peculiarity of the exciting moments of movement around the ballroom.

Strauss's music allowed both children and adults to feel the depth and meaning of dance in life in a new way. His waltzes combined movement and symphonic perfection.

From childhood, Strauss had to fight for his right to be a composer.

One could say that Johann Strauss was lucky: he was born into a family famous composer. WITH young years Johann was surrounded by a musical atmosphere, the sounds of violins and piano keys, sheet music and calculations of his father's talented compositions.

However, Johann Strauss the father was not an easy man: for unclear reasons, he forbade his children to play music. Seeing a musical instrument in the hands of his son Johann or one of his brothers, Strauss Sr. immediately took it away and furiously scolded the child for an inappropriate occupation.

All the children of the famous composer in Europe were “threatened” by the boring professions of bankers, lawyers, and financiers. But Johann strove for music, and thanks to the support of his mother Anna Strauss, he first got the opportunity to study at home, and then the chance to study secretly from his father from experienced teachers, very pleased with the young man's talent.

Johann Strauss was born in Vienna on October 25, 1825, music for a long time studied secretly from his father, and upon reaching a certain age, he entered a commercial school because of the requirements of Strauss Sr. In the evenings, Johann was forced to work with financial reports, but he still found time to study.

By 1844, Johann Strauss son managed to complete his musical education, his mentors were experienced and talented teachers of Vienna, who were not afraid of the wrath of Strauss Sr., who had influence in the musical circles of the city and the country.

Thanks to the help of his mother, who managed to divorce her unfaithful husband for the sake of her future son, Johann Strauss (son) got the opportunity to assemble an orchestra and perform both in Vienna and in other cities of Austria. Despite the dissatisfaction and even obvious attempts to intervene in the fate of his son, very soon Strauss becomes no less important in the music world than Strauss Sr.

Efforts, constant study, readiness to face difficulties with the chest, talent and perseverance very soon allowed Strauss the son to surpass Strauss the father. By 1848, Johann, like his father, was appointed Kapellmeister, but a revolution soon broke out. Father and son were again different sides barricade. At the end of the rebellion, the "rebel" Strauss Jr., imbued with revolutionary ideas, was put on trial, but he was acquitted.

Strauss remained in the memory of posterity as an inspired musician

Johann Strauss lived a long life full of dangers and adventures, labor for the glory of music and dramatic turns. He lived in Russia for a long time, was in love with the Russian Olga Smirtinskaya for five years, while he gave concerts at the Pavlovsky railway station in St. Petersburg. Strauss remembered Olga for the rest of her life, but she never became his wife.

Johann Strauss, after falling in love with Smirtinskaya, found other objects of sighing: he was married three times, once happily, the second time in his declining years quickly and not very successfully, and the third time very well, but not for long.

During his life, Johann Strauss wrote 168 waltzes and a host of other dance musical works: polkas, mazurkas, quadrilles, marches. Almost all of Strauss's music was subtly and organically connected with dance.

Towards the end of his life, he became interested in operetta, a field of art that was considered not very significant in the high world. musical classics. Strauss was able to successfully refute this opinion, creating works that have become classics of the operetta.

In his declining years, Strauss even tried to write music for the ballet, but did not have time to finish it. Their children, despite three marriages and very long life, Johann Strauss did not have, however, he devoted many of his successful works to children.

Children's movement music

Strauss's works for children and adults were distinguished by liveliness and dynamics.

How children's composer Johann Strauss (son) created a lot of beautiful works: Polka Tick-Tock, bravura Persian March, a large number of waltzes, including "Where the Lemon Trees Bloom" and "Sounds of Unity". He also dedicated to the children the overture of one of his most famous works- "Bat".

Strauss's music for children was written with love and care, and he put as much effort into creating it as he did in his "adult" works. Strauss's marches and polkas are bravura, joyful, dynamic, filled with movement, inner light, and a sense of joyful excitement.

They were created for dancing, for enjoying music, the rhythm of steps, entertainment, which became the embodiment of real art. Strauss's waltzes are melodic, thoughtful, light, intended not for dancing on earth, but as if for soaring in heaven, they became a real revelation for children who were just entering the world of dance, and for adults they were significant.

Now the works of Strauss for children have another, very important meaning. How Bach's works provide the perfect foundation for learning to play the piano musical instruments, and the works of Strauss have become an excellent basis for those who wish to master the art of classical dance.

Around the world, quadrilles, mazurkas, but first of all, Strauss waltzes are heard in dance schools, and the composer's ingenious melodies seem to lead young students mastering the tricky art of dancing, making everything easier and more convenient step by step.