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Moscow State Institute of Music. A

: 55°47′37.3″ N sh. 37°29′09.8″ E d. /  55.793694° N sh. 37.486056° E d.(G) 55.793694 , 37.486056

Moscow State Institute of Music named after Alfred Schnittke (MGIM named after A. G. Schnittke)- multilevel educational complex, carrying out educational activities under the programs of additional, secondary, higher and postgraduate vocational education. fruitful activity all the main links of work - educational, scientific and concert - provides a genuine constellation of talented teachers in the person of famous figures education and culture. It was they who made the institute the way it has become today - dynamically developing, having a unique look, its own priorities, and a rich history.

Story

The Moscow State Institute of Music named after A.G. Schnittke today is a multi-level educational complex that carries out educational activities under the programs of additional, secondary, higher and postgraduate professional education. The fruitful activity of all the main links of work - educational, scientific and concert - is ensured by a true constellation of talented teachers in the person of well-known figures in education and culture. It was they who made the institute the way it has become today - dynamically developing, having a unique look, its own priorities, and a rich history.

And it began at the beginning of the last century. The official opening date of the 1st Folk Music School at the University. A.L. Shanyavsky is considered May 28 (15), 1918. A great contribution to its organization was made by Nadezhda Yakovlevna Bryusova (sister of the poet V.Ya. Bryusov) and Boleslav Leopoldovich Yavorsky. At the school, basic, additional and special general courses were opened. music education, as well as the department of Russian folk instruments(1921). first director educational institution was A.G. Kokorina.

In 1921, the school separated from the university, and until 1923 it was called the Folk Music School of the Krasnopresnensky District. In 1923, along with the instructor-pedagogical and children's departments, a vocal department was opened at the school. significant place also devoted to the training of personnel in choral conducting.

From 1923 to 1925 the school was called the Krasnaya Presnya Music School. In 1924, a domra playing class for adults was opened, which trained teachers and leaders of domra orchestras (teacher - Konstantin Alekseev). The school becomes the first educational institution in Russia where learning to play folk instruments takes place on a professional basis.

In 1926, the educational institution received the name of the Musical Instructor College. Krasnaya Presnya. In 1927, V.A. Revich became the director of the technical school.

In 1929, the technical school named after N.A. Rimsky-Korsakov was attached to the technical school, and the educational institution was transformed into the State Musical Instructor College named after. October revolution. Since that time, the technical school included the following departments: choral, piano, folk, string and wind instruments, vocal, theoretical, as well as ethnographic and children's departments. musical education. In 1936, S.N. Abakumov, a graduate of the choral department of the Moscow Conservatory, was appointed director of the technical school.

At the beginning of the Great Patriotic War, many teachers and students of the school were mobilized into the army. Three front-line brigades were created at the school, which during the war years gave over a thousand concerts at the fronts, in hospitals and liberated cities.

In 1942, the educational institution was transferred to the Department of Culture of the Moscow City Executive Committee and received a new name, the Musical College named after the October Revolution. All departments are preserved in the school, except for the ethnographic department. I.P. Musin becomes the director. After the war, in 1946, B.A. Fridman was appointed director of the school.

In the period from 1946 to 1949, the school included folk, conductor-choir, vocal departments, a class of wind and percussion instruments, department for the disabled.

In 1949, A.N. Lachinov was appointed director of the school. In the period from 1949 to 1968, only two departments functioned in the school - folk and choral. At this time, at the choral department from 1949 to 1953, he studied outstanding composer modernity A.G. Schnittke, whose name the institute bears.

In 1968, E.G. Mukhin, who headed the educational institution until 1982, was appointed director of the school. At this time, the theoretical, vocal, pop departments and the department of musical comedy.

In 1982, A.A. Burmistrov was appointed director of the school. In the same year, the department of musical comedy and variety department transferred to the music school. Gnesins.

In 1983, the department of wind and percussion instruments was opened. Admission to the theoretical department is temporarily closed, which resumes work in 1990. In 1989, V.I. Gorlinsky was elected director of the school.

In 1992, the school was reorganized into the Moscow Higher School of Music (college). In the same year structural unit College becomes Children's Music School No. 22 named after. Yu.A.Shaporina. G.V. Kanayan was appointed the director of the school.

In 1993, the educational institution was reorganized into the Moscow State College of Music(university). The Department of Special Piano was opened. With the advent of the university level, a three-stage system of continuous vocational training has developed: school - college - university.

In 1996, the educational institution was renamed the Moscow State Institute of Music (MGIM). In 1997, the Department of String Orchestral Instruments was opened.

In 1998, a new educational building with rehearsal rooms, a hostel, and a canteen was put into operation.

In 1998, the Schnittke Center was formed.

In 1999, by the Decree of the Government of Moscow, the institute was named after A.G. Schnittke. The first Alfred Schnittke Museum in the world was opened at the institute.

In 2005, the name of the educational institution was established: State educational institution higher professional education "Moscow State Institute of Music named after A.G. Schnittke".

In 2006, A.L. Degtyarev was elected rector of the institute.

In 2007, MGIM them. A. Schnittke received a license for the right to conduct educational activities in the direction of training "certified specialist" and in educational program postgraduate professional education (postgraduate studies) in the specialty 13.00.02 (theory and methods of education and upbringing (music)).

Institute structure

  • administration
  • office
  • Training Division
  • preparatory department
  • industrial practice sector
  • research department
  • "Schnittke Center"
  • educational and methodical office
  • student creativity center
  • department of information and technical support
  • library
  • editorial and publishing department
  • Human Resources Department
  • accounting
  • department of operation of educational buildings
  • dormitory

The institute has:

  • School them. Yu.A. Shaporin.
  • MGIM College named after A.G. Schnittke.
  • MGIM named after A.G. Schnittke
  • Postgraduate.

Institute today

Educational activities

Department of Folk Instruments /KNI/

The Department of Folk Instruments includes sections and subject commissions of stringed folk instruments, as well as button accordion and accordion.

Among the first teachers of the department of folk instruments are well-known performers in the 1920s D.P. Aleksandrov and G.G. Mikhailov, outstanding performer-balalaika player, conductor, Honored Artist of the RSFSR N.P. Osipov, guitarist P.S. Agafoshin.
IN different years at the department worked: Honored Art Worker of the RSFSR, organizer of the first domra orchestra in Moscow P.N. Alekseev, as well as K.S. October Revolution Russian Folk Orchestra; the author of the "School of playing the three-stringed domra", the first teacher of the three-stringed domra at the school A.Ya.Alexandrov; his students - A.N. Lachinov and S.N. Lachinov; an outstanding virtuoso performer on the three-string domra, People's Artist of the Russian Federation A.A. Tsygankov; balalaika players: Honored Artist of the RSFSR B.A. Romanov, M.V. Vladimirov, Honored Artist of the RSFSR, People’s Artist of the RSFSR, A.S. Ilyin, Honored Worker of Culture of the RSFSR, laureate of all-Union and international competitions V.I.Rozanov, Honored Artist of the RSFSR M.G.Filin, People's Artist of the USSR P.I.Necheporenko.

Among the graduates - People's Artist of the USSR, artistic director And chief conductor Academic Orchestra Russian folk instruments of the All-Russian State Television and Radio Company N.N. Nekrasov, People's Artist of the Russian Federation A.V. Tikhonov, People's Artist of the Russian Federation V.A. Zozulya, Honored Artist of the Russian Federation, guitarist, composer, conductor and teacher A.M. Ivanov-Kramskoy, guitarist and composer V.A. Ditel, laureate of all-Russian and international competitions E.R. Shabalin and many others.

Learning to play the button accordion also began when he was at the Musical College. Krasnaya Presnya. Great teachers S.P. Belikov, A.A. Nabatov, N.K. Otdelyonov, V.Ya. Pereselentsev, V.I. Rozanov, P.N. The Institute is rightly proud of the first domestic laureate of the international competition A. Rezchikov, conductors A. Lazarev and V. Fedoseev, composer V. Temnov.

Over the years, the performing elite of bayan art was adorned with the names of graduates of the school B.Tikhonov and V.Galkin, S.Slepokurov and Y.Prokhorov. V.D.Nakapkin made a huge contribution to strengthening the professional basis of the accordion class. A bright page in the history of the educational institution was the creation of an orchestra of timbre harmonics under the direction of V.G. Somorov. A significant contribution to the development of the specialty was made by Professor AI Ledenev. In the 90s, famous musicians: People's Artist of the Russian Federation, Professor F.R. Lips, People's Artist of the Russian Federation, Professor V.A. Semenov, Honored Artist of the Russian Federation, Professor Yu.A. Vostrelov.

Currently, the department is headed by Honored Artist of the Russian Federation, Honored Worker of the Russian Federation, Professor V.B. Boldyrev.

Head of Department:
Boldyrev Vladimir Borisovich

Chairmen of subject committees:
Boldyrev Vladimir Borisovich
Ledenev Andrey Ivanovich

The composition of the department:
Baskakova Lyubov Viktorovna - Associate Professor (accordion class); Belov Rudolf Vasilyevich - Professor, Honored Artist of the Russian Federation (domra class); Bobysheva Valentina Antonovna - Associate Professor (accordion class); Boldyrev Vladimir Borisovich - Professor, Honored Artist of Russia, Honored Artist of Russia (balalaika class); Vostrelov Yury Alekseevich - Professor, Honored Artist of the Russian Federation (accordion class); Gorobtsov Mikhail Anatolyevich - Professor, People's Artist of the Russian Federation (domra alto class); Elovnikova Galina Georgievna - teacher (domra class); Zhuk Lyubov Yakovlevna - Professor, Honored Artist of the Russian Federation (gusli class); Komoliatov Nikolai Andreevich - Professor, Honored Artist of the Russian Federation (guitar class); Kuznetsov Vadim Alexandrovich – associate professor, laureate of All-Russian and international competitions (guitar class); Tatyana Surenovna Lachinova - teacher (ensemble class); Ledenev Andrey Ivanovich - Associate Professor, full member of the International Academy of Informatization (accordion class); Lips Friedrich Robertovich - Professor, People's Artist of the Russian Federation (accordion class); Lukashchuk Arkady Anatolyevich - Associate Professor, Honored Artist of the Russian Federation (accordion class); Lukin Sergey Fedorovich - Professor, People's Artist of the Russian Federation (domra class); Nedosekin Vyacheslav Alexandrovich - senior teacher (accordion class); Om Galina Moksanovna - Associate Professor, Honored Worker of Culture of the Russian Federation (domra class); Osokin Sergey Viktorovich - teacher (accordion class); Purits Natalya Vasilievna - teacher (practice class); Semenov Vyacheslav Anatolyevich - Professor, People's Artist of the Russian Federation (accordion class); Sudarikov Alexander Fedorovich - teacher (accordion class); Surkova Evgenia Klavdievna - Associate Professor (domra class); Shabalin Evgeniy Robertovich – senior lecturer, laureate of the All-Russian and international competitions (balalaika class).

Department of Orchestral string instruments/KOSI/
The Department of Orchestral String Instruments is one of the youngest. Its opening after a long break took place in 1997. And the origins of learning to play bowed string instruments lie in the distant 20s of the last century, when he was the State Musical Instructor College named after. October Revolution: then at the department bowed instruments violinist V.A. Revich, violist N.B. Sokolov worked; symphony orchestra in different time the teachers of the Moscow Conservatory N.P. Anosov, K.S. Saradzhev, V.S. Smirnov, Yu.N. Timofeev were in charge.

After opening in 1997, musicians of Moscow orchestras L.Ya.Kaplan, A.A. Zemlyanoy worked at the department. Currently, the following people work at the department: People's Artist of the Russian Federation, Professor V.A. Pikaizen, People's Artist of the Russian Federation, Professor R.I. Gabdullin, Associate Professor V.I. Rudenko and many other famous musicians. A large educational and concert work is carried out by the symphony orchestra, which is led by famous conductor S.I. Kazyulin.

Over the years, the department was headed by: Honored Artist of the Russian Federation, Professor M.A. Kuritsky (1997-1998), Honored Artist of the Russian Federation, Professor L.B. Evgrafov (1998-2001), Soloist of the Bolshoi Theater Orchestra D.O. ).

Since 2003, the department has been headed by Honored Artist of the Russian Federation, Professor I.I. Boguslavsky.


Boguslavsky Igor Isaakovich

The staff of the department: Boguslavsky Igor Isaakovich - Honored Artist of Russia, professor, academician of the International Academy of Informatization at the UN (viola class); Evgrafov Lev Borisovich - Honored Artist of Russia, professor (cello class); Pikaizen Viktor Alexandrovich - People's Artist of Russia, professor (violin class); Gabdullin Rustem Iskanderovich - People's Artist of Russia, professor (double bass class);

Kuritsky Mikhail Lazarevich - Honored Artist of Russia, professor (cello and quartet class); Igolinsky Vladislav Grigorievich - Honored Artist of Russia, professor (violin class); Rudenko Vladimir Ivanovich - Associate Professor (methodology and musical performance); Kalashkova Dagmara Oyarovna – associate professor (violin class); Podgornaya Lyudmila Vasilievna - Associate Professor (harp class); Mamonova Oksana Gennadievna - teacher (violin class).

Department of Wind and Percussion Instruments /KDI/

The history of the department of orchestral wind and percussion instruments is closely connected with early period formation of an educational institution. In 1929, at the State Musical Instructor College named after. The October Revolution (as the educational institution was then called) classes for wind and percussion instruments were opened. The first teachers were famous musicians M.I. Tabakov, V.N. Soloduev, A.A. Shchetnikov and others.

Among the graduates of the department of the pre-war period, who left a noticeable mark in the history of the domestic performing art of playing wind instruments, are People's Artist of the USSR, horn player B.V. Polekh, for a long time worked as a soloist of the Bolshoi Theatre.

During the Great Patriotic War due to the departure of the majority of students to the front, teaching to play wind instruments ceased and was resumed only in 1983 at the initiative of the deputy director of the school. October Revolution I.A.Ziks.

With the transformation of the October Revolution School in 1993 into the Moscow State College of Music (VUZ), the Department of Wind and Percussion Instruments was founded. practice collective game on wind and percussion instruments, students receive in a brass band, which is led by Honored Worker of Culture of the Russian Federation, Associate Professor A.M. Pautov. Department graduates work in the best orchestras and educational institutions in Russia. Well-known musicians work at the department: Honored Art Worker of the Russian Federation, Professor I.F. Pushechnikov, People's Artist of the Russian Federation, Professor I.P. Mozgovenko, Honored Artist of the Russian Federation, Honored Art Worker of the Russian Federation Yu.S. .Izmalkov and others.

Since the day of its foundation, the department has been headed by Honored Worker of Culture of the Russian Federation, Professor V.I. Degtyarev.

Head of the Department and Chairman of the Subject Committee:
Degtyareva Valentina Ivanovna

The composition of the department:
Belenov Leonty Dmitrievich - associate professor, candidate of art history (horn class); Vorontsov Yury Sergeevich - Professor, Honored Art Worker of Russia, Honored Artist of Russia (saxophone class); Gorbenko Vasily Alekseevich - teacher, Honored Artist of Russia (tuba class); Degtyarev Alexander Leontyevich - Professor, Honored Worker of Culture of Russia, Candidate of Pedagogical Sciences (ensemble class); Degtyareva Valentina Ivanovna - Professor, Honored Worker of Culture of Russia (flute class); Izmalkov Mikhail Akimovich - teacher, Honored Worker of Culture of Russia (trombone class); Kapustin Alexander Grigorievich - teacher, (bassoon class); Krasilnikova Lyudmila Ilyinichna - Associate Professor, Honored Worker of Culture R.F. (class of percussion instruments); Krichevsky Vladimir Borisovich - Associate Professor, Honored Worker of Culture of Russia, Candidate of Pedagogical Sciences (trumpet class); Lebedev Viktor Afanasyevich - teacher (trombone class); Maslov Razmik Avraamovich - Professor, Doctor of Arts (clarinet class); Mozgovenko Ivan Panteleevich, professor, People's Artist of Russia (clarinet class); Pautov Anatoly Mikhailovich - Associate Professor, Candidate of Art History, Honored Worker of Culture R.F. (pipe class); Prokopov Vyacheslav Mikhailovich - Professor, Honored Artist of Russia (trumpet class); Pushechnikov Ivan Fedorovich - Professor, Honored Art Worker of Russia (oboe class).

Department of Special Piano /KSF/
Department of Special Piano (KSF) of the Moscow state institution music named after A.G. Schnittke was founded in 1993. Dynamically developing, having a highly professional teaching staff, the department has managed to achieve significant results over the past years.

Many students of the department have become laureates of international competitions, and teachers are permanent members of the jury of prestigious international and regional competitions, scientific and practical conferences, participants in master classes in Russia and abroad.

During the period of its existence, the department was headed by: D.G.Galynin (1992-1995), A.V.Mozdykov (1995-1998), O.Ch.Musorin (1998-2002), G.V.Dzyubenko (2002-2003) , B.A. Pechersky (2003), N.A. Gorlinskaya (2003-2004).

Since 2005, the department has been headed by the Honored Worker of Culture of the Kyrgyz Republic, Professor V.B. Nosina.

Head of the Department: Nosina Vera Borisovna

Chairman of the Subject Committee: Mozdykov Alexander Viktorovich

The staff of the department: Aleshina Olga Alexandrovna - teacher, Honored Worker of Culture of the Moscow Region (accompanist class); Bagratova Elena Budimirovna – Senior Lecturer (accompanist class); Brodskaya Elena Mikhailovna - teacher (teaching practice); Vyacheslav Vyacheslavovich Esakov - senior lecturer (head of the section of the chamber ensemble); Kotlyarevsky Igor Leonidovich - Professor, Honored Artist of Russia (accompanist class); Kuznetsov Vladimir Igorevich - teacher, laureate of the International Competition ( special piano, piano ensemble); Kuritsky Mikhail Lazarevich - Professor, Honored Artist of Russia (chamber ensemble); Leonova Lyudmila Nikolaevna - teacher (pedagogical practice); Masychev Sergey Vasilyevich - teacher (special piano, history of piano art); Mozdykov Alexander Viktorovich - head of the subject-cycle commission of the college, associate professor, candidate of pedagogical sciences (special piano); Musorin Oleg Charovich - associate professor, soloist of the Mosconcert (special piano, chamber ensemble); Nosina Vera Borisovna - Professor, Honored Worker of Culture of Kyrgyzstan (special piano); Petrenko Tatyana Ivanovna - Associate Professor (Methodology); Stupakova Olga Yakovlevna - teacher, Honored Worker of Culture of the Russian Federation (special piano, piano ensemble); Tsypin Gennady Moiseevich - professor, doctor of sciences, honored worker of higher education (piano performing arts and pedagogy (XX century), the basics of research work in the field musical culture and pedagogy); Shirinskaya Galina Sergeevna - Professor, Honored Artist of Russia (chamber ensemble); Yushina Yulia Natanovna – teacher (special piano, piano ensemble).

Viktor Sergeevich Smirnov was artistic director and chief conductor from 1954 to 1960. V. S. Smirnov boldly promotes new works, successfully implements meaningful musical - dramatic compositions. Back in 1947, under the direction of V. S. Smirnov, the premiere of the epic opera “Dobrynya Nikitich” by A. T. Grechaninov took place in a concert performance, with the participation of soloists - vocalists of the Bolshoi Theater A. I. Baturin, A. K. Turchin, E. I. Antonova. It is interesting that Grechaninov, while abroad, listened to the opera on the radio and, through his relative, asked me to convey great gratitude to the orchestra and its leader: "I send my sincere deep gratitude to V. S. Smirnov for the performance of Dobrynya Nikitich by his wonderful folk orchestra. I am very sorry, that he was not at the premiere on June 1 and did not hear the performance. Hearty greetings and gratitude to all the orchestra artists, singers and singers. A. Grechaninov, New York, June 12, 1947. " Such productions include The Snow Maiden to the music of P. I. Tchaikovsky. Successfully carried out musically - literary composition to music by A. Kholminov for M. Yu. Lermontov's drama "The Song of the Merchant Kalashnikov".

January 15, 1955 in Concert hall them. P. I. Tchaikovsky held a concert dedicated to the 35th anniversary of the State Russian Folk Orchestra. N. P. Osipova. The jubilee concert was invited to conduct: People's Artist of the RSFSR, Professor A. V. Gauk, Honored Artist of the RSFSR, Professor N. P. Anosov, Honored Artist of the RSFSR P. I. Alekseev, who, together with the chief conductor V. S. Smirnov, conductors V. D. Gnutov, P. V. Kulikov and S. M. Kolobkov conducted the entire program. The soloists were: People's Artist of the USSR A. Pirogov, balalaika player P. Necheporenko, domrist A. Aleksandrov, guslars V. Belyaevsky, V. Gorodovskaya, O. Nikitina. The program included works by Andreev, Ippolitov-Ivanov, Tchaikovsky, Rimsky-Korsakov, Kulikov, Budashkin, Russian folk songs. It is gratifying to note that their own orchestral composers have also appeared: Vladimir Ditel (arr. n. p. "Korobeiniki") and Vera Gorodovskaya.

After the death of N.P. Osipov, the orchestra was led by his brother, Dmitry Petrovich Osipov, Honored Artist of the RSFSR, laureate of the USSR State Prize. Leading the team for nine years, he not only continued, but also deepened the main directions of its activities. Under D.P. Osipov, the orchestra began to go on tour abroad, performed with leading soloists. D. P. Osipov paid much attention to the resurrection of undeservedly forgotten Russians folk songs, which in wonderful orchestrations were sung by such masters as V. Barsova, A. Pirogov, I. Kozlovsky, S. Lemeshev, M. Maksakova, L. Ruslanova ...

From 1960 to 1962, Vitaly Dmitrievich Gnutov worked as an orchestra conductor. A musician of great creative range (he graduated from higher school military bandmasters and the Faculty of Opera and Symphony Conducting of the Moscow Conservatory), he showed himself not only as a broad-based conductor, but also as an interesting conductor and accompanist. intensive creative work brought results - the young conductor won authority among his colleagues and attracted the attention of the public. His performing arts are marked by high culture, strong-willed aspiration, ability to reveal artistic intent composer, sensitivity to the specifics of the folk orchestra, which turned out to be so close to the nature of his talent. V. Gnutov constantly takes care of expanding and enriching the repertoire. Under his direction many works by P. Kulikov, A. Mosolov, A. Muravlev, A. Kholminov, N. Chaikin were performed for the first time in the orchestra and author's evenings of D. Shostakovich, T. Khrennikov, A. Khachaturian, S. Tulikov took place. Orchestra conducted by V. D. Gnutov prepared whole line concert programs with the participation of the leading vocalists of the country. V. D. Gnutov owns great amount arrangements for orchestra of folk songs. V. Gnutov is closely connected with amateur art groups, he provides creative help individual groups, conducts them, participates in the preparation of holidays and festivals ...

May 28 (15), 1918 in Moscow, on Krasnaya Presnya, at the University. A. L. Shanyavsky was opened 1st Folk Music School. After going through a series of reorganizations, in 1929 it was transformed into Moscow Regional Instructor-Pedagogical Music College named after V.I. October revolution(since 1942 - Music Pedagogical College named after October revolution), on the basis of which in the 1990s the Moscow State Institute of Music. In 1999, the institute was named after its outstanding graduate, the composer Alfred Garrievich Schnittke. Since 2006, the rector of the Institute is a professor, Honored Worker of Culture of the Russian Federation, Candidate of Pedagogical Sciences Alexander Leontievich Degtyarev.

Pupils of the Moscow Conservatory made a great contribution to the organization of the 1st Folk Music School Nadezhda Yakovlevna Bryusova(sister of the poet V. Ya. Bryusov) and one of the greatest theoretical musicians, pianist and composer Boleslav Leopoldovich Yavorsky. To make music the property of the masses and to train instructors and teachers in general music education - these are the tasks that the teachers of the new educational institution set themselves. The school created basic, additional and special courses of general musical education, including many subjects, including such as “listening to music”, “music theory”, “music history”, “choral singing”, and already in 1921 Department of Russian Folk Instruments. The school becomes the first educational institution in Russia where learning to play folk instruments takes place on a professional basis.

During these years, well-known performers teach at the department of folk instruments: domrist D. P. Alexandrov, mandolinist G. G. Mikhailov, head of the "First symphony orchestra harmonists" (1926) L. M. Banovich. Domra Orchestra ( four-string) headed Petr Nikolaevich Alekseev.

Here is what the Pravda newspaper wrote about one of the reporting concerts of the School: “The domra orchestra under the direction of Comrade Alekseev is especially distinguished from the adult performance program by its well-chosen repertoire, discipline and precise phrasing of the performance” (N.K. Evening of the music instructor school, Pravda, 1926, June 8). In the late 1920s and early 1930s, the musical college began its pedagogical activity choral and orchestra conductor, domrist, composer Konstantin Silverstovich Alekseev, who previously worked as a conductor in an orchestra organized by one of the creators of the four-string domra G.P. Lyubimov. Long years K. S. Alekseev directed the domra-balalaika orchestra of students, taught domra, conducting and instrumentation, and was the head of the department. He owns several manuals on instrumentation for an orchestra of Russian folk instruments. In the difficult conditions of the 1920s, without any teaching aids, teachers People's School laid the foundations for learning to play folk instruments in our country, formed literature by processing folk songs and transcriptions classical music as well as works by contemporary composers.

Learning to play button accordion started in the People's music school back in the mid 20s. The first teachers were A. F. Danilov, V. I. Kosyrev, B. S. Rozhkov. In the formation of teaching methods important role played by musicians who began their teaching career in prewar years and first postwar decade. This: P. N. Shashkin, V. O. Khvedchenya, I. M. Egorov, G. T. Tyshkevich, N. K. Separated, S. P. Velikov, A. A. Surkov. A graduate of the school, Honored Worker of Culture of the Russian Federation, made a huge contribution to strengthening the professional basis of the bayan class. V. D. Nakapkin, for many years he headed the button accordion section. Among the accordion class teachers who have worked at the school for several decades - M. A. Pankin, Honored Workers of Culture of Russia: A. T. Gatsenko, N. S. Kanaev, A. A. Nabatov, V. Ya. Immigrants. Pupils of the school in the button accordion class are: People's Artist of Russia A. N. Lazarev, famous performers, teachers, composers - B. E. Tikhonov, V. N. Motov, L. V. Gavrilov, S. S. Konyaev, V. I. Temnov; V. I. Gorlinsky, who headed the school, and then MGIM from 1989 to 2005. School graduates are among the first domestic laureates of international competitions A. Rezchikov, V. Galkin, S. Slepokourov.

Founder guitar class(since 1930) became the author of the first in the USSR "School of playing on six-string guitar". In 1936, the Musical College named after. The outstanding Spanish guitarist Andres Segovia visited the October Revolution, who was introduced to the best students of Agafoshin's class, who later became a famous performer, conductor, teacher, author musical works And teaching aids for guitar (since 1959 - Honored Artist of Russia), and Dmitry Chelnokov. Among the graduates of the musical technical school (college) in the guitar class: composer V. A. Ditel, bright teacher-guitarist G. I. Emanov(both students of Agafoshin), laureate of the international competition N. A. Koshkin, one of the most performed and published guitar composers in the world, and Honored Artist of Russia A. P. Martynov(both are the Yemanov class). N. A. Koshkin, who taught at the school in the 80s, brought up, in turn, laureates of international competitions E. Yu. Finkelstein And K. A. Gitman, as well as a teacher of the conducting department and head chamber orchestra MGIM them. A.G. Schnittke A. S. Reina.

Balalaika class was opened at the College. October Revolution in 1930. It was headed by an outstanding virtuoso performer, who as a child participated in concerts of the Great Russian Orchestra of V.V. Andreev as a soloist, Nikolai Petrovich Osipov. According to the memoirs of one of the pupils of the school, S. N. Lachinov, Osipov's classes were often attended by students of different classes, carefully observing his interesting work with a student. Being human high culture, Nikolai Petrovich knew how to find individual approach to each of the young musicians, gave advice on reading literature and other issues. In 1940 N.P. Osipov left pedagogical work, having taken the post of artistic director and chief conductor of the State Russian Folk Orchestra; in the same year he received the title of Honored Artist of the RSFSR. Best students N.P. Osipova Honored Artists of Russia B. A. Romanov And M. G. Filin worthily continued the work of their teacher, becoming soloists and accompanists of the two leading folk orchestras of the country - the State Orchestra (since 1946 - named after N.P. Osipov) and the orchestra of the All-Union Radio and Central Television. In 1949, B. A. Romanov returned to his native music school as a teacher. Having worked for more than 20 years, he brought up many wonderful musicians, including People's Artist Russia, laureate of international competitions A. V. Tikhonova.

Among other graduates of the school in the balalaika class, who later became his teachers, is a brilliant performer, soloist of the orchestra of folk instruments at the choreographic ensemble "Birch" L. V. Vladimirov and his student, Honored Art Worker of Russia, People's Artist of Russia, who for many years headed the Beryozka Ensemble and the Song and Dance Ensemble. V. S. Lokteva, A. S. Ilyin. In the 50s, a famous balalaika player came to the school, the author of adaptations and arrangements for the balalaika V. E. Avksentiev who started his performing and musical and social activities in the pre-revolutionary years. At the school. October Revolution also taught outstanding musician, one of the founders modern school playing the balalaika, People's Artist of the USSR P. I. Necheporenko. A bright page in the history of the department was the teaching activity of the Honored Worker of Culture of the Russian Federation Yu. P. Mardasov, who organized an ensemble of Russian folk instruments, popular in the 80s, at the school. Of the students of the school with a degree in balalaika, one should name the People's Artist of the USSR, Artistic Director and Chief Conductor of the AORNI VGTRK N.N. Nekrasov, People's Artist of Russia, Artistic Director of the Russian Patterns Orchestra V. A. Zozulyu, laureate of international competitions V. P. Mineeva, famous musician-theorist, professor at Moscow State Institute of Music. A.G. Schnittke Yu. N. Bychkova.

In 1936, a musical college opened three-string domra class. The concertmaster of the State Orchestra of Russian Folk Instruments was invited to lead this class. A. Ya. Alexandrov, who graduated from a technical school a year earlier with the qualifications of an instructor-teacher and a performer on folk instruments. My teaching activities he started as a mandolin player (Alexandrov mastered the mandolin under the guidance of G. Mikhailov). Over time, A. Ya. Alexandrov became a famous performer, teacher-methodologist, who created the “School of Playing the Three-Stringed Domra” (1972), as well as a number of anthologies and collections of educational and concert repertoire for this instrument. A. Ya. Aleksandrov has been in the technical school for no more than three years. Among his first students were brothers A. N. and S. N. Lachinov who played significant role in the formation of a methodology for teaching how to play the 3-string domra (who also perfectly owned the mandolin). For many years they will teach at the music school. October Revolution three-stringed domra (Suren Nikolaevich - also 4-stringed), having brought up many wonderful performers and teachers. In 1949 he was appointed director music school them. October Revolution and remained so until 1968. He devoted all his strength to his beloved cause, being a tireless propagandist for domra, balalaika and button accordion. A. N. Lachinov led a large community service as a member and chairman of the jury of various competitions, as well as the organizer of grandiose anniversary concerts. He was the first to prepare and publish the collected works of V.V. Andreev, edited and arranged by N.P. Osipov, bayanist I. Ya. Panitsky Fr. Among the creative works of A. Lachinov are numerous anthologies and collections for the above-mentioned instruments, articles dedicated to famous populist musicians. In 1966, A. N. Lachinov was awarded the honorary title of Honored Artist of the RSFSR.



Among the teachers of the school in the class of the three-string domra is an outstanding contemporary performer, composer, people's artist of the Russian Federation A. A. Tsygankov. Among the graduates, one can note the teacher of the school in the class of conducting M. S. Kolchev(student of D.P. Alexandrov), candidate of pedagogical sciences M. V. Butnev, who worked at the school and MGIM for 30 years (student of A. N. Lachinov). Among the pupils of the school: Honored Art Worker of the Russian Federation, Professor of the Russian Academy of Sciences. Gnesins V. S. Chunin(student of D.P. Alexandrov), Honored Artist of Russia O. I. Zaitseva(student of S. N. Lachinov), laureate of All-Russian and international competitions I. A. Glybina(Student of Tsygankov).

In the late 80s - early 90s, the school formed class of voiced harp. Its founder is Honored Artist of Russia, Professor L. Ya. Zhuk who dedicated her life to resurrecting this ancient instrument. She is the author curricula and methodological manuals, textbooks "The Art of Playing the Gusli" and "The Art of Playing Multi-stringed Non-Grout Instruments"; the first performer of many original works for the harp, written in collaboration with her or on her initiative by domestic composers. Among the first graduates L.Ya. Beetle - N. Dyachenko, M. Rozhnova, Yu. Tulskaya, M. Belyaeva, L. Muravyova.

In 1993, in connection with the creation of a higher educational institution on the basis of the school, Department of Folk Instruments was converted to Bayan-Accordion Department and String Folk Instruments Department . Both departments are currently merged into Department of Folk Instruments, which includes Subject Commission of Stringed Folk Instruments headed by professor, laureate of All-Russian and international competitions V. A. Kuznetsov(guitar class), as well as Subject commission of button accordion and accordion, its leader is a professor, Honored Worker of Culture of the Russian Federation, full member of the International Academy of Informatization A. I. Ledenev(class bayan-accordion). The head of the department is a professor, Honored Artist of the Russian Federation, Honored Artist of Russia, holder of the Order of Friendship, famous performer and teacher-methodologist (balalaika class).

Work at the department: accordion class - F. R. Lips, People's Artist of the Russian Federation, Professor V. A. Semenov Yu. A. Vostrelov, Honored Artist of the Russian Federation, Professor A. A. Lukashchuk, Honored Worker of Culture of the Russian Federation A. F. Sudarikov, laureate of international competitions, associate professor V. A. Nedosekin, teacher N. V. Purits; accordion class - Honored Worker of Culture of the Russian Federation, Associate Professor V. A. Bobysheva, assistant professor L. V. Baskakova S. V. Osokin; three-string domra class - People's Artist of the Russian Federation, Professor S. F. Lukin, Honored Artist of the Russian Federation, Professor R. F. Belov, Honored Worker of Culture of the Russian Federation, Associate Professor G. M. Om, laureate of All-Russian and international competitions K. B. Sharabidze, teachers G. G. Elovnikova And E. K. Surkova; alto domra class - People's Artist of the Russian Federation, Professor M. A. Gorobtsov; balalaika class - laureate of All-Russian and international competitions, associate professor E. R. Shabalin; guitar class - Honored Artist of the Russian Federation, professor N. A. Komoliatov, gusli class - Honored Artist of the Russian Federation, Professor L. Ya. Zhuk; ensemble class - teachers T. S. Lachinova And Yu. V. Savelyeva.

Veterans of the department A. F. Sudarikov and G. G. Elovnikova are graduates of the Music College. October Revolution (Elovnikova - class of D. P. Alexandrov, Sudarikov - class of V. Ya. Pereselentsev). Elovnikova's student M.A. Gorobtsov became the founder of the domra alto class at the department (since 1993). Another graduate of the school, A. I. Ledenev (student V. Ya. Pereselentsev and V. D. Nakapkin), for 21 years of work at the department, and then the department of folk instruments, brought up a whole galaxy of laureates of All-Russian and international competitions, among them - a young teacher of the department, talented performer Sergei Osokin. The well-known balalaika player Yevgeny Shabalin received a professional education from V. B. Boldyrev. MGIM graduates are Yu. V. Savelyeva ( class of R. V. Belov), K. B. Sharabidze ( class of S. F. Lukin). The head of the ensemble "Serenade" T. S. Lachinova graduated from the theoretical department of the Music College. October revolution.

Teachers of the department constantly conduct master classes in Moscow and other cities of Russia, participate in scientific and methodological conferences on pedagogy and performance, are the authors of various plays and arrangements for folk instruments, compilers and editors of anthologies, collections, teaching aids; have publications in periodicals and scientific publications; constantly participate in the updating of curricula. Many teachers have toured in Russia and abroad, have studio audio recordings, recordings in the radio fund. A number of teachers are actively concert activity and at present. Among the latest publications published directly at MGIM, it is necessary to note 4 issues of the Narodnik Library (2010-2011), which included pieces for balalaika and piano by V. Panin, works for balalaika and other instruments (4th issue, compiler - E . Shabalin); original arrangements for the ensemble of folk instruments "Jazz-Impromptu" by its leader, teacher of the theoretical department of the institute A. V. Pchelintsev (the ensemble functioned at KNI from 1992 to 2007). The author of the project is V. B. Boldyrev, he also owns the general edition of this publication.

Apart from specialties and a number of core disciplines such as ensemble, accompanist class, performance history, teaching methods, pedagogical practice, KNI students have the opportunity to optionally study the following subjects: composition, arrangement and improvisation, voice acting.

On the basis of the department of folk instruments there are Orchestra of Russian Folk Instruments of the College , Russian folk orchestra "Moscow" and orchestra "Vivat, accordion" .

leader Orchestra of Russian folk instruments college since 2011 is a graduate of KNI MGIM them. A.G. Schnittke (class of E. R. Shabalin), laureate of All-Russian and international competitions I. Ya. Reibarkh.

Orchestra "Moscow" was formed in 1996. Its creator is Honored Artist of Russia, Professor, Head of the Department of Orchestral Conducting Igor Yurievich Gromov. The team is rightfully considered one of the leading folk orchestras in Russia. The orchestra constantly participates in the festival contemporary music"Moscow Autumn", is the first performer of a number of works by Russian composers.

In 2011, the leader of the orchestra "Moscow" becomes a laureate of All-Russian and international competitions I. A. Mokero V. He received his conductor's education at the Department of Orchestral Conducting at the Moscow State Institute of Music. A.G. Schnittke (class of I. Yu. Gromov) and at the Moscow Conservatory (class of the People's Artist of Russia, Professor G. N. Rozhdestvensky);
Currently, he is a postgraduate student at the Moscow State Conservatory.

Orchestra "Vivat, accordion!" was created in 1987. All these years, its permanent leader is Valentina Antonovna Bobysheva. The orchestra is the winner of many international competitions and festivals, the owner of the Golden Diploma in the video competition Music Golden Trophy(New York, 2008).

In addition to small homogeneous and mixed ensembles The following teams have been created at the department:

Laureates and diploma winners of numerous All-Russian and international competitions and festivals, including international competitions in Belgium, Italy, international festival"Constellation of Masters" 2005 and 2007, ensembles "Russian class" And "Intrada" , which are based on three-stringed domras (head and founder - G. M. Om); laureate of the international festival charitable foundation V. Spivakov "Moscow meets friends" Ensemble "Rus" (founder - M. V. Butneva, head - Yu. V. Savelyeva); Laureate of Sh All-Russian festival-competition"Keepers of the Heritage of Russia", the international festival "Constellation of Masters" (2009 and 2011) ensemble of Neapolitan instruments "Serenade" , which is based on mandolins (founder - S. N. Lachinov, leader - T. S. Lachinova).

Pupils of the college and university MGIM them. A.G. Schnittke constantly win awards at All-Russian and international competitions, including such as the All-Russian Competition of Performers on Folk Instruments, all-Russian competitions"Sounding Strings of Russia" and "Domrists of the XXI century", International Competition named after. M.F. Rozhkova, International Accordion Competition in Klingenthal (Germany), international competitions TabulaRasa, North Cup, Belogorye Cup, World Cup, Peace Trophy.

In 2000, graduates of the college KNI MGIM them. A.G. Schnittke became an accordionist Aidar Gainullin(class of A. Ledenev) and guitarist Artem Dervoed(class of N. Komoliatov). Currently, these phenomenal musicians have acquired world fame. A. Dervoed - Laureate twenty prestigious international competitions, A. Gainullin is a laureate eighteen international competitions and the owner of several cinematographic awards for film music.

Among the laureates recent years: balalaika players - D. Kalinin, D. Pavlov, A. Zhukov, P. Terebilenko, I. Vinogradov, I. Badyan, A. Popov, S. Akimov, D. Bychkov, R. Sychev, R. Khokhryakov, M. Barsukov, A. Pypin; domrists - A. Shcheglina, D. Brazhnikov, A. Markov, E. Pripuskova, G. Burov, E. Batyukevich, A. Rubina, M. Zhukova, E. Ponomarkova, E. Romanitsa, I. Kolosova, O. Gorlova, I. Isakov; domrist-violists- Y. Neverova, N. Sviridova, K. Salishcheva; guitarists - D. Zagumennikov, B. Fokeev, K. Orlov, T. Kasatkina, E. Stanilovskaya, K. Yugai, I. Aleksandrova, E. Fomenko, guitarist and composer V. Gorlinsky; guslars - E. Martyanova, A. Belikova, A. Starshinova, A. Starchak; accordionists And accordionists- A. Lukovsky, I. Purits, P. Zyabko, A. Salakhov, E. Akhanov, A. Kriklyvyy, N. Bolotin, A. Shkinderova, I. Savina, A. Skipin.

Moscow State Institute of Music. A.G. Schnittke is one of the founders of the 1st Open Moscow Competition for Performers on Folk Instruments music school students and secondary schools (domra, balalaika). The competition was held in December 2010 in the building of the Moscow State Institute of Modern Arts with the active participation of KNI.

Department of Folk Instruments MGIM them. A.G. Schnittke is still quite young, but it has developed on the basis of an educational institution, where, as already noted, learning to play folk instruments was for the first time in our country put on professional basis. The dynamic development of the department will undoubtedly be marked by new successes and creative achievements.

Material prepared
T. S. Lachinova

Composer, critic, publicist, musicologist, musical figure, director, teacher.

Graduated from the State Musical and Pedagogical Institute. Gnesins (1976, composition class of A.I. Khachaturian).

He taught musical and theoretical disciplines in musical educational institutions in Sochi. In 2002-2003 he was the artistic director of the Sochi Philharmonic. Author's concerts were held in Moscow (1985, 2009 twice), Berlin (1987-1989), Krasnodar, Sochi. Filmed in documentary « pathetic symphony"(ARTE channel, 2006, France - Germany, author I. Pasternak).

Member of the Union of Composers of Russia (1977).

  • Honored Artist of the Kuban (2015).
  • Laureate of the Prize of the Union of Composers of Russia. D.D. Shostakovich (1985).
  • Laureate of the Prize. educator of the Kuban K. Rossinsky (1996).
  • "Person of the Year" (1995, Cambridge, UK) - as the founder and director of the festival "Sochi music exhibitions"(Sochi, 1992-1999).

The main works of P.S. White

  • Above the foundation pit (three excerpts from Andrey Platonov). Cantata in three parts for voice and orc. (clavier 1972, orc. 1974).
  • Twilight. Chamber cantata for voice, flute and cello, st. Ivan Bunin (1973).
  • Chamber Concerto for Flute, Viola and String Orc. (1974).
  • Measures of punishment. For symphony. orc. (1976, rev. 2012).
  • 1952 Sochi. String Quartet (2008–2015).

Published writings

  • 1. Suite [for violin and piano]. – M.: Sov. composer, 1980. 64 p.
  • 2. Three arias. For viola and f.-p. // Plays Soviet composers for viola and fortepiano. Issue. 4. - M.: Sov. composer, 1984. S. 28.
  • 3. Small chamber cantata. For voice, viola and pianoforte, Art. François Coppé and Charles Baudelaire in trans. I. Bunin and I. Annensky // Works for voice and chamber ensemble. Issue. 3. - M.: Sov. composer, 1985. S. 149.
  • 4. Four bagels. Four slow waltz. Humoresque. Novelette. Sonati. For f.-p. – M.: Composer. 2009. 40 p.
  • 5. Romances, elegies, monologues: For voice and piano. / Post-last. ed. – M.: Muzyka, 1995. 100 p.
  • 6. House of reckless spenders: duet for cello and piano. – M.: Composer, 2009. 32 p.

Discography

  • 1. Small chamber cantata. Four bags. Four slow waltzes. Humoresque. Use Margarita Miroshnikova (soprano), Mikhail Tolpygo (viola), Alexander Malter (piano), Alexander Filenko (piano). Recorded in 1986 Firm "Melody" С 10 28543 000 (vinyl).
  • 2. Romances, elegies, monologues. Suite for violin and piano Use Valentina Sharonova (soprano), Anatoly Sheludyakov (piano). Grigory Feigin (violin), Rimma Bobritskaya (piano). Recorded in 1982 and 1996. Studio "Soyuz" (CD).
  • 3. "House of reckless spenders" for cello and piano. Sonata No. 1 for violin and piano Novelletta for pianoforte Suite for violin and piano Use Alexander Rudin (cello), Alexander Trostyansky (violin), Anatoly Sheludyakov (piano). GTsMMK them. M.I. Glinka (CD).
  • 4. Four slow waltzes. Use Tatyana Sergeeva (f.-p.). Recorded 2009 Artclassics, ART-175.

Articles, interviews, reviews

  • Bely P.S. Notes instead of words - words instead of notes: [ complete collection essays, conversations, reviews, interviews, lectures by P.S. White]. In 2 volumes - M .: OGI, 2017.
  • T. 1. About the classics. – 476 p. T. 2. About contemporaries. – 412 p.

Major publications about creative activity P.S. White

  • 1. Azilova N. The program includes works by Soviet composers // Musical. life. 1985. No. 15. S. 9.
  • 2. Aratov M. Familiar names on the disc // Chernomor. health resort. 1990. March 11.
  • 3. Vishnyakov Yu. Successes, problems, opinions // Sov. music. 1979. No. 4. S. 23-24.
  • 4. Blokhina N. Pupil of Khachaturian // Komsomolets Kuban. 1980. 13 Sept.
  • 5. Bezhin L. The authenticity of creativity // Chernomor. health resort. 1981. 8 Sept.
  • 6. Kolesnikov A. Harmony of simplicity // Komsomolets Kuban. 1981. 23 Sept.
  • 7. Korev Yu. P.S. [to art. P. Bely “More than a review. Composer's Notes"]// Sov. music. 1982. No. 10. S. 70-71.
  • 8. Kopylova T. “And the golden voice of the flute reaches every heart ...” // Sov. music. 1983. No. 9. S. 29.
  • 9. Ignatieva M. Sochi Strada. Notes on the first festival of Soviet music in a resort city // Sov. culture. 1984. June 26. S. 5.
  • 10. Bezhin L. And the word sounded like music // Chernomor. health resort. 1984. July 3.
  • 11. Blokhina N. World of high thoughts and feelings // Chernomor. health resort. 1984. 17 Oct.
  • 12. Ignatieva M. Poetry and simplicity // Musical. life. 1985. No. 3. S. 17.
  • 13. Zakharchenko V. It's time for maturity. Strokes to the portrait of the composer Peter Bely // Komsomolets Kuban. 1986. 5 Aug.
  • 14. Korev Yu. Our debts… // Sov. music. 1990. No. 11.
  • 15. Korev Yu. Non-capital roads ... Essay on the second // Musical. academy. 1998. No. 3-4. Book. second. S. 188.
  • 16. Kolesnikov A. The path of Peter the White // Musical. life. 2011. No. 4.
  • 17. Korev Yu. Loyalty to the song and to yourself // Musical. academy. 2004. No. 4. P. 91.
  • 18. Russian composer Pyotr Bely: booklet; comp. Yu.A. Firetag. - Sochi - Moscow, 2009.
  • 19. Faertag Y. Silence of music. Path of Peter the White. – M.: Composer. 2010. 408 p.
  • 20. Why is the music of Peter the White silent? // News of Sochi. Nov 13, 2010
  • 21. Korabelnikova L. Liberation of style // Culture. 2011. July 14.
  • 22. Faertag Yu. Notes and words // Bely P.S. Notes instead of words - words instead of notes. T. 1. - M.: OGI, 2017. P. 7.
  • 23. Faertag Yu. On the philosophical zones and philosophical remarks of Peter Bely // Bely P.S. Notes instead of words - words instead of notes. T. 2. - M.: OGI, 2017. S. 335.

in foreign languages

  • 24. Girard Anthony (France). Le festival “Musique du 21 siècle” de Sotchi ou L’indestructible spiritualitè russe // Lettres musicales. 1993. No. 140.
  • 25. Robinson Harlow (USA). The Sochi Festival probes the “big lie” // Modern Lan-guages. 1999. January/February.